Carte-de-visite photographs of soldiers in the 65th and 67th United States Colored Infantry Regiments during the American Civil War created in the studios of photographers in southern Louisiana, 1864-1867. The studio portraits primarily depict white officers in the regiments, but include a single double portrait of two African American enlisted men, First Sergeant Thomas Stafford and Private Gentry Emmerson, who served as a principal musician playing a fife, Officers from the regiments include Lieutenant Colonel Henry E. Losey, Captain and Regimental Quartermaster Pomeroy W. Laughlin, Captain Jordan J. D. Scales, Adjutant Albert F. Hunt, First Lieutenant Anson B. Mills, Second Lieutenant Lewis Merriam, and Second Lieutenant Hiram M. Roberts, and The photographers in southern Louisiana include Andrew D. Lytle, Baton Rouge; Frey & Olsen, Photographers, Morganza; Theodore Lilienthal's Photographic Gallery and J. W. Perry, both in New Orleans
Description:
The 65th Colored Infantry Regiment organized March 11, 1864. It performed garrison duty at Morganza, La., until May 1865 when it moved to Port Hudson, La., and performed garrison duty there and at Baton Rouge and in Northern District of Louisiana until January 1867. Mustered out January 8, 1867., The 67th Colored Infantry Regiment organized March 11, 1864. It moved from Benton Barracks, Mo., to Port Hudson, La., then to Morganza, La., and stayed there until June 1865. Consolidated with 65th Regiment, United States Colored Troops, July 12, 1865., Title devised by cataloger., and Manuscript inscriptions and signatures on the recto and verso of the photographic prints.
Subject (Geographic):
United States
Subject (Name):
Emmerson, Gentry., Hunt, Albert F., Laughlin, Pomeroy W., Lilienthal, Theodore, b. 1829., Losey, Henry E., Lytle, Andrew David, 1834-1917., Merriam, Lewis., Mills, Anson B., 1842-1915., Petty, J. W., b. 1834., Roberts, Hiram M., Scales, Jordan J. D., Stafford, Thomas., Frey & Olsen, Photographers., Theodore Lilienthal's Photographic Gallery., United States. Army. Colored Infantry Regiment, 65th (1864-1867)., and United States. Army. Colored Infantry Regiment, 67th (1864-1865).
Subject (Topic):
African American soldiers, Soldiers, History, African Americans, and Participation, African American
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
