"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
Title from item., Place of publication derived from printer's address., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title from item., Place of publication derived from street address., In image: h.D., Date supplied by curator., Above image: Croquis d'expressions No. 53., Published in Le Charivari, 7 April 1839., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert gal Véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Alcoholic beverages, Eating & drinking, Toasting, and Intoxication
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Theater.
Publisher:
Tilt and Bogue
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Gout, Diet, Alcoholic beverages, Older people, Bottles, and Medicines
The English sportsman sits in a chair with his feet supported on a stool, gun in hand. He wears a hat with an enormous brim. A negro servant stands behind him (right) holding up an umbrella and a branch to beat off flies. A negro boy approaches his master, who grins delightedly, with a huge goblet on a salver. Below the design: "Make haste with the Sangaree, Quashie, and tell Quaco to drive the Birds up to me, I'm ready". Under a palm-tree (left) is a table covered with food: a shoulder of mutton (?), fish, a sucking-pig, a round of bee(?). On the ground are many bottles, some on their sides, a basket of pineapples and limes (or lemons), and a row of large jars: 'Royal Punch 5 gal:', 'Sangaree 5 Gal:', 'Brandy', 'Rum' [on its side], 'Sangrorum 10 Gal' [extra-large and close to the sportsman]; also a much smaller jar of 'Water' [broken], and a number of empty bottles. In the middle distance a negro runs, driving birds towards the sportsman. Near him in the middle distance, a second sportsman reclines on a settee; a negress holds an umbrella over his head. The scene is a flat sunny plain, with distant hills. From British Museum online catalogue
Description:
Title from item., A satire on the decadence of Englishmen in West Indies, published shortly after the successful passage of Wilberforce's bill to abolish slavery., Description based on imperfect impression; sheet trimmed with loss of publisher's advertisement below title. From a more complete impression in the British Museum online catalogue, advertisement reads: London. Of Mr Holland may be had the following West India Prints, Johnny Newcome in the Island of Jamaica - A Grand Jamaica Ball - Martial Law in Jamaica - The Blessings of Jamaica - and a Segar Smoking Society in Jamaica 5s each - A large Portrait of Rachel Pringle of Barbadoes 7s 6 - Likewise Gillray's Sale of English Beauties in the East Indies 7s 6'., and For further information, consult library staff.
Publisher:
Published Novr. 1, 1807 by William Holland, No. 11 Cockspur Street, London
Subject (Geographic):
West Indies, British. and West Indies, British
Subject (Topic):
Slavery, Race relations, Alcoholic beverages, Game bird hunting, Leisure, Enslaved persons, and Umbrellas
A man with a gouty foot sits at a table on which a caraffe and decanter sit with a glass. The figure of the devil sits in an upholsered armchair grinning at the man as he pours a glass of liquid on his head. To their right a skeleton on a three-legged stool is engaged in conversation with a clergy man, both holding glasses of wine. Between the pairs above their heads is written, "A fig for sack & sherry, Our cans we'll clink. Our liquor we'll drink, And we'll be wonderous merry."
Description:
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Skeleton as death -- Demons & devils.
Publisher:
Pubd. by S.W. Fores, 50 Piccadilly
Subject (Topic):
Death (Personification), Gout, Alcoholic beverages, Devil, Physicians, Pitchers, Sick persons, Skeletons, Stools, and Undertakers
A man with a gouty foot sits at a table on which a caraffe and decanter sit with a glass. The figure of the devil sits in an upholsered armchair grinning at the man as he pours a glass of liquid on his head. To their right a skeleton on a three-legged stool is engaged in conversation with a clergy man, both holding glasses of wine. Between the pairs above their heads is written, "A fig for sack & sherry, Our cans we'll clink. Our liquor we'll drink, And we'll be wonderous merry."
Description:
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Skeleton as death -- Demons & devils., 1 print : etching on wove paper, hand-colored ; sheet 23.7 x 36 cm., and Imperfect; sheet trimmed within plate mark and mutilated in lower left and lower right corners, with partial loss of artist's signature and complete loss of printmaker's signature.
Publisher:
Pubd. by S.W. Fores, 50 Piccadilly
Subject (Topic):
Death (Personification), Gout, Alcoholic beverages, Devil, Physicians, Pitchers, Sick persons, Skeletons, Stools, and Undertakers
Title from text below image., Seven lines of text printed in letterpress below plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: seamen -- Ships: main deck -- Card-playing -- Dancing: reel -- Musical instrument: fiddle.
King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
"Heading to a printed broadside, a parody of Hamlet's soliloquy spoken by George IV, beginning 'To be or not to be? and ending 'I'd rather drink and revel here in secret, | Than fly | Where I might meet her face to face'. The King, much burlesqued, stands with legs astride on the boards of a theatre, framed by curtains patterned with grapes, bottles, glasses, crowns, and antlers. On the back-cloth are crude Chinese figures. He has a huge head, with heavy drink-blotched face crowned by the towering curls of his wig, and holds a full goblet and a bottle of Curaco. With an expression of calculating melancholy he meditates suicide, on account of 'The scorns and satire of an injur'd Nation', but fears to meet his wife's ghost."--British Museum online catalogue
Description:
Title printed in letterpress below image., Date of publication from the British Museum catalogue., Thirty-two lines of letterpress text beneath title, beginning: To be or not to be? That is the question ..., Price statement and publisher's advertisement following imprint: --Price 1s. coloured.--Where may be had "Hush-a-bye baby upon the tree top.", Mounted to 58 x 39 cm., Mounted on leaf 36 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in black ink below image; letters written in red ink within the blanks in the letterpress text, completing the censored words "York's," "Queen," "royal," and George." Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by I.L. Marks, 37, Prince's Street, Soho
Subject (Name):
Shakespeare, William, 1564-1616. and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Draperies, Bottles, Alcoholic beverages, and Drinking vessels
"Heading to a lithographed broadside. The interior of a boarded sty in which a great boar, with the head of George IV, lies upon straw, boar and straw being spotted with black. Castlereagh empties a bucket of brandy into an overflowing trough, while Sidmouth leans over the half-door to squirt the animal with his clyster-pipe (cf. British Museum Satires No. 9849). The former says: "Friend Sid-- the Augean Stables were nothing to clense, compar'd to this Stye!!!" Sidmouth: "Aye, my worthy Fellow Servant, you will find the Stye, your Masterpiece! and with all my care, I can't make this Beast appear decent, he is so cover'd with filth!!" The first and last of five verses: 'In fam'd Pell-Mell [Carlton House] is kept a Boar, Which no strong tie can bind, No Savage Beast e'er known before, Was like it in its kind: Its breech so large, 'twould fill a barge. Its craw much larger still; To fill which full, One Mister Bull Pays dear for Brardy-Swill! . . . This Brute, unlike all other Boars, A faithless treacherous he Befouls its stye, and wastes its stores With each foul Boorish She! While belching still, its foul-breathed will, Its true-mate's life it seeks; And in the stretch of beastly lech Each tie of Nature breaks!!!'."--British Museum online catalogue
Alternative Title:
Pell-Mell boar and the powers of brandy!
Description:
Title from text below image., Five numbered stanzas of verse below title: In fam'd Pell-Mell is kept a boar, Which no strong tie can bind ..., Three lines of text above imprint: The above hymn was written in a pious mood, on a saintly subject, and sung with pure devotion by a holy-assemblage of faithful worshippers ...., "Price one shilling"--Below imprint., Mounted to 58 x 39 cm., Mounted on leaf 89 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink below image; date "30 Sep. 1820" written in ink in lower right corner of sheet. The word "Suppressed" is written twice at bottom of sheet, once in ink in lower center (beneath price statement) and once in pencil in lower right. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. 30th Septr. 1820 by J. Griffin, outside Middle Row, Holborn, opposite Gray's Inn Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Pig houses, Boars, Straw, Pails, Alcoholic beverages, Troughs, and Medical equipment & supplies
Title and publisher from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Comité national contre le tabagisme. Comité national contre l'alcoolisme, 1960s, and Imprimerie Nouvelle, 76190 Yvetot
Subject (Topic):
Smoking, Antismoking movement, Alcoholism, Temperance, Flowers, Cigarettes, and Alcoholic beverages
"A stout John Bull sits in an arm-chair holding a long pipe in his left hand which rests on a circular table beside a glass and bottle of 'Coniac'. He looks up with an anxious scowl at an elderly man who stands (right), saying, "I 'am come again about the Taxes Sir - if agreeable to you to discharge them". The tax-collector holds a large open book, 'New Taxes for the Year 1796', [The last figure is doubtful] in which he writes with his left hand. He wears a hat in which a pen is thrust, an ink-bottle hangs from a button, in each pocket of his greatcoat is a large book, one being 'Additional Taxes on Window Lights'. Under his arm is another large book: '[T]axes Receipts Taxes'. Beside the taxpayer sits a dog, who glares up at the tax-collector with an expression resembling that of his master."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Not in J. Grego's Rowlandson the caricaturist., Lewis Walpole print 794.12.26.01: Title expanded in contemporary hand: Mr. Taxus or an unwelcome visitor to John Bull., and Watermark: Strasburg bend.
Publisher:
Publd. as the act directs by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Alcoholic beverages, Chairs, Dogs, and Pipes (Smoking)
Title from item., Date supplied by curator., In lower left corner is a logo with: TG, V.D. Control Poster No. 5, 1 S.C., In lower margin center: "Easy" but Deadly., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"A sketch of fish-wives with their baskets ranged on the pavement (left); behind are the masts and sails of vessels in Billingsgate dock. Facing them is an irate customer with a gouty leg, a fish-wife (right) fastens a flat fish to his wig, while a small urchin tugs at his coat-tails. He clenches his fist and waves his stick, shouting with indignation. Of the women opposite, one holds out a fish towards him, shouting, another laughs with hands on hips, a third lies on the ground drunkenly vomiting, the contents of her basket spilling. Behind stands a woman drinking from a bottle. All are gross and fat, their breasts bare."--British Museum online catalogue
Alternative Title:
Billingsgate
Description:
Title etched below image., Reissue, with imprint burnished from plate; traces of imprint still visible below title., Date of publication based on earlier state with the imprint "Pubd. Feby. 4, 1786, by E. Jackson, N. 14 Mary le bone Strt., Golden Square." Cf. British Museum online catalogue, registration no.: G,10.29., and Formerly mounted on leaf 30 of volume 1 of 14 volumes.
Social satire; officers in a tent around a table drink red wine, or punch from a bowl, smoke pipes and sing; one on the right has his arm in a sling, another waves his hat. Through the opening of the tent on the right, in the background are mounted soldiers and the British flag, and on the floor is a cannon and shot; below the image is the text of a song
Description:
Publication information from a copy in the British Museum online catalogue. See BM Registration number 2010,7081.860., Sheet trimmed within plate mark with loss of song verse and imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20th, 1794, by Laurie & Whittle, No. 53, Fleet Street, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Alcoholic beverages, Glassware, Interiors, Military camps, British, Military life, Soldiers, Tents, and Wine
Title etched below image., Theodore Lane collaborated with George and Charles Hunt on prints with non-political jokey subjects from 1825 to 1827; see British Museum online catalogue., Sheet trimmed within plate mark., Two lines of verse etched below title: Wine cures the gout, the colic and the phthisic. Wine it is to all men the very best of physic., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Cholic -- Wright, Charles.
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., Partial watermark top center of sheet., and Mounted to 28 x 38 cm.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24 x 34.2 cm., and Formerly mounted on leaf 72 of volume 1 of 14 volumes.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
"The King sits on a sofa with the fat Lady Conyngham on his knee, and one foot planted regally on a footstool; he flourishes a glass, spilling the contents; a broken bottle lies at his feet. Beside him (right) is a table with fruit and a decanter of 'Coniac'. She embraces him, kissing his cheek. Above: 'Georgy loves good Ale and Wine And Georgy loves good Brandy And Georgy loves his C--n--g--m As sweet as sugar Candy!!!'."--British Museum online catalogue
Alternative Title:
More cunning than cautious!!!
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 34 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham" and "Geo. IV" identified in ink below image; date "15 Dec. 1820" written in lower right.
Publisher:
Pub. Dec. 16, 1820, by S. Hough, 14 Dean Street, Fetter Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Kissing, Sofas, Stools, Drinking vessels, Bottles, and Alcoholic beverages
Titles etched below images., Two images on one plate, each individually titled., Date of publication from unverified data in local card catalog record., Publisher's advertisement following imprint: ... the completest collection in kingdom. Admit. 1 s., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, ca. 1790 -- Glass: wine bottles.
Publisher:
Pub. by S.W. Fores at his Caricatura Exhibition Rooms, N. 3 Piccadilly ...
Subject (Topic):
Eating & drinking, Alcoholic beverages, and Bottles
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Text at top of image: In love, in war, in drinking., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily.
Publisher:
Pubd. March 22nd, 1802, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Military uniforms, Daggers & swords, Clergy, and Alcoholic beverages
A man stands facing the viewer, a pipe in his left hand and a paper labelled "London Gazette" sticking out of the pocket of his coat. He gleefully points with his left hand to two bottles set on a drop-leaf table beside him. The room is decorated with a marble pilaster with Ionic capital
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., A copy in reverse after a print by John Collet published 9 November 1769 by Robert Sayer and John Smith. Cf. No. 4337 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate numbered "40" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Alcoholic beverages, Pipes (Smoking), and Staffs (Sticks)
In a room decorated with a marble pilaster with Ionic capital, a corpulent gentleman holding a stick stands to the left of a table pointing gleefully to the two pineapples and three bottles -- labeled "Burgt", "Claret", and Chamne." -- that are set upon it. In his pocket is a rolled piece of paper with the words "An humble address to the K[ing]". On the wall behind him (right) in an ornate frame is a portrait of the Earl of Bute. This satire was issued at time of public excitement around the presentation of addresses to the King, and on the other hand, "Petitionos and Remonstrances". The portrait of the Earl of Bute indicates his alleged secret influence. See British Museum catalogue
Description:
Title engraved below image. and Sheet trimmed within plate mark on left edge.
Publisher:
Published as the act directs Novr. 9th, 1769, by Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
Subject (Geographic):
Great Britain
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792,
Subject (Topic):
Politics and government, Alcoholic beverages, Pictures, and Staffs (Sticks)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., and Watermark: Smith & Allnutt 1819.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Imperfect; sheet trimmed within plate mark on top and bottom edges, with partial loss of title and possible loss of imprint from bottom edge., and Leaf 15 in volume 4.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
Title from item., Place of publication derived from street address., In image: h.D., Date supplied by curator., Above image: Silhouettes. No. 4., Published in Le Charivari, 20 December 1840., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Bauger Rue du Croissant 16 and Imp. d'Aubert & Cie
Subject (Topic):
Alcoholic beverages, Housekeeping, Eating & drinking, Women domestics, and Dusting
Title from item., Date derived from series dates., Place of publication derived from language of text., Below image: Par Gavarni., Above image: Les Etudians de Paris. 11., Originally published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Headache.
Publisher:
publisher not identified
Subject (Topic):
Migraine, Drinking of alcoholic beverages, Medical students, Drugs, Prescribing, Sick persons, Headaches, Alcoholic beverages, and Students
Title from item., Place of publication derived from street address., In image: h.D. 514., Date supplied by curator., Above image: Le Chapitre des Interprétations. 2., Published in Le Charivari, 9 September 1843., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Pannier, R. du Croissant 16 and Imp. d'Aubert & Cie
Title from item., Artist and date supplied by curator., Place of publication derived from street address., Above image: L'imagination. No. 7., Originally published in Le Charivari, 18 June 1833., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Alcohol.
Publisher:
L. de Bénard rue de l'Abbaye, No. 4 and On s'abonne chez Aubert galerie véro dodat
Title from item., In margin top right: Imagerie d'Épinal, No. 926., Date supplied by curator., and Temporary local Medical Library subject terms: Devils & demons; Panaceas.
Publisher:
Imagerie Pellerin
Subject (Topic):
Quacks and quackery, Devil, Miracle workers, Miracles, Wine, Alcoholic beverages, Medicine shows, Patent medicines, Barrels, Spectators, Contests, Eating & drinking, and Death
Title from item., Date supplied by curator., Published in Le Charivari, 26 February 1841., Above image: Types Parisiens. 40., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. A. Aubert & Cie
Subject (Topic):
Drinking of alcoholic beverages, Alcoholic beverages, Servants, Eating & drinking, Sweeping & dusting, Brooms & brushes, and Bottles
Title from item., Date derived from printmaker's date of death., Above title: Satyrisches Bild; No.88., J. Cajetan is a pseudonym of Anton Elfinger., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Dining.
Publisher:
im Bureau der Theaterzeitung, Rauhensteingasse No.926
Title from item., Date of publication derived from date of original work., Copy after Boilly's print by the same name., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Drunkenness; Alcoholic beverages.
Title from item., Date supplied by curator., Printmaker is anonymous or Ganiére., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Ganiere ex ave Privil
Subject (Topic):
Health behavior, Fish traps, Hospitals, Prostitution, Gambling, and Alcoholic beverages
"A satire on the folly of marriage where the two parties are of a dissimilar age, and on the sexual opportunism of young military office. An elderly magistrate has fallen asleep sitting beside a table on which are glasses, pipes and two bottles, one labelled “Port” in front of an empty grate. He holds a copy of “Compleat JUSTICE”, showing him to be a Justice of the Peace, and a paper protrudes from his pocket lettered “-him for a Trepass on...”. On a bracket table behind him are “BURNS JUSTICE”, a paper lettered “Stealing a Hare” and another “Mid to Wit...”. On the wall over his head is a stag’s head with antlers alluding to his cuckoldry. On the other side of the fireplace, watching him, his pretty young wife sits beside an army officer who caresses her. The officer’s hat hangs on the wall behind them. On the mantelpiece are two oriental style jars and a figure of Budai,” the smiling Buddha” and over these is a gun suspended upside down.."--British Museum online catalogue
Description:
Title from item., Sheet partially trimmed within plate mark., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Topic):
Adultery, Alcoholic beverages, Bottles, Chairs, Drinking vessels, Firearms, Fireplaces, Furnishings, Interiors, Marriage, Military officers, British, Parlors, and Tables
"The King sits on a sofa with the fat Lady Conyngham on his knee, and one foot planted regally on a footstool; he flourishes a glass, spilling the contents; a broken bottle lies at his feet. Beside him (right) is a table with fruit and a decanter of 'Coniac'. She embraces him, kissing his cheek."--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Another version, perhaps a copy, of a print by William Heath entitled "Georgy's delight, or, More cunning than cautious!!!" that was published 16 December 1820 by S. Hough. See no. 14018 in the Catalogue of prints and drawings in the British Museum, v. 10., Sheet trimmed to plate mark leaving thread margins., Four lines of verse beneath title: Georgy loves good ale and wine, And Georgy loves good brandy, And Georgy loves his C-n-g-m, As sweet as sugar candy., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 40 x 28 cm on a piece of thick wove paper, the whole then mounted to 58 x 39 cm., Mounted on leaf 10 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Dated "1820" in black ink in lower right margin.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Kissing, Sofas, Stools, Drinking vessels, Bottles, and Alcoholic beverages
"Queen Caroline, much burlesqued, stands (left) in the grounds of Brandenburgh House, looking up in angry distress at an irradiated sun in the upper right corner of the design containing a bust portrait of George IV and surmounted by a crown. She flinches to the left, holding up an ermine-bordered cloak to screen herself from the rays. In her right hand is a decanter of Brandy [cf. British Museum Satires No. 14175]. She has loose black ringlets, and wears a heavily-feathered black cap; frilled drawers are attached to a very high-waisted and décolletée bodice and display absurd ankle boots with the turned-up toes common in these prints. The rays from the King are inscribed: Westmorland, Camden, Eldon, Liverpool, Harrowby, Clarence, Gifford, Copley. In the background (right) is Alderman Wood, wearing his gown, running towards her, his arms extended, and followed by two braying asses. In the foreground are thistles, like the asses an emblem of Wood, see British Museum Satires No. 14146."--British Museum online catalogue
Alternative Title:
Address to the Sun
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text beneath title: To thee I call but with no friendly voice, and add thy name O K--g. To tell thee how I hate thy beams, that bring to my remembrance from what state I fell., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," and "George IV" identified in pencil below image; date "8 [sic] June 1821" written in ink in lower right corner of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Westmorland, John Fane, Earl of, 1784-1859., Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Eldon, John Scott, Earl of, 1751-1838., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Harrowby, Dudley Ryder, Earl of, 1762-1847., William IV, King of Great Britain, 1765-1837., Gifford, Robert Gifford, Baron, 1779-1826., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Sun, Crowns, Miniatures (Paintings), Alcoholic beverages, Donkeys, and Feathers
"Satire on George IV who sings while Lady Conygham plays at the organ; at the side a table laden with decanters of drink."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 30 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Eliz. Conyngham" identified in black ink below image.
Publisher:
Pub. July 2, 1820, by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Organs, Singing, Tables, Bottles, Alcoholic beverages, Hats, and Pineapples
Title etched below images., Date supplied by curator., Above images: Caricatures Anglaises. No. 11., After Rowlandson. See Print00176., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Vallardi, Boulevard Poissonière, No. 5; Déposé à la Direction
Subject (Topic):
National characteristics, Bartenders, Medicines, Alcoholic beverages, Lemons, Physicians, and Medical equipment & supplies
Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Digit "6" in day of publication "26" in imprint is etched backwards., Sheet trimmed to plate mark., Four lines of verse in two columns below title: To brandy I flew to seek relief, but he's ne'er the less before me, ah no, no, no, brandy cannot cure, the pains I endure for Bergami., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Digit "6" in day of publication "26" in imprint is etched backwards., Sheet trimmed to plate mark., Four lines of verse in two columns below title: To brandy I flew to seek relief, but he's ne'er the less before me, ah no, no, no, brandy cannot cure, the pains I endure for Bergami., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple and roulette ; sheet 29.8 x 20.7 cm., Printed on wove paper., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 100 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Ald. Wood" identified in ink below image; date "26 July 1821" written in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
Titles etched below images., Shortshanks is the pseudonym of Robert Seymour., Date of publication from unverified data in local card catalog record., Two designs on one plate., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Demons and devils., 1 print : etching, hand-colored ; sheet 222 x 313 mm., and Sheet trimmed within plate mark.
Titles etched below images., Shortshanks is the pseudonym of Robert Seymour., Date of publication from unverified data in local card catalog record., Two designs on one plate., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Demons and devils.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., 1 print : etching ; sheet 22 x 33.9 cm., Printed on wove paper with watermark "J. Whatman"., Sheet trimmed within plate mark., Window mounted to 23.6 x 35.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Dec. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Caricature of George IV in the Brighton Pavilion, sitting on a sofa next to Marchioness Conyngham and groping her; he has an amourous look on his face, while she looks unamused. A portrait of Queen Caroline hangs on the wall behind them, her face obscured by a purse(?) hanging from above the picture frame. An older woman (Lady Warwick?) stands on the right by an open door, glancing over sideways at the scene and saying "I shall retire: is Warwick come to this? Oh this Cunning-- poor Hertford, ho[w] I pity her well may she exclaim false Lothario." Roses are seen through the doorway on the right; a round table with decanters of 'Brandy' is seen on the left, in front of a large window with curtains
Alternative Title:
Peep into the Chinese temple
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other item) on leaf 12 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Marchioness Cunningham" and "Lady Warwick" are identified in brown ink in lower margin. Date "May 1820" written in lower right, in black ink.
Publisher:
Pubd. May 1820 by S.W. Fores, Piccadilly corner of Sackville St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Royal Pavilion (Brighton, England)
Title from item., Date supplied by curator., Place of publication derived from street address., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by G.S. Tregear 96 Cheapside and Printed by W. Clerk 202 High Holborn
Subject (Topic):
Hangover, Hangover cures, Sick persons, and Alcoholic beverages
"PHYSICORUM: An old man's elongated head, wearing the old-fashioned wig of a doctor. To this is attached a garland of bunches of labelled medicine-bottles and pill-boxes. The 'Drafts are sleeping, purging, composing, emollient, opening, soporific, strength[ening]'. Below are clyster-pipe, syringe, decanter of 'Restorative Drops', and 'Priscription Puffs'. NUNINA: The head of a nun with up-cast eyes. Below are a crowned skull, hourglass, scourge, crucifix, rosary, and book. PUBLICORUM: The jovial drink-blotched head of a publican. To it are attached pipes, 'Tobacco Box', bottles of 'Rum', 'Brandy', and 'Rack'; a tankard; at the base is a punch-bowl filled with lemons."--British Museum online catalogue
Description:
Titles etched below images., Printmaker from the British Museum catalogue and Grego., Plate numbered 'No. 3' in upper right corner., Temporary local subject terms: Publicans -- Doctors' wig -- Medical instruments: clyster-pipe -- Syringe -- Medicine bottles -- Pill boxes -- Crowned skulls -- Rosaries -- Pipes -- Tankards -- Punch-bowls -- Spirits: brandy -- Rum -- Beverages: 'Rack.', Temporary local Medical Library subject terms: Physicians caricatured., and Watermark: Russell & Co. 179[8 or 9].
Publisher:
Pub. 15 Augt. 1800 by R. Ackermann at his Repository of the Arts, 101 Strand
Subject (Topic):
Physicians, Nuns, Wigs, Medical equipment & supplies, Medicines, Skulls, Hourglasses, Crucifixes, Pipes (Smoking), Tobacco products, Drinking vessels, and Alcoholic beverages
