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1.
The dance on Dun-Can [graphic].

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[15 May 1786]
Call Number:
Auchincloss Rowlandson v. 2
Image Count:
1
Resource Type:
still image
Abstract:
"Boswell and two men in Highland dress dance a Highland fling on the summit of a low mountain, with the sea and a low spur of land on the horizon. Boswell, full-face, capers; his wig and pendant ink-pot with the pen in it, stream in the wind. He flourishes his 'Journal'; his left hand is in that of one of his companions (right); the other (left) dances a 'pas seul' looking at Boswell; both hold long sticks. A piper on the extreme left, standing just below the summit of the hill, plays the pipes."--British Museum online catalogue
Alternative Title:
Dance on Duncan
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "Old Mr. Malcolm McCleod who had obligingly promised to accompany me was at my bed-side between five & six, I sprang up immediately ..." Vide Journal p. 192., Sheet trimmed within plate mark., 1 print : etching on laid paper ; sheet 23.3 x 25.4 cm., Sheet trimmed within plate mark resulting in loss of imprint statement., and Mounted on leaf 66 of volume 2 of 14 volumes.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Geographic):
Scotland. and Scottish.
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Subject (Topic):
Bagpipes, Musicians, Costumes, and Folk dancing
Found in:
Beinecke Rare Book and Manuscript Library > The dance on Dun-Can [graphic].

2.
The dance on Dun-Can [graphic].

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[15 May 1786]
Call Number:
Auchincloss Rowlandson v. 2
Image Count:
1
Resource Type:
still image
Abstract:
"Boswell and two men in Highland dress dance a Highland fling on the summit of a low mountain, with the sea and a low spur of land on the horizon. Boswell, full-face, capers; his wig and pendant ink-pot with the pen in it, stream in the wind. He flourishes his 'Journal'; his left hand is in that of one of his companions (right); the other (left) dances a 'pas seul' looking at Boswell; both hold long sticks. A piper on the extreme left, standing just below the summit of the hill, plays the pipes."--British Museum online catalogue
Alternative Title:
Dance on Duncan
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "Old Mr. Malcolm McCleod who had obligingly promised to accompany me was at my bed-side between five & six, I sprang up immediately ..." Vide Journal p. 192., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 26.2 x 26.2 cm, on sheet 27.9 x 31.1 cm., and Mounted on leaf 66 of volume 2 of 14 volumes.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Geographic):
Scotland. and Scottish.
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Subject (Topic):
Bagpipes, Musicians, Costumes, and Folk dancing
Found in:
Beinecke Rare Book and Manuscript Library > The dance on Dun-Can [graphic].

3.
The dance on Dun-Can [graphic].

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[15 May 1786]
Call Number:
786.05.15.10+
Image Count:
1
Resource Type:
still image
Abstract:
"Boswell and two men in Highland dress dance a Highland fling on the summit of a low mountain, with the sea and a low spur of land on the horizon. Boswell, full-face, capers; his wig and pendant ink-pot with the pen in it, stream in the wind. He flourishes his 'Journal'; his left hand is in that of one of his companions (right); the other (left) dances a 'pas seul' looking at Boswell; both hold long sticks. A piper on the extreme left, standing just below the summit of the hill, plays the pipes."--British Museum online catalogue
Alternative Title:
Dance on Duncan
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "Old Mr. Malcolm McCleod who had obligingly promised to accompany me was at my bed-side between five & six, I sprang up immediately ..." Vide Journal p. 192., Sheet trimmed within plate mark., and In mss. lower left corner: E-157.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Geographic):
Scotland. and Scottish.
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Subject (Topic):
Bagpipes, Musicians, Costumes, and Folk dancing
Found in:
Lewis Walpole Library > The dance on Dun-Can [graphic].

4.
[Campbell's concert] [graphic]

Creator:
Kay, John, 1742-1826, printmaker
Published / Created:
1786.
Call Number:
786.00.00.01
Image Count:
1
Resource Type:
still image
Abstract:
The figures are identified as John Campbell and Alexander Campell, with the Edinburgh character Baillie Duff, a blind Irish piper, Meek, and a fish-horn blower. This print was produced in response to Alexander Campbell's publication of a print that satirized John Kay, "A Medley of Musicians"; cf. British Museum catalogue
Alternative Title:
Let puppy's bark and asses bray, each dog and cur will have his day
Description:
Title from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
Scotland and Edinburgh.
Subject (Name):
Campbell, John, -1795. and Campbell, Alexander, 1764-1824.
Subject (Topic):
Bagpipes, Organ grinders, Donkeys, and Dogs
Found in:
Lewis Walpole Library > [Campbell's concert] [graphic]

5.
The wedding day [graphic]

Creator:
Heath, Henry, active 1824-1850, printmaker
Published / Created:
published June 28, 1827.
Call Number:
827.06.28.01+
Image Count:
1
Resource Type:
still image
Abstract:
"The fat, moustached, Duchess of St. Albans and the slim Duke dance with vigour and agility, each poised on the left toe, arms interlaced, and hands meeting above their heads. From the Duchess's small coronet rise giant ostrich feathers which curve above the heads of both and above which a big ducal coronet is suspended. He sings: My Wife shall dance, And I will sing so merry we'll pass this day. She: For I hold it one of the wisest things to drive dull care away. The musicians are two cynical cupids; one (left) sits on large sacks of sovereigns inscribed Cash; coins pour from a slit in a sack and lie on the carpet with a banker's money-scoop. He fiddles: Money in both pockets. The other (right), seated on the apex of a huge melon from which a slice has been cut, plays bagpipes: And auld Robin Gray [Coutts] was a gued Old Man to me! with variations."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to/within plate mark., and A faint impression on the verso.
Publisher:
publisher not identified
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
Subject (Topic):
Bagpipes, Coins, Couples, Cupids, Dance, Melons, Musicians, Violins, Weddings, and Wedding clothing & dress
Found in:
Lewis Walpole Library > The wedding day [graphic]

6.
Burnt out and no mistake [graphic]

Creator:
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians and chancellor after the woolsack fire, begging for money to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "59" in brown ink in top center portion of design., and No. 59.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Politicians, Pleading (Begging), Poor persons, Bagpipes, and Cats
Found in:
Lewis Walpole Library > Burnt out and no mistake [graphic]

7.
Triumph of love and folly [graphic]

Creator:
Elmes, William, active 1797-1820, printmaker
Published / Created:
[24 April 1812]
Call Number:
824.04.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
Found in:
Lewis Walpole Library > Triumph of love and folly [graphic]

8.
Le mort [graphic].

Creator:
Doyle, John, 1797-1868, printmaker
Published / Created:
Augt. 11, 1829.
Call Number:
829.08.11.01+
Image Count:
1
Resource Type:
still image
Abstract:
King George IV and the Marchioness of Conyngham grieve over the body of a dead giraffe, which had been sent to them by Mehmet Ali, Pasha of Egypt. There is a black mourning border around the image. Left, two Nubians lament. Right, the Lord Chancellor Lord Eldon plays a dirge on the bagpipes (the King called him "Old Bags" because of the purse containing the Privy Seal carried by the Lord Chancellor), while next to him are a pillbox and a prescription signed "Abe[rne]thy", representing unsuccessful medicine for the giraffe
Description:
Title from text below image., Two lines of text beneath title: Suppose and suppose the giraffe it should die, Old Bags he should play over him, we'd sit down and cry., and Matted to: 32.5 x 41.6 cm.
Publisher:
Published by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Eldon, John Scott, Earl of, 1751-1838, Abernethy, John, 1764-1831., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Eldon, John Scott, Earl of, 1751-1838., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Giraffe, Pets, Death, Bagpipes, Medicines, Bagpipe, Medicine, Giraffes, and Grief
Found in:
Lewis Walpole Library > Le mort [graphic].

9.
Funeral of the Constitution [graphic].

Creator:
Cruikshank, Robert, 1789-1856, printmaker
Published / Created:
[March 1829]
Call Number:
Folio 75 Sa85 810
Collection Title:
Lain in. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Subject (Topic):
Catholic emancipation, Cemeteries, Gravedigging, Skulls, Funeral processions, Coffins, Crowns, Miters, Monks, Bagpipes, Torches, and Fires
Found in:
Lewis Walpole Library > Funeral of the Constitution [graphic].

10.
John Bull learning a new movement against the next campaign [graphic].

Creator:
Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:
[21 March 1799]
Call Number:
799.03.21.01+
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
Found in:
Lewis Walpole Library > John Bull learning a new movement against the next campaign [graphic].

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