Page 180. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Artist's name and date written in ink on verso, in a contemporary hand., Two small decorative designs in ink, on separate sheets, are mounted above and below drawing., and Mounted on page 180 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Volume 2, page 91. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A woman walks between two children, her left hand grasping one handle of a basket laden with flowers while the young girl walking beside her grasps the other handle with both hands. She looks down to the left at the boy walking on her right side; he balances a basket of fish on his head. Grass is seen on the path in the foreground; a tower is visible in the background
Alternative Title:
Carrying flowers
Description:
Title devised by cataloger., Sheet trimmed to plate mark., and Mounted on page 91 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pubd. March 20, 1795, by W. Dickinson, No. 53 Piccadilly
Volume 2, page 91. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Two women walk holding the ends of a stick stretched between them, from which a large basket loaded with grapes is suspended. A young girl walks to the left of them, absorbed in the bunch of grapes she holds in front of her face. Greenery and a distant village are seen in the background
Alternative Title:
Carrying grapes
Description:
Title devised by cataloger., Sheet trimmed to plate mark., and Mounted on page 91 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pubd. March 20, 1795, by W. Dickinson, No. 53 Piccadilly
Volume 2, page 62. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man in a cap sitting on a basket, smoking a pipe, a tankard in his hand, resting on his crossed legs, his right arm draped over the back of a chair at left, his hat fallen on the ground beside; circular design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Early state, before addition of title and before alterations to publication year and publisher's street address in imprint. Cf. British Museum online catalogue, registration no.: 1873,0712.440., Sheet trimmed to plate mark., Mounted on page 62 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title written in ink below image, in a contemporary hand: The repose.
Publisher:
Publish'd as the act directs April 7th, 1787, by J. Jones, No. 63 Great Portland Street
Subject (Topic):
Chairs, Baskets, Drinking vessels, and Pipes (Smoking)
Title and date supplied by curator., Questionable attribution to Bunbury from unverified data in local card catalog record., Sheet trimmed to a circular shape with possible loss of image and text., and Mounted on page 95 of: Bunbury album.
Titles supplied by curator., Date and place of publication derived from printing process, patented in 1852, and heavily used in the 19th century., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Nuns as nurses, Pharmacists, Drugstores, Drugs, Girls, Children, Baskets, Nuns, and Medicines
Volume 2, page 97. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing with a basket on her crossed arms, returning the smile of a fat monk at left with a contemptuous expression; after Bunbury."--British Museum online catalogue, description of a later state
Alternative Title:
Monk and a young maid
Description:
Title from British Museum online catalogue., Early state, before title and imprint statement added. For a later state with imprint present, see British Museum online catalogue, registration no.: 1906,0419.125., Publication information from imprint on later state: London, Publish'd June 1st, 1790, by W. Dickinson, engraver, Bond Street., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 97 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Wash drawing depicting a plainly dressed woman holding the hand of her small child while buying goods from a street vendor. The vendor is scooping goods from a large portage basket strapped to his horse and weighing the purchase in a two pan beam balance scale
Description:
Title devised by cataloger. and Drawing dated from Bruce Robertson's The art of Paul Sandby,1985, fig. 121.
Subject (Topic):
Baskets, Children, Mothers, Scales, and Street vendors
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 20th Jany. 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 95. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman in rustic dress, walking to left, twisting slightly from the viewer but with her head in profile, a large basket in her right hand, swinging her left arm ahead of her as she moves, wearing a mob-cap, with her apron looped up into her waist-band; after Bunbury; one of a set."--British Museum online catalogue
Description:
Title devised by curator., Sheet trimmed to plate mark., and Mounted on page 95 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 95. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman in rustic dress, walking to left, twisting slightly from the viewer but with her head in profile, a large basket in her right hand, swinging her left arm ahead of her as she moves, wearing a mob-cap, with her apron looped up into her waist-band; after Bunbury; one of a set."--British Museum online catalogue
Description:
Title devised by curator., Variant (early?) state lacking publication line. For a state with "Publish'd 20th Jany. 1774" scratched in lower left corner of plate, see British Museum online catalogue, registration no.: 1878,0511.819., Sheet trimmed to plate mark., Mounted on page 95 of: Bunbury album., and 1 print : etching and drypoint in sepia ink on laid paper ; sheet 24.8 x 17.1 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 95. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman in rustic dress, walking to left, twisting slightly from the viewer but with her head in profile, a large basket in her right hand, swinging her left arm ahead of her as she moves, wearing a mob-cap, with her apron looped up into her waist-band; after Bunbury; one of a set."--British Museum online catalogue
Description:
Title devised by curator., Variant (early?) state lacking publication line. For a state with "Publish'd 20th Jany. 1774" scratched in lower left corner of plate, see British Museum online catalogue, registration no.: 1878,0511.819., Sheet trimmed to plate mark., and Mounted on page 7 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"A young woman selling nosegays from a basket on her right arm, and with a book in the other hand."--British Museum online catalogue
Alternative Title:
Messieurs, achetter des bouquets pour rejouir votre odorat
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Fourth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "4" in lower right corner.
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A young gardener, fashionably dressed, stands holding a spade in his right hand and a rake in his left. A basket sits on the ground in front of him
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Ten lines of text below title: Because no man has more business upon Earth, and he always chuses good grounds for what he does. He commands his thyme, he his master of the mint ..., Plate numbered "V. 2" in upper left corner and "24" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Gardeners -- Tools: Spade -- Conundrums., and First of two plates on leaf 61.
Publisher:
Pubd. Decemr. 1st, 1773, by MDarly, (39) Strand, according to act
Subject (Topic):
Dandies, British, Young adults, Shovels, Rakes (Agricultural equipment), and Baskets
Volume 2, page 64. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A woman and a girl walk in a country landscape, the former carrying a jug in her arms and the latter balancing a basket atop her head
Alternative Title:
Welsh peasants
Description:
Title from text below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., and Mounted on page 64 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Augst. 20th, 1788, by W. Dickinson, engraver, Bond Street
Volume 2, page 64. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Three figures, two women and a boy, walk in a country landscape. The woman at center balances a basket atop her head, while the woman on the right balances a jug atop hers. On the left, the boy struggles to carry a basket in both arms
Alternative Title:
Welsh peasants
Description:
Title from text below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., and Mounted on page 64 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Augst. 20th, 1788, by W. Dickinson, engraver, Bond Street
A man selling watercress, from a basket, in Hanover Square
Alternative Title:
Watercresses
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Phillips, R. Modern London., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note in ink above image: Hanover Square.
Publisher:
Published April 25, 1804 by Richard Phillips, 71 St. Pauls Church Yard
Subject (Geographic):
Hanover Square (London, England)
Subject (Topic):
Baskets, City & town life, Peddlers, and Vegetables
Leaf 16r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A night scene on a city street: a young woman, holding a basket on her arm and carrying another basket on her back meets a watchman who carries a lantern
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Baskets, Watchmen, and Lanterns
Young cub attended by the clerks of the Admiralty at Arthurs
Description:
Title from text below image., Publication place and date from British Museum catalogue., Sheet trimmed within plate mark., Illustration to a letter describing Charles James Fox's gambling proclivities while in the post of the Lord of the Admiralty., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 8, p. 28., and Temporary local subject terms: Clubs: Arthur's -- Domestic service: scullion boy -- Reference to the Lord of Admiralty -- Admiralty clerks -- Reference to Hoyle.
"An old blind man being guided to right by a young boy, holding a basket full of books, while the boy looks towards the viewer."--British Museum online catalogue
Alternative Title:
Libraire embulant : ayer pitié du pauvre aveugle ...
Description:
Titles in English and French etched below image., Signed and dated by the printmaker in lower right corner of image., Publisher from first plate in series., Sixth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "6" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Bookselling, Street vendors, Blind persons, and Baskets
Leaf 72. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and imprint statement., Restrike. For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374., and On leaf 72 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Purcell, Richard, approximately 1736-approximately 1765, printmaker
Published / Created:
[not after 1768]
Call Number:
765.00.00.89+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image. and Richard Purcell signed his works, among other names, as Charles Corbutt. See Bénézit's Dictionaire critique et documentaire des peintres, ... v. 11, p. 302.
Publisher:
Printed for Robt. Sayer, Map & Printseller at No. 53 in Fleet Street
Subject (Topic):
Baskets, Fireplaces, Sewing, and Sewing equipment & supplies
Volume 2, page 94. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A pretty fisherwoman (?) kneeling by a basket is approached by a sailor to right, and a soldier bending over her, a younger sailor looming behind the latter taps him on the shoulder."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a mention of the reissued set of plates published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 94 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
A maid seated at a table and petting a cat, is flirting with a footman leaning with his arms on the back of her chair. A large knife lies on the table pointing at the pair; next to it, below a basket full of sheets, hangs a piece of paper inscribed, The pride & vanity of a footman. In the background, another maid, busy mending a garment, looks at them with disapproval and jealousy. Behind on the wall hangs a shelf with plates and a jug
Description:
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: maidservants -- Footman -- Furniture: chairs -- Dish rack -- Romantic jealousy -- Domestic life., and Mounted to 18 x 20 cm.
"Heading to engraved verses (which survive as a nursery rhyme) ... The woman stands at her cottage door, with her petticoats cut off to the knee. Her little dog barks at her. Behind (left) stands the pedlar, grinning, his box strapped to his shoulder. The verses end: 'He began to bark & she began to cry, Lord ha mercy on me, this is none of I, fal de ral.'"--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Twenty lines of verse below title: There was a little woman as I've heard tell, she went to market her eggs for to sell, fal de ral, &c..., and Plate numbered '498' in the lower left corner.
Publisher:
Publish'd Octr. 29, 1805 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dwellings, Doors & doorways, Baskets, Eggs, Dogs, and Peddlers
Volume 2, page 79. Etchings by Henry William Bunbury, Esq. and after his designs. Page 19. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl kneeling before a fence with a dog beside her, a goose in the basket which she holds in her right hand; after Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Mounted on page 19 of: Bunbury album., and 1 print : stipple engraving, etching, and engraving on laid paper ; sheet 43.3 x 32.7 cm.
Publisher:
Publish'd June 1st, 1791, by W. Dickinson, No. 24 Old Bond Street
Volume 2, page 79. Etchings by Henry William Bunbury, Esq. and after his designs. Page 19. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl kneeling before a fence with a dog beside her, a goose in the basket which she holds in her right hand; after Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., and Mounted on page 79 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd June 1st, 1791, by W. Dickinson, No. 24 Old Bond Street
Volume 2, opposite page 284. Memoirs of Count Grammont.
Image Count:
1
Resource Type:
still image
Abstract:
A young woman shown full-length, facing left, with a basket of oranges hanging from her left elbow
Description:
Title etched below image., Sheet trimmed to plate mark., "No. 19"--Upper left corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 37 x 28 cm., and Bound in opposite page 284 in volume 2 of an extra-illustrated copy of: Hamilton, A. Memoirs of Count Grammont. London : S. and E. Harding, [1793?].
Publisher:
Publish'd as the act directs Aug. 12, 1772, by Picot & Co. in St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Peddlers, Baskets, and Oranges
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., Mounted on page 83 of: Bunbury album., 1 print : etching on laid paper ; sheet 17.9 x 20.9 cm., and Sheet trimmed to plate mark.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., and Watermark, trimmed.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
A pretty young maid seated at a table is flirting with a footman leaning with his arms on the back of her chair. She is petting a cat; two kittens are playing in a basket on another chair. In the background, another maid, busy mending a garment, looks at them with disapproval and jealousy. Behind on the wall hangs a shelf with plates, a warming pan and a placard (playbill?) entitled, "The Rival Maids."
Description:
Title from item., Four lines of verse in two columns on sides of title: His lordship loves the amourous game; His gadding lady does the same ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Domestic service: maidservants -- Footman -- Furniture -- Dish rack -- Warming pan -- Romantic jealousy -- Domestic life -- Dishes: forks and spoons.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, London
Subject (Topic):
Women domestics, Servants, Envy, Baskets, Cats, Chairs, and Tables
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature with a distraught lover interrupted by a seller of eels."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1991,0615.101., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Two lines of dialogue below title: Bill, Bill, you'll break my tender heart, that's what you will ..., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket and Field & Tuer
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
Volume 1, page 4. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A maid standing in a landscape with an empty basket in hand, looking out longingly, another behind her bends down to pick up a pail, in the distance across fields a steeple at left and cottage at right; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.2971., Sheet trimmed to plate mark., Two lines of verse etched below title: No care, but love, can discompose her breast. Love, of all cares, the sweetest, and the best., and Mounted on page 4 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
The country girl's policy: or, the Cockney outwitted and Cocknies outwitted to a pleasant new tune
Description:
Verse - "All you that are to mirth inclin'd". - In four columns with the title and two woodcuts above the first two; the columns are separated by ornamental rules., Imprint below the third and fourth columns., Date from ESTC., Mounted on leaf 21. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at the printing office in Stonecutter Street, Fleet Market
"A lean man (right) wearing a doctor's tie-wig, is running from left to right to escape from a watchman who stands (left) springing his rightattle. On the ground is a basket or hamper, the lid of which has fallen open to show the body of a young woman in a shroud. A short irate man (centre) points at the escaping figure, turning towards the lean aged watchman, who holds in his left hand a large lantern, and a tall stick, whose head is carved to represent a head. In the watchman's hat, which is tied on with a scarf, is a tobacco pipe in full blast. The fleeing Anatomist holds a tall cane in his left hand; under his left arm is a dilapidated skull. He has dropped a paper inscribed "Hunter's Lectur[es]", showing that he is Dr. William Hunter (1718-83), the great anatomist. He built a house (1770) in Great Windmill Street to which were attached a dissecting room, lecture room, and a large museum, see British Museum Satires No. 6128. The caricature deals with the body-snatching for the sale of corpses to surgeons, which went on to a considerable extent in this period."--British Museum online catalogue
Description:
Title etched above image; the word "in" after "watch" has been mostly burnished from plate., Printmaker from British Museum catalogue., Eighth plate in the series: Nature display'd both serious and comic in 12 designs dedicated to S. Foot Esqr., Plate numbered '8' in upper right corner., Temporary local subject terms: Medical., 1 print : etching ; sheet 270 x 402 mm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Hunter, William, 1718-1783
Subject (Topic):
Grave robbing, Anatomists, Lanterns, Watchmen, Staffs (Sticks), Baskets, and Dead persons
"A lean man (right) wearing a doctor's tie-wig, is running from left to right to escape from a watchman who stands (left) springing his rightattle. On the ground is a basket or hamper, the lid of which has fallen open to show the body of a young woman in a shroud. A short irate man (centre) points at the escaping figure, turning towards the lean aged watchman, who holds in his left hand a large lantern, and a tall stick, whose head is carved to represent a head. In the watchman's hat, which is tied on with a scarf, is a tobacco pipe in full blast. The fleeing Anatomist holds a tall cane in his left hand; under his left arm is a dilapidated skull. He has dropped a paper inscribed "Hunter's Lectur[es]", showing that he is Dr. William Hunter (1718-83), the great anatomist. He built a house (1770) in Great Windmill Street to which were attached a dissecting room, lecture room, and a large museum, see British Museum Satires No. 6128. The caricature deals with the body-snatching for the sale of corpses to surgeons, which went on to a considerable extent in this period."--British Museum online catalogue
Description:
Title etched above image; the word "in" after "watch" has been mostly burnished from plate., Printmaker from British Museum catalogue., Eighth plate in the series: Nature display'd both serious and comic in 12 designs dedicated to S. Foot Esqr., Plate numbered '8' in upper right corner., Temporary local subject terms: Medical., and The word "in" in title erased from this impression.
Publisher:
publisher not identified
Subject (Name):
Hunter, William, 1718-1783
Subject (Topic):
Grave robbing, Anatomists, Lanterns, Watchmen, Staffs (Sticks), Baskets, and Dead persons
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
publish'd according to act of Parliament, March 7, 1771.
Call Number:
771.03.07.01+
Image Count:
1
Resource Type:
still image
Abstract:
Two ballad singers, one of them standing on top of an overturned large basket, are singing to a small but pleased-looking crowd by the entrance to an inn. A child standing in front of the basket is reaching up to offer the singer a coin
A coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn's sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind
Description:
Title etched below image., First of eight plates to: Wigstead, H. Excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., 1 print : etching and aquatint in sepia on laid paper ; sheet 26.4 x 33.7 cm., Sheet trimmed within plate mark with loss of imprint., and Watermark.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinson's, Paternoster Row
Subject (Geographic):
Sutton (England)
Subject (Topic):
Baskets, Donkeys, Peg legs, Poverty, and Taverns (Inns)
A coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn's sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind
Description:
Title etched below image., First of eight plates to: Wigstead, H. Excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., and Mounted on leaf 14 of volume 4 of 14 volumes.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinson's, Paternoster Row
Subject (Geographic):
Sutton (England)
Subject (Topic):
Baskets, Donkeys, Peg legs, Poverty, and Taverns (Inns)
"The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer's wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, "Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day." The King adds, "A very bad market girl, indeed, a very bad market girl - Limy shall go next" (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, 'Cartwheel's score', 'The Widow Waggonrut', and 'Mrs Towser'. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: "I made war with Kate, a buxom Northern Lass: But such my cruel fate - " Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, "She bid you kiss her A------! Damn the Whip I'll never learn the right smack of a Carter.""--British Museum online catalogue
Alternative Title:
Summer amusement at Farmer George's near Windsor
Description:
Title etched below image., Attributed to Richard Newton by Alexander., Publisher's advertisement above image: In Holland's Exhibition Rooms may be seen the largest collection in Europe of caricatures. Admittance, one shilling., Sheet trimmed within plate mark., and Watermark in center of sheet: CR.
Publisher:
Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Catherine II, Empress of Russia, 1729-1796.
A rotund, red-faced man is seated at a table eating a large bowl of strawberries; his chair blocking the closed door behind him. On the table are the stems from the strawberries, a pitcher, a strawberry basket, and sugar canister. At his slippered feet are two more strawberry baskets
Alternative Title:
Strawberries and cream
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., From Sketches by Seymour?, and Sheet trimmed within plate mark.
A young man wearing and student's cap and gown embraces a young woman who holds a basket of peaches
Alternative Title:
Conjugating the verb amo
Description:
Title from text below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by McLean, Haymarket and Dean & Munday, lithos., Threadneedle Street
Subject (Topic):
Students, Young adults, Courtship, Baskets, and Peaches
Title from item., Date and place of publication supplied by curator., In margin upper right: No. 1., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Sleep, Hypnotics, Drugs, Boys, Baskets, and Medicines
A fashionably dressed young woman holding a basket on her left arm watches pensively a hen, a rooster, and four chickens feeding at her feet in front of a small building with clapboard walls and an overhang above a Dutch door, probably a chicken coop. To her left, in the background, is a vast lawn bordered by flowers near the coop and by large trees, with a cottage behind, at the other end. The verse printed on both side of the title below the design begins, "To Operas, Masquerades, and Plays, / This Cottage Maid's a Stranger;"
Description:
Title from item.
Publisher:
Printed for R. Sayer and J. Bennett, map and printsellers, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Topic):
Farm life, Poultry houses, Chickens, Baskets, and Clothing & dress
"Two women with flat baskets of oysters on their heads, walking into the left foreground."--British Museum online catalogue
Alternative Title:
Excellentes huitres et bonnes huitres à étuver
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Tenth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "10" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Baskets, Fishmongers, and Staffs (Sticks)
"A ragged girl with a basket of mackerel confronts a woman at the front door of a respectable house; at their feet a dog and cat snarl at each other; lower right, the shadow of two unseen men watching the scene; in the background, a shop sign showing the traditional image of 'A man loaded with mischief'."--British Museum online catalogue
Alternative Title:
Maquereaux, maquereaux monsieur, madame en voulez vous des maquereaux
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Eighth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "8" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Fishmongers, Baskets, Dogs, and Cats
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Seven enormously fat and brawny Irishwomen approach (right to left) the quayside at Billingsgate, below which are fishing-smacks. All carry baskets on their heads, two smoke pipes. An eighth woman, also smoking, sits on a low stool on the extreme left, with cod and lobsters spread out for sale. In the background (right) an open pent-house attached to the large houses flanking the dock is filled by tiny figures with baskets of fish; a man ascends a ladder towards it from the water with a basket on his head. One of the pent-house stalls is placarded 'Salt Cod Bar . . Ling Pilcha[rds]'. In the background larger vessels lie at anchor against buildings on the south side of the Thames."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Septr. 18th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11626 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., "Price one shilling coloured.", Plate numbered "11" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 190., and Leaf 11 in volume 1.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Baskets, Fish, Fishing boats, Fishmongers, Piers & wharves, and Street vendors
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Seven enormously fat and brawny Irishwomen approach (right to left) the quayside at Billingsgate, below which are fishing-smacks. All carry baskets on their heads, two smoke pipes. An eighth woman, also smoking, sits on a low stool on the extreme left, with cod and lobsters spread out for sale. In the background (right) an open pent-house attached to the large houses flanking the dock is filled by tiny figures with baskets of fish; a man ascends a ladder towards it from the water with a basket on his head. One of the pent-house stalls is placarded 'Salt Cod Bar . . Ling Pilcha[rds]'. In the background larger vessels lie at anchor against buildings on the south side of the Thames."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Septr. 18th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11626 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., "Price one shilling coloured.", Plate numbered "11" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 190., 1 print : etching on wove paper, hand-colored ; sheet 23 x 33.3 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 11 of volume 11 of 14 volumes.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Baskets, Fish, Fishing boats, Fishmongers, Piers & wharves, and Street vendors
