Watercolor drawing of the fictional archbishop in Lesage's novel Gil Blas; bust length, turned slightly right; overweight, with white hair and bushy white eyebrows; wearing a mitre, pectoral cross, and chasuble
Description:
Title written below image., Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 210., and Bound in as page 80 in volume 9 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
"The Queen stands beside the King, taking his arm; he drives away and kicks Lady Conyngham, who is surrounded by four other fugitives. He says: "Out ye Harlots--for such as you Kings have come to beggary--for such as you Kings have been Idolist [sic]--for such as you Kings have been Adulterers;--yea even lost their crowns!--God save the Queen--." Lady Conyngham answers, weeping, "Ah G--ge there was a time you did not use me thus--when you call'd me your Cunning -one." One of the women has fallen prone; she exclaims: "O how hath the mighty fallen." On the extreme right and next the Queen stands a bishop with a drink-blotched profile. He reads from a book: "Thou shalt not commit Adultery.--Put no faith in a woman that is wife to another; for she who is not constant to her husband will never be so to you,--for she who hath her husband to deceive every day, can deceive a gallant at leisure!"."--British Museum online catalogue
Alternative Title:
Benefit of clergy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: From the cottage to the crown, 'Tis folly all alike, he cries; How few endeavour to be wise. Royal Fables., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham & other mistresses," "Geo. IV," and "Caroline" identified in black ink below image. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 30.1 x 40.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark at top and bottom., Mounted to 39 x 58 cm., Mounted on leaf 61 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," and "Eldon" identified in ink below image; date "Aug. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Parsons.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Parsons., Leaf 54 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," "Sidmouth," and "Eldon" identified in black ink at bottom of sheet; identification of "Geo. IV" follows in red ink. Date "June 1820" written in lower right corner. Printmaker name "Robt. Crknk.[?]" added in pencil in lower left. Typed extract of four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"Mansel, Bishop of Bristol and Master of Trinity (from 1798), walks from left to right, and slightly towards the spectator, head in profile, and thrown back, his mortar-board in his left hand. His voluminous, inflated, and much convoluted gown covers a bulky figure. He wears a clerical wig."--British Museum online catalogue
Description:
Title etched below image., Printmaker tentatively identified as Dighton in the British Museum online catalogue., Leaf 52 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [Ed]meads 1808., and Figure identified as "Bishop of Bristol" in pencil in lower left corner of sheet.
Publisher:
Pubd. Jany. 10th, 1810, by Dighton, 6 Charg. Cross
Subject (Geographic):
England.
Subject (Name):
Mansel, William Lort, 1753-1820
Subject (Topic):
Bishops, Clergy, College administrators, and Obesity
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Watermark: partial, fleur-de-lis on shield with initials L V G below.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., 1 print : etching and aquatint on wove paper ; sheet 25 x 19.2 cm., Sheet trimmed within plate mark on three sides., and Mounted on verso of leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Mounted on page 46 with one other print.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"The interior of a church. Archbishop Markham (left) delivering a charge to his clergy. He stands (left) within the chancel rails; in his left hand he holds up a flaming torch; in his right hand, which rests on a balustrade, he holds a birch-rod and a paper inscribed "Factious C--y--n. [Countrymen], A Lamentable Want of Sobriety, Foremost in mischief. This is no Gainfull Traffick - Nonresistance &c. Explain'd. Vide my Sermon. Charity Thinketh no Evil &c. A perfectly detestable Faction &c." On the right, in the body of the church, sit clergymen dressed in gown and bands, they listen with varying expressions. Behind the archbishop is a table of the Ten Commandments, on which is inscribed, "... VI Thou shalt do no Murder and IX Thou shalt not bear false Witness &c." Below the design is etched, "Remarks upon a late charge delivered not 100 Miles from Y--k. Vide Rememr.pt. 2nd 1781- page 239."--British Museum online catalogue
Alternative Title:
Archbishop Laud charging his clergy
Description:
Title etched below image., Etched beneath title: Hac itur ad astra' Anglicé - This is the road to Lambeth., and Ms. note in ink in an unidentified hand on verso: Before price 2s. was etched. Numbered also on verso in upper left.
Publisher:
publisher not identified
Subject (Geographic):
England and York
Subject (Name):
Markham, William, 1719-1807.
Subject (Topic):
Bishops, Clergy, Clothing & dress, Interiors, Preaching, and Torches
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.1 x 32.8 cm., Printed on wove paper with watermark "Fellows"; hand-colored., Window mounted to 24.6 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George Canning" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"Satire on the attempt to establish an Anglican episcopacy in the American colonies. A group of angry colonists push away from a quayside a ship named “The Hilsborough” (a reference to Wills Hill, Earl of Hillsborough, Secretary of State who had ordered troops to Boston in June 1768) On the ship is a large carriage with its wheels and a crosier and mitre beside it. A bishop is climbing the rigging saying “Lord, now lettest thou thy Servant depart in Peace” (Archbishop Secker who died in August 1768 had left £1000 to help establish a bishopric in North America). The colonists are shown as advocates of liberty of conscience and religious non-conformism: one waves a large book lettered “Sydney on Government”, another brandishes “Locke”; “Calvins Works” has already been thrown towards the bishop; another colonist waves a flag, topped with the cap of liberty and emblazoned with the words “Liberty & Freedom of Conscience”; a Quaker holds “Barclay’s Apology” saying “No Lords Spiritual or Temporal in New England”. A monkey on the quay holds a stone as if intending to throw it at the bishop. A paper lies on the ground lettered “Shall they be obliged to maintain Bishops that cannot maintain themselves”. The print appeared in the Political Register, 1769, facing p.119."--British Museum online catalogue
Description:
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., and Plate from: The Political register and London museum. London : Printed for J. Almon, v. 5 (1769), p. 119.
Publisher:
publisher not identified
Subject (Geographic):
United States.
Subject (Name):
Secker, Thomas, 1693-1768, Downshire, Wills Hill, Marquis of, 1718-1793, and Church of England
Subject (Topic):
Chariots, Clegy, Monkeys, Bishops, Ships, and British
Wellington in civilian dress stands between two fat bishops wearing mitres pulling each by an ear as they vomit huge streams of gold coins into a large wooden tub that is labeled: Receptacle for the poor curates, repairs of churches, and support of paupers. A spout from the tub funnels coins into a smaller tub from which a man shovels coins into money bags which are labelled: For curates, Repairs of Churches, Support of Paupers. Two thin curates walk away with bags labelled 'Poor curates' as one says, "Thanks to the Powers that has relieved our Wants." From the cherub's horn blow the words: "See the conquering hero comes."
Description:
Title from item., Figure of a sharpshooter is the device of John Phillips., In the subtitle " ... or The tithes in danger" the word 'tithes' has been etched in over the word 'Church' which has been scored through with several etched lines., and Signed by the printmaker using an artist's device: a figure of sharpshooter in the imitation of the 'Paul Pry' signature.
Volume 1, opposite page 20. Some account of London.
Image Count:
1
Resource Type:
still image
Alternative Title:
Archbishop Chichele, 1437
Description:
Title written in pencil beneath drawing, on mounting sheet., Unsigned; artist unidentified., Date supplied by cataloger., and Mounted opposite page 20 in volume 1 of an extra-illustrated copy of: Pennant, T. Some account of London. London : Printed for R. Faulder, 1793.
"Portrait of Benjamin Hoadly, bust-length, in an oval, in profile to the right, dressed in a chimere over his rochet with a powdered bob-wig on his head and bands about his neck with his Garter badge hanging at his chest."--British Museum online catalogue
Alternative Title:
Benjamin Hoadly, D.D.
Description:
Title from text on pedestal within image., After a wax model by Isaac Gosset that was kept by Horace Walpole in the Green Closet at Strawberry Hill., Date of publication from British Museum online catalogue., Text above image: Engraved for the Universal magazine., Mounted on page 66 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : etching and engraving on wove paper ; sheet 14.4 x 9.8 cm., and Sheet trimmed within plate mark with loss of imprint statement from bottom edge and text above image from top edge.
Publisher:
Printed for J. Hinton, at the King's Arms in Pater Noster Row
Subject (Name):
Hoadly, Benjamin, 1676-1761 and Strawberry Hill (Twickenham, London, England)
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Volume 1, page 23. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Bilson Bishop Winton and Bilson Bishop Winchester
Description:
Title inscribed in upper right corner., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 23 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Half-length, oval portrait of William Waynflete, Bishop of Winchester and first Headmaster of Eton, looking slightly left and wearing the mitre and robes of his office; within a decorative border and frame ending with a coat of arms. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1742
Alternative Title:
William Waynfleet Bishop of Winchester
Description:
Title from inscription on verso of drawing., Title from inscription on mount under the drawing, in the same hand: Wm. Wainfleet Bishop of Winchester., Also written on the mount under the drawing in block lettering and scored through: The Old Bishop., Portrait is unsigned, but the mount is decorated with a border in ink and wash and signed: H. Gravelot inv. et delin., Counter watermark in center of sheet used as the mount: IV., Local card catalog gives unverified attribution: after Holbein?, and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
"Caroline, in royal robes and crown, stands in her chariot, driving it and her pair of horses over the prostrate bodies of King, Ministers, Archbishop, and witnesses, while the royal troops flee in disorder and 'the People' led by Wood (in armour) and the Queen's lawyers advance with a banner: Victory, with laurel wreath and bonnet rouge. The Queen, her spear poised above the King, says Dieu et Mon Droit; the scythe of her chariot-wheel menaces the King's neck."--British Museum catalogue and "Caricature with Caroline as Boadicea in a chariot riding over her accusers, followed by a crowd of supporters."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Published November 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Boadicea, Queen, -62
Subject (Topic):
Chariots, Politicians, Witnesses, Lawyers, Bishops, and Liberty cap
"Caroline, in royal robes and crown, stands in her chariot, driving it and her pair of horses over the prostrate bodies of King, Ministers, Archbishop, and witnesses, while the royal troops flee in disorder and 'the People' led by Wood (in armour) and the Queen's lawyers advance with a banner: Victory, with laurel wreath and bonnet rouge. The Queen, her spear poised above the King, says Dieu et Mon Droit; the scythe of her chariot-wheel menaces the King's neck."--British Museum catalogue and "Caricature with Caroline as Boadicea in a chariot riding over her accusers, followed by a crowd of supporters."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching ; sheet 24.3 x 34.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 20 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Liverpool," "Londonderry," "Wellington," "George IV," and "Eldon" identified in pencil on mounting sheet below print; date "Nov. 1820" written in ink in lower right.
Publisher:
Published November 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Boadicea, Queen, -62
Subject (Topic):
Chariots, Politicians, Witnesses, Lawyers, Bishops, and Liberty cap
"A band of assailants led by an irate bishop approaches from the right, to the attack of a stone building, a corner of the lower part of which is on the left. A closed door is inscribed 'Office of Justice'; from an open window immediately above it a man leans out, pistol in hand, saying, "This is my House this is my Castle". Two women kneel beside the stout bishop, one clutches his arm to restrain him, the other weeps; a third standing behind also weeps. Two parsons with clenched fists stand behind the bishop, one, who is fat, says "Turn him out"; the other, who is lean, says: "Ill thrach the Dog I'll box him what Dare to act contrary to the Opinions of his Spiritual Dictator, no not even in his Temporals, Turn him out." A third equally irate parson stands alone on the left of the door. A crowd with clubs and banners brings up the rear behind the clergy; the most conspicuous are two footmen in livery. The three banners are: 'Church Millitant', 'Unqualified Submission to our Spiritual Guides', and 'All Obedience.'"--British Museum online catalogue
Alternative Title:
Messengers of peace
Description:
Title etched below image., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Assaults -- Offices: diocese deputy registrar -- Parsons -- Samuel Grindley., Watermark: Strasburg bend., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pubd. Augt. 6, 1796, by S.W. Fores, No. 50 Piccadilly
Volume 1, page 9. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Bishop Wainfleet and Bishop Waynflete
Description:
Title written in pencil below image., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 9 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Volume 1, page 39. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Bishop of Worcester
Description:
Title from note in ink below image., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 39 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
"Caricature with Caroline and Brougham with a broom standing accusing the Committee who cower back."--British Museum online catalogue
Alternative Title:
Caroline's Wood-en Brougham to sweep the filthy committee room, Caroline's wooden broom to sweep the filthy committee room, and Caroline's wooden Brougham to sweep the filthy committee room
Description:
Title etched below image; the second letter "o" in "broom" is scored through and the letters "ugha" inserted above the line with a caret, forming the name "Brougham.", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 31 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Wood," "Caroline," "Sidmouth," and "Liverpool" identified in pencil in lower margin; date "July 1820" written in ink in lower right.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wood, Matthew, Sir, 1768-1843, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Sidmouth, Henry Addington, Viscount, 1757-1844
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"Ministers, horribly griped, sit on a vast Green Bag (see British Museum Satires No. 13735), trying to hatch eggs. The King hits the kneeling Bloomfield in the face, saying 'They shall hatch by G--d!' John Bull and a soldier (see British Museum Satires No. 13850) watch derisively. Behind him is the Pavilion."--British Museum catalogue
Alternative Title:
Sitting committee and Shitting committee
Description:
Title etched below image; the letter "i" in "sitting" is formed from the letter "h" with its left side scored through, suggesting the word "shitting.", Sheet trimmed within plate mark., "Plat [sic] 7"--Upper left corner., and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Royal Pavilion (Brighton, England),
Subject (Topic):
John Bull (Symbolic character), Politicians, Bishops, Military officers, Bags, Defecation, and Soldiers
"Ministers, horribly griped, sit on a vast Green Bag (see British Museum Satires No. 13735), trying to hatch eggs. The King hits the kneeling Bloomfield in the face, saying 'They shall hatch by G--d!' John Bull and a soldier (see British Museum Satires No. 13850) watch derisively. Behind him is the Pavilion."--British Museum catalogue
Alternative Title:
Sitting committee and Shitting committee
Description:
Title etched below image; the letter "i" in "sitting" is formed from the letter "h" with its left side scored through, suggesting the word "shitting.", Sheet trimmed within plate mark., "Plat [sic] 7"--Upper left corner., 1 print : etching ; sheet 27.1 x 42.1 cm., Printed on wove paper with watermark "Ivy Mill 1817"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "Liverpool," "Wellington," "Eldon," "Londondery [sic]," and "Sidmouth" identified in ink at bottom of sheet; date "July 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. July 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Royal Pavilion (Brighton, England),
Subject (Topic):
John Bull (Symbolic character), Politicians, Bishops, Military officers, Bags, Defecation, and Soldiers
Sherlock, William, approximately 1738-1806, printmaker
Published / Created:
[1761?]
Call Number:
Hogarth 761.00.00.01 Box 110
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly in oval, after Hogarth; half-length, seated, facing to the left. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Ribbon and bishop's miter above oval design
Alternative Title:
Dr. Benjamin Hoadly, Lord Bishop of Winchester and Bishop Hoadly
Description:
Title engraved around image., Title from Paulson: Bishop Hoadly., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 226., and Mounted to 187 x 187 mm. For further information, consult library staff.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 106. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Charles Manners-Sutton, three-quarter length, turned slightly to the left; holding his academic cap and the Coronation Service; dressed in a chimere over his rochet with a gold-laced cope about his shoulders, bands at his neck and a powdered bob-wig on his head
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., Drawn after the painting, attributed to John Hoppner, at Lambeth Palace (Accession no.: 16)., and Mounted on page 106 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Manners-Sutton, Charles, 1755-1828, and Lambeth Palace (London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1808]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 105. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Charles Manners-Sutton, three-quarter length, standing in front of a curtain, directed and facing towards left; wearing a wig, and robe of the Garter over ecclesiastical robes and bands; holding a rolled-up piece of paper in his right hand; church interior in background to left
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., Drawn after the painting by John Hoppner in the Royal Collection (RCIN 400557)., and Mounted on page 105 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with aquatint and stipple on wove paper ; plate mark 29.2 x 22.8 cm, on sheet 31.4 x 24.8 cm., and Mounted on leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 53 with one other print.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 292 x 230 mm, on sheet 32 x 23 cm., and Sheet trimmed to plate mark on top and sides.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Ms. note in contempory hand at the bottom of the print: Bp. Watson of Landaff speaking against the French commercial treaty.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Satire on three bishops competing to become Archbishop of Canterbury in succession to William Wake."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., 'Price 6d.'--Lower right corner of plate., Temporary local subject terms: Buildings., and Watermark: countermark IV.
Newman, W., active approximately 1834-1835, lithographer, artist
Published / Created:
1835.
Call Number:
835.00.00.208
Image Count:
1
Resource Type:
still image
Abstract:
Design consisting of thirty-one small images, all of them individually titled, showing satirical scenes commenting on British social and political issues, many with visual puns, and depictions of stereotypes, both ethnic and social: dustman, Hottentotts, pickpockets, bishops, hunters, etc. Images are loosely arranged in three columns with the following headings at top (left to right): Hints to singers; A few favorite songs &c. &c.; Musical term's.
Description:
Title from text at top of design., "Price twopence"--Following publisher's statement and preceeding publication date in imprint., 1 print : lithograph ; sheet 26.8 x 19 cm., Printed on wove paper; mounted to 34 x 26 cm., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge.
Publisher:
Joseph Thomas, No. 1 Finch Lane, Cornhill and Printed by S. Straker, George Yd., Lombard St.
Half-length portrait of George Isaac Huntingford, seated and wearing robes, slightly turned to the left but gazing directly at the viewer; lower half and right side sketched in.
Description:
Title from caption below image., Sheet trimmed to plate mark., and Mounted in paper frame: 35.2 x 28.2 cm.
Publisher:
Published Feb. 4, 1813 by T. Cadell & W. Davies, Strand, London
"The Duke of York stands astride a piece of water, his left foot planted on Germany, his right foot on England. He is dressed half as a bishop (left), half as a military officer (right), his person bisected by a vertical line. His mitre is poised over his right temple; the right half of his person (the spectator's left) wears a lawn sleeve and black gown, but in his right hand is an uplifted sword. The other half wears regimentals with half a cocked hat, but in his left hand is a crozier. Labels issue from his mouth to left and right: 'A sett of infamous Blood-thirsty Rascaly Sans Culottes, given to D-D Drunkenness, Gaming & all kinds of Debauchery' (and) 'I will extirpate thee from the face of the Earth! Without the least spark of Religion. B------t them, I,ll order those fellows of Officers to cut them to pieces instantly, they shall soon know who they have t-t-to deal with.'."--British Museum online catalogue
Alternative Title:
Hopes of the family
Description:
Title etched below image., Publisher's advertisement following imprint: ... who has just fitted up his exibition [sic] room in an entire novel and elegant stile [sic], admittance 1 shilling, folios of caricatures lent out., Sheet trimmed to plate mark., Temporary local subject terms: Allusion to Germany -- Allusion to England -- Regimentals., 1 print : etching ; sheet 38.3 x 28.5 cm, Printed on wove paper; hand-colored., and Stamped: S.W.F.
Publisher:
Pub. March 7, 1794, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Clergy, Bishops, Military uniforms, Military officers, Miters, Daggers & swords, and Crosiers
"The Duke of York stands astride a piece of water, his left foot planted on Germany, his right foot on England. He is dressed half as a bishop (left), half as a military officer (right), his person bisected by a vertical line. His mitre is poised over his right temple; the right half of his person (the spectator's left) wears a lawn sleeve and black gown, but in his right hand is an uplifted sword. The other half wears regimentals with half a cocked hat, but in his left hand is a crozier. Labels issue from his mouth to left and right: 'A sett of infamous Blood-thirsty Rascaly Sans Culottes, given to D-D Drunkenness, Gaming & all kinds of Debauchery' (and) 'I will extirpate thee from the face of the Earth! Without the least spark of Religion. B------t them, I,ll order those fellows of Officers to cut them to pieces instantly, they shall soon know who they have t-t-to deal with.'."--British Museum online catalogue
Alternative Title:
Hopes of the family
Description:
Title etched below image., Publisher's advertisement following imprint: ... who has just fitted up his exibition [sic] room in an entire novel and elegant stile [sic], admittance 1 shilling, folios of caricatures lent out., Sheet trimmed to plate mark., and Temporary local subject terms: Allusion to Germany -- Allusion to England -- Regimentals.
Publisher:
Pub. March 7, 1794, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Clergy, Bishops, Military uniforms, Military officers, Miters, Daggers & swords, and Crosiers
"John Bull, blindfold, stands on a massive truncated pillar holding the beam of a pair of scales. In one scale (left), near the ground, Mrs. Clarke sits composedly among a mass of papers, holding one inscribed My dear Dearest Dearest Darling [see British Museum satires no. 11228, &c.]. The others are inscribed: Sandon, Toyne [Tonyn], Dowler, Omeara, Carter, French, Knight, Clavering. In the other scale the Duke of York swings high in the air, and shouts down to three men on the ground: Save me save me Save my Honour [cf. British Museum satires no. 11269]. They haul hard at ropes attached to his scale, which they tilt sideways so that he is in danger of falling out. One, a drink-blotched bishop wearing a mitre, says: Pull away Pull away the Church is in danger; the other two say: Pull away Pull away we lose all our Places, and Pull away pull away we shall lose our Noble Commander. On the pillar Britannia is depicted seated with her shield and lion; she holds the broken staff of a flag."--British Museum online catalogue
Alternative Title:
John Bull as Justice weighing a commander
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue, with a possible collaboration with George Cruikshank also noted., and Mounted on linen and formerly sewn in an album with only the holes remaining on top edge.
Publisher:
Pubd. by J. Johnstone, 101 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), Political corruption, History, Sex, Political aspects, Justice, Blindfolds, Scales, Columns, and Bishops
Watercolor drawing of one of four panels, formerly the doors to a shrine in the abbey of St. Edmundsbury, that were kept by Horace Walpole in the Chapel at Strawberry Hill. This panel shows John Kemp, Archbishop of Canterbury, whole-length, turned and looking to right, standing in bishop's robes and carrying a mitre in his right hand and an open book in his left. He stands in front of a landscape with trees and path leading into distance; a house is visible in the backround on the right
Alternative Title:
John Kemp, Archbishop of Canterbury
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 226 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Kemp, John, approximately 1380-1454, and Strawberry Hill (Twickenham, London, England)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott and Tozer drive before them a crowd of fat bishops, who flee to the right in wild confusion. She uses a birch-rod, he wields a flail, inscribed 'Revd Roger Towser's Flail'. Joanna holds by the toe the hindmost bishop, who wears a papal tiara. One has fallen to the ground, losing wig and crosier, another escapes over the former's body; two wear mitres. Several turn round to shriek defiance; one kicks out at Tozer, and uses his crosier as a weapon, another brandishes his wig. Joanna is plainly dressed, and wears a cap and spectacles; from her neck hangs a medallion inscribed 'I C' between two stars, with the words 'A Fac Simili of Joannas Seal'. Drapery streams behind her inscribed 'Elijah's Mantle' and 'Mohair'. Demons and serpents fly round the angry pair. She screams: "Lay it on hip and thigh Brave Towzer Smite the unbelievers--I put no more trust in Bishops as men, than I do in their Chariots and Horses, but my trust is in the Lord of Hosts." He shouts: "I'll well Dust their Woolsacks and make them drunk in my fury, I will bring down their strength to the earth." Behind them (left) is a chest (as in British Museum Satires No. 12333) inscribed 'Contents of the Sealing. The Sealed of the Lord--The Elect--To inherit the Tree of Life. To be made Heirs of God and Joint Heirs of [sic] with Jesus Christ--Joanna Southcott.' Beside it lie a goblet and 'Salver'. At her feet is an open book: 'Third Book of Wonders'. A serpent darts from left to right over the bishops."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Know I told thee I should begin at the sanctuary I will cutt them all off, having already cutt off four bishops for refusing to hear her visitation., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 51 in volume 5.
Publisher:
Pubd. Septr. 20th, 1814, by T. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814 and Tozer, William, approximately 1770-1828
Subject (Topic):
Women prophets, Prophets, Bishops, Crosiers, Miters, Medals, Chalices, Boxes, Wigs, Beating, Whipping, Whips, and Demons
