Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Pretty well I tank you Mr. Cesar only I aspire too much!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: 1830., Watermark: J Whatman., and Plate numbered in ms. near top of sheet: 237.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Fans (Accessories), Staffs (Sticks), and Umbrellas
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Yes sir but she bery petickly engaged in washing de dishes ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Male costume: 1830., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Eyeglasses, Monocles, Servants, and Staffs (Sticks)
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., and For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., On leaf 18., and 1 print : etching with engraving on laid paper ; plate mark 25.3 x 35.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title from item., Imperfect; sheet trimmed within plate mark., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs 1st Jany. 1780 by Robert Wilkinson, at No.58 in Cornhill
Subject (Geographic):
England
Subject (Topic):
John Bull (Symbolic character), Cooks, French, Blacks, Kitchens, and Cooking utensils
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
Augt. 1, 1778.
Call Number:
778.08.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A scene before an American fort and palisade, perhaps depicting the indifference of Congress to the sufferings of American soldiers and the pro-slavery attitude of the Americans. A black man lies wounded in the foreground, surrounded by cannon balls. An officer gestures towards him with his hat, turning to a man on the left (possibly meant to represent a Congressman) who is wearing a fur coat, large feathered hat, and is smoking a pipe. To the right of the officer an American soldier points and smiles towards three "Death or Liberty" men, all with grim features and ragged clothes
Description:
Title from item., Signed in lower left of image, MD, i.e. Matthias Darly., and Imperfect; later ink scribbles.
Publisher:
Pubd. by M Darly
Subject (Geographic):
Great Britain, America., United States, and Great Britain.
Subject (Topic):
Slavery, Colonies, History, Forts & fortifications, and Blacks
A dustman dances with a black woman as a black musician plays the fiddle and spectators look on. A picture on the back wall and a poster on the chimney shows people hanging from gallows
Alternative Title:
Scene in Tom & Jerry, Scene in Tom and Jerry, and Life in London
Description:
Title from caption below image., Ms. note following date in imprint: '1822', Sheet trimmed leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Cansell 1818.
Publisher:
Pubd. April 24 by S.W. Fores, 41 Piccadilly
Subject (Topic):
Blacks, Audiences, Dance, Hangings (Executions), Musicians, and Garbage collecting
"Interior of the Fleet Prison with the House of Commons committee appointed to enquire into the state of gaols (after Hogarth's painting of c.1729 in the National Portrait Gallery); to left, James Oglethorpe, Chairman of the Committee, confronts the warden of the Fleet, Thomas Bambridge; in the foreground, a prisoner (probably Jacob Mendes da Sola) kneels in shackles."--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Published June 1st, 1803 by G. & J. Robinson, Paternoster Row, London
Subject (Name):
Oglethorpe, James, 1696-1785, and Bambridge, Thomas, active 1729.
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Four lines of verse in two columns below title: Buck's with Truncheon's swagger and knock down ..., Plate numbered '150' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Foot-pads -- Watches: pocket watch -- Highway robbery -- Milestones -- Bludgeons., and Watermark: Strasburg bend (partial) with initials GR below.
Publisher:
Published 4th May 1795 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: Oui Madame! here is von pair of de first qualité!, Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Costume: 1830., Watermark: J Whatman Turkey Mill., and Print numbered in ms. near top of sheet: 102.
In avenue of trees beside a rail-fence, an old farmer's wife (right), wearing spectales and dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; at the girl's feet (left) is a small lap-dog
Description:
Title etched below image., Sheet trimmed within plate mark., and Copy of a print originally published by Carington Bowles in 1770. See no. 4537 and 4538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs, 11th October 1779 by Robert Wilkinson, at No. 58 in Cornhill
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., Mounted on page 71 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.6 x 29.0 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Bunbury 774.02.23.01.2+ Impression 1
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., and Watermark, trimmed.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
1st Jany. 1772.
Call Number:
772.01.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young maid sitting in an ornate armchair by a round table with an almost empty wine bottle and glasses on it, is being embraced by a black manservant sitting on a stool in front of her. Another black servant is sitting sideways on a chair near them. He is tipping it perilously as he tries with a great effort to play a horn. An open book lies on the floor in the foreground and a painting on the wall in the background is partially covered by an ornate curtain
Alternative Title:
Mungo addressing himself to my lady's maid
Description:
Title from item., The printmaker's name from other prints signed by William Humphrey as 'Umfrey' and published by Sayer., Plate numbered '207' in lower right corner., One line of text below title: For wine inspires us, and fires us, with courage, love and joy, &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Black manservants -- Musical instruments: horn -- Furniture: round table -- Chairs -- Furnishings: curtain -- Painting -- Effects of wine., and Numbered in contemporary hand in upper right corner '155.'
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
Subject (Topic):
Blacks, Draperies, Musical instruments, Servants, and Women domestics
"The mother sits beside an open work-table, receiving the children whom a black footman ushers in, looking round the door and grinning broadly. The eldest girl has rushed into her mother's arms; a little boy stands beside her, gleefully welcoming a younger girl who is running forward. The eldest boy, on whom his mother's eyes are fixed, advances nonchalantly, blowing a trumpet. A cockatoo screeches on its perch. There are two pictures: Harvest Home and Happy Return, a woman at her cottage door greeting a youth."--British Museum online catalogue
Alternative Title:
Commencment of the holidays and Commencement of the holidays
Description:
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15188 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., Temporary local subject terms: Holidays -- Black servants -- Parlors -- Families -- Pictures amplify subjects -- Parrots -- Joy -- Horns., and Watermark: 1834.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26 Haymarket
Subject (Topic):
Blacks, Children, Cockatoos, Dogs, and Sewing equipment & supplies
A negro footman stands with a coin in his hand as he sings. Behind him a lawyer sits at his desk accepting a bag of money from his client; the lawyer's young assistant sits on the other side of the slanted desk. Through the open door to the street, a gentleman strolls in front of an apothecy's shop door, above which can be seen a mortar and pestle
Description:
Title engraved above image, Plate numbered '394' in the lower left corner., From the Laurie & Whttle series of Drolls., and Six stanzas in three columns engraved below image: Great way off at sea, where at home I've been-ee, Buckra man fetch me, from de coast of Guinea; Christian massa pray, he call me hathen doggy ...
Publisher:
Publish'd May 20th, 1805, by Laurie & Whittle, 53 Fleet Street, London
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
"A grand bedroom with the countess holding a morning levée attended by her hairdresser while the lawyer, Silvertongue, arranges to meet her at a masquerade; others in the room include a female friend and effeminate men who pay rapt attention to a castrato singer accompanied by a flautist, a young black man who serves chocolate to the party, and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid; playing cards and invitations lie on the floor."--British Museum online catalogue
Alternative Title:
Toilette
Description:
Title etched below image., After Hogarth's painting "The Toilette" in the National Gallery, London., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., No. 4 in a series of 6 images, known as "The toilette.", Series title engraved below image., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2375., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 161., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 231.
Publisher:
Pub. Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
"A bedroom scene. A plump lady sits in a chair, making gestures of pain with hands and legs, while a hairdresser combs her back hair, and a negress combs a tress pulled forward over the face. Behind (left) another hairdresser combs the tousled hair of a lean man, who registers anguish. Below the design: 'Struggling through the curse of trying to disentangle your hair when by poking curiously about on board of Ship, it has become clammed and matted with pitch or tar far beyond all the powers of the comb.'"--British Museum online catalogue
Description:
Title etched below image. and Printmaker and publisher from British Museum online catalogue.
Publisher:
R. Ackermann
Subject (Topic):
Blacks, Bedrooms, Hairdressing, Servants, and Women domestics
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A bedroom scene. A plump lady sits in a chair, making gestures of pain with hands and legs, while a hairdresser combs her back hair, and a negress combs a tress pulled forward over the face. Behind (left) another hairdresser combs the tousled hair of a lean man, who registers anguish."--British Museum online catalogue
Alternative Title:
Struggling through the curse of trying to disentangle your hair ...
Description:
Title etched below image., Text below title: Struggling through the curse of trying to disentangle your hair when by poking curiously about on board of ship, it has become clammed and matted with pitch or tar far beyond all the powers of the comb., Restrike. For original issue of the plate, see no. 10820 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 120., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Blacks, Bedrooms, Hairdressing, Servants, and Women domestics
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: Symptoms of rearing., Mounted on page 93 of: Bunbury album., 1 print : etching on laid paper ; sheet 28.3 x 40.4 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Bunbury 783.01.23.01+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: Symptoms of rearing.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain."--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in Steevens's hand above: Samuel Ireland's copy., and On page 7 in volume 1. Sheet trimmed to: 160 x 197 mm.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Title from caption below image., Date of publication from Oliver., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume -- Binding of fasces -- Reception of Loyalists, 1783 -- Crowns -- Helmeted Britainnia -- Figure of Christianity -- Figure of Justice -- Artists implements -- Palette -- Cherubs -- America.
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Blacks, and Indians of North America
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the left a group of three ladies stand behind Sancho's chair, one pointing to him. Behind the physician on the right a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper right on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food
Alternative Title:
Sancho at the magnificent feast prepared for him at his government of Barataria and Sancho's feast
Description:
Title from caption below image., Also signed lower right, following imprint: W. Hogarth inv. et sculpsit., State from Paulson., "Price 1s."--Upper right corner., Title continues: " ... Pedro Rezzio his phisician [sic], out of great care for his health ordering every dish from the table before the governour tasts it.", and Sheet trimmed within plate mark; signature on lower right faint.
Publisher:
Printed for H. Overton & J. Hoole at the White Horse without Newgate
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image. and Mounted to 420 x 440 mm.
Publisher:
Published for the proprietor by Messrs. Colnaghi, Son & Co.
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image., "Don Quixote. No. IX."--Above image., Sheet trimmed within plate mark., and On page 88 in volume 1.
In a large, barn-like hall on the street level, at the open door on the right, a man stands outside with a raised staff, denying entrance to two men coming towards him. The hall is spacious, with an arched double door and a skylight window above in the center of the back wall and a tall, hooded chimney over a fireplace on the left. Along the back of the hall two women sit on a bench awaiting an interview. The one on the left has crossed eyes and spots on her forehead and checks, her hands in a muff. Two youths standing behind her smile down on her scornfully. Further to the right sits a poorly dressed black woman with an eager expression on her face. A young woman standing behind her appears to instruct her while pointing to the interview taking place in the foreground. On the left, an old getleman examines a young, buxom maid whom he is holding by the arm. A copy of Harris's list sticks out from his coat pocket. Above the maid is a notice on the wall “To be Lett and enter'd on immediately.” Two other women standing by the fireplace watch the pair intently. In the center of the image, an elderly lady leaning on a cane examines through her quizzing glass a sturdy young man she is interviewing. Above them is notice on the wall “Wanted a Strong Man servant for a Lady to do all Work.” Between them on the ground, sits a little boy with a toy in his hand. Next to them, a large dog lies asleep, with a note next to his muzzle, "A faithful servant wants a place". On the extreme right, a man seated behind a desk with his back to the viewer, gives a young woman a paper signed "To Mrs. Coupler Covent Garden". In bottom right of image is book open with title page partially obscured by trunk on top of it: “Modern Chastity exposed. a Vindic[ation] Hon.” A large lantern is suspended from the ceiling near the fireplace. One of its panes reads, "Cheatall's new Statute Hall every day", another, "A Statute Hall for hiring servants."
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, and Jno. Smith. No. 35 Cheapside
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Ms. note in Steevens's hand in pencil above print: See Nichols's book, 3d. edit. p. 259., and On page 105 in volume 2. Sheet trimmed to: 20.9 x 27.2 cm.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
Copy: an expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Copy of: No. 2563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in pencil in Steevens's hand: Copy., and On page 105 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., and Hogarth's signature erased from this impression.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Sheet trimmed to: 213 x 278 mm., and Ms. annotation in ink, lower right corner: '6'.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched below image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Dobson calls this the second state although he mis-identifies the publisher as Boydell., Sheet trimmed close to plate mark., Copy of: No. 2564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 105 in volume 2.
Publisher:
Published May 1, 1798 by Saml. Phillips 5. Leicester Square
Subject (Topic):
Blacks, Clothing & dress, Dandies, Fire screens, Interiors, Monkeys, and Muffs