Drawing of an urn from which grows ivy with clusters of purple berries climbing a stone wall behind; decorates the right margin of the text block on the title page
Watercolor drawing of a palette, with colored paints in a line across the top, five paint brushes emerging from the thumb hole on the right side and a garland of holly leaves and berries wraps around three sides of the palette. Intended as a vignette ...
A drawing of five birds in a decorative scrolling pattern on the privately printed title page of an extra-illustrated volume; it fills the space along the right margin and extends over the top of the text block; the top two image show two birds in fli...
Lady Cecilia Johnston, shown three-quarter length, turns slightly left but looking back over her shoulder as she reaches for a carafe on an elaborately carved hutch in a fashionably decorated room. She wears a dress with lace sleeves, her hair up in a...
Description:
Title written below image, a quotation from Horace Walpole's letter to Lord Nunham, 7 July 1777 in reference to Lady Cecilia Johnston.
Drawing of a decorative border of flowers executed on a privately printed title page to an extra-illustrated volume. Arranged in a vertical column, four circular designs formed from twisted branches
Half-length portrait of Thomas Kirgate in profile to the right; with receding wavy hair, wearing a plain coat and frilled cravat; with a large tree behind him on the left anda a view of the Strawberry Hill printing house in the distance on the right. ...
Description:
Title written in ink below image.
Subject (Name):
Kirgate, Thomas, 1734-1810, and Strawberry Hill Press (Twickenham, London, England),
Drawing of cherry blossoms and cherries on the privately printed title page to an extra-illustrated volume. The pink and white flowers, green leaves, and red fruits extend above and to the right of the printed text on the page
Portrait of Horace Walpole, full length, facing right, stooped forward slightly with bent knees, walking on tiptoe; wearing a lavender suit and tan stockings; holding a tricorne in front of him, his curled white wig exposed; woodwork, a vase, and a fr...
Drawing of a stagecoach driving to the left down a dirt road, the four horse team in full gallop. Two passengers ride on top of the coach along with the driver and bugler; several passengers inside can be seen through the windows. Trees line the road,...
Volume 12, page 214. Horace Walpole and his world.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing with two scenes: 'the back parlour" in an oval within a larger rectangular view of a 'park wall'. The park wall is covered in ivy and at its base, lush ferns and other plants and mushrooms, ferns and at the top a stand of trees. The oval inset...
Description:
Title written below image, from a quotation by Horace Walpole's letter to Miss Berry December 1793: "A park-wall with ivy on it and fern near it, and a back parlour in London in summer, with a dead creeper and a couple of sooty sparrows, are my strong...
Subject (Topic):
Parlors, Garden walls, Casement windows, and Depression (Mental state)
Composite image, set against a gray background pattern with images of leaves, flowers, and birds, including ten small rectangular views of English scenery, some drawn to overlap and partially obscure others. The scenes include: a view of a bridge and ...
Description:
Title written at bottom of image.
Subject (Topic):
Nature, Plants, Bodies of water, Cities & towns, and Dwellings
Watercolor drawing of the fictional archbishop in Lesage's novel Gil Blas; bust length, turned slightly right; overweight, with white hair and bushy white eyebrows; wearing a mitre, pectoral cross, and chasuble
An imagined view, based on Horace Walpole's description, of the arch at Stowe that was erected in honor of Princess Amelia. The trestled arch, covered in ivy or other greenery, rises up at the center of the image, a medallion of the princess at its ap...
A pastoral view of a lush riverbank covered in trees, shrubs, and flowers, and other greenery. A man sits on a rock near the shore and looks to the right out over the water. A house on the opposite bank can be seen in the distance on the right; gray c...
Description:
Title written below image. A quotation from Horace Walpole's letter 16 October 1769 to Madame du Deffand: I feel myself here like a swan, that, after living six weeks in a nasty pool upon a common, is got back into its own Thames. I do nothing but plu...
Depiction of the dream of Horace Walpole that inspired him to write The castle of Otranto. The fantastic scene involves a large armored hand perched atop an enormous staircase ascending four levels within a Gothic castle. Two suits of armor stand guar...
Drawing of a woman, full length, standing next to a table on which a mirror and a vase of flowers sit; dressed in early eighteenth-century French attire, her hair up and topped with feathers; holding a rose in her right hand and a hairbrush(?) in her ...
A view of a church steeple rising above a lush stand of trees in the foreground and middle distance, the arc of a rainbow directly behind the cross at its top and across the width of the drawing; with dark clouds above. On the hills on the right a to...
Description:
Title written below image, from a quotation from Horace Walpole's letter to George Montagu, written in May, 1763: We walked to the Belvidere on the summit of the hill, where a theatrical storm only served to heighten the beauty of the landscape, a rai...