Title from text in letterpress., Text consists of verses in praise of Canning for his loyalty to the Queen., "The following address was composed by a nobleman who resides near Guildford, Surrey--not the noble lord, who declared the bill of pains and penalties ought to have been thrown out, but had not the courage to vote against it. The noble author of the address was one who was unable to take his seat, from indisposition.", The illustration, with the etched title "A Canning address" (with the "u" of "Cunning" scored through and an "a" etched above), is an unsigned etching of George Canning speaking a eulogy of and bowing to Queen Caroline., "Price one shilling.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Printed on wove paper with watermark: Fellows 1817., Mounted on leaf 93 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Canning" and "Caroline" identified in ink below image. Blanks within the printed verses have been completed in ink, spelling out all of the censored names and words; the note "Canning resigd. Dec. 1820" has been written beside the first occurrence of his name in the first column.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827, Canning, George, 1770-1827., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Political satire, English, Politics and government, Queens, Politicians, and Bowing
"George IV stands on the doorstep of a London house, his hat under his arm. Lord Conyngham, standing beside him, and bowing low, motions him towards the open door. The King asks: Is your Wife at Home, holding up his right hand so that the fingers simulate horns above the Marquis's head. The latter, who wears a court suit, answers: At your Service! Lady Conyngham peeps from a ground-floor window, saying, He's coming 'pon my Honour. John Bull (right), a sturdy fellow in ill-fitting brown wig and gaiters, and with a heavy cudgel for walking-stick, walks towards them along the pavement. He registers astonishment, saying, Dash my Wig! A footman looks up from the area (left), saying, Cuckoo and holding up two fingers derisively. On the wall: Hamilton Place. ..."--British Museum online catalogue
Alternative Title:
Cunning condescension!!
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate marks., Twenty-four lines of verse are engraved on a second plate printed below; they begin "My island home dear Frank you know, is here thy smiling looks ..." and end "Thy charms will make each place appear, to me my island home.", Mounted to 58 x 39 cm., Mounted on leaf 77 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Geo. IV," and "Ld. Conyngham" identified in ink below title; date "1820" written in lower right corner of sheet. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Conyngham, Henry Conyngham, Marquess, 1766-1832
Subject (Topic):
John Bull (Symbolic character), Adultery, Dwellings, Doors & doorways, Bowing, Windows, and Staffs (Sticks)
"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
A young couple face each other as they begin to dance in a hall lighted by a wall sconce with a mirror and a chandelier. Behind them an older woman looks on.
Description:
Title from caption below image., Publication information from unverified data from local card catalog record., Four lines of verse below title: "While graceful Marian leads the gay Quadrille", "What new sensations Henry's boson fill," "An introduction gained, the youth advances" "And hope she's disengaged the two next dances.", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Bowing, Clothing & dress, Couples, Dance parties, and Etiquette
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.02
Image Count:
1
Resource Type:
still image
Abstract:
An older man grins broadly as he bows to a woman with a hand-muff who curtsies in return
Description:
Title-page vignette. and Title page from: An Olio of Good Breeding : with sketches illustrative of the modern graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797].
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
"Queen Caroline, stout and raddled, with black ringlets, stands full-face and four-square, bending forward as if bowing, with a fixed stare from black beady eyes. She wears the feathered hat (caricatured) of the 'trial', and a fur-bordered pelisse. Under her right arm is a rolled document, 'List of [Addres]ses'; in her left hand she awkwardly raises her skirts in order to bow. She stands on a grass plot in front of Brandenburgh House. Below the design: ... 'Lo! yonder she walketh in maiden sweetness, with innocence on her mind and modesty in her cheek. Her hand seeketh employment; her foot delighteth not in gadding abroad. She is cloathed with neatness; she is fed with temperance; humility and meekness are as a crown of glory circling her head. Her breast is the mansion of goodness; and therefere [sic] she suspecteth no evil in others. Decency is in all her words; in her answers are mildness and truth. Submission and obedience are the lessons of her life; and peace and happiness are her rewards. Before her steps walketh Prudence; and Virtue attendeth at her right hand. Her eye speaketh softness and love; but discretion with a sceptre sitteth on her brow. The tongue of the licentious is dumb in her presence; the awe of her virtue keepeth him silent. Happy Bartolomeo [Bergami]!!! he putteth his heart in her bosom, and receiveth Comfort. Thus the prudence of her management is an honor to her husband, and he must hear her praise with silent delight.!!!'"--British Museum online catalogue, description of a variant state
Alternative Title:
Who is she that winneth the heart of man, that subdueth him to love ...
Description:
Attributed to Theodore Lane., Caption below the image: "Who is she that winneth the heart of man, that subdueth him to love, and reigneth in his breast?", With 24 lines of verse in two columns below the image; verse begins, "Lo! Yonder she walketh in maiden sweetness, with / innocence on her mind and modesty on her cheek.", and Watermark: J. Whatman 1821.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
Leaf 65. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "3" in upper right corner., For an earlier state, see no. 4988 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Masters of the ceremonies -- Routs: Eighteen penny -- Club wig -- Literature: Reference to Samuel Foote's (1720-1777) play, The maid of Bath -- Actors in performance: Thomas Weston as Billy Button., and Third of three plates on leaf 65.
Publisher:
Pubd. by MDarly accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Name):
Weston, Thomas, 1737-1776 and Foote, Samuel, 1720-1777.
Subject (Topic):
Dandies, British, Actors, Bowing, Wigs, and Daggers & swords
"A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '3' in upper right corner., and Temporary local subject terms: Macaronies -- Masters of the ceremonies -- Routs: Eighteen penny -- Club wig -- Literature: Reference to Samuel Foote's (1720-1777) play, The maid of Bath -- Actors in performance: Thomas Weston as Billy Button.
Publisher:
Pubd. by MDarly accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Name):
Weston, Thomas, 1737-1776 and Foote, Samuel, 1720-1777.
Subject (Topic):
Dandies, British, Actors, Bowing, Wigs, and Daggers & swords
"The Queen stands on the shore, making a gesture of outraged refusal to Lord Hutchinson, who bows low, proffering a paper inscribed '£50,000' (see British Museum Satires No. 13730). She points to a small vessel. P. 4: C, for the Cash that was promised to pay The Q--n, if she'd travel a different way, ..."--British Museum online catalogue
Alternative Title:
C, for the cash that was promised to pay the Q-n, if she'd travel a different way ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, and Rosco.
Title etched below image., Eighth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Interiors, Games, Card games, Wheelchairs, Crutches, Military uniforms, British, Bowing, and Courtship
"Caricature of a man bowing deeply before George IV, who sits surrounded by his cabinet."--British Museum online catalogue
Alternative Title:
What a Cur-tis for ratting, What a Curtis for ratting, and What a Curteis for ratting
Description:
Title etched below image., A date of 1820 may be inferred from the depiction of Edward Jeremiah Curteis as a new M.P. for Sussex, a post to which he was elected in March 1820. A later date of 1821 is given in the British Museum online catalogue, registration no.: 1985,0119.349., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 4 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Sheet annotated in ink with the date "1820" following imprint, and with the biographical information "Edward Jeremiah Curteis M.P. for Sussex 1820, of Windmill HIll nr. Battle died 18 Mar. 1835" in lower left margin.
Publisher:
Published by R.A. Fores, 71 Leadenhall St., Aldgate
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Curteis, Edward Jeremiah, 1762-1835
"Queen Caroline, stout and raddled, with black ringlets, stands full-face and four-square, bending forward as if bowing, with a fixed stare from black beady eyes. She wears the feathered hat (caricatured) of the 'trial', and a fur-bordered pelisse. Under her right arm is a rolled document, 'List of [Addresses'; in her left hand she awkwardly raises her skirts in order to bow. She stands on a grass plot in front of Brandenburgh House. Below the design: ... 'Lo! yonder she walketh in maiden sweetness, with innocence on her mind and modesty in her cheek.-- Her hand seeketh employment; her foot delighteth not in gadding abroad.-- She is cloathed with neatness; she is fed with temperance; humility and meekness are as a crown of glory circling her head.-- Her breast is the mansion of goodness; and therefere [sic] she suspecteth no evil in others.-- Decency is in all her words; in her answers are mildness and truth.-- Submission and obedience are the lessons of her life; and peace and happiness are her rewards.-- Before her steps walketh Prudence; and Virtue attendeth at her right hand. Her eye speaketh softness and love; but discretion with a sceptre sitteth on her brow.-- The tongue of the licentious is dumb in her presence; the awe of her virtue keepeth him silent.-- Happy Bartolomeo [Bergami]!!! he putteth his heart in her bosom, and receiveth Comfort.-- Thus the prudence of her management is an honor to her husband, and he must hear her praise with silent delight.--!!!'"--British Museum online catalogue
Alternative Title:
Who is she that winneth the heart of man, that subdueth him to love ...
Description:
Title etched above image., Caption below image: Who is she that winneth the heart of man, that subdueth him to love, and reigneth in his breast?, Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple and roulette on wove paper, hand-colored ; sheet 26.5 x 20.6 cm.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Adultery, and Bowing
"Queen Caroline, stout and raddled, with black ringlets, stands full-face and four-square, bending forward as if bowing, with a fixed stare from black beady eyes. She wears the feathered hat (caricatured) of the 'trial', and a fur-bordered pelisse. Under her right arm is a rolled document, 'List of [Addresses'; in her left hand she awkwardly raises her skirts in order to bow. She stands on a grass plot in front of Brandenburgh House. Below the design: ... 'Lo! yonder she walketh in maiden sweetness, with innocence on her mind and modesty in her cheek.-- Her hand seeketh employment; her foot delighteth not in gadding abroad.-- She is cloathed with neatness; she is fed with temperance; humility and meekness are as a crown of glory circling her head.-- Her breast is the mansion of goodness; and therefere [sic] she suspecteth no evil in others.-- Decency is in all her words; in her answers are mildness and truth.-- Submission and obedience are the lessons of her life; and peace and happiness are her rewards.-- Before her steps walketh Prudence; and Virtue attendeth at her right hand. Her eye speaketh softness and love; but discretion with a sceptre sitteth on her brow.-- The tongue of the licentious is dumb in her presence; the awe of her virtue keepeth him silent.-- Happy Bartolomeo [Bergami]!!! he putteth his heart in her bosom, and receiveth Comfort.-- Thus the prudence of her management is an honor to her husband, and he must hear her praise with silent delight.--!!!'"--British Museum online catalogue
Alternative Title:
Who is she that winneth the heart of man, that subdueth him to love ...
Description:
Title etched above image., Caption below image: Who is she that winneth the heart of man, that subdueth him to love, and reigneth in his breast?, Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Adultery, and Bowing
"Queen Caroline, stout and raddled, with black ringlets, stands full-face and four-square, bending forward as if bowing, with a fixed stare from black beady eyes. She wears the feathered hat (caricatured) of the 'trial', and a fur-bordered pelisse. Under her right arm is a rolled document, 'List of [Addresses'; in her left hand she awkwardly raises her skirts in order to bow. She stands on a grass plot in front of Brandenburgh House. Below the design: ... 'Lo! yonder she walketh in maiden sweetness, with innocence on her mind and modesty in her cheek.-- Her hand seeketh employment; her foot delighteth not in gadding abroad.-- She is cloathed with neatness; she is fed with temperance; humility and meekness are as a crown of glory circling her head.-- Her breast is the mansion of goodness; and therefere [sic] she suspecteth no evil in others.-- Decency is in all her words; in her answers are mildness and truth.-- Submission and obedience are the lessons of her life; and peace and happiness are her rewards.-- Before her steps walketh Prudence; and Virtue attendeth at her right hand. Her eye speaketh softness and love; but discretion with a sceptre sitteth on her brow.-- The tongue of the licentious is dumb in her presence; the awe of her virtue keepeth him silent.-- Happy Bartolomeo [Bergami]!!! he putteth his heart in her bosom, and receiveth Comfort.-- Thus the prudence of her management is an honor to her husband, and he must hear her praise with silent delight.--!!!'"--British Museum online catalogue
Alternative Title:
Who is she that winneth the heart of man, that subdueth him to love ...
Description:
Title etched above image., Caption below image: Who is she that winneth the heart of man, that subdueth him to love, and reigneth in his breast?, Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple and roulette ; plate mark 27.7 x 21.4 cm, on sheet 28.1 x 21.6 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 49 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "25 Jany. 1821" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Adultery, and Bowing
Leaf 14. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Mrs. Gilpin (left) holds out a coin to the driver (right) of her chaise who stands bowing deferentially beside his horse. Her sister and two children stand behind her. In the background is the inn and the chaise."--British Museum catalogue
Alternative Title:
And thus unto the youth she said that drove them to the Bell ...
Description:
Title etched above image., Four lines of verse below image: And thus unto the youth she said that drove them to the Bell, 'This shall be yours, when you bring back 'my husband safe and well., Fifth plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "5" in upper right corner., and Bound in as leaf 14 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Carriages & coaches, Coach drivers, Bowing, Coins, Taverns (Inns), and Family members
Charles II returning to England after exile, on the beach being greeted by General Monk, the Dukes of Gloucester and York, the Earl of Clarendon and Sir John Grenvill and others, with Dover Castle in the background after Benjamin West (Staley 84).
Alternative Title:
King Charles the Second landing on the beach at Dover
Description:
Title from caption below image., Text below title: From the original picture in the possession of the Right Honourable the Earl Grosvenor., and Watermark.
Publisher:
Published as the act directs, April 5th 1789, by B. West, E. Woollett & J. Hall
Subject (Geographic):
Dover (England), and Great Britain.
Subject (Name):
Charles II, King of England, 1630-1685,, Clarendon, Edward Hyde, Earl of, 1609-1674,, Bath, John Grenville, Earl of, 1628-1701,, Henry, Prince, Duke of Gloucester, 1640-1660,, and Albermarle, George Monck, Duke of, 1608-1670,
Leaf 40. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short, stout elder man in glasses stands in front of an armchair as he greets a tall, younger man with elongated chin and bag wig who bows to him. The visitor's greyhound is looking curiously at the host's little pug
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., Plate numbered "V. 2" in upper left corner and "12" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Armchair with claw feet -- Room screen -- Table -- Pictures amplifying subject: Portrait of an obese man -- Pets., Second of two plates on leaf 40., and 1 print : etching on laid paper ; plate mark 17.7 x 24.8 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. according to act, July 1, 1773, by MDarly, Strand
Leaf 40. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short, stout elder man in glasses stands in front of an armchair as he greets a tall, younger man with elongated chin and bag wig who bows to him. The visitor's greyhound is looking curiously at the host's little pug
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., Plate numbered "V. 2" in upper left corner and "12" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Armchair with claw feet -- Room screen -- Table -- Pictures amplifying subject: Portrait of an obese man -- Pets., Mounted to 28 x 34 cm., and Watermark.
Publisher:
Pub. according to act, July 1, 1773, by MDarly, Strand
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.6 x 32.1 cm., Printed on wove paper; hand-colored., Window mounted to 24.7 x 33.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "P. Leopold" and "Geo. IV" identified in ink below image; date "31 Jan. 1821" written in lower right corner of sheet.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., 1 print : etching ; plate mark 27.6 x 40.2 cm, on sheet 27.9 x 40.6 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 30 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in ink in lower right corner. Typed extract of thirty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
Fox (right), hat in hand, bows humbly before Bonaparte (left), who stands arrogantly, arms akimbo, head in profile to the right. The First Consul wears military uniform, boots, an enormous sword; on his head is a mural crown decorated with a cannon and skull and cross-bones, and bristling with sabres, pistols and daggers. Both men are shown full-length and in profile
Description:
Title from caption below image., Attribution to Rowlandson based on style., and Sheet trimmed to plate mark.
Publisher:
Pubd. Novr. 12, 1802 by W Holland No. 11 Cockspur Street, (removed from Oxford Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Fox, Charles James, 1749-1806
Subject (Topic):
Foreign relations, Bowing, Emperors, France, Politicians, and Great Britain
"A strip design of figures, generally in pairs, in the manner made popular by Bunbury's 'Long Minuet' (BMSat 7229). All attempt to imitate the bow of the Prince of Wales; the words spoken are etched above the head of the speaker. A tall thin man bows, facing a short fat one who says, "What do you think of mine, Sir". The former answers, "It won't do upon my honor." An isolated middle-aged man stoops, his left hand on his back, his right leg raised, his face contorted with pain, saying, "Oh, damn the Lumbago!" A tall thin man, whose dress imitates that of the Prince of Wales, bows, hat in hand, saying, "Monstrous like the Prince, the very bow dem me". His stout and ungainly 'vis-à-vis', dressed in the fashion of c. 1760, is a doctor with medicine-phials projecting from his coat-pocket; he bends low, saying, "Curse it, I've burst the waistband of my breeches". A man wearing a sword bows, holding his hat in both hands; he says to his 'vis-à-vis', a young Irish volunteer in regimentals, "Good God, Sir, you should take off your hat when you make a bow!" The other (the first figure on the second sheet) answers, "Arrah let a Volunteer alone, my dear, did you ever know a man fire before he presented!" A stiff, thin man, resembling BMSat 6718 (Furtado), says to a man who bows from the waist, his body almost horizontal, his long pigtail queue projecting stiffly, "You bow too low, Sir". The other answers, "And you seem to be spitted, Mr few." A Frenchman, 'chapeau-bras' and wearing a bag-wig, capers like a dancing-master, saying, "Ha! Ha! by gar poor John Bull's back will ache at this amusement". His foppishly dressed 'vis-à-vis' stiffly imitates his attitude, saying, "These tight stays will be the death of me." A plainly dressed man bends towards a boy who bows awkwardly, saying, "Vary weel, Sawny, vary like the Prince's bow!" A stout and ugly bishop (the first figure on the third sheet) with an ill-fitting wig, bowing obsequiously, his hands on his breast, faces a thin stiff man who looks at him through an eye-glass, saying, "It may do for a poor Curate presenting a Petition!" The bishop answers, "Better than yours you Pulpit Prig." Burke and Fox, both 'chapeau-bras', bow facing each other: Burke says, "Garrick's bow at the Shrine of Shakespeare was nothing to it." Fox answers, "This is to a certainty something like it." Thurlow, in Chancellor's wig and gown, bows, saying, "He take precedence of me! d-----n his bow!" (cf. BMSat 7320). He faces George Hanger, wearing regimentals, who bows, hat in hand, saying, "It would kick up the heels of chastity in Maid, Wife, or Widow.""-British Museum online catalogue
Description:
Title from item.
Publisher:
Published by William Holland, printseller at Garrick's Richard, No. 50 Oxford Street, near Berner's Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement and text below image burnished out, of a print originally published 20 March 1773 by J. Bretherton. Cf. No. 4716 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Watermark., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
"George IV sits jauntily astride a tall high-stepping giraffe, at the base of the neck, hands on hips. Lady Conyngham (left) sits sideways on the sloping back, close to the tail, her vast posterior projecting. She smiles over her shoulder. He wears a straw hat with wide curving brim. She is décolletée, with large gigot sleeves and feathers in her hair. Four Nubians (right) bow obsequiously."--British Museum online catalogue
Alternative Title:
New hobby
Description:
Title etched below image., Date based on subject: A camel was present to the King at Windsor on 13 August 1827., and Attribution to William Heath and date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Caricature broadside with a satire of two men bowing to present a petition to Queen Caroline above three columns of letterpress."--British Museum online catalog
Description:
Title from letterpress text below image., Date of publication from the British Museum online catalogue, registration no.: 1975,0118.29., Sheet trimmed within plate mark on top edge., "Price one shilling"--Following imprint statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 40.7 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed with loss of imprint statement and price from bottom edge., and Mounted on page 42 of: George Humphrey shop album.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Wilberforce, William, 1759-1833
"Caricature broadside with a satire of two men bowing to present a petition to Queen Caroline above three columns of letterpress."--British Museum online catalog
Description:
Title from letterpress text below image., Date of publication from the British Museum online catalogue, registration no.: 1975,0118.29., Sheet trimmed within plate mark on top edge., "Price one shilling"--Following imprint statement., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 28 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Wilberforce" identified in ink below image; date "7 Dec. 1820" written in lower right corner of sheet.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Wilberforce, William, 1759-1833
"An elderly Indian princess, seated on a stool in profile to the left, her hands deprecatingly extended, receives the obeisance of Burke, Fox, and Sheridan. She says, "dear Gentlemen this is too much now you really distress me exceedingly" ... Burke kneels at her feet, head bent down, supporting himself on his left hand; his right hand is on his breast; he frowns, his spectacles are on his forehead. He is between Sheridan and Fox. Fox stands full-face, holding his hat to his breast; his bow is less low. On the right seven bag-wigs are in positions corresponding to those that they would take if on the heads of persons making low bows to the Begum. Below them are three swords whose hilts are decorated with large ribbon bows or favours, also as if worn by invisible persons doing homage to the Begum. Sheridan wears a similar sword. Both wigs and swords are inscribed 'et cætera.' Under the Begum's seat appear the head and arms of Francis as if emerging from the ground; he fixes Burke and the others with a conspiratorial stare, his finger across his lips, saying, "I am at the Bottom of it." Behind and above the Begum's head is a picture of a row of conical mountains ; a mouse issues from a hole in the nearest mountain. The frame is inscribed 'Parturiunt Montes nascetur ridiculus mus'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., "Bow wow wow, fal lal &c. &ca."--Etched below the title., Imperfect; the word "exceedingly" in the Begum's quote has been mostly erased from sheet. Missing text supplied from impression in the British Museum., Temporary local subject terms: Begum of Oude -- Literary quotations: Horace's Ars poetica -- Pictures that amplify subject., 1 print : etching on laid paper ; plate mark 22.8 x 28.8 cm, on sheet 24.3 x 30 cm., Mounted on leaf 45 of James Sayers's Folio album of 144 caricatures., and Imperfect; the word "exceedingly" in the Begum's quote has been erased from sheet.
Publisher:
Publd. 1st May 1788 by Thos. Cornell, Bruton Street
Subject (Geographic):
England.
Subject (Name):
Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Impeachment, Politicians, Bowing, Wigs, and Daggers & swords
"An elderly Indian princess, seated on a stool in profile to the left, her hands deprecatingly extended, receives the obeisance of Burke, Fox, and Sheridan. She says, "dear Gentlemen this is too much now you really distress me exceedingly" ... Burke kneels at her feet, head bent down, supporting himself on his left hand; his right hand is on his breast; he frowns, his spectacles are on his forehead. He is between Sheridan and Fox. Fox stands full-face, holding his hat to his breast; his bow is less low. On the right seven bag-wigs are in positions corresponding to those that they would take if on the heads of persons making low bows to the Begum. Below them are three swords whose hilts are decorated with large ribbon bows or favours, also as if worn by invisible persons doing homage to the Begum. Sheridan wears a similar sword. Both wigs and swords are inscribed 'et cætera.' Under the Begum's seat appear the head and arms of Francis as if emerging from the ground; he fixes Burke and the others with a conspiratorial stare, his finger across his lips, saying, "I am at the Bottom of it." Behind and above the Begum's head is a picture of a row of conical mountains ; a mouse issues from a hole in the nearest mountain. The frame is inscribed 'Parturiunt Montes nascetur ridiculus mus'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., "Bow wow wow, fal lal &c. &ca."--Etched below the title., Imperfect; the word "exceedingly" in the Begum's quote has been mostly erased from sheet. Missing text supplied from impression in the British Museum., Temporary local subject terms: Begum of Oude -- Literary quotations: Horace's Ars poetica -- Pictures that amplify subject., and Inscribed in ink below plate mark: Francis, The Begum, Burke, Fox, Sheridan, all the other managers of Hasting's impeachment.
Publisher:
Publd. 1st May 1788 by Thos. Cornell, Bruton Street
Subject (Geographic):
England.
Subject (Name):
Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Impeachment, Politicians, Bowing, Wigs, and Daggers & swords
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 20th March 1773, New Bond Street No. 134.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 89. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue
Description:
Title etched below image., Publisher identified from street address., One line of text below title, in lower left: Macaroni & other soups hot every day., Temporary local subject terms: Taverns: Salutation Tavern Macaronies -- Bag wig -- Queue wig., Mounted on page 89 of: Bunbury album., 1 print : etching on laid paper ; sheet 23.1 x 31.7 cm., and Sheet trimmed to plate mark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 20th March 1773, New Bond Street No. 134.
Call Number:
773.03.20.03+
Collection Title:
Page 89. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue
Description:
Title etched below image., Publisher identified from street address., One line of text below title, in lower left: Macaroni & other soups hot every day., Temporary local subject terms: Taverns: Salutation Tavern Macaronies -- Bag wig -- Queue wig., Matted to 49 x 61 cm., Manuscript note in contemporary hand below plate mark: Mr. Blunt, Mr. Sharp were never engrav'd., W.S. Lewis's note on verso of print: Salutation Tavern, Margate St., London Past & Present, iii, 207., and Formerly shelved with the Bunbury Collection.
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., and Mounted on page 16 of: George Humphrey shop album.
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., 1 print : etching ; sheet 26.4 x 36.4 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on left side., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 18 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Q. Caroline," and "Ald. Wood" identified in black ink at bottom of sheet; date "11 June 1820" written in lower right corner. Pencil annotation "+ GC" added beneath Robert Cruikshank's signature, noting George Cruikshank's contribution to the production of the print. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 May 1797]
Call Number:
797.05.26.03
Image Count:
1
Resource Type:
still image
Abstract:
Two images on one plate. Above: two men are shown bowing to a prescribed angle according to their social rank. Below: two women curtsy with similar understanding of their social positions
Description:
Title from item., Numbered 'Plate 9' in upper left corner., Title devised by cataloger based on the text this image illustrates., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Manners.
Publisher:
Pubd. May 26, 1797, by G.M. Woodward, Berners Street
