Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: East India House -- Declaratory Act., and Watermark.
Publisher:
Pubd. April 24, 1788 by Josa. Baldrey, No. 19 H. Holborn, London
Subject (Geographic):
Great Britain.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Hastings, Warren, 1732-1818, Rumbold, Thomas, Sir, 1736-1791, and East India Company.
Subject (Topic):
Portraits, Impeachment, Taxation, Tax assessment, Justice, Donkeys, Stores & shops, Shutters, Lawyers, and Britannia (Symbolic character)
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., Sheet trimmed within plate mark., 1 print : etching on laid paper ; sheet 30.9 x 43.5 cm., and Formerly mounted on leaf 22 of volume 1 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Regency crisis -- George III's prerogative, protected by British Lion -- Emblems: crown and scepter, prerogative -- British Lion: vigilant of prerogative -- Implements of execution -- Figure of Justice -- Emblems: Prince of Wales's feathers -- Whig frogs -- Double entendres -- Puns: "Son" -- Literature: Aesop fables -- Allusion to George III -- Dormant George IV., Watermark: S. Lay., and Mounted to 35 x 42 cm.
Publisher:
Pub. by J. Aiken, the corner Bare Street, Leicester Square
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Regency, Britannia (Symbolic character), Justice, and Frogs
"The Prince of Wales ..., sword in hand, gallantly protects Britannia against the attack of three conspirators: Pitt raises a headsman's axe in both hands; Grafton, holding a conspirator's lantern, is about to strike her with a dagger; Richmond ... fires a musket, resting one knee on a cannon. The Prince wears a coronet with three ostrich feathers, he holds out his shield behind Britannia, who cowers towards him in terror."--British Museum online catalogue, description of the print for which this is the original drawing
Description:
Titled by the artist in brown ink below image., Attributed to Rowlandson., Original drawing for a print of the same title published by H. Holland on 7 February 1789. Cf. No. 7503 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 247.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
[January 1789]
Call Number:
789.01.00.02
Image Count:
1
Resource Type:
still image
Abstract:
"A fox, wearing a coat, hangs in profile to the right from a very high gibbet. His large brush is inscribed 'Hereditary Right' (cf. British Museum Satires 7381); he is excreting, the ordure being inscribed 'Run my Mead'. Above the gibbet is a scroll: 'The Man of the People High in Office'. Three women caper delightedly round the foot of the gallows: Justice (with the head of Thurlow) (left), with her scales evenly balanced, but with her bandage pushed up so that she can see, and holding her sword against her shoulder, its blade inscribed 'Household' continued; she sings, "Let's joyful Dance and merry Sing". Britannia (right) sings "for Ch--l--y [Fox] is quite the thing"; her shield is inscribed 'No Peers No Pensions', an allusion to the Regency Restrictions. Her profile appears to be intended for that of Pitt. Liberty, with the head of Wilkes, squinting violently, who is between the other two, cries "Huzza". The cap of Liberty (on its staff) is inscribed with the City arms and the motto 'Address', in reference to the City address of thanks to Pitt and the Ministry for maintaining the right of Parliament in the establishment of a regency."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Date at end of imprint statement is illegible; date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Removed from backing with remnants of blue paper on verso.
Publisher:
Pub. by W. Dent and Sold by W. Moore, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Great Britain. Parliament., Fox, Charles James, 1749-1806., Pitt, William, 1759-1806., Wilkes, John, 1725-1797, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Britannia (Symbolic character), Regency, Politics and government, Gallows, Justice, and Liberty
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Publication date from date etched below sundial on the barn in the image ('9' etched in reverse view)., Sheet trimmed within plate mark., Four lines of verse in two columns etched on both sides of title: whence straight he came with hat and wig ..., Reversed version of no. 6896 in the Catalogue of prints and drawings in the British Museum, v. 6., and Temporary local subject terms: Buildings: calenderer's house -- Trades: calenderers -- Fences -- Horses -- Donkeys -- Sundials - Wigs -- Dressing gowns -- Literature: illustration to Cowper's John Gilpin.
