"Stoddart sits in the centre of the design blowing through a trumpet a blast of abuse towards the newly-arrived Queen (left) while holding out copies of his newspaper towards four ragged little newsboys (right), who also blow their horns with great vigour. Queen Caroline, tall, dignified, and demurely dressed in black, flinches from Stoddart's blast, and is protected by Britannia and Alderman Wood. She says: "Surely thos Fellows will not be suffered to Insult me in this manner? who is it that Sets them on? who encourages them." Britannia, seated on a very angry Lion, extends her arms, saying: "Welcome Beloved of thy People, the Mother of Englands lost -- & ever to be lamented Hope, will ever be dear to the Hearts of every true born Englishman." Wood, wearing an Alderman's gown, tries to protect her with a shield inscribed: 'No more Douglas's an Englishman's Rights, Justice & Truth'. From Stoddart's trumpet issue the words: 'Treason, Crim Con, no Rights, no Claims, no pretensions, no Prerogatives, no Patronage, no Property, no Soul to be Prayed for, no Justice, no Law, no Protection, Woe to them that espouse her Cause, Woe to them that Speak well of her!!!' At his feet lie newspapers: 'New Times', 'Morning Post', 'Courier'. Castlereagh and Sidmouth (right), who extend admonitory fingers, urge him on: the former says: "hit hard--dont spare now Dr Slop here is a fine Oppertunity for you to indulge your Spleen." Sidmouth, larger than life and shockingly malevolent, says: "Blow away my boys, spread it far and near, lay it on thick, do not stand for Trifles!!!" The biggest newsboy has a bill headed 'New Times' in his hat; another holds a bundle of the 'Courier', 'New Times', and '[Morning] Post'. A third has 'News' in his hat. Behind and between Stoddart and Castlereagh a man capers in ecstasy, waving a hat in which is a paper: 'Pardon for Edwards'. He exclaims: "Now I shall have a Job again and get better paid than before.""--British Museum online catalogue
Alternative Title:
Spies, spawns & spewers of scurrility, abuse & defamation set to work and Spies, spawns and spewers of scurrility, abuse and defamation set to work
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.8 x 35 cm, on sheet 25 x 35.5 cm., Printed on laid paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 16 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Q. Caroline," "Ald. Wood," "Dr. Slothard Ed. of New Times," "Londonderry," and "Sidmouth" are identified in ink above title; date "8 June 1820" is written in lower right. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. June 8th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Stoddart, John, 1773-1856, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Horns (Communication devices), Newspaper vendors, Newspapers, and Lions
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
Print showing George IV, horned and with wings which are spread to provide a protective, umbrella-like shell for his supporters, a gouty foot well wrapped, a ribbon around the other labeled "Infidelity - Honi Soit," holding a bottle labeled "Peoples Tears," and sitting with his mistress, "Care-away Cunningham" i.e., Lady Conyngham. In the background, to the left is a line of armed cavalry "Civil Gentleman or a Rod in Pickle," at center sits Britannia covering her face in shame, and on the right, beneath "A Storm gathering," are huddled "The People."
Alternative Title:
Royal cock and chickens and Father of his people!!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 31 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "12 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 12, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Britannia (Symbolic character), Adultery, Politics & government, Gout, Bandages, Horns (Anatomy), Wings (Anatomy), Bottles, Mistresses, and Cavalry
"An allegorical design. Britannia, holding her shield and a cap of Liberty on a staff, rushes (right to left) with a calm expression to the edge of a cliff, urged on by Wellington and five other Ministers (scarcely characterized). On her right a man snatches the drapery from a small cloud-borne figure of Fortune with her wheel, who is directed towards an oval portrait of Queen Caroline supported by an angel. Fame holds a laurel wreath above the portrait. Below the cliff or rock from which Britannia steps so heedlessly is a patch of ground surrounded by sea. On this stands Burdett, holding out a scroll inscribed 'Magna Char[ta] Liberty of Napoleon' and holding out his left arm to prevent Britannia from falling. Justice stands behind him, holding evenly balanced scales. Four other men stand close behind him, one holding out a scroll inscribed 'Reform', and supporting the arm which holds the scales. A man in shirt-sleeves kneels at Burdett's feet, making a gesture of urgent entreaty. On a rock (right), symbolizing St. Helena but merging with Britannia's cliff, sits a spotted, sub-human Caliban-like creature, who holds a small image of Napoleon, which he is about to cover with an extinguisher. At the base of the rock, but in the background, are two tiny officers in military uniform, seated together at the edge of the sea, directed to the right. In the foreground (left) sits a woman (? France) in classical draperies, holding a sceptre, with a (? Bourbon) crown falling from her head, and with a second (? imperial) crown in her lap. She gazes towards St. Helena. Inset in the title and enclosed within a border inscribed 'Honi soit qui mal y pense': 'Wilson sçut délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême [sic]!!!'."--British Museum online catalogue, description of a later state
Alternative Title:
Nation and her m-n-t-r's and Nation and her ministers
Description:
Title etched below image., Early state, before border and imprint statement added. For a later state with border present and the imprint "Pubd. by Milleville, Hampstead" etched in lower left, see no. 14050 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
John Milleville?
Subject (Geographic):
Saint Helena,
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wellington, Arthur Wellesley, Duke of, 1769-1852, Burdett, Francis, 1770-1844, Napoleon I, Emperor of the French, 1769-1821., Broughton, John Cam Hobhouse, Baron, 1786-1869., Wilson, Robert, Sir, 1777-1849., Holland, Henry Richard Vassall, Baron, 1773-1840., Lowe, Hudson, Sir, 1769-1844., and La Valette, Antoine-Marie Chamans, comte de, 1769-1830.
Subject (Topic):
Britannia (Symbolic character), Cliffs, Shields, Liberty cap, Angels, Justice, Scales, Military officers, and Crowns
Print shows personifications of Europe, Africa, America, and Asia pointing their fingers at a blushing Britannia paying penance for corruption atop a stool of repentence along with Princess Caroline of Brunswick-Wolfenbüttel; King George IV; Robert Banks Jenkinson, 2nd Earl of Liverpool; Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh); Henry Addington, 1st Viscount Sidmouth; and Arthur Wellesley, 1st Duke of Wellington. A crowd of mostly women is gathered under the stool, some with glasses and bowls and "Political caricature on the Royal Divorce: George IV and Caroline sit with the cabinet on a stool, mocked by the four Continents, while Britannia blushes; below a waterfall of Corruption falls to pollute Westminster."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Wellington," "Q. Caroline," "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink within image.
Publisher:
Published Jany. 10, 1821, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westminster Palace (London, England),
Subject (Topic):
Britannia (Symbolic character), Symbols, Corruption, Punishment devices, Punishment & torture, Politicians, Embarassment, Bowls (Tableware), and Drinking vessels
In a large circle at center is Queen Caroline, dressed as Britannia and riding a horse that tramples a four-headed dragon lying on its back on the ground; the dragon has the human heads of the George IV and his ministers. The Queen, wearing armor and a helmet topped with a crown, shoves a long pike into the mouth of Liverpool; Castlereagh's head has been decapitated, Sidmouth's head has its eyes closed and seems to be unconscious, and the King's head looks on in horror. The border of the large circle reads "Carolina D.G. Britaniarum Regina" and a buckle at the bottom reveals it to be a belt. Four smaller circles in the corners of the design are labeled "Britannia," "Hibernia," "Cambria," and "Caledonia," and they contain symbols representing each region
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 47 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image; date "Jan. 1821" written in lower right corner.
Publisher:
Published January 1821 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Dragons, Horses, Pikes (Weapons), Armor, Crowns, and Symbols
A silver medal from Holland, with satirical images of Oliver Cromwell. On the obverse is a bust of Oliver Cromwell, crowned with laurel leaves and in armor; on the reverse, Cromwell kneels in the lap of Britannia, with his breeches down, as the French and Spanish ambassadors in the background argue over who shall kiss first. Formerly housed in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Cromwell, Oliver, 1599-1658 and Strawberry Hill (Twickenham, London, England)
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King, Queen, bishop and politicians performing on a stage of a theatre."--British Museum online catalogue
Alternative Title:
King, Lords, and Commons, as it was performed at the National Theatre
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Two lines of text below title: Sole proprietor, the Apsley House Junta; leasee, pro tem. Mr. Melbun; stage manager, Mr. Russel ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Incorrectly numbered "107" in brown ink in top center portion of design., Mounted on green paper backing; small strip of paper (6 x 112 mm) with partial title from no. 105 in The political drama series pasted on verso of mount, with the text "Noble lords!!! A few speciements of ou[...]" present., and No. 106.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and National Theatre (Great Britain),
Subject (Topic):
Britannia (Symbolic character), John Bull (Symbolic character), Politicians, Bishops, Interiors, Theatrical productions, Stages (Platforms), and Audiences
Leaf 5. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Admiral Rodney is shown on the shore with Britannia and Neptune, who hand him their staffs, while the British Lion claws at the flag of France on which Rodney stands. Standing out to sea in a toy boat made of playing cards, Admiral Pigot (represented as a pig) views the scene through his spyglass. Refers to Rodney's recall and replacement by Pigot
Alternative Title:
Admiral Pigot on a cruize
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner and imprint statement burnished from plate. For original issue with the imprint "Pubd. June 4th, 1782, by E. D'Achery, St James's Street, London", see no. 5996 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], "Political characters & caracatures of 1782. No. IV"--On left above design., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 36., and On leaf 5 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Rodney, George Brydges Rodney, Baron, 1719-1792, Pigot, Hugh, 1721?-1792, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Admirals, British, and Military uniforms
