Collins, A. Jefferies (Arthur Jefferies), 1893-1976
Published / Created:
[1935?]
Call Number:
SH Contents C712 no. 1 Box 100
Image Count:
1
Abstract:
Engraving of the 19-inch square-shaped tray, the center exquisitely chased in medallions, representing George I, on his throne, with the figures of Britannia and Justice, the royal arms, a view of the City of London, and allegorical devices, in a richly chased border and shell edge. The tray was created by Paul Jacques de Lamerie (Dutch goldsmith, 1688-1751) and engraved by William Hogarth (English painter and engraver, 1697-1764).
Description:
Title devised by curator., A counterproof of the engraving of the Walpole salver by A.J. Collins, plate LXI in Paul de Lamerie, citizen and goldsmith of London / by Philip A. S. Phillips. London : B.T. Batsford, 1935., Original silver salver in the collection of the Victoria and Albert Museum, London., "Whenever the Great Seal of England became obsolete, the silver matrix was converted by the holder into a grand piece of plate engraved with the design of the seal. The Walpole Salver was made by Paul de Lamerie in 1728/9 from the seal matrix rendered obsolete by the death of George I in the previous year. There is no documentary evidence that Hogarth was responsible for the engraving, but the attribution on stylistic grounds has not been disputed."--British Museum online catalogue., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
George I, King of Great Britain, 1660-1727, and Hercules (Roman mythological character),
Subject (Topic):
Coats of arms, Britannia (Symbolic character), and Trays
Title and imprint from British Museum catalogue, Temporary local subject terms: Toppling buildings -- Staff of Liberty -- Pictures amplifying subject -- Allusion to many politicians of the day -- Allusion to Gustavus III, King of Sweden., Watermark: fleur-de-lis with initials G R below., and Mounted to 31 x 46 cm.
Publisher:
Publish'd as the act directs July 1, by J. Wjsen [sic] Walbrooke
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character), Columns, Liberty cap, Rats, Emblems, Shields, and Thrones
Title from from British Museum catalogue., Plate numbered '2' in upper right corner., Two columns of verse below image: Great people, like small ones, will have their sport and [the] diffrence is triffling 'twixt city & court ..., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: See-saw -- Buildings: Windsor Castle -- Emblems: jack boot (Lord Bute)., and Mounted to 32 x 45 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Circular design; in the center a sitting Britannia is shown holding the hand of a young sailor whose other hand holds a hat. Britannia's spear rests against her shoulder, and her shield rests against the pedestal on which she sits. A cannon lies by the feet of the sailor, and two ships are visible on the water in the background. The words "Marine Society institvted MDCCLXV" are inscribed along the inner edge of the top part of the circle, and within the bottom part of the circle is the inscription "Incorporated MDCCLXXII."
Description:
Title from local catalog card., Unsigned; artist unidentified., Date of production based on the inclusion in the design of the Marine Society's 1772 incorporation date., Formerly laid in with one other drawing at page 121 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with two other drawings to 49 x 37 cm., and Original case shelved separately.
A silver medal from Holland, with satirical images of Oliver Cromwell. On the obverse is a bust of Oliver Cromwell, crowned with laurel leaves and in armor; on the reverse, Cromwell kneels in the lap of Britannia, with his breeches down, as the French and Spanish ambassadors in the background argue over who shall kiss first. Formerly housed in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Cromwell, Oliver, 1599-1658 and Strawberry Hill (Twickenham, London, England)
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
published according to act of Parliament May 7, 1761.
Call Number:
49 3885.2 v.1
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., and Bound in before title page of: A catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited by the Society of Artists of Great-Britain at the Great Room in Spring-Garden, Charing-Cross, May the 9th, 1761 ... (no. 3 in Horace Walpole's bound collection of catalogues).
published according to act of Parliament May 7, 1761.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., 1 print : etching with engraving on laid paper ; plate mark 20.3 x 15.9 cm, on sheet 21.9 x 16.4 cm., Mounted on leaf 59 x 46 cm., Plate 67 in the album: Queen Charlotte's collection of Hogarth works., and With contemporary annotation in ink at bottom of sheet: Frontispiece to Catalogue of Pictures &c. at Exhibition of Society for Encouragement of Arts, Manusfacturers & Commerce, 1761.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Bbook, 3d edit. p. 373., and On page 188 in volume 2. Sheet trimmed to: 19.3 x 14.1.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., State without quotation from Juvenal etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d edit. p. 373., and On page 188 in volume 2.
published according to act of Parliament May 7 1761.
Call Number:
Kinnaird 76K(d) Box 120
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., and Sheet trimmed within plate mark.
In the foreground, Charles Fox puts a chain around the British Lion's neck while Lord North ties a blindfold around the animal's head. Standing next to North is Burke who holds the ends of the chain attached to a large padlock. In the background, a female figure of Britannia holds William Pitt by the hand in an attempt to lead him forward
Description:
Title, statement of responsibility and publication date supplied by cataloger based on entry in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Imperfect; sheet trimmed within the plate mark resulting in loss of imprint.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., and Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Lions, Blindfolds, and Chains
Five pairs of implacable enemies are shown in the act of reconciliation. Britannia and America clasp hands on the left; behind them the Duke of Richmond takes the hand of Parson Bate ; in the center foreground Fox (with a fox's head) brings together Shelburne and Lord Denbigh, the latter having the body of a dog; behind them are Sir Hugh Palliser and Admiral Keppel, and on the far right John Wilkes and George III shake hands
Alternative Title:
Wonders wonders wonders and wonders
Description:
Title from item. and See no. 6162 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 for another print with the same title, on a similar theme.
Publisher:
Publish'd as the act directs Novr. 9, 1782 by I. Langham print coulerer No. 84 Dorset Street Salisbury Court Fleet Street
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Denbigh, Basil Fielding, Earl of, 1719-1800, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dudley, H. Bate Sir, 1745-1824 (Henry Bate),, Keppel, Augustus Keppel, Viscount, 1725-1786, and Palliser, Hugh, Sir, 1723-1796
Subject (Topic):
Britannia (Symbolic character), Shaking hands, and Clothing & dress
Three candidates for Westminster election are shown under the portico of St. Paul's, from left, Admiral Rodney, accompanied by the figure of Neptune, sword in his right hand, announcement of victory over the Spanish fleet at Gibraltar in his left; Charles James Fox, holding in his left hand an open book inscribed "Magna Charta" and accompanied by the figure of Britannia petting a fox seated in her lap; Lord Lincoln, who lost the election, with a devil hovering above him. He is holding a scroll inscribed with the number of purchased votes and acknowledgement of bringing the news of the capture of Charleston. Below the portico the poll-clerks sit behind a long table, their books on top. Fox's supporters are gathered to the right and can be distinguished by fox's tails in their hats. A band of butchers plays in the foreground. More tails are offered for sale at the stand to the far right. A man carries a stuffed fox on a pole, placarded "4878 Reynard for ever." Next to him is a barrel of beer
Description:
Title from item. and Variant of no. 5699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs Sept. 25, 1780, by P. Mitchell, North Audly Stt. Grosr. Sqr. & J. Harris, Sweething Alley, Cornhill
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Rodney, George Brydges Rodney, Baron, 1719-1792, Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Demons, Political elections, Crowds, Foxes, and Butchers
Title from item., Sheet trimmed within plate mark at top., Dated in British Museum catalogue: 1 August 1771., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 7 (1771), p. 29., Temporary local subject terms: Hibernia (Symbolic character) -- Secret influence -- Sport: cricket bat., and Lower corners cut off diagonally.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792, Sandwich, John Montagu, Earl of, 1718-1792, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
Subject (Topic):
Hercules, Britannia (Symbolic character), Harps, and Volcanoes
A series of ten images showing the rise and fall of the Fox-North Coalition. In the first image, Charles Fox, shown as a fox, speaks to the crowd in front of the Covent Garden Church. In the second one, Lord North, the 'country gentleman' leading sheep on strings, makes an agreement with Fox, who leads the 'Wes[tminste]r geese' on strings. The third image shows Fox speaking to a crowd in a rotunda, while in the fourth one he is stoking a fire around a pole topped with the liberty cap and the India charter suspended from it. In the fifth image, North and Fox, sharing one coat, stand on a plinth signed, "Power." The sixth image shows Fox ascending in an air balloon while the next one shows him falling head-down into a "pitt." In the eighth image, the two politicians are being rejected by the figure of Britannia, who refuses to look at them, instead pointing to the gallows in the background. This condemnation results in their execution, together with Burke, in the ninth image. In the tenth image, all three are shown as well-known mythological sinners in Hades; Burke submerged up to his neck as Tantalus, Fox stretched on a wheel as Iion, and North as Sisyphus pushing a large boulder
Alternative Title:
Two new sliders for the state magic lantern
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper ; plate mark 23.7 x 33.1 cm, on sheet 29.8 x 37.3 cm., and Formerly mounted on leaf 24 of volume 1 of 14 volumes.
Publisher:
Pub. 29th Decr. 1783 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Britannia (Symbolic character), Foxes, Public speaking, Balloons (Aircraft), Gallows, and Hell
A series of ten images showing the rise and fall of the Fox-North Coalition. In the first image, Charles Fox, shown as a fox, speaks to the crowd in front of the Covent Garden Church. In the second one, Lord North, the 'country gentleman' leading sheep on strings, makes an agreement with Fox, who leads the 'Wes[tminste]r geese' on strings. The third image shows Fox speaking to a crowd in a rotunda, while in the fourth one he is stoking a fire around a pole topped with the liberty cap and the India charter suspended from it. In the fifth image, North and Fox, sharing one coat, stand on a plinth signed, "Power." The sixth image shows Fox ascending in an air balloon while the next one shows him falling head-down into a "pitt." In the eighth image, the two politicians are being rejected by the figure of Britannia, who refuses to look at them, instead pointing to the gallows in the background. This condemnation results in their execution, together with Burke, in the ninth image. In the tenth image, all three are shown as well-known mythological sinners in Hades; Burke submerged up to his neck as Tantalus, Fox stretched on a wheel as Iion, and North as Sisyphus pushing a large boulder
Alternative Title:
Two new sliders for the state magic lantern
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pub. 29th Decr. 1783 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Britannia (Symbolic character), Foxes, Public speaking, Balloons (Aircraft), Gallows, and Hell
Title from item., Plate numbered '86' in upper left corner., Sheet partially trimmed within plate mark., Three lines of text below image: Advertisement. To be sold by auction all the various looms & utensils ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Copy in reverse of No. 3674 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Personifications: figure of Justice -- Figure of Commerce -- Figure of Wool Trade -- Frenchmen -- Reference to Britanny.
Title from item., Plate numbered '86' in upper left corner., Plate from: A Political and Satyrical History of the Years 1758 and 1759., Three lines of text below image: Advertisement. To be sold by auction all the various looms & utensils ..., and Temporary local subject terms: Figure of Justice -- Figure of Commerce -- Figure of Wool Trade.
Title from caption above poem., Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia and British Lion in front of Princess Charlotte's tomb, which is located under a weeping willow and is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom, signed "J. Thompson"., All engraved., First line of verse beneath title: Cease, ye minstrels! all be mute ..., Possibly Samuel Rothwell, but this address not listed in British Book Trade Index?, and For further information, consult library staff.
Publisher:
Published by S. Rothwell, 3 Hatfield St., Blackfriars Road
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Britannia (Symbolic character), Tombs & sepulchral monuments, and Grief
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., 1 print : etching on wove paper ; plate mark 37.7 x 26.1 cm, on sheet 39.9 x 28.2 cm., and Mounted on leaf 78 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted on page 97.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted to 49 x 34 cm.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
Title from item., Publication place and date inferred from those of the original from which this copy was made., Four lines of verse below image: The puppets blindly led away, / Are made to act for ends unknown ..., Reversed copy of No. 4230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Devil -- Audiences.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Four lines of verse below image: The puppets blindly led away, are made to act for ends unknown ..., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767)., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Theater curtain -- Devil -- Audiences -- Wigs: bag wig.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
Title from item., Publication date from that of the book in which this plate was published., Two lines of verse below image: Mac with a thistle turned Jack Ketch, makes poor Britannia shew her breech., First state, without jack boot and Magna Charta in the image, of no. 3945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Temporary local subject terms: Punishments: whipping -- British Lion -- Emblems: thistle (Scotland) -- Executioners: reference to Jack Ketch, d. 1686., and Mounted to 25 x 34 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Two lines of quote below image: -- yet be not sad, good brothers / For to speak the truth it very well becomes you. Shakespeare., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 2 (1768), p.66., Temporary local subject terms: Vehicles: truck -- Pcitures amplifying subject -- Ministries: Grafton Administration -- Male dress: waistcoats -- Influence: Lord Bute's influence -- Punishment: birch rod -- Edward Bright, 1721-1750., and Mounted to 37 x 29 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Sandwich, John Montagu, Earl of, 1718-1792, Granby, John Manners, Marquis of, 1721-1770, De Grey, William, Baron Walsingham, 1719-1781, Norton, Fletcher, 1716-1789, Willes, Edward, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Northington, Robert Henley, Earl of, 1708?-1772
On the right, William Petty, Lord Shelburne, attacks Britannia pulling on her hair and petticoat while pushing her to the ground. She leans on her shield; her broken spear lies next to it. William Pitt, who stands behind her with his arms folded on his chest, looks down at her indifferently. On the left, Charles Fox, taking Lord North's hand in his, points to the distressed Britannia with an entreaty to join their forces in her defense and "Fox and North stand together in consultation (left). Fox, holding the right hand of North who stands on his right, points with his left hand towards Britannia (right), who has been thrown to the ground, and is being maltreated by Shelburne. Her shield and broken spear lie beside her. Shelburne has seized her by the hair and is tearing off her upper garments; he smiles saying, "I smile at the feeble efforts of them single". Britannia looking towards Fox and North cries, "Help! tis only your united strength can save me". Pitt, young and slim, stands beside Britannia, his arms folded, looking down at her and saying "I see her danger, yet, better she should perish than I join the Man I hate". Fox is saying to North, "Forgetting our former disputes Quick! let us join to save her". In the foreground lies a large scroll, inscribed, "BRITANIA rescue'd from the wicked designs of an artfull------", the last word hidden by a curl of the scroll."--British Museum online catalogue
Alternative Title:
Men of abilities call'd for and Men of abilities called for
Description:
Title from item. and Mounted to 29 x 37 cm.
Publisher:
Publish'd May 20th, 1783, by I. Freeman, Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
"Allegory of Britain's naval victory, with Neptune driving the Chariot of Britannia, while nymphs riding on fish alongside carry portrait medallions of, from left to right: Pocock, Bosc[a]wen, Hawke, Saunders, Keppel and Howe; ships at battle in the background at right, representing the defeat of the French fleet by Sir Edward Hawke, November 20th. 1759."--British Museum online catalogue
Description:
Title from caption below image., Text below the title: "N.B. In the back Ground is represented the defeat of the French Fleet by Sr. Edw. Hawke, Nov. 20th 1759" and "Size of the Picture 12 F. by 15 F. in Length.", Sheet trimmed to plate mark., and Mounted to sheet: 473 x 666 cm.
Publisher:
Published according to Act of Parliament, by J. Boydell engraver in Cheapside, London
Subject (Name):
Hawke, Edward Hawke, Baron, 1705-1781, Saunders, Charles, Sir, 1713?-1775, Boscawen, Edward, 1711-1761, Keppel, Augustus Keppel, Viscount, 1725-1786, Howe, Richard Howe, Earl, 1726-1799, and Pocock, George, Sir, 1706-1792
Title from item., Publisher from the book for which this plate was engraved., Reduced copy of the Darly print (see Stephens)., Plate numbered '11' in upper right corner., One line of text below image: See Fox and goose and [?] to Boot, may Tyburn always bear such fruit., Plate from: The British antidote to Caledonian poison. [5th ed.] [London, 1763], Temporary local subject terms: Executions: Tyburn 'tree'., and Mounted to 27 x 35 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Title from caption etched at top of image., Reduced and reversed copy of: The triple compact, or, Brittannias ruin. See Stephens., Plate numbered '1' in upper right corner., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller ..., [1763]., Temporary local subject terms: Dutchmen -- Spaniards., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Title etched above image., Sheet trimmed within plate mark on top resulting in partial loss of title., Following imprint: Price 6d., Four columns of verse below image: Behold corruption openly profest , the Venal Lawyer ..., Temporary local subject terms: Emblems: anchor -- Paintings amplifying subject: portrait of Edward II -- Reference to William Allen, d. 1768 -- Mythology: alllusion to King Midas -- Personifications: Equity -- Reference to Magna Charta -- Emblems: sword of Justice -- Emblems: shield of integrity., Mounted to 33 x 47 cm., and Watermark.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, Wilkes, John, 1725-1797, Mortimer, Roger de, Earl of March, 1287?-1330, and King's Bench Prison (London, England)
Subject (Topic):
Britannia (Symbolic character), Embelms, Demons, National emblems, English, Scottish, Pulpits, and Thrones
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., Sheet trimmed within plate mark., 1 print : etching on laid paper ; sheet 30.9 x 43.5 cm., and Formerly mounted on leaf 22 of volume 1 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806
Title from caption etched at top of image., Mary Darly located at the Golden Acorn on this date., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: the white horse of Hanover -- British Lion -- Buildings: temple -- Flags: map of Germany as a flag., Watermark: Strasburg lily., and Mounted to 32 x 47 cm.
Publisher:
To be had at the Golden Acorn facing Hungerford, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Beckford, William, 1709-1770, and Barnard, John, Sir, 1685-1764
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Print shows personifications of Europe, Africa, America, and Asia pointing their fingers at a blushing Britannia paying penance for corruption atop a stool of repentence along with Princess Caroline of Brunswick-Wolfenbüttel; King George IV; Robert Banks Jenkinson, 2nd Earl of Liverpool; Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh); Henry Addington, 1st Viscount Sidmouth; and Arthur Wellesley, 1st Duke of Wellington. A crowd of mostly women is gathered under the stool, some with glasses and bowls and "Political caricature on the Royal Divorce: George IV and Caroline sit with the cabinet on a stool, mocked by the four Continents, while Britannia blushes; below a waterfall of Corruption falls to pollute Westminster."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Wellington," "Q. Caroline," "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink within image.
Publisher:
Published Jany. 10, 1821, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westminster Palace (London, England),
Subject (Topic):
Britannia (Symbolic character), Symbols, Corruption, Punishment devices, Punishment & torture, Politicians, Embarassment, Bowls (Tableware), and Drinking vessels
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from item., Attributed to Rowlandson in the British Museum catalogue., Place of publication from British Museum catalogue, which identifies the publisher as J. Jones of 103 Wardour Street, Soho., and Sheet trimmed to plate mark.
Publisher:
Pubd. by I. Jones
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from item., Attributed to Rowlandson in the British Museum catalogue., Place of publication from British Museum catalogue, which identifies the publisher as J. Jones of 103 Wardour Street, Soho., Sheet trimmed to plate mark., 1 print : etching on laid paper ; sheet 17.7 x 16.1 cm., Sheet trimmed within plate mark; bottom edge of sheet mutilated with partial loss of imprint statement., and Mounted on leaf 14 of volume 1 of 12.
Publisher:
Pubd. by I. Jones
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from item., Attributed to Rowlandson in the British Museum catalogue., Place of publication from British Museum catalogue, which identifies the publisher as J. Jones of 103 Wardour Street, Soho., Sheet trimmed to plate mark., 1 print : etching on wove paper ; sheet 20.4 x 16.8 cm., Sheet trimmed within plate mark on right edge., and Formerly mounted on leaf 15 of volume 1 of 14 volumes.
Publisher:
Pubd. by I. Jones
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
Leaf 12. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from text below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with erroneous signature "J. Gillray fecit" added below image in lower right. For original issue of the plate, see no. 5856 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 105., and On leaf 12 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by I. Jones and Field & Tuer
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 3 (1769), p. 280., and Temporary local subject terms: Thrones -- Treasury -- Tools: pickaxes -- Magna Charta -- Bill of Rights -- Prerogative -- Liberty of the press -- Bags of money -- Animals: wolf-- Ape -- Witches -- Brooms -- Bags of money -- Emblems: trumpet from heaven -- Devil -- Boats.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Downshire, Wills Hill, Marquis of, 1718-1793, Norton, Fletcher, 1716-1789, and Mansfield, William Murray, Earl of, 1705-1793
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
Title from item., Place, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Flags: Magna Charta -- Slogans: Liberty, property and no excise -- Containers: barrel -- Taxes: tax on cider -- Emblems: cap and staff of liberty -- Fuel: Florida turf -- Effigy of Lord Bute as exciseman -- Naval uniforms: sailor's uniform -- Coffee-houses: reference to Cocoa Tree Coffee House., and Mounted to 33 x 47 cm.
Publisher:
J. Williams
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Gallows, and Hangings (Executions)
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 27.6 x 40.2 cm., and Mounted on leaf 63 of volume 3 of 12.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Satire lampooning the attempt by Henry Fox to form a ministry, with Fox leading a recuiting party
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Another state, without publication line. Cf. No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Military uniforms: recruit's uniform -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Da Vinci, Leonardo, 1452-1520: travesties.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Mendip, Welbore Ellis, Baron, 1713-1802, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Equestrian statues, Drums (Musical instruments), and Musicians
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
"Britannia and America embrace, while France and Spain try to pull America away, Holland watches their efforts, and Fox points out the struggle to Keppel." A reference to attempts by Russia and Fox to mediate the conflict in 1781-82.
Description:
Title from item., A probable earlier state of no. 5989 without the Humphrey imprint. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Artist and date of publication from British Museum catalogue., and Mounted to 32 x 44 cm.
Publisher:
Pub. by T. Colley No. 5 Acorn Court Rolls Buildings Fetter Lane Old England
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, History, Colonies, Liberty cap, and Clothing & dress
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Print showing George IV, horned and with wings which are spread to provide a protective, umbrella-like shell for his supporters, a gouty foot well wrapped, a ribbon around the other labeled "Infidelity - Honi Soit," holding a bottle labeled "Peoples Tears," and sitting with his mistress, "Care-away Cunningham" i.e., Lady Conyngham. In the background, to the left is a line of armed cavalry "Civil Gentleman or a Rod in Pickle," at center sits Britannia covering her face in shame, and on the right, beneath "A Storm gathering," are huddled "The People."
Alternative Title:
Royal cock and chickens and Father of his people!!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 31 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "12 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 12, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Britannia (Symbolic character), Adultery, Politics & government, Gout, Bandages, Horns (Anatomy), Wings (Anatomy), Bottles, Mistresses, and Cavalry
Title from caption etched above image., Publication place and date from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 30 x 39 cm., mounted again to 33 x 47 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Mylne, Robert, 1734-1811
Title from item., Sheet trimmed within plate mark., Ten images, each with its own title., Two lines of verse below each image., Publisher's advertisement following imprint: of whom may be had The asses of Gr--- Br----n, The laird of the Boot, Without & within, & The fall of Mortimer., Temporary local subject terms: Punishment: flogging -- British Lion -- Buildings: Treasury., and Mounted to 31 x 47 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, bookseller next the Mitre Tavern, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Britannia (Symbolic character), Gallows, and Signs (Notices)
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
"Satire on Samuel Martin's duel with Wilkes. On the left, two Scotsmen support Lord Sandwich who is holding up a copy of Wilkes's Essay on Woman saying, "This will do for him I warrant ye". In front of them the diminutive figure of Samuel Martin fires a shot at a mouse representing Wilkes. In the centre, behind Martin, a group of four men express their horror at the Essay: Kidgell proclaiming, "I'll publish a Narrative about it", Bishop Warburton holding up a copy and condemning it as blasphemy, and Lord Lyttleton crying, "O 'tis so shocking I can't bear it." In the centre, a Scot (Bute?) wearing a bonnet with a feather draws his sword at the mouse. To the right, Britannia, naked to the waist, swoons as a rat representing Bute attacks her heart; she is attended by Newcastle, Temple, Pitt and Cumberland. Engraved inscriptions and speech-balloons, letterpress title and verses in two columns, and one vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Great ***** in an uproar and Great house in an uproar
Description:
Caption title in letterpress below image plate mark (17.5 x 23.5 cm)., Publication date from British Museum catalogue., Two columns of verse in letterpress below title, separated vertically with an ornamental border. When a certain great ***** was alarm'd at a mouse, they vow'd that they'd quickly ***** him ..., and Publisher's advertisement below verses, following imprint: ... where may be had, The British antidote to Caledonian poison, 2 vols. Price 5s.
Publisher:
Sold by E. Sumpter, three doors from Shoe-Lane, Fleet-Street
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Martin, Samuel, -1788., Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Wilkes, John, 1725-1797, Warburton, William, 1698-1779, and Lyttelton, George Lyttelton, Baron, 1709-1773
A winged female figure flying among clouds shines her "Mirror of Truth" on members of the old ministry (including Sandwich, Rigby, North, Mansfield, and Germain) who fall into a pit on the left occupied by demons, observed from above by Bute who rides on the back of a witch. To the right the members of the new ministry (Thurlow, Conway, Camden, Barré, Burke, the Duke of Richmond, Rockingham, and Fox) look on, as does Britannia seated in the lower right corner
Alternative Title:
Exhibition of the ministers for May 1782
Description:
Title from item., A reversed version of George 5982, without artists names., and Mounted to to 32 x 44 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England
Subject (Topic):
Britannia (Symbolic character), Politics and government, Witches, and Clothing & dress
A winged female figure flying among clouds shines her "Mirror of Truth" on members of the old ministry (including Sandwich, Rigby, North, Mansfield, and Germain) who fall into a pit occupied by demons, observed from above by Bute who rides on the back of a witch. To the left the members of the new ministry (Thurlow, Conway, Camden, Barré, Burke, the Duke of Richmond, Rockingham, and Fox) look on, as does Britannia seated in the lower left corner
Alternative Title:
Exhibition of ministers for April 1782
Description:
Title from item.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England
Subject (Topic):
Britannia (Symbolic character), Politics and government, Witches, and Clothing & dress
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Alternative Title:
Political quacks
Description:
Title from item. and Reduced and reversed copy, without verse and with changes to speech balloons, of No. 3923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. Not the same as a reduced and reversed copy published in The British antidote to Caledonian poison.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Description:
Title from caption etched at top of image., Reduced and reversed copy of The political cramers, or, Political quacks. See Stephens 3923., Two columns of verse below image: Britania [sic] tormented wth sic] discord & strife, And almost in danger of loosing her life ..., Plate numbered '15' in upper right corner., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller , [1763]., and Mounted to 28 x 42 cm.
Publisher:
E. Sumpter
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Two images side by side., Four lines of verse below each image: Here see the several council met to give up what we all regret ..., Temporary local subject terms: Reference to the capture of Havanna -- Witches., and Watermark:Fleur-de-lys.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Christian VII, King of Denmark and Norway, 1749-1808, Pompadour, Jeanne Antoinette Poisson, marquise de, 1721-1764, Bedford, John Russell, Duke of, 1710-1771, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Mansfield, William Murray, Earl of, 1705-1793, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 3 (1769), p. 220., Temporary local subject terms: Personifications: Nemesis -- Despotism -- Military uniforms: Dragoons, 3rd regiment, Scot soldiers -- Expressions of speech: government offices as 'cock-pit' -- Buildings: Whitehall -- Emblems: hypocrisy --Avarice -- Corruption -- Jack Boot for Lord Bute -- Vehicles: cars -- Witches -- Sir William Beauchamp Proctor, 1722-1773., and Mounted to 31 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Barrington, William Wildman Barrington, Viscount, 1717-1793, Bath, Thomas Thynne, Marquis of, 1734-1796, Blackstone, William, 1723-1780, Bute, John Stuart, Earl of, 1713-1792, Dyson, Jeremiah, 1722-1776, Holland, Henry Fox, Baron, 1705-1774, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, and Sandwich, John Montagu, Earl of, 1718-1792
Title from item., Two lines of quote below image: The blood & vitals from her wounds he drew, and fed the hounds that helped him to pursue. Dryden., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 2 (1768), p.385., Temporary local subject terms: Riots: reference to St. George's Fields, Southwark -- Weapons: dagger., and Mounted to 37 x 29 cm.
Publisher:
J. Almon
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bath, Thomas Thynne, Marquis of, 1734-1796, Bute, John Stuart, Earl of, 1713-1792, Barrington, William Wildman Barrington, Viscount, 1717-1793, Mansfield, William Murray, Earl of, 1705-1793, Talbot, William Talbot, Earl, 1710-1782, and Norton, Fletcher, 1716-1789
Subject (Topic):
Britannia (Symbolic character), Gout, Crutches, Surgery, and Tableware
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Nursery -- Cradle -- Casserole -- Child's Commode -- Bonnet Rouge., and Mounted to 30 x 44 cm.
Publisher:
Pubd. Decr. 4th, 1802, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Nursery -- Cradle -- Casserole -- Child's Commode -- Bonnet Rouge., 1 print : etching on wove paper, hand-colored ; plate mark 25.3 x 35.4 cm, on sheet 26.4 x 36.9 cm., and Mounted on leaf 48 of volume 5 of 12.
Publisher:
Pubd. Decr. 4th, 1802, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821
Title from placard held by Britannia within image., Alternate title in banner below seated figure of Britannia: Britannia., and Sheet trimmed within plate mark.
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Printed for John Bowles, No. 13, in Cornhill
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., "Price one shilling.", State and date from Paulson., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson., "Price one shilling.", Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Ms. note in Steevens's hand above: 2d Impression.
Publisher:
Sold by Mrs. Chilcot in Westminster Hall and R. Caldwell printseller in Newgate Street
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. Price has been erased but traces remain., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Mss above in pencil: See Nichol's Biographical anecdotes &c 3rd edit. p. 124. Fourth first [scored through] impression.
Publisher:
Printed and sold by S. Sympson in Maiden-lane near Covent Garden
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", and Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal."
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
Title etched below image., Publication date from the British Museum online catalogue, registration no.: 1868,0808.4371., A reduced copy of no. 4128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate engraved for: The British Antidote or Scot's Scourge. See British Museum catalogue., Temporary local subject terms: Personifications: Economy -- Law: taxation without representation -- Ships: ships for sale (with brooms at masthead) -- Prisons -- Personifications: America as a native man -- Newfoundland: reference to the Newfoundland fisheries -- Frenchmen -- Spaniards -- Reference to Havana -- Reference to Guadeloupe -- Reference to Philippines -- Money: colonial dollars -- General Warrants -- Lighting: save-all -- Excisemen: Stamp men -- Reference to the dismissal of Henry Seymour Conway, 1721-1795., Mounted to 34 x 44 cm., and Watermark: Vryheyt.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Grenville, George, 1712-1770
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Title from item., Sheet trimmed within plate mark., Attribution to Dent in British Museum catalogue., Temporary local subject terms: Kitchen utensils -- Saveall -- Door of the Treasury -- Pensions -- Debts of George IV -- Quebec Act -- Livery of London., and Mounted to 28 x 36 cm.
Publisher:
Pub'd as the act directs, for the proprietor, by J. Carter, Oxford Street
Subject (Geographic):
England
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Dorchester, Guy Carleton, Baron, 1724-1808, and Watson, Brook, 1735-1807
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 24.9 x 34.9 cm, on sheet 28.0 x 38.8 cm., and Mounted on leaf 49 of volume 3 of 12.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
"Britannia (right), fat, good-natured, and richly dressed, holding a fan, is kissed by a tall lean French military officer who bends forward, holding her below the shoulders. He is war-worn, his pigtail stands awkwardly erect and his hair straggles over his face, while the crown of his head is almost bald, as if plucked (cf. BMSat 10072). He wears jackboots ; his hat and sword lie on the ground beside him. She is almost spherical; her shield and trident, replacing the usual spear, lean against the wall behind her and out of sight. He says: "Madame, permittez me, to pay my profound esteem to your engaging person! & to seal on your divine Lips my everlasting attachment!!!" A cynical and sensual grin indicates the character of his advances. She smiles with coy complacency, saying, "Monsieur, you are truly a well-bred Gentleman! - & tho' you make me blush, yet, you Kiss so delicately, that I cannot refuse you; tho' I was sure you would Deceive me again!!!" Above their heads are oval bust portraits of Napoleon (left) and George III (right), the two men extending their arms as if to shake hands; the King scowls, Napoleon regards him with brooding suspicion. The frames are bordered by olive branches and palm-branches."--British Museum online catalogue
Alternative Title:
Meeting of Britannia & Citizen Francois and Meeting of Britannia and Citizen Francois
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 49 of volume 5 of 12.
Publisher:
Publishd. Jany. 1st, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King, Queen, bishop and politicians performing on a stage of a theatre."--British Museum online catalogue
Alternative Title:
King, Lords, and Commons, as it was performed at the National Theatre
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Two lines of text below title: Sole proprietor, the Apsley House Junta; leasee, pro tem. Mr. Melbun; stage manager, Mr. Russel ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Incorrectly numbered "107" in brown ink in top center portion of design., Mounted on green paper backing; small strip of paper (6 x 112 mm) with partial title from no. 105 in The political drama series pasted on verso of mount, with the text "Noble lords!!! A few speciements of ou[...]" present., and No. 106.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and National Theatre (Great Britain),
Subject (Topic):
Britannia (Symbolic character), John Bull (Symbolic character), Politicians, Bishops, Interiors, Theatrical productions, Stages (Platforms), and Audiences
"Stoddart sits in the centre of the design blowing through a trumpet a blast of abuse towards the newly-arrived Queen (left) while holding out copies of his newspaper towards four ragged little newsboys (right), who also blow their horns with great vigour. Queen Caroline, tall, dignified, and demurely dressed in black, flinches from Stoddart's blast, and is protected by Britannia and Alderman Wood. She says: "Surely thos Fellows will not be suffered to Insult me in this manner? who is it that Sets them on? who encourages them." Britannia, seated on a very angry Lion, extends her arms, saying: "Welcome Beloved of thy People, the Mother of Englands lost -- & ever to be lamented Hope, will ever be dear to the Hearts of every true born Englishman." Wood, wearing an Alderman's gown, tries to protect her with a shield inscribed: 'No more Douglas's an Englishman's Rights, Justice & Truth'. From Stoddart's trumpet issue the words: 'Treason, Crim Con, no Rights, no Claims, no pretensions, no Prerogatives, no Patronage, no Property, no Soul to be Prayed for, no Justice, no Law, no Protection, Woe to them that espouse her Cause, Woe to them that Speak well of her!!!' At his feet lie newspapers: 'New Times', 'Morning Post', 'Courier'. Castlereagh and Sidmouth (right), who extend admonitory fingers, urge him on: the former says: "hit hard--dont spare now Dr Slop here is a fine Oppertunity for you to indulge your Spleen." Sidmouth, larger than life and shockingly malevolent, says: "Blow away my boys, spread it far and near, lay it on thick, do not stand for Trifles!!!" The biggest newsboy has a bill headed 'New Times' in his hat; another holds a bundle of the 'Courier', 'New Times', and '[Morning] Post'. A third has 'News' in his hat. Behind and between Stoddart and Castlereagh a man capers in ecstasy, waving a hat in which is a paper: 'Pardon for Edwards'. He exclaims: "Now I shall have a Job again and get better paid than before.""--British Museum online catalogue
Alternative Title:
Spies, spawns & spewers of scurrility, abuse & defamation set to work and Spies, spawns and spewers of scurrility, abuse and defamation set to work
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.8 x 35 cm, on sheet 25 x 35.5 cm., Printed on laid paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 16 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Q. Caroline," "Ald. Wood," "Dr. Slothard Ed. of New Times," "Londonderry," and "Sidmouth" are identified in ink above title; date "8 June 1820" is written in lower right. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. June 8th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Stoddart, John, 1773-1856, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Horns (Communication devices), Newspaper vendors, Newspapers, and Lions
"Stoddart sits in the centre of the design blowing through a trumpet a blast of abuse towards the newly-arrived Queen (left) while holding out copies of his newspaper towards four ragged little newsboys (right), who also blow their horns with great vigour. Queen Caroline, tall, dignified, and demurely dressed in black, flinches from Stoddart's blast, and is protected by Britannia and Alderman Wood. She says: "Surely thos Fellows will not be suffered to Insult me in this manner? who is it that Sets them on? who encourages them." Britannia, seated on a very angry Lion, extends her arms, saying: "Welcome Beloved of thy People, the Mother of Englands lost -- & ever to be lamented Hope, will ever be dear to the Hearts of every true born Englishman." Wood, wearing an Alderman's gown, tries to protect her with a shield inscribed: 'No more Douglas's an Englishman's Rights, Justice & Truth'. From Stoddart's trumpet issue the words: 'Treason, Crim Con, no Rights, no Claims, no pretensions, no Prerogatives, no Patronage, no Property, no Soul to be Prayed for, no Justice, no Law, no Protection, Woe to them that espouse her Cause, Woe to them that Speak well of her!!!' At his feet lie newspapers: 'New Times', 'Morning Post', 'Courier'. Castlereagh and Sidmouth (right), who extend admonitory fingers, urge him on: the former says: "hit hard--dont spare now Dr Slop here is a fine Oppertunity for you to indulge your Spleen." Sidmouth, larger than life and shockingly malevolent, says: "Blow away my boys, spread it far and near, lay it on thick, do not stand for Trifles!!!" The biggest newsboy has a bill headed 'New Times' in his hat; another holds a bundle of the 'Courier', 'New Times', and '[Morning] Post'. A third has 'News' in his hat. Behind and between Stoddart and Castlereagh a man capers in ecstasy, waving a hat in which is a paper: 'Pardon for Edwards'. He exclaims: "Now I shall have a Job again and get better paid than before.""--British Museum online catalogue
Alternative Title:
Spies, spawns & spewers of scurrility, abuse & defamation set to work and Spies, spawns and spewers of scurrility, abuse and defamation set to work
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. June 8th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Stoddart, John, 1773-1856, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Horns (Communication devices), Newspaper vendors, Newspapers, and Lions
Title from item., Reduced and reversed copy of: The evacuations, or, An emetic for Old England glorys. See British Museum catalogue., Plate numbered '44' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Medical: clyster pipe -- Dutchmen -- Spaniards., and Mounted to 25 x 27 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792,, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Medical equipment & supplies, Quacks, and Vomiting
Title from caption etched above image., Reversed copy, with changes in title, of the etching illustrating No. 3917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Clyster pipe -- Dutchmen -- Spaniards.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Ethnic stereotypes, Medical equipment & supplies, National emblems, Quacks, and Vomiting
The figure of Britannia entreats the King to look up at the irradiated face of William Pitt floating in front of a large, dark cloud that carries the faces of Charles Fox in the center, Lord North to the left, and Edmund Burke to the right. Fox's dark face is partially obscured by the rays surrounding Pitt
Description:
Title from item., Sheet trimmed within plate mark., Publication date from British Museum catalogue: 1784., and Mounted to 41 x 30 cm.
Publisher:
Publish'd March 26, 1783, by H. Macphail No. 68 High Holborn
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Eclipses
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
Title from item., Plate numbered '66' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Published by Matthias Darly, based on address and date., Temporary local subject terms: France -- Hanover -- Gallows., and Mounted to 17 x 35 cm.
Publisher:
To be had at the Acorn, Strand
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Mendip, Welbore Ellis, Baron, 1713-1802, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
"Satire on the Stamp Tax of 1765 showing Britannia presenting "Pandoras Box" (the tax) to America (represented by a native American) who appeals to Minerva; the goodess advises "Take it not" pointing to Liberty prostrate on the ground and attacked by a snake and a thistle. Mercury (standing for Trade) turns to America saying, "It is with Reluctance I leave ye" as he moves towards the king of France who, in turn, offers a purse of money to an irradiated boot (Lord Bute). Above a zephyr blows forcefully towards the tree of Liberty beside which stands a man saying "Heaven grant it may stand" beside whom a crown and sceptre lie on the ground. In the background, sailors stand on a shore beside three ships one with a broom at its masthead indicating that it is for sale; one points towards a gibbet labelled, "Fit Entertainment for St[am]p M[e]n"; a group of men beside the gibbet, identified by Stephens as Stamp Men or excisemen, complain, "We shall all Starve", "By G[o]d I'll rob first!, "Ay, ay, necessity has no Law"."--British Museum online catalogue
Alternative Title:
Sc---h government and Scotch government
Description:
Title etched above image., Publication date from The gazetteer and new daily advertiser. See British Museum catalogue., Sheet trimmed within plate mark., In lower right corner: Price 6d., Temporary local subject terms: Personifications: America as a native man -- Liberty -- Loyalty -- Mythology -- Pandora's box -- Acts: Stamp Act, 1765 -- Emblems: Caduceus; cap of liberty; thistle as Scotch influence; serpent as treachery; boot as Lord Bute -- Emblems: Boreas as Lord North -- Liberty Tree -- Mercury as commerce -- Ships for sale, with broom at the mast-head -- Purse with money., and Mounted to 22 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Britannia (Symbolic character), Mercury, and Minerva
"An allegorical design combined with a quasi-realistic scene on the deck of the 'Victory'. The dying Nelson, in half-reclining position on a cannon, is supported by Britannia and by Captain Hardy, who stanches his wound. A young sailor kneels at his feet, supporting the hand from which Nelson's sword drops; he holds up the folds of the tattered tricolour flag which another sailor, with a gesture of astonishment and grief, has brought to Nelson. The flag (from the French flag-ship, the 'Bucentaure') is inscribed 'Vive l'Emp[ereur des] Francois'. On the deck, beside Nelson, his telescope lies across a paper: 'Bay of Trafalgar'. Britannia, with trident, shield, and a small branch of olive, kneels on the cannon, covering her eyes with her left hand. Poised on a cloud of smoke behind Britannia stands Fame, blowing his trumpet and holding up a pen with which he has just written in large letters on a swirling cloud the word 'Immortality'. The flag of the 'Victory', torn by shot, is on the extreme left; beside it three marines fire their muskets with deadly effect at the men in the mizen-top of the adjacent French ship, the 'Redoubtable' (who were responsible for the fatal shot). On the right sailors fire a cannon. A sailor climbs the rigging, waving his hat. ..."--British Museum online catalogue
Description:
Title etched below image., Text below title: This design for the memorial, intended by the city of London to commemorate the glorious death of the immortal Nelson, is with every sentiment of respect humbly submitted to the right honble. the Lord Mayor & the Court of Aldermen., and Mounted on leaf 11 of volume 6 of 12.
Publisher:
Publishd. Decr. 23d, 1805, by H. Humphrey, 27 St. Jamess [sic]
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from item., Printmaker, artist and imprint from an earlier state in the British Museum online catalogue. This state without imprint, possibly by a different publisher., In lower right corner of plate: Price 3d plain, coloured 6d., Six lines of text below each image: Religion, morality ... (under the image of British Liberty), Atheism, perjury ... (under the image of French Liberty), with additional line below both columns: which is best., Later state, without the publication line, of No. 8284 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: British Lion -- Liberty: allusion to Magna Charta -- Symbols: scales of Justice -- Ships -- Symbols: ship with the Union Jack as symbol of power -- Medusa as personification of French liberty -- Executions: Street lantern as gibbet -- Lighting: street light -- Decapitations -- Weapons: daggers., and Watermark: Strasburg bend with initials G R below.
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Liberty cap, and Medusa (Greek mythology)
