Title from placard held by Britannia within image., Alternate title in banner below seated figure of Britannia: Britannia., and Sheet trimmed within plate mark.
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. Price has been erased but traces remain., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Mss above in pencil: See Nichol's Biographical anecdotes &c 3rd edit. p. 124. Fourth first [scored through] impression.
Publisher:
Printed and sold by S. Sympson in Maiden-lane near Covent Garden
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson., "Price one shilling.", Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Ms. note in Steevens's hand above: 2d Impression.
Publisher:
Sold by Mrs. Chilcot in Westminster Hall and R. Caldwell printseller in Newgate Street
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., "Price one shilling.", State and date from Paulson., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad in a lion skin, raises his club threateningly; with his right hand he holds a chain encircling a large group of masqueraders, some of whom have their hands tied behind their backs, their props or accessories are scattered on the ground; other masqueraders climb out of the windows of the building behind. On the left, Piety, Wisdom and Britannia emerge from a church followed by clergymen; beggars ask for alms, one holds a dog on a lead who rushes towards Heidegger. Mercury flies overhead holding a scroll lettered, "The Masquerade destroyt".
Description:
Title etched below image., Artist unidentified., Date 1727 by Paulson, R. Hogarth's graphic works, (3rd ed.), p. 48. Dated "ca. 1724" in the British Museum catalogue., According to John Nicholls in his Biographical anecdotes of William Hogarth (1785, p.134), this print inspired Hogarth's "Masquerades and Operas" (British Museum satires no. 1742), but the reverse may be the case., "Price 1 shilling"--Lower left., Sheet trimmed to plate mark., On page 26 in volume 1., and Ms. note in Steevens's hand above: An anonymous print to which Hogarth was indebted. See the following print.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748. and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
Alternative Title:
Hudibras frontispiece
Description:
Title engraved below image., Additonal title, state, and date from Paulson., Verse below image: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butlers genious in a car. Lashing around Mount Parnasus, in the persons of Hudibras, & Ralpho, Rebellion, Hypocrisy, and Ignorance, the reigning vices of his time., Lettered in image, the banner around the portrait of Butler: Mr. Samuel Butler, author of Hudibras, born 1612, died 1680., and Description based on imperfect impression; sheet trimmed within plate mark, some loss of text on the left lower edge.
Publisher:
Printed & sold by P. Overton near St. Dunstans Church in Fleetstreet & I. Cooper in James Street Convent Garden
Subject (Geographic):
England., Great Britain, and Parnassus, Mount (Greece)
Subject (Name):
Butler, Samuel, 1612-1680 and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
"An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
Alternative Title:
Hudibras frontispiece
Description:
Title engraved below image., Additonal title, state, and date from Paulson., Verse below image: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butlers genious in a car. Lashing around Mount Parnasus, in the persons of Hudibras, & Ralpho, Rebellion, Hypocrisy, and Ignorance, the reigning vices of his time., Lettered in image, the banner around the portrait of Butler: Mr. Samuel Butler, author of Hudibras, born 1612, died 1680., Description based on imperfect impression; sheet trimmed within plate mark, some loss of text on the left lower edge., On page 28 in volume 1. Sheet trimmed to: XX x XX cm., and Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d edit., p. 143. First impression.
Publisher:
Printed & sold by P. Overton near St. Dunstans Church in Fleetstreet & I. Cooper in James Street Convent Garden
Subject (Geographic):
England., Great Britain, and Parnassus, Mount (Greece)
Subject (Name):
Butler, Samuel, 1612-1680 and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
April 26, 1745, publish'd according to act of Parliament.
Call Number:
745.04.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Admirals Thomas Mathews and Richard Lestock and other officers who had been engaged in the fight off Toulon, and who subsequently became subjects of a Court Martial. A street scene, on the left a portico, from which a goup of persons is led by the figure of Britannia towards a dockyard; with letterpress inscriptions, verses in four columns
Description:
Title from item., Four columns of verse below image begins: Shall British glory rise again, and wipe the degen'rate stain ..., Later state, with publisher's name burnished from plate. Cf. No. 2682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Buildings: portico of the Admiralty's Building -- Admiralty: satire on admiralty inscribed on portico -- British Lion -- Personifications: Justice -- Trade -- Symbols: Hand of Providence -- Lightning bolts -- Reference to the Battle of Toulon, 1744 -- Reference to the War of the Austrian Succession, 1740-1748 -- Court martial -- Emblems: laurel wreath -- Balance -- Weapons: sticks as cudgels -- Architectural details: busts -- Naval uniforms -- Gates: dockyard at Deptford -- Reference to Bremen and Verden., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Torrington, George Byng, Viscount, 1663-1733, Blake, Robert, 1599-1657, Mathews, Thomas, 1676-1751, Lestock, Richard, 1679?-1746, and Norris, John, Sir, 1660?-1749
Title etched above image., Sixteen lines of verse in four columns below image: I Perkin young and bold, my father me has sent here ..., Temporary local subject terms: Military -- Weapons: espontoons -- Military uniforms -- Cardinal -- Playing cards: Nine of Diamonds (Curse of Scotland)., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Geographic):
Tweed River (Scotland and England),
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Tencin, Pierre Guérin de, 1679-1758, and Edinburgh Castle (Edinburgh, Scotland),
Subject (Topic):
Britannia (Symbolic character), Neptune, Jacobite Rebellion, 1745-1746, Bulls, Devil, and Clergy
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
Title from item., Publication date from British Museum catalogue., Two lines of caption in verse below image: Here happy Britain tells her joyfull [sic] tales ..., See British Museum catalogue no. 3042., Temporary local subject terms: Interiors: library -- Allusion to Jacobites -- Papal bulls -- Battles: reference to the Battle of Culloden, 1746 -- Furniture: rococco table -- Male dress: Highlander's dress, ca. 1746., and Annotated on verso: From Ld. B Album, p. 54.
Publisher:
publisher not identified
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Britannia (Symbolic character) and Culloden, Battle of, Scotland, 1746
A montage of images with the portrait of the Duke of Cumberland in the center. The theme is the defeat of the Young Pretender at the Battle of Culloden. In the upper left corner is an image of a broadside ballad, 'A Loyal Song', sung by Mr. Beard at the Theatre Royal in Covent Garden. Over it is superimposed a playing card of Jack of clubs in Scottish dress looking wistfully towards the Duke. Below, partially under the Duke's portait is an image of the Devil drawing the Scots caught in his net towards a hill on top of which stands the 'triple tree', i.e., the gallows, decorated with a royal crown at each corner. Beneath this image is another, showing the British cavalry, well equipped and healthy, pursuing the Scots on bony horses. Partially covering that image, at the bottom of the plate, is a smaller, allegorical representation of Britannia and Liberty pointing to a beehive and a temple of Concord. The last image, in top right of plate, shows the British army marching in a parade. Eight lines of verse, enclosed in a vignette, below the medley, begin as follows: Britons, behold the Royal Youth, 'tis he who fights your battles , sets your country free ...
Alternative Title:
Duke triumphant
Description:
Title engraved above image., Tentatively attributed to George Bickham the elder in an unverified card catalog record., Sheet trimmed within plate mark., "Price 6d.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 61 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Charles Edward, Prince, grandson of James II, King of England, 1720-1788
Subject (Topic):
Britannia (Symbolic character), Culloden, Battle of, Scotland, 1746, and Scots
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
An allegorical representation of the nationalistic riot occasioned by a troupe of French comedians in London. This satirical print refers to the controversy and protest surrounding a French theatrical company, nicknamed the 'French Strollers', who applied for and were granted a licence to perform at the Haymarket in the winter of 1749. Their arrival occasioned much discontent; as the Scots Magazine reported, they were 'bitterly pelted in the news-papers'. Asserting their right to perform, they persisted in a show on 14 November, but were met by an audience intent on sabotage. An eyewitness account of the incident appeared in the Monthly Review some years later (July 1761): 'People went early to the Theatre, as a crouded House was certain ... I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the conduct of the Opposition, were known to be there; one of whom called aloud for the song in praise of English roast beef, which was accordingly sung in the gallery, by a person prepared for that purpose; and the whole house besides joining in the chorus, saluted the close with three huzzas! This, Justice Deveil was pleased to say, was a riot'. Despite the Justice's assertions that the play was licensed by the King's command, the crowd had come prepared to produce disruption. They were equipped with instruments which they played discordantly as an accompaniment to their jeers, catcalls, and Francophobic songs: 'as an attempt at speaking was ridiculous, the Actors retired, and opened instead with a grand dance of twelve men and twelve women; but even that was prepared for, and they were directly saluted with a bushel or two of peas, which made their capering very unsafe'. Unable even to dance, and following another abortive attempt by the magistrates to assert the King's authority, the curtain fell for the final time. The eyewitness evidently relished the outcome, venturing 'that at no battle gained over the French, by the immortal Marlborough, the shoutings could be more joyous than on this occasion'. The print embodies similar sentiments; the French strollers attack British theatrical establishment--represented by an affronted Britannia--who stands between them and British theatre-goers. In the foreground stands a perplexed Othello, lamenting the loss of his occupation, and an injured man a man lies on the floor 'Almost kill'd for not understanding French'.
Alternative Title:
Modern cramers
Description:
Title etched below image., Date of publication based on date of the depicted event., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain, England, and London.
Subject (Topic):
Britannia (Symbolic character), Foreign public opinion, French, Theater, Actors, Actresses, Fighting, and Riots
persuant to the statute the Eight of George IId March 1750.
Call Number:
750.03.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of George Vandeput, bust to the left, head turned and glancing at the viewer, hair curled at the sides and tied in a queue; in a medallion supported by Britannia on the left and Liberty on the right; Britannia trampling on Bribery, holding a bag of '£105'; and Slavery in the form of a Frenchman holding a sword and a yoke."--British Museum online catalogue
Alternative Title:
Sir George Vandeput Baronet
Description:
Title engraved below image and above three columns of verse., Sheet trimmed within plate mark., Three columns of verse below title: Britons, this figure carefully survey, view well those features which the soul display ..., Following imprint: By an elector., Below verse: Publish'd to the memory and immortal praise of the electors of the City of Westminster, by the noble stand they made in defence of their libertys [sic] ..., and Mounted to 39 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Vandeput, George, Sir, ca. 1717-1784,
Subject (Topic):
Bribery, Britannia (Symbolic character), Liberty, Political elections, and Slavery
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", and Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal."
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Printed for John Bowles, No. 13, in Cornhill
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
publish'd according to act of Parliament, 25 Sepbr. 1755.
Call Number:
755.09.25.01.1+
Image Count:
1
Resource Type:
still image
Alternative Title:
French fairly coopt at Louisbourg and French fairly cooped at Louisbourg
Description:
Title etched above image., Sheet trimmed within plate mark., Temporary local subject terms: Blockades: Louisbourg, 1755 -- Coops: Frenchmen imprisoned in a coop -- American Indians -- Mythology: Neptune -- Mars -- Monuments -- British Lion -- Eclipses: eclipse of British arms over French arms -- America: boat falling down Niagara Falls -- Mottoes -- Colonies: America., and Mounted to 28 x 36 cm.
Publisher:
Printed for J. Bowles in St. Pauls Church Yard, and Jno. Bowles & Son, in Cornhil [sic]
A satire on the British response to the Lisbon earthquake
Alternative Title:
Britannia's maternal call to her children to deep humiliation
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Following imprint: Price 6d., Publisher's statement following price: Where may be had a print on the earthquake., Four columns of verse below image: [The] offspring of my favour'd isle attend, hear in my voice the parent & the friend ..., Temporary local subject terms: Allusion to general fast, 1756 -- Enumeration of sins -- Repentance for sins -- Magistrates -- Britannia's shield -- Destiny of English citizens --Britannia's prophecy., and Watermark.
Publisher:
Publish'd according to act of Parliamt., Jany 17th, 1756, by T. Kitchin at the Star opposite Ely House, Holborn Hill, London
Subject (Topic):
Lisbon Earthquake, Portugal, 1755, Britannia (Symbolic character), and Clergy
Title from item., Publisher identified from address., Plate numbered '3' in upper right corner., Four lines of verse in two columns engraved below image: And shall the substitutes of power our genius thus bedeck ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Dress: French dress, ca. 1756., and Mounted to 21 x 23 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768 and Holland, Henry Fox, Baron, 1705-1774
Three playing card size designs on one plate, arranged vertically
Description:
Titles from items., Caption under top design: --well done quoth Whackum., Caption under center design: Mores homines., Two lines of verse below bottom design: And shall the substitutes of power our Genius thus bedecks ..., Copies of, nos. 3398, 3493, and 3543 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Money: bag of money -- Pictures amplifying subject: hawk attacking cock -- Newcastle Administration -- Axes -- Signboards: inn sign -- Blazing comet -- Masks -- Satire on Admiralty -- Royal die and dice box -- Emblems: anchor -- Pictures amplifying subject: EO table -- Clubs: allusion to White's Club -- Animals: sea-lions -- Trades: fishwomen -- Female dress: French dress, ca. 1756 -- Emblems: fleur-de-lis -- Containers: fishwoman's tub for pickled salmon.
Publisher:
publisher not identified
Subject (Name):
Anson, George Anson, Baron, 1697-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Gallows, and Gambling
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Title from item., Plate numbered '3' in upper right corner., Four lines of verse in two columns below image: And shall the substitutes of power our Genius thus bedeck ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Female dress: French dress, ca. 1756 -- Shields: bipartite shield, British and French -- Emblems: fleur-de-lis -- French influence -- Pictures amplifying subject.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768 and Holland, Henry Fox, Baron, 1705-1774
Title etched at top of plate., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered '5' in upper right corner., Plate prepared for: England's remembrancer. London, 1759., and Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title from item., Plate numbered '21' in upper right corner., Sheet trimmed within plate mark., Six lines of verse in two columns below image: The gen'rous steed no more will grace the field but to the critic goose and cobbling turky [sic] yield ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Vehicles: go-cart.
Satire: Britannia, whose spear is broken in her hand, sits on a monumental statue which is placed on a pedestal of "Rotten Stone"; she says: "My leaness my leaness, wo untio me the treacherous dealers have dealt treacherously, yea the treacherous dealers have dealt very treacherously. ..." At the foot of the monument lies the British Lion, dreadfully emaciated, wounded by three daggers, and breathing his last. Near him are the personifications Truth, Rapine, Envy, Ingratitude, and Infidelity -- representations of the powers of Europe
Description:
Title from item., Plate numbered '22' in upper right corner., Sheet trimmed within plate mark., Four lines of verse below image: See here a monument of shame / Indelible the Horrid Name / Shame on your Actions, Cursed Tricks / To the latest Time -- O! fifty-six.", and Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Britannia (Symbolic character), Allegories, and National emblems
Title etched at top of plate., Publisher identified from address., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered "5" in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke., and Mounted to 18 x 22 cm.
Publisher:
To be had at the Acorn, facing Hungerford Market in the Strand
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title from item., Sheet trimmed to and within plate mark., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Two columns of verse below image: A patient sick you see above, one that should claim the doctors love ..., and Temporary local subject terms: Hessian and Hanoverian mercenaries.
Publisher:
publisher not identified
Subject (Name):
Hardwicke, Philip Yorke, Earl of, 1690-1764, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character) and Mercenaries (Soldiers)
Title from item., Printmaker identified by Richard T. Godfrey, Dec. 13, 1979., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Personifications: Trade as a caryatide -- Personifications: Public credit as a caryatide -- Subsidies., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Holland, Henry Fox, Baron, 1705-1774, Hardwicke, Philip Yorke, Earl of, 1690-1764, Anson, George Anson, Baron, 1697-1762, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Two columns of verse below image: A patient sick you see above, one that should claim the doctors love ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '28' in upper right corner., Temporary local subject terms: Diseases: cancer -- Medical procedures: operation -- Military: Hessian mercenaries -- Military: Hanoverian mercenaries -- Allusion to physicians., and Mounted to 19 x 25 cm.
Publisher:
Publish'd according to act Oct. 2, 1756, by Edwards & Darly at the Acorn facing Hungerford, Strand
Subject (Name):
Hardwicke, Philip Yorke, Earl of, 1690-1764, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Shields, Spears, and Wounds & injuries
Title from item., Plate numbered '21' in upper right corner., Six lines of verse in two columns below image: The gen'rous steed no more will grace the field / But to the critic goose and cobbling turky [sic] yield ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Vehicles: go-cart -- Devil., and Mounted to 14 x 31 cm.
Publisher:
Publish'd according to act Oct. 25th, 1756, by Edwards & Darly facing Hungerford in the Strand
Title etched above image., Plate numbered '22' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: British Lion -- Monuments -- Personifications: figure of Truth -- Figure of Rapine -- Figure of Envy -- Figure of Ingratitude -- Figure of Virtue -- Figure of Infidelity -- Bible: quotation from Isaiah, Ch. 16., and Mounted to 16 x 28 cm.
Publisher:
Publish'd according to act, Oct. 26, 1756, by Edwards & Darly, facing Hungerford in the Strand
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
Title from caption etched at top of image., Mary Darly located at the Golden Acorn on this date., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: the white horse of Hanover -- British Lion -- Buildings: temple -- Flags: map of Germany as a flag., Watermark: Strasburg lily., and Mounted to 32 x 47 cm.
Publisher:
To be had at the Golden Acorn facing Hungerford, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Beckford, William, 1709-1770, and Barnard, John, Sir, 1685-1764
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Satire lampooning the attempt by Henry Fox to form a ministry, with Fox leading a recuiting party
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Another state, without publication line. Cf. No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Military uniforms: recruit's uniform -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Da Vinci, Leonardo, 1452-1520: travesties.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Mendip, Welbore Ellis, Baron, 1713-1802, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Equestrian statues, Drums (Musical instruments), and Musicians
Title from item., Plate numbered '66' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Published by Matthias Darly, based on address and date., Temporary local subject terms: France -- Hanover -- Gallows., and Mounted to 17 x 35 cm.
Publisher:
To be had at the Acorn, Strand
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Mendip, Welbore Ellis, Baron, 1713-1802, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
publish'd according to act of Parliament, 25 Sepbr. 1755.
Call Number:
755.09.25.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
French fairly coopt at Louisbourg and French fairly cooped at Louisbourg
Description:
Title etched abovce image. and Temporary local subject terms: Blockades: Louisbourg, 1755 -- Coops: Frenchmen imprisoned in a coop -- American Indians -- Mythology: Neptune -- Mars -- Monuments -- British Lion -- Eclipses: eclipse of British arms over French arms -- America: boat falling down Niagara Falls -- Mottoes -- Colonies: America.
Publisher:
Printed for J. Bowles in St. Pauls Church Yard, and Jno. Bowles & Son, in Cornhil [sic]
Title from item., Plate numbered '86' in upper left corner., Plate from: A Political and Satyrical History of the Years 1758 and 1759., Three lines of text below image: Advertisement. To be sold by auction all the various looms & utensils ..., and Temporary local subject terms: Figure of Justice -- Figure of Commerce -- Figure of Wool Trade.
Title from item., Plate numbered '86' in upper left corner., Sheet partially trimmed within plate mark., Three lines of text below image: Advertisement. To be sold by auction all the various looms & utensils ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Copy in reverse of No. 3674 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Personifications: figure of Justice -- Figure of Commerce -- Figure of Wool Trade -- Frenchmen -- Reference to Britanny.
Coat-of-arms with a naked child, a lamb holding a sprig of thyme as the crest, figures of maternal nature and Britannia as supporters, and the motto "Help"; a landscape beyond, and a rococco frame; below, a ticket for a performance of "a sacred oratorio" composed by George Frederick Handel Esqr. to be performed at the Foundling Hospital. Blank spaces left for the date, month, year, and time of the performance
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from first line of text, below image., Title from Paulson: Arms of the Foundling Hospital., and State and date from Paulson.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Foundling Hospital (London, England) and Handel, George Frideric, 1685-1759.
Subject (Topic):
Charities, Britannia (Symbolic character), and Coats of arms
Title from caption etched above image., Publication place and date from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 30 x 39 cm., mounted again to 33 x 47 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Mylne, Robert, 1734-1811
Title etched above image in upper right., Publisher and place of publication inferred from those of the magazine for which this plate was engraved., Sheet partially trimmed within plate mark., Frontispiece from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin ... , 1732- , v. 29 (1760), page 393., and Temporary local subject terms: Personifications: figure of Concord -- Figure of Justice -- Figure of Religion -- Figure of Liberty -- Figure of Providence -- Containers: funeral urn -- Monuments: funeral obelisk.
Publisher:
R. Baldwin
Subject (Name):
George II, King of Great Britain, 1683-1760 and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Death and burial, Britannia (Symbolic character), Justice, Liberty, Urns, Obelisks, and Cornucopias
Title etched at top of image., A letter in form of a rebus., The following words in the title are represented by images: Lord Bute by a boot, 'be' in 'between' by a bee, Jockey by a figure of a jockey, 'Cloud' in 'McCloud' by clouds, Britannia by a figure of Britannia., Sheet trimmed to plate mark., and Mounted to 35 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Truth triumphant against the reapers being a most beautiful contrast
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., 'Price 6d'., Temporary local subject terms: Resignations: William Pitt the Elder's resignation, 1761 -- Personifications: Fame -- Medallions --Pensions -- Trades: sailors -- Frenchmen -- Spaniards -- British Lion -- Emblems: gallic cock -- Money: bribes -- Addresses: William Pitt's letter to William Beckford, 1761., Watermark: Vryheyt on the right side of sheet; counternark on the left., and Mounted to 27 x 37 cm.
Publisher:
J. Britton
Subject (Name):
George III, King of Great Britain, 1738-1820, Bussy, François de, 1699-1780, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Devils, and Thrones
published according to act of Parliament May 7 1761.
Call Number:
Kinnaird 76K(d) Box 120
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., and Sheet trimmed within plate mark.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., State without quotation from Juvenal etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d edit. p. 373., and On page 188 in volume 2.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Bbook, 3d edit. p. 373., and On page 188 in volume 2. Sheet trimmed to: 19.3 x 14.1.
published according to act of Parliament May 7, 1761.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., 1 print : etching with engraving on laid paper ; plate mark 20.3 x 15.9 cm, on sheet 21.9 x 16.4 cm., Mounted on leaf 59 x 46 cm., Plate 67 in the album: Queen Charlotte's collection of Hogarth works., and With contemporary annotation in ink at bottom of sheet: Frontispiece to Catalogue of Pictures &c. at Exhibition of Society for Encouragement of Arts, Manusfacturers & Commerce, 1761.
published according to act of Parliament May 7, 1761.
Call Number:
49 3885.2 v.1
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., and Bound in before title page of: A catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited by the Society of Artists of Great-Britain at the Great Room in Spring-Garden, Charing-Cross, May the 9th, 1761 ... (no. 3 in Horace Walpole's bound collection of catalogues).
Title from item., Publication date from that of the book in which this plate was published., Two lines of verse below image: Mac with a thistle turned Jack Ketch, makes poor Britannia shew her breech., First state, without jack boot and Magna Charta in the image, of no. 3945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Temporary local subject terms: Punishments: whipping -- British Lion -- Emblems: thistle (Scotland) -- Executioners: reference to Jack Ketch, d. 1686., and Mounted to 25 x 34 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Publisher from the book for which this plate was engraved., Reduced copy of the Darly print (see Stephens)., Plate numbered '11' in upper right corner., One line of text below image: See Fox and goose and [?] to Boot, may Tyburn always bear such fruit., Plate from: The British antidote to Caledonian poison. [5th ed.] [London, 1763], Temporary local subject terms: Executions: Tyburn 'tree'., and Mounted to 27 x 35 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Wonderfull phoenomenon, from the observatory at Scone and Wonderful phoenomenon
Description:
Title from item., Publication date from British Museum catalogue., Publication place and publisher identified from the publisher's address., Six lines of verse in theree columns below image: I strike at vice, be't where it will, and what if great foo-s [i.e., fools] take it ill? ..., Temporary local subject terms: Censorship: reference to Scandalatum Magnatum -- Personfications: fame -- Scotia (Symbolic character)., and Watermark: royal cipher (GR).
Publisher:
[M. Darly], to be had in Cranforn Ally
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Mansfield, William Murray, Earl of, 1705-1793
Title from from British Museum catalogue., Plate numbered '2' in upper right corner., Two columns of verse below image: Great people, like small ones, will have their sport and [the] diffrence is triffling 'twixt city & court ..., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: See-saw -- Buildings: Windsor Castle -- Emblems: jack boot (Lord Bute)., and Mounted to 32 x 45 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., and Watermark: Strasburg lily.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., 1 print : etching ; sheet 20 x 25 cm., and On laid paper, sheet trimmed within plate mark, mounted to 32 x 48 cm.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
published according to act of Parliament, Sept. 1762.
Call Number:
762.09.00.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on peace negotiations with France to end the Seven Years War with Lord Bute (Gisbal) seated on a hill holding the muzzled British lion. He takes the royal prerogative in ordering the Duke of Bedford (shown as headless with eagle's wings) to haste to negotiate with the kings of France and Spain. The French king demands "Canada, & Martinique, & Guadalupe, Senegal, & Goree, & Newfoundland, & Pondicherry; & you shall have all Hanover ...", while the Spanish king is prepared to refrain from attacking Portugal in return for Havana and his "Dollars"; two mocking Frenchmen look on. On the left, Britannia weeps and Pitt tries to comfort her while two other Englishmen complain of Bute's rise to power. Verses above warn against a too hasty peace treaty."--British Museum online catalogue
Alternative Title:
All's well that ends well
Description:
Title etched above image., Sheet trimmed to plate mark on right and left sides., Following imprint: Price 6d., Twelve lines of verse in three columns etched above image and below title: Monarchs, 'tis true, should calm the storms of war, nor urge the rage of victory too far ..., Watermark: Strasburg lily., and Mounted to 34 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Charles III, King of Spain, 1716-1788, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, and Bedford, John Russell, Duke of, 1710-1771
Title from item., Sheet trimmed within plate mark., Ten images, each with its own title., Two lines of verse below each image., Publisher's advertisement following imprint: of whom may be had The asses of Gr--- Br----n, The laird of the Boot, Without & within, & The fall of Mortimer., Temporary local subject terms: Punishment: flogging -- British Lion -- Buildings: Treasury., and Mounted to 31 x 47 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, bookseller next the Mitre Tavern, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Britannia (Symbolic character), Gallows, and Signs (Notices)
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Two images side by side., Four lines of verse below each image: Here see the several council met to give up what we all regret ..., Temporary local subject terms: Reference to the capture of Havanna -- Witches., and Watermark:Fleur-de-lys.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Christian VII, King of Denmark and Norway, 1749-1808, Pompadour, Jeanne Antoinette Poisson, marquise de, 1721-1764, Bedford, John Russell, Duke of, 1710-1771, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Mansfield, William Murray, Earl of, 1705-1793, and Pitt, William, Earl of Chatham, 1708-1778
Needs must when the de'el drive and Needs must when the devil drive
Description:
Title etched below image., Publication date from British Museum catalogue., First published by J. Williams in Sept. 1762. Cf. No. 3898 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Dismemberment of the British Empire., and Mounted to 34 x 47 cm.
Publisher:
Sold by W. Hannell, printseller under the Royal Exchange
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character) and Carriages & coaches
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Alternative Title:
Political quacks
Description:
Title from item. and Reduced and reversed copy, without verse and with changes to speech balloons, of No. 3923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. Not the same as a reduced and reversed copy published in The British antidote to Caledonian poison.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Description:
Title from caption etched at top of image., Reduced and reversed copy of The political cramers, or, Political quacks. See Stephens 3923., Two columns of verse below image: Britania [sic] tormented wth sic] discord & strife, And almost in danger of loosing her life ..., Plate numbered '15' in upper right corner., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller , [1763]., and Mounted to 28 x 42 cm.
Publisher:
E. Sumpter
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
Title from caption etched above image., Reversed copy, with changes in title, of the etching illustrating No. 3917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Clyster pipe -- Dutchmen -- Spaniards.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Ethnic stereotypes, Medical equipment & supplies, National emblems, Quacks, and Vomiting
Title from caption etched at top of image., Reduced and reversed copy of: The triple compact, or, Brittannias ruin. See Stephens., Plate numbered '1' in upper right corner., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller ..., [1763]., Temporary local subject terms: Dutchmen -- Spaniards., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and On page 296 in volume 3. Sheet: 7.1 x 10.3 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
Title etched above image., Publication information from that of the volume in which the plate appeared., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller in Fleet Street, and Mr. Harvest, printseller in Heming's-Row St. Martin's Lane, [1763]., Twelve lines of verse in two columns etched above image and below title: Monarchs, 'tis true, should clain [sic] the storms of war, nor urge the rage of victory too far ..., Plate numbered '28' in upper right corner., Temporary local subject terms: Peace negotiations: peace with France, 1762 -- Allusion to Havana -- Treaty of Paris: British territorial concessions -- British Lion -- Mythology: allusion to Nike., and Mounted to 31 x 43 cm.
Publisher:
E. Sumpter
Subject (Name):
Louis XV, King of France, 1710-1774, Charles III, King of Spain, 1716-1788, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), and Olive branches
"A broadside satirising the dominance of Lord Bute after the Treaty of Paris; with an etching showing the figure of Britannia, her shield and spear lying on the ground, carrying a yoke with two buckets; on the yoke stands Lord Bute wearing tartan, holds a liberty cap and a penant labelled "Magna Charta" on a staff in one hand and in the other the Union flag below the French one; on either side people look on, including a sailor and a lady in tears. Engraved inscriptions, title and verses in two columns decrying Bute, with a reminder of Robert Walpole's Excise Bill of 1733 as an implied parallel to Bute's Cider Tax."--British Museum online catalogue, description of a variant state
Description:
Title from song engraved below image., Variant state, lacking imprint statement, of no. 4011 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date from that assigned to the variant state in the British Museum catalogue., Ten numbered verses etched below image beginning: 1. Of all the nobles in the land, Great Gisbal bears the sway. All things are by his orders done, and none dare disobey ..., Temporary local subject terms: Taxes: reference to cider tax -- Yoke -- Containers: pails -- Emblems: staff and cap of liberty -- Flags: Union Jack -- Flags: French ensign., and Mounted to 34 x 32 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Flags, British, Yokes, and Liberty cap
Title etched above image., Date of publication inferred from date of Lord Bute's resignation., Based on no. 4032 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: bob-cherry -- Oeconomy -- Offices: Clerk of the Pells., and Watermark: 1748.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Holland, Stephen Fox, Baron, 1745-1774, Fox, Charles James, 1749-1806, Fox, Henry Edward, 1755-1811, Bedford, John Russell, Duke of, 1710-1771, and Grenville, George, 1712-1770
French Leuisdors for English bricks and French louis d'or for English bricks
Description:
Title etched above image., Publication date from that of the book in which this plate was published., Sheet trimmed., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., State lacking imprint and verse. Cf. No. 4043 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Lansdowne House, London -- Trades: masons -- Ladders -- Bricks -- Animals: fox -- Monkey playing violin., and Mounted to 34 x 37 cm.
Publisher:
E. Sumpter
Subject (Name):
Louis XV, King of France, 1710-1774, Charles III, King of Spain, 1716-1788, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Animals in human situations, and Wheelbarrows
Title from item., Place, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Flags: Magna Charta -- Slogans: Liberty, property and no excise -- Containers: barrel -- Taxes: tax on cider -- Emblems: cap and staff of liberty -- Fuel: Florida turf -- Effigy of Lord Bute as exciseman -- Naval uniforms: sailor's uniform -- Coffee-houses: reference to Cocoa Tree Coffee House., and Mounted to 33 x 47 cm.
Publisher:
J. Williams
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Gallows, and Hangings (Executions)
Title etched above image., Sheet trimmed within plate mark in upper left corner only., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Reduced copy, with abbreviated title, of no. 4055 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Wilkes's house -- Trials: the trial of John Wilkes, 1763 -- Personifications: Fame -- Reference to Chief Justice Pratt -- Reference to Serjeant Glynn -- Allusion to the Brazen Head -- Busts: bust of Lord Bute -- Emblems: Scotch thistle -- Reference to excise -- British Lion., and Mounted to 31 x 42 cm.
Publisher:
E. Sumpter
Subject (Name):
Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Egremont, Charles Wyndham, Earl of, 1710-1763, Halifax, George Montagu-Dunk, Earl of, 1716-1771, Grenville, George, 1712-1770, and Westminster Hall (London, England),
Title etched above image., Publication date inferred from the date of Wilkes's trial., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: reference to the North Briton, No. 45 -- Personifications: Liberty -- Emblems: scales of justice -- Reference to pensions.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Judges, and Liberty
Title from item., Publication date inferred from similar print: Wilkes and liberty, a new song. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. v. 4, no. 4028., and Temporary local subject terms: -- Literature: allusion to Briton, a periodical published by Smollett -- Literature: allusion to the North Briton -- Fighting -- Scots -- Emblems: cap and staff of liberty.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, and Smollett, T. 1721-1771 (Tobias),
"Satire on the resignation of Lord Bute. George III is enthroned, Peace and Fame flying above and a large dog and a lion crouching at his feet; he welcomes the Duke of Newcastle and William Pitt who kneel before him (it was assumed that these two men would return to government, although in the event George Grenville replaced Bute). Britannia is seated in the centre of the print, facing a hydra-headed monster of faction; she is saying "See this and Tremble all you that wish evil to Israel" (Israel standing for England); behind her a Spaniard and a Frenchman despair at their loss. At top left, the Lord Mayor of London (probably intended for William Beckford) and a group of aldermen approach the king with a petition. At top right, a witch flies off on a broomstick over the "Flus Jordanus" to the "Alpes Herbronites" (the River Tweed and Scotland) carrying Henry Fox, two other ministers and the devil. One of the ministers wishes that "the Devil had the Author of Gisbal" (see BM Satires 3848) alluding to the role of the satirists in driving Bute to resign. Charles Churchill and John Wilkes fire at the broomstick, Wilkes wanting "One Pounce more and we will bring that Irish Owl to the Ground". In the foreground, on the right, Princess Augusta runs off carrying a diminutive Bute in a large boot on her back; she is chased by the Duke of Cumberland brandishing a sword and crying "Damn the Scotch Loon he flies faster than his Bretheren did in 45. If I come up with him I'll spoil his Running"; the young Duke of York runs with him. On the left, a group of sailors harrass a Scotsman declaring,"We will stand by our Noble Captain till not a Sawney be feft in the Land", "O O Jack see what this Dog has got to wet his Whistle with" and "Lend me your Sneaker [a rod] Tom I'll Probe him who knows but the Rascal has got his Belly full"; coins fall from the bagpipes clutched beneath the Scotsman's arm."--British Museum catalogue
Alternative Title:
Boot put to the flight
Description:
Title from item., Reduced and reversed copy of a print with the same title published on April 8, 1763. Cf. Stephens., Publication date from British Museum catalogue., Plate numbered '35' in upper right corner., Plate from: The second volume of The British antidote to Caledonian poison: ... for the years 1762 and 63, ... London : E. Sumpter's, [1764]., Temporary local subject terms: Mythology: Hydra -- Literature: Gisbal -- Resignations: Lord Bute's resignation, 1763 -- Personifications: Fame -- Personifications: Victory., and Mounted to 32 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Murphy, Arthur, 1727-1805, and Beckford, William, 1709-1770
Subject (Topic):
Britannia (Symbolic character), Devil, and Thrones
"Satire on Samuel Martin's duel with Wilkes. On the left, two Scotsmen support Lord Sandwich who is holding up a copy of Wilkes's Essay on Woman saying, "This will do for him I warrant ye". In front of them the diminutive figure of Samuel Martin fires a shot at a mouse representing Wilkes. In the centre, behind Martin, a group of four men express their horror at the Essay: Kidgell proclaiming, "I'll publish a Narrative about it", Bishop Warburton holding up a copy and condemning it as blasphemy, and Lord Lyttleton crying, "O 'tis so shocking I can't bear it." In the centre, a Scot (Bute?) wearing a bonnet with a feather draws his sword at the mouse. To the right, Britannia, naked to the waist, swoons as a rat representing Bute attacks her heart; she is attended by Newcastle, Temple, Pitt and Cumberland. Engraved inscriptions and speech-balloons, letterpress title and verses in two columns, and one vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Great ***** in an uproar and Great house in an uproar
Description:
Caption title in letterpress below image plate mark (17.5 x 23.5 cm)., Publication date from British Museum catalogue., Two columns of verse in letterpress below title, separated vertically with an ornamental border. When a certain great ***** was alarm'd at a mouse, they vow'd that they'd quickly ***** him ..., and Publisher's advertisement below verses, following imprint: ... where may be had, The British antidote to Caledonian poison, 2 vols. Price 5s.
Publisher:
Sold by E. Sumpter, three doors from Shoe-Lane, Fleet-Street
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Martin, Samuel, -1788., Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Wilkes, John, 1725-1797, Warburton, William, 1698-1779, and Lyttelton, George Lyttelton, Baron, 1709-1773
Title from caption etched below image., Etched above image: Frontispiece., Frontispiece from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Earlier state, without plate number. Cf. No. 4149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Dragons -- Personifications: Justice -- Emblems: scales of justice: cap of liberty vs. Scotch bonnet -- Personifications: Peace -- Emblems: palm leaf -- Syrens: with Hydra's heads as tail -- Jewels -- Crowns -- Reference to Lord Bute., and Mounted to 28 x 38 cm.
Title from item., Reduced and reversed copy of: The evacuations, or, An emetic for Old England glorys. See British Museum catalogue., Plate numbered '44' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Medical: clyster pipe -- Dutchmen -- Spaniards., and Mounted to 25 x 27 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792,, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Medical equipment & supplies, Quacks, and Vomiting
Title etched below image., Publication date from the British Museum online catalogue, registration no.: 1868,0808.4371., A reduced copy of no. 4128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate engraved for: The British Antidote or Scot's Scourge. See British Museum catalogue., Temporary local subject terms: Personifications: Economy -- Law: taxation without representation -- Ships: ships for sale (with brooms at masthead) -- Prisons -- Personifications: America as a native man -- Newfoundland: reference to the Newfoundland fisheries -- Frenchmen -- Spaniards -- Reference to Havana -- Reference to Guadeloupe -- Reference to Philippines -- Money: colonial dollars -- General Warrants -- Lighting: save-all -- Excisemen: Stamp men -- Reference to the dismissal of Henry Seymour Conway, 1721-1795., Mounted to 34 x 44 cm., and Watermark: Vryheyt.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Grenville, George, 1712-1770
"Allegory of Britain's naval victory, with Neptune driving the Chariot of Britannia, while nymphs riding on fish alongside carry portrait medallions of, from left to right: Pocock, Bosc[a]wen, Hawke, Saunders, Keppel and Howe; ships at battle in the background at right, representing the defeat of the French fleet by Sir Edward Hawke, November 20th. 1759."--British Museum online catalogue
Description:
Title from caption below image., Text below the title: "N.B. In the back Ground is represented the defeat of the French Fleet by Sr. Edw. Hawke, Nov. 20th 1759" and "Size of the Picture 12 F. by 15 F. in Length.", Sheet trimmed to plate mark., and Mounted to sheet: 473 x 666 cm.
Publisher:
Published according to Act of Parliament, by J. Boydell engraver in Cheapside, London
Subject (Name):
Hawke, Edward Hawke, Baron, 1705-1781, Saunders, Charles, Sir, 1713?-1775, Boscawen, Edward, 1711-1761, Keppel, Augustus Keppel, Viscount, 1725-1786, Howe, Richard Howe, Earl, 1726-1799, and Pocock, George, Sir, 1706-1792
"Satire on the Stamp Tax of 1765 showing Britannia presenting "Pandoras Box" (the tax) to America (represented by a native American) who appeals to Minerva; the goodess advises "Take it not" pointing to Liberty prostrate on the ground and attacked by a snake and a thistle. Mercury (standing for Trade) turns to America saying, "It is with Reluctance I leave ye" as he moves towards the king of France who, in turn, offers a purse of money to an irradiated boot (Lord Bute). Above a zephyr blows forcefully towards the tree of Liberty beside which stands a man saying "Heaven grant it may stand" beside whom a crown and sceptre lie on the ground. In the background, sailors stand on a shore beside three ships one with a broom at its masthead indicating that it is for sale; one points towards a gibbet labelled, "Fit Entertainment for St[am]p M[e]n"; a group of men beside the gibbet, identified by Stephens as Stamp Men or excisemen, complain, "We shall all Starve", "By G[o]d I'll rob first!, "Ay, ay, necessity has no Law"."--British Museum online catalogue
Alternative Title:
Sc---h government and Scotch government
Description:
Title etched above image., Publication date from The gazetteer and new daily advertiser. See British Museum catalogue., Sheet trimmed within plate mark., In lower right corner: Price 6d., Temporary local subject terms: Personifications: America as a native man -- Liberty -- Loyalty -- Mythology -- Pandora's box -- Acts: Stamp Act, 1765 -- Emblems: Caduceus; cap of liberty; thistle as Scotch influence; serpent as treachery; boot as Lord Bute -- Emblems: Boreas as Lord North -- Liberty Tree -- Mercury as commerce -- Ships for sale, with broom at the mast-head -- Purse with money., and Mounted to 22 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Britannia (Symbolic character), Mercury, and Minerva
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
William Pitt,created the Earl of Chatham on 29 July 1766, stands on the prostrate body of Envy alongside the Lord Chancellor Pratt, as they are presented by the figure of Justice to Britannia who receives the peers with pleasure. Minerva overhead holds two laurel wreaths over the heads of the statesmen. In the upper left Fame proclaims the event on her trumpet. On the right, in the background, the half-naked figure of the "scribler" (i.e. political opponent of the peers) is tied to the back of a cart and whipped by a hangman
Description:
Title etched at top of image., Below the image is "The Explanation" over three columns of text., and For further information, consult library staff.
Publisher:
Sold by J. Williams at No. 36, next the Mitre Tavern, Fleet Street
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778. and Camden, Charles Pratt, Earl, 1714-1794.
Subject (Topic):
Britannia (Symbolic character), Minerva (Roman deity), Envy, Justice, Fame, and Seven deadly sins
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Four lines of verse below image: The puppets blindly led away, are made to act for ends unknown ..., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767)., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Theater curtain -- Devil -- Audiences -- Wigs: bag wig.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
