Collins, A. Jefferies (Arthur Jefferies), 1893-1976
Published / Created:
[1935?]
Call Number:
SH Contents C712 no. 1 Box 100
Image Count:
1
Abstract:
Engraving of the 19-inch square-shaped tray, the center exquisitely chased in medallions, representing George I, on his throne, with the figures of Britannia and Justice, the royal arms, a view of the City of London, and allegorical devices, in a richly chased border and shell edge. The tray was created by Paul Jacques de Lamerie (Dutch goldsmith, 1688-1751) and engraved by William Hogarth (English painter and engraver, 1697-1764).
Description:
Title devised by curator., A counterproof of the engraving of the Walpole salver by A.J. Collins, plate LXI in Paul de Lamerie, citizen and goldsmith of London / by Philip A. S. Phillips. London : B.T. Batsford, 1935., Original silver salver in the collection of the Victoria and Albert Museum, London., "Whenever the Great Seal of England became obsolete, the silver matrix was converted by the holder into a grand piece of plate engraved with the design of the seal. The Walpole Salver was made by Paul de Lamerie in 1728/9 from the seal matrix rendered obsolete by the death of George I in the previous year. There is no documentary evidence that Hogarth was responsible for the engraving, but the attribution on stylistic grounds has not been disputed."--British Museum online catalogue., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
George I, King of Great Britain, 1660-1727, and Hercules (Roman mythological character),
Subject (Topic):
Coats of arms, Britannia (Symbolic character), and Trays
Title and imprint from British Museum catalogue, Temporary local subject terms: Toppling buildings -- Staff of Liberty -- Pictures amplifying subject -- Allusion to many politicians of the day -- Allusion to Gustavus III, King of Sweden., Watermark: fleur-de-lis with initials G R below., and Mounted to 31 x 46 cm.
Publisher:
Publish'd as the act directs July 1, by J. Wjsen [sic] Walbrooke
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character), Columns, Liberty cap, Rats, Emblems, Shields, and Thrones
Title from from British Museum catalogue., Plate numbered '2' in upper right corner., Two columns of verse below image: Great people, like small ones, will have their sport and [the] diffrence is triffling 'twixt city & court ..., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: See-saw -- Buildings: Windsor Castle -- Emblems: jack boot (Lord Bute)., and Mounted to 32 x 45 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Circular design; in the center a sitting Britannia is shown holding the hand of a young sailor whose other hand holds a hat. Britannia's spear rests against her shoulder, and her shield rests against the pedestal on which she sits. A cannon lies by the feet of the sailor, and two ships are visible on the water in the background. The words "Marine Society institvted MDCCLXV" are inscribed along the inner edge of the top part of the circle, and within the bottom part of the circle is the inscription "Incorporated MDCCLXXII."
Description:
Title from local catalog card., Unsigned; artist unidentified., Date of production based on the inclusion in the design of the Marine Society's 1772 incorporation date., Formerly laid in with one other drawing at page 121 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with two other drawings to 49 x 37 cm., and Original case shelved separately.
A silver medal from Holland, with satirical images of Oliver Cromwell. On the obverse is a bust of Oliver Cromwell, crowned with laurel leaves and in armor; on the reverse, Cromwell kneels in the lap of Britannia, with his breeches down, as the French and Spanish ambassadors in the background argue over who shall kiss first. Formerly housed in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Cromwell, Oliver, 1599-1658 and Strawberry Hill (Twickenham, London, England)
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
published according to act of Parliament May 7, 1761.
Call Number:
49 3885.2 v.1
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., and Bound in before title page of: A catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited by the Society of Artists of Great-Britain at the Great Room in Spring-Garden, Charing-Cross, May the 9th, 1761 ... (no. 3 in Horace Walpole's bound collection of catalogues).
published according to act of Parliament May 7, 1761.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Before title page. Catalogue of the pictures, sculptures, models, drawings, prints, &c. / exhibited
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray."--British Museum online catalogue
Alternative Title:
Et spes & ratio studiorum in Caesare tantum. Juv
Description:
Title and state from Paulson., State with quotation from Juvenal etched below image, and the citation "Just." corrected to "Juv."., 1 print : etching with engraving on laid paper ; plate mark 20.3 x 15.9 cm, on sheet 21.9 x 16.4 cm., Mounted on leaf 59 x 46 cm., Plate 67 in the album: Queen Charlotte's collection of Hogarth works., and With contemporary annotation in ink at bottom of sheet: Frontispiece to Catalogue of Pictures &c. at Exhibition of Society for Encouragement of Arts, Manusfacturers & Commerce, 1761.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Bbook, 3d edit. p. 373., and On page 188 in volume 2. Sheet trimmed to: 19.3 x 14.1.
published according to act of Parliament May 7 1761.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., State without quotation from Juvenal etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d edit. p. 373., and On page 188 in volume 2.
published according to act of Parliament May 7 1761.
Call Number:
Kinnaird 76K(d) Box 120
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the pictures exhibited by the Society of Artists, at their first exhibition in Spring Gardens; Britannia standing in a rocky landscape, filling a watering can from a fountain with lion's head spout and a bust statue of George III in a niche surmounted by a crown, lettered 'Georgius III Rex. MDCCLXI.'; the watering can pours onto three short trees growing in a clump at right, favouring the one with the trunk labelled 'Architecture' and, to a lesser extent, the tree labelled 'Painting'; the tree 'Sculpture', on slightly lower ground, is not in the line of the spray"--British Museum online catalogue
Description:
Title and state from Paulson., Quote from Juvenal etched below image: Et spes & ratio studiorum in Caesare tantum. Juv., and Sheet trimmed within plate mark.
In the foreground, Charles Fox puts a chain around the British Lion's neck while Lord North ties a blindfold around the animal's head. Standing next to North is Burke who holds the ends of the chain attached to a large padlock. In the background, a female figure of Britannia holds William Pitt by the hand in an attempt to lead him forward
Description:
Title, statement of responsibility and publication date supplied by cataloger based on entry in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Imperfect; sheet trimmed within the plate mark resulting in loss of imprint.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., and Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Lions, Blindfolds, and Chains
Five pairs of implacable enemies are shown in the act of reconciliation. Britannia and America clasp hands on the left; behind them the Duke of Richmond takes the hand of Parson Bate ; in the center foreground Fox (with a fox's head) brings together Shelburne and Lord Denbigh, the latter having the body of a dog; behind them are Sir Hugh Palliser and Admiral Keppel, and on the far right John Wilkes and George III shake hands
Alternative Title:
Wonders wonders wonders and wonders
Description:
Title from item. and See no. 6162 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 for another print with the same title, on a similar theme.
Publisher:
Publish'd as the act directs Novr. 9, 1782 by I. Langham print coulerer No. 84 Dorset Street Salisbury Court Fleet Street
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Denbigh, Basil Fielding, Earl of, 1719-1800, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dudley, H. Bate Sir, 1745-1824 (Henry Bate),, Keppel, Augustus Keppel, Viscount, 1725-1786, and Palliser, Hugh, Sir, 1723-1796
Subject (Topic):
Britannia (Symbolic character), Shaking hands, and Clothing & dress
Three candidates for Westminster election are shown under the portico of St. Paul's, from left, Admiral Rodney, accompanied by the figure of Neptune, sword in his right hand, announcement of victory over the Spanish fleet at Gibraltar in his left; Charles James Fox, holding in his left hand an open book inscribed "Magna Charta" and accompanied by the figure of Britannia petting a fox seated in her lap; Lord Lincoln, who lost the election, with a devil hovering above him. He is holding a scroll inscribed with the number of purchased votes and acknowledgement of bringing the news of the capture of Charleston. Below the portico the poll-clerks sit behind a long table, their books on top. Fox's supporters are gathered to the right and can be distinguished by fox's tails in their hats. A band of butchers plays in the foreground. More tails are offered for sale at the stand to the far right. A man carries a stuffed fox on a pole, placarded "4878 Reynard for ever." Next to him is a barrel of beer
Description:
Title from item. and Variant of no. 5699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs Sept. 25, 1780, by P. Mitchell, North Audly Stt. Grosr. Sqr. & J. Harris, Sweething Alley, Cornhill
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Rodney, George Brydges Rodney, Baron, 1719-1792, Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Demons, Political elections, Crowds, Foxes, and Butchers
Title from item., Sheet trimmed within plate mark at top., Dated in British Museum catalogue: 1 August 1771., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 7 (1771), p. 29., Temporary local subject terms: Hibernia (Symbolic character) -- Secret influence -- Sport: cricket bat., and Lower corners cut off diagonally.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792, Sandwich, John Montagu, Earl of, 1718-1792, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
Subject (Topic):
Hercules, Britannia (Symbolic character), Harps, and Volcanoes
A series of ten images showing the rise and fall of the Fox-North Coalition. In the first image, Charles Fox, shown as a fox, speaks to the crowd in front of the Covent Garden Church. In the second one, Lord North, the 'country gentleman' leading sheep on strings, makes an agreement with Fox, who leads the 'Wes[tminste]r geese' on strings. The third image shows Fox speaking to a crowd in a rotunda, while in the fourth one he is stoking a fire around a pole topped with the liberty cap and the India charter suspended from it. In the fifth image, North and Fox, sharing one coat, stand on a plinth signed, "Power." The sixth image shows Fox ascending in an air balloon while the next one shows him falling head-down into a "pitt." In the eighth image, the two politicians are being rejected by the figure of Britannia, who refuses to look at them, instead pointing to the gallows in the background. This condemnation results in their execution, together with Burke, in the ninth image. In the tenth image, all three are shown as well-known mythological sinners in Hades; Burke submerged up to his neck as Tantalus, Fox stretched on a wheel as Iion, and North as Sisyphus pushing a large boulder
Alternative Title:
Two new sliders for the state magic lantern
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper ; plate mark 23.7 x 33.1 cm, on sheet 29.8 x 37.3 cm., and Formerly mounted on leaf 24 of volume 1 of 14 volumes.
Publisher:
Pub. 29th Decr. 1783 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Britannia (Symbolic character), Foxes, Public speaking, Balloons (Aircraft), Gallows, and Hell
A series of ten images showing the rise and fall of the Fox-North Coalition. In the first image, Charles Fox, shown as a fox, speaks to the crowd in front of the Covent Garden Church. In the second one, Lord North, the 'country gentleman' leading sheep on strings, makes an agreement with Fox, who leads the 'Wes[tminste]r geese' on strings. The third image shows Fox speaking to a crowd in a rotunda, while in the fourth one he is stoking a fire around a pole topped with the liberty cap and the India charter suspended from it. In the fifth image, North and Fox, sharing one coat, stand on a plinth signed, "Power." The sixth image shows Fox ascending in an air balloon while the next one shows him falling head-down into a "pitt." In the eighth image, the two politicians are being rejected by the figure of Britannia, who refuses to look at them, instead pointing to the gallows in the background. This condemnation results in their execution, together with Burke, in the ninth image. In the tenth image, all three are shown as well-known mythological sinners in Hades; Burke submerged up to his neck as Tantalus, Fox stretched on a wheel as Iion, and North as Sisyphus pushing a large boulder
Alternative Title:
Two new sliders for the state magic lantern
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pub. 29th Decr. 1783 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Britannia (Symbolic character), Foxes, Public speaking, Balloons (Aircraft), Gallows, and Hell
