Title from placard held by Britannia within image., Alternate title in banner below seated figure of Britannia: Britannia., and Sheet trimmed within plate mark.
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. Price has been erased but traces remain., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Mss above in pencil: See Nichol's Biographical anecdotes &c 3rd edit. p. 124. Fourth first [scored through] impression.
Publisher:
Printed and sold by S. Sympson in Maiden-lane near Covent Garden
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson., "Price one shilling.", Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Ms. note in Steevens's hand above: 2d Impression.
Publisher:
Sold by Mrs. Chilcot in Westminster Hall and R. Caldwell printseller in Newgate Street
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., "Price one shilling.", State and date from Paulson., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad in a lion skin, raises his club threateningly; with his right hand he holds a chain encircling a large group of masqueraders, some of whom have their hands tied behind their backs, their props or accessories are scattered on the ground; other masqueraders climb out of the windows of the building behind. On the left, Piety, Wisdom and Britannia emerge from a church followed by clergymen; beggars ask for alms, one holds a dog on a lead who rushes towards Heidegger. Mercury flies overhead holding a scroll lettered, "The Masquerade destroyt".
Description:
Title etched below image., Artist unidentified., Date 1727 by Paulson, R. Hogarth's graphic works, (3rd ed.), p. 48. Dated "ca. 1724" in the British Museum catalogue., According to John Nicholls in his Biographical anecdotes of William Hogarth (1785, p.134), this print inspired Hogarth's "Masquerades and Operas" (British Museum satires no. 1742), but the reverse may be the case., "Price 1 shilling"--Lower left., Sheet trimmed to plate mark., On page 26 in volume 1., and Ms. note in Steevens's hand above: An anonymous print to which Hogarth was indebted. See the following print.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748. and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
Alternative Title:
Hudibras frontispiece
Description:
Title engraved below image., Additonal title, state, and date from Paulson., Verse below image: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butlers genious in a car. Lashing around Mount Parnasus, in the persons of Hudibras, & Ralpho, Rebellion, Hypocrisy, and Ignorance, the reigning vices of his time., Lettered in image, the banner around the portrait of Butler: Mr. Samuel Butler, author of Hudibras, born 1612, died 1680., and Description based on imperfect impression; sheet trimmed within plate mark, some loss of text on the left lower edge.
Publisher:
Printed & sold by P. Overton near St. Dunstans Church in Fleetstreet & I. Cooper in James Street Convent Garden
Subject (Geographic):
England., Great Britain, and Parnassus, Mount (Greece)
Subject (Name):
Butler, Samuel, 1612-1680 and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
"An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
Alternative Title:
Hudibras frontispiece
Description:
Title engraved below image., Additonal title, state, and date from Paulson., Verse below image: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butlers genious in a car. Lashing around Mount Parnasus, in the persons of Hudibras, & Ralpho, Rebellion, Hypocrisy, and Ignorance, the reigning vices of his time., Lettered in image, the banner around the portrait of Butler: Mr. Samuel Butler, author of Hudibras, born 1612, died 1680., Description based on imperfect impression; sheet trimmed within plate mark, some loss of text on the left lower edge., On page 28 in volume 1. Sheet trimmed to: XX x XX cm., and Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d edit., p. 143. First impression.
Publisher:
Printed & sold by P. Overton near St. Dunstans Church in Fleetstreet & I. Cooper in James Street Convent Garden
Subject (Geographic):
England., Great Britain, and Parnassus, Mount (Greece)
Subject (Name):
Butler, Samuel, 1612-1680 and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
April 26, 1745, publish'd according to act of Parliament.
Call Number:
745.04.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Admirals Thomas Mathews and Richard Lestock and other officers who had been engaged in the fight off Toulon, and who subsequently became subjects of a Court Martial. A street scene, on the left a portico, from which a goup of persons is led by the figure of Britannia towards a dockyard; with letterpress inscriptions, verses in four columns
Description:
Title from item., Four columns of verse below image begins: Shall British glory rise again, and wipe the degen'rate stain ..., Later state, with publisher's name burnished from plate. Cf. No. 2682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Buildings: portico of the Admiralty's Building -- Admiralty: satire on admiralty inscribed on portico -- British Lion -- Personifications: Justice -- Trade -- Symbols: Hand of Providence -- Lightning bolts -- Reference to the Battle of Toulon, 1744 -- Reference to the War of the Austrian Succession, 1740-1748 -- Court martial -- Emblems: laurel wreath -- Balance -- Weapons: sticks as cudgels -- Architectural details: busts -- Naval uniforms -- Gates: dockyard at Deptford -- Reference to Bremen and Verden., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Torrington, George Byng, Viscount, 1663-1733, Blake, Robert, 1599-1657, Mathews, Thomas, 1676-1751, Lestock, Richard, 1679?-1746, and Norris, John, Sir, 1660?-1749
Title etched above image., Sixteen lines of verse in four columns below image: I Perkin young and bold, my father me has sent here ..., Temporary local subject terms: Military -- Weapons: espontoons -- Military uniforms -- Cardinal -- Playing cards: Nine of Diamonds (Curse of Scotland)., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Geographic):
Tweed River (Scotland and England),
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Tencin, Pierre Guérin de, 1679-1758, and Edinburgh Castle (Edinburgh, Scotland),
Subject (Topic):
Britannia (Symbolic character), Neptune, Jacobite Rebellion, 1745-1746, Bulls, Devil, and Clergy
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
Title from item., Publication date from British Museum catalogue., Two lines of caption in verse below image: Here happy Britain tells her joyfull [sic] tales ..., See British Museum catalogue no. 3042., Temporary local subject terms: Interiors: library -- Allusion to Jacobites -- Papal bulls -- Battles: reference to the Battle of Culloden, 1746 -- Furniture: rococco table -- Male dress: Highlander's dress, ca. 1746., and Annotated on verso: From Ld. B Album, p. 54.
Publisher:
publisher not identified
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Britannia (Symbolic character) and Culloden, Battle of, Scotland, 1746
A montage of images with the portrait of the Duke of Cumberland in the center. The theme is the defeat of the Young Pretender at the Battle of Culloden. In the upper left corner is an image of a broadside ballad, 'A Loyal Song', sung by Mr. Beard at the Theatre Royal in Covent Garden. Over it is superimposed a playing card of Jack of clubs in Scottish dress looking wistfully towards the Duke. Below, partially under the Duke's portait is an image of the Devil drawing the Scots caught in his net towards a hill on top of which stands the 'triple tree', i.e., the gallows, decorated with a royal crown at each corner. Beneath this image is another, showing the British cavalry, well equipped and healthy, pursuing the Scots on bony horses. Partially covering that image, at the bottom of the plate, is a smaller, allegorical representation of Britannia and Liberty pointing to a beehive and a temple of Concord. The last image, in top right of plate, shows the British army marching in a parade. Eight lines of verse, enclosed in a vignette, below the medley, begin as follows: Britons, behold the Royal Youth, 'tis he who fights your battles , sets your country free ...
Alternative Title:
Duke triumphant
Description:
Title engraved above image., Tentatively attributed to George Bickham the elder in an unverified card catalog record., Sheet trimmed within plate mark., "Price 6d.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 61 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Charles Edward, Prince, grandson of James II, King of England, 1720-1788
Subject (Topic):
Britannia (Symbolic character), Culloden, Battle of, Scotland, 1746, and Scots
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
An allegorical representation of the nationalistic riot occasioned by a troupe of French comedians in London. This satirical print refers to the controversy and protest surrounding a French theatrical company, nicknamed the 'French Strollers', who applied for and were granted a licence to perform at the Haymarket in the winter of 1749. Their arrival occasioned much discontent; as the Scots Magazine reported, they were 'bitterly pelted in the news-papers'. Asserting their right to perform, they persisted in a show on 14 November, but were met by an audience intent on sabotage. An eyewitness account of the incident appeared in the Monthly Review some years later (July 1761): 'People went early to the Theatre, as a crouded House was certain ... I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the conduct of the Opposition, were known to be there; one of whom called aloud for the song in praise of English roast beef, which was accordingly sung in the gallery, by a person prepared for that purpose; and the whole house besides joining in the chorus, saluted the close with three huzzas! This, Justice Deveil was pleased to say, was a riot'. Despite the Justice's assertions that the play was licensed by the King's command, the crowd had come prepared to produce disruption. They were equipped with instruments which they played discordantly as an accompaniment to their jeers, catcalls, and Francophobic songs: 'as an attempt at speaking was ridiculous, the Actors retired, and opened instead with a grand dance of twelve men and twelve women; but even that was prepared for, and they were directly saluted with a bushel or two of peas, which made their capering very unsafe'. Unable even to dance, and following another abortive attempt by the magistrates to assert the King's authority, the curtain fell for the final time. The eyewitness evidently relished the outcome, venturing 'that at no battle gained over the French, by the immortal Marlborough, the shoutings could be more joyous than on this occasion'. The print embodies similar sentiments; the French strollers attack British theatrical establishment--represented by an affronted Britannia--who stands between them and British theatre-goers. In the foreground stands a perplexed Othello, lamenting the loss of his occupation, and an injured man a man lies on the floor 'Almost kill'd for not understanding French'.
Alternative Title:
Modern cramers
Description:
Title etched below image., Date of publication based on date of the depicted event., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain, England, and London.
Subject (Topic):
Britannia (Symbolic character), Foreign public opinion, French, Theater, Actors, Actresses, Fighting, and Riots
persuant to the statute the Eight of George IId March 1750.
Call Number:
750.03.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of George Vandeput, bust to the left, head turned and glancing at the viewer, hair curled at the sides and tied in a queue; in a medallion supported by Britannia on the left and Liberty on the right; Britannia trampling on Bribery, holding a bag of '£105'; and Slavery in the form of a Frenchman holding a sword and a yoke."--British Museum online catalogue
Alternative Title:
Sir George Vandeput Baronet
Description:
Title engraved below image and above three columns of verse., Sheet trimmed within plate mark., Three columns of verse below title: Britons, this figure carefully survey, view well those features which the soul display ..., Following imprint: By an elector., Below verse: Publish'd to the memory and immortal praise of the electors of the City of Westminster, by the noble stand they made in defence of their libertys [sic] ..., and Mounted to 39 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Vandeput, George, Sir, ca. 1717-1784,
Subject (Topic):
Bribery, Britannia (Symbolic character), Liberty, Political elections, and Slavery
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", and Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal."
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. "Price one shilling" has been erased., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Printed for John Bowles, No. 13, in Cornhill
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
publish'd according to act of Parliament, 25 Sepbr. 1755.
Call Number:
755.09.25.01.1+
Image Count:
1
Resource Type:
still image
Alternative Title:
French fairly coopt at Louisbourg and French fairly cooped at Louisbourg
Description:
Title etched above image., Sheet trimmed within plate mark., Temporary local subject terms: Blockades: Louisbourg, 1755 -- Coops: Frenchmen imprisoned in a coop -- American Indians -- Mythology: Neptune -- Mars -- Monuments -- British Lion -- Eclipses: eclipse of British arms over French arms -- America: boat falling down Niagara Falls -- Mottoes -- Colonies: America., and Mounted to 28 x 36 cm.
Publisher:
Printed for J. Bowles in St. Pauls Church Yard, and Jno. Bowles & Son, in Cornhil [sic]
A satire on the British response to the Lisbon earthquake
Alternative Title:
Britannia's maternal call to her children to deep humiliation
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Following imprint: Price 6d., Publisher's statement following price: Where may be had a print on the earthquake., Four columns of verse below image: [The] offspring of my favour'd isle attend, hear in my voice the parent & the friend ..., Temporary local subject terms: Allusion to general fast, 1756 -- Enumeration of sins -- Repentance for sins -- Magistrates -- Britannia's shield -- Destiny of English citizens --Britannia's prophecy., and Watermark.
Publisher:
Publish'd according to act of Parliamt., Jany 17th, 1756, by T. Kitchin at the Star opposite Ely House, Holborn Hill, London
Subject (Topic):
Lisbon Earthquake, Portugal, 1755, Britannia (Symbolic character), and Clergy
Title from item., Publisher identified from address., Plate numbered '3' in upper right corner., Four lines of verse in two columns engraved below image: And shall the substitutes of power our genius thus bedeck ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Dress: French dress, ca. 1756., and Mounted to 21 x 23 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768 and Holland, Henry Fox, Baron, 1705-1774
Three playing card size designs on one plate, arranged vertically
Description:
Titles from items., Caption under top design: --well done quoth Whackum., Caption under center design: Mores homines., Two lines of verse below bottom design: And shall the substitutes of power our Genius thus bedecks ..., Copies of, nos. 3398, 3493, and 3543 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Money: bag of money -- Pictures amplifying subject: hawk attacking cock -- Newcastle Administration -- Axes -- Signboards: inn sign -- Blazing comet -- Masks -- Satire on Admiralty -- Royal die and dice box -- Emblems: anchor -- Pictures amplifying subject: EO table -- Clubs: allusion to White's Club -- Animals: sea-lions -- Trades: fishwomen -- Female dress: French dress, ca. 1756 -- Emblems: fleur-de-lis -- Containers: fishwoman's tub for pickled salmon.
Publisher:
publisher not identified
Subject (Name):
Anson, George Anson, Baron, 1697-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Gallows, and Gambling
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Title from item., Plate numbered '3' in upper right corner., Four lines of verse in two columns below image: And shall the substitutes of power our Genius thus bedeck ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Female dress: French dress, ca. 1756 -- Shields: bipartite shield, British and French -- Emblems: fleur-de-lis -- French influence -- Pictures amplifying subject.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768 and Holland, Henry Fox, Baron, 1705-1774
Title etched at top of plate., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered '5' in upper right corner., Plate prepared for: England's remembrancer. London, 1759., and Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title from item., Plate numbered '21' in upper right corner., Sheet trimmed within plate mark., Six lines of verse in two columns below image: The gen'rous steed no more will grace the field but to the critic goose and cobbling turky [sic] yield ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Vehicles: go-cart.
Satire: Britannia, whose spear is broken in her hand, sits on a monumental statue which is placed on a pedestal of "Rotten Stone"; she says: "My leaness my leaness, wo untio me the treacherous dealers have dealt treacherously, yea the treacherous dealers have dealt very treacherously. ..." At the foot of the monument lies the British Lion, dreadfully emaciated, wounded by three daggers, and breathing his last. Near him are the personifications Truth, Rapine, Envy, Ingratitude, and Infidelity -- representations of the powers of Europe
Description:
Title from item., Plate numbered '22' in upper right corner., Sheet trimmed within plate mark., Four lines of verse below image: See here a monument of shame / Indelible the Horrid Name / Shame on your Actions, Cursed Tricks / To the latest Time -- O! fifty-six.", and Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Britannia (Symbolic character), Allegories, and National emblems
Title etched at top of plate., Publisher identified from address., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered "5" in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke., and Mounted to 18 x 22 cm.
Publisher:
To be had at the Acorn, facing Hungerford Market in the Strand
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title from item., Sheet trimmed to and within plate mark., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Two columns of verse below image: A patient sick you see above, one that should claim the doctors love ..., and Temporary local subject terms: Hessian and Hanoverian mercenaries.
Publisher:
publisher not identified
Subject (Name):
Hardwicke, Philip Yorke, Earl of, 1690-1764, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character) and Mercenaries (Soldiers)
Title from item., Printmaker identified by Richard T. Godfrey, Dec. 13, 1979., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Personifications: Trade as a caryatide -- Personifications: Public credit as a caryatide -- Subsidies., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Holland, Henry Fox, Baron, 1705-1774, Hardwicke, Philip Yorke, Earl of, 1690-1764, Anson, George Anson, Baron, 1697-1762, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Two columns of verse below image: A patient sick you see above, one that should claim the doctors love ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '28' in upper right corner., Temporary local subject terms: Diseases: cancer -- Medical procedures: operation -- Military: Hessian mercenaries -- Military: Hanoverian mercenaries -- Allusion to physicians., and Mounted to 19 x 25 cm.
Publisher:
Publish'd according to act Oct. 2, 1756, by Edwards & Darly at the Acorn facing Hungerford, Strand
Subject (Name):
Hardwicke, Philip Yorke, Earl of, 1690-1764, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Shields, Spears, and Wounds & injuries
Title from item., Plate numbered '21' in upper right corner., Six lines of verse in two columns below image: The gen'rous steed no more will grace the field / But to the critic goose and cobbling turky [sic] yield ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Vehicles: go-cart -- Devil., and Mounted to 14 x 31 cm.
Publisher:
Publish'd according to act Oct. 25th, 1756, by Edwards & Darly facing Hungerford in the Strand
Title etched above image., Plate numbered '22' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: British Lion -- Monuments -- Personifications: figure of Truth -- Figure of Rapine -- Figure of Envy -- Figure of Ingratitude -- Figure of Virtue -- Figure of Infidelity -- Bible: quotation from Isaiah, Ch. 16., and Mounted to 16 x 28 cm.
Publisher:
Publish'd according to act, Oct. 26, 1756, by Edwards & Darly, facing Hungerford in the Strand
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
Title from caption etched at top of image., Mary Darly located at the Golden Acorn on this date., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: the white horse of Hanover -- British Lion -- Buildings: temple -- Flags: map of Germany as a flag., Watermark: Strasburg lily., and Mounted to 32 x 47 cm.
Publisher:
To be had at the Golden Acorn facing Hungerford, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Beckford, William, 1709-1770, and Barnard, John, Sir, 1685-1764
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Satire lampooning the attempt by Henry Fox to form a ministry, with Fox leading a recuiting party
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Another state, without publication line. Cf. No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Military uniforms: recruit's uniform -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Da Vinci, Leonardo, 1452-1520: travesties.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Mendip, Welbore Ellis, Baron, 1713-1802, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Equestrian statues, Drums (Musical instruments), and Musicians
Title from item., Plate numbered '66' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Published by Matthias Darly, based on address and date., Temporary local subject terms: France -- Hanover -- Gallows., and Mounted to 17 x 35 cm.
Publisher:
To be had at the Acorn, Strand
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Mendip, Welbore Ellis, Baron, 1713-1802, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
