Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
"Mrs. Clarke (left) bestrides a large cannon on a gun-carriage, her back to the muzzle, hammering a spike into it with great gusto; she says: "A Wise General shoud make good his Retreat". The Duke of York kneels on the ground (right), looking over his right shoulder at her, and exclaiming, "Alas! Alas for ever ruined and Undone, / See See she has spiked my great Gun". His cocked hat and sword lie on the ground. In the background (left) two military officers followed by a parson run away to the left, and on the right Mrs. Clarke beats a drum, playing the 'Rogues March', while tiny soldiers flee before her."--British Museum online catalogue
Alternative Title:
Darling angel's finishing stroke
Description:
Title from caption below item., Printmaker identified in, Sheet trimmed to plate mark on one side., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 13th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Leaf 52. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a naval officer standing in profile to the right. His hair is in a small pig-tail queue; his hat is under his right arm. In his right hand is a telescope; in his left a long cane. He stands in front of a low gun-embrasure behind which is the sea, with ships at anchor; in the distance is the Isle of Wight."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "18" in upper right corner., Temporary local subject terms: Naval officers -- Walking staves -- Deck of ship -- Weapons., and Watermark (partially cut off): Strasburg lily.
Publisher:
Pubd. by MDarly
Subject (Geographic):
Isle of Wight (England),
Subject (Topic):
Military officers, Telescopes, Staffs (Sticks), Ships, and Cannons
Leaf 52. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a naval officer standing in profile to the right. His hair is in a small pig-tail queue; his hat is under his right arm. In his right hand is a telescope; in his left a long cane. He stands in front of a low gun-embrasure behind which is the sea, with ships at anchor; in the distance is the Isle of Wight."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "18" in upper right corner., Temporary local subject terms: Naval officers -- Walking staves -- Deck of ship -- Weapons., Second of two plates on leaf 52., and 1 print : etching on laid paper ; plate mark 24.9 x 17.9 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly
Subject (Geographic):
Isle of Wight (England),
Subject (Topic):
Military officers, Telescopes, Staffs (Sticks), Ships, and Cannons
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image., Publication date from British Museum catalogue., and Four columns of verse below image: With raptures Britannia take notice at last, proud Sawney turn'd over by driving too fast ...
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
[28 October 1778]
Call Number:
778.10.28.01+
Image Count:
1
Resource Type:
still image
Abstract:
A crowd of visitors on the right are shown approaching the military camps at Coxheath indicated on the left with tents and cannon. The crowd, preceded by a barking dog, is chiefly comprised of women, led by a prostitute in pseudo-military garb who is carried on the shoulders of a soldier. Behind her a young woman leads a fat military officer wearing a large wig and carrying his sword in his hand. Following are two elderly women, one with a large muff, the other holding crutches and seated in a wheelbarrow pushed by an old man. Other women and soldiers make up the crowd. In the left foreground are three cannons, inscribed "9 P.", "9 Pounder", and "G.R. 12", the latter being admired by several women
Alternative Title:
Trip to Coxheath
Description:
Title from item., Signed in plate by artist I.M. [i.e. J. Mortimer?] and by engraver W.H. probably William Humphrey., and Also attributed to Gillray.
Publisher:
Pub. Oct. 28 1778 by W. Humphrey
Subject (Geographic):
England
Subject (Topic):
Cannons, Crowds, Military uniforms, British, Military training, Courtesans, Wheelbarrows, Dogs, and Clothing & dress
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 25.1 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 83 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.3 x 25 cm, on sheet 36.3 x 25.5 cm., and Mounted on leaf 65 of volume 11 of 14 volumes.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., and Watermark: Basted Mill.
"Spectators watch military manoeuvres in the air. The sky is covered with camps, marching men, and galloping cavalry, some are in military formation, others are single figures. There are tents and marquees with wings; a man beats a drum, three orientals wearing turbans race through the air beating cymbals. In the foreground (left) spectators on horseback look up in amazement, one horse throws its rider; geese, goslings, and pigs are under the horses' feet. On the right the King and Queen sit together on a bank; the King gazing through a small telescope, the Queen looking at him with delighted astonishment. In front of them is a gate over which two officers mounted on winged cannon are gracefully leaping, a third soars into the air."--British Museum online catalogue
Alternative Title:
Amusment for John Bul, Amusement for John Bull, and Flying camp
Description:
Title etched below image. and Watermark: Strasburg lily with initials GR below ; countermark IV.
Publisher:
Pubd. by J. Aickin [sic], No. 13 Castle Street, Leicester Fields
Subject (Geographic):
Bagshot (Surrey, England)
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
Subject (Topic):
John Bull (Symbolic character), Black people, Cannons, Military camps, Military parades & ceremonies, Musical instruments, Musicians, Spectators, and Telescopes
Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint and below text., Sheet trimmed within plate mark., Five lines of text below image and above title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Publisher's statement below image: Prints & drawings lent on the plan of a circulating library, folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint at the end of five lines of text., Printmaker from another state in Lewis Walpole collection. This state also lacks the publisher's statement following printmaker's statement. Cf. Lewis Walpole Library 796.01.01.02.2., Sheet trimmed to plate mark on left side and top., Five lines of text below image and preceding title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With printseller's stamp: S.W. Fores.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
Title from item., From: Johann de Bry, Emblemate saecularis, Francoforti: J.T. and J.I. de Bry, 1596., In image lower right: 44., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Dropsy; Insanity.
Title from item., Date derived from caption., Place of publication supplied by curator., Below title: Morris Island, August 30, 1863., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Pencil notation verso.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Topic):
History, Health aspects, Public toilets, Military hygiene, Diarrhea, Sanitation, Public health, Soldiers, Sick persons, Privies, Defecation, Forts & fortifications, Tents, Cannons, Flagpoles, and Flags
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
publish'd according to act of Parliament 25 Sepbr. 1755. and [printed 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 34. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
French fairly coopt at Louisbourg and French fairly cooped at Louisbourg
Description:
Title etched above image., Restrike. For original issue of the plate, see no. 3332 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Explanation of a numerical key engraved below image: 1. Britannia attending to the complaints of her injur'd Americans ..., and On leaf 34 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Printed for J. Bowles in St. Pauls Church Yard, & Jno. Bowles & Son, in Cornhil [sic] and Field & Tuer
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Cannons, Ships, Lions, and Daggers & swords
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Title etched at top of plate., Publisher identified from address., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered "5" in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke., and Mounted to 18 x 22 cm.
Publisher:
To be had at the Acorn, facing Hungerford Market in the Strand
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title etched at top of plate., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered '5' in upper right corner., Plate prepared for: England's remembrancer. London, 1759., and Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
"Sheet of satirical vignettes; at centre, 'Going to the Pole-Booth-ia', a man in furs confronted by a polar bear. Around the central design: 'First reading', a woman instructing a child in its ABC; 'Home department', a guard in bearskin; 'Usher of the black rod', a demon; 'Passing a bill', two shopkeepers scrutinising a bill presented by a dandy; 'Opponents in the field', a duel; 'A representative', boys with a guy on a stretcher; 'Proposing an amendment', the same woman about to beat the child with a bundle of twigs; 'Foreign affairs', a man with native American accoutrements but wearing western dress, offering to scalp an officer with a razor; 'Mastr. Genl. of the Ordnance', an animated cannon with skeletal limbs and a bomb for a tail; 'Master of the horse', a man driving a cart at speed, on which a dead horse is laid."--British Museum online catalogue
Description:
Title from text above images., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Eleven designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Duels -- Guns: Pistols -- Beefeaters -- Reference to North Pole -- Male costume: Fur hooded coat -- American Indians -- Banks -- Popery -- Emblems: Pope's triple crown -- Horses., and Numbered in manuscript at top of sheet: 109.
Publisher:
Pub. by G.S. Tregear at his sporting & comic print warehouse, 96 Cheapside
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 44 in volume 5.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Print numbered '124' with Ms. annotation.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
Number nine in a series of prints published by Fores that parodies the infamous Mulready stationery released by the British Post Office in 1840. Each of the prints is numbered and centers on a different theme, e.g. Fores's comic envelopes, Fores's musical envelope, Fores's alderman envelopes, Fores's hunting envelopes, etc
Description:
Title from text above image., Other prints in the series attributed to John Leech and dated 1840. See British Museum onlne catalogue., and "No. 9".
Publisher:
Published by Messrs. Fores at their sporting & fine print repository & frame manufactury, 41 Piccadilly, corner of Sackville Street
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., and Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day."
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", and Mounted on page 89 with one other print.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", 1 print : aquatint and etching on wove paper ; plate mark 30 x 23.6 cm, on sheet 32.7 x 25.8 cm., and Mounted on leaf 71 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Portrait of George Augustus Eliott, 1st Baron Heathfield, after Reynolds (Mannings 578a); almost three-quarter length to front, facing and eyes to the left, wearing uniform and holding a large key in his right hand; smoke and cannons in the background; his lower body in outline."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 604 (leaf numbered '39' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Feb. 4, 1813, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Elliott, George Augustus, 1717-1790,
Subject (Topic):
Military officers, British, Governors, Cannons, and Keys (Hardware)
A line of seven figures all caricatured with animalistic features, marching right to left, shown full-length. The first character blows a horn, carries a violin and bow in his hands and on a string around his waist another horn with smoke coming out hangs over his behind; he is wearing spectacles and a scarf aroung his head as well as a Roman-style pink dress; he has wings and appears to have a breast. In the text above his head: En avant la renommeé? Sur l'air: j'ai du bon tabac, dans Misantropie et repentir. The second figure is wearing Roman armour and carries a long-handled pan; he has claws for hands, a bird's face and tail feathers. On top of his helmet sits a rat. The text above his head reads: Tais toi! Geulard, vilain menteur de Constitutionel; j' t'ai dis que l'premier qui tomeroit sous ma griffe, il aura beau crier ... la mort ... aura.." The third figure with a large belly has a highly caricatured face with large, exaggerated features and fangs; he wears a bonnet. He is armed with a knife hanging in his belt as well as a long sword on a chain. Above his head are the words: Mais, mon Capitaine t'as dis qu't' allois les prendre en flanc j' l'aime bien, moi, l'flanc, tu m'en donneras? .. ain!" The fourth and fifth figures both have wolf-like faces. The one also has a tail and carries a hoe and a basket with a second wicker basket on his back. The writing above his head, " Qu' est-ce qu' en veut? Des lettres de falaise, en voulez vous d' la Chicorée?" The other's clothes are tattered and short, with a sash around his waist; he wears a straw hat and smokes a pipe. Above his head is written, "J' vons avertir not' Capitaine, qu' j'ons vu' à la Rapée des Goujons ... ultras. The final two, both with large snouts and fangs, surround a cannon, the one is pulling it and the other standing crossed-armed looking angrily at his companion in conversation with the figure ahead of him. Above their heads, first, "On dit qu' i' z'ont l'vent su' nous mais c'est qu' j' disque p'tite pluis abat grand vents" and last "On! si j' pouvois attraper l'beau local (l' bocal) aux Conichons ... Oh! c'est sure."
Description:
Title etched below image. and Description based on trimmed impression.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Royalists, History, Animals in human situations, Baskets, Cannons, Hand tools, Musical instruments, Soldiers, and French
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 36.8 x 27.6 cm.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on wove paper ; plate mark 24 x 16.4 cm, on sheet 26.1 x 18.3 cm., and Mounted on leaf 30 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 47 with one other print.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"John Bull sits in a double pair of stocks, his ankles heavily shackled. His wrists are linked by a huge padlock inscribed Million £800 000 000 [National Debt]. He sits on bales of Taxes; to his back is tied a huge bundle of Last Wars Taxes. His clothes are tattered; three pockets hang inside out, inscribed To Let. At his side (left), and in profile to the right, kneels a noble Spaniard, in very theatrical dress, with trunk hose, cloak, and ruff. He has a spear from which hangs a pennant inscribed Libertas. He puts his hands together in a gesture of prayer: I come once again, and on my kneens [sic] to implore your Aid, we are indeed grateful for former Services, and beleive that you fought purely for Spain and not for yourselves--Save us from our pretended Friends they are worse then Enemies--Save us, and the World, from the destruction of Liberty--. John bites his thumbs despairingly; he answers: I pity you, but I can only give you advice, when you came to me before, I was a Strong Man, and free, but I am now exhausted in saving you, and destroying your great Enemy--See how I am fetter'd--! My Creditors enchain me--! look at my Debt and pity me!-- At his feet a heavy pair of leg-irons lies across many papers inscribed Debt and Taxes. He sits under an oak-tree; from a partly-withered bough hang his cartouche-box and bayonet-belt. In the middle distance (right) Louis XVIII sits astride a cannon (cf. British Museum Satires No. 12797), on a gun-carriage drawn rapidly up a slope by the Tsar and the Emperor of Austria. Both wear uniform and crowns, that of the latter topped by a fool's cap. Both cry: War! War!! War! and blood!! Alexander holds a sword in one hand, a bayoneted musket in the other; Francis holds a sword and a pistol, against his shoulder is the shaft of a flag inscribed Holy Alliance. Louis XVIII leans back, flannelled legs extended, two pistols in his belt, a sword in one hand, a musket in the other. Before him on the cannon is a bowl of soup, &c. The Pope walks at his right, holding a string attached to his nose. The King: By the Powers I shall fall, and lose my Balance Stop!! Stop! I say don't pull so hard you'll rupture [your scored through] Eu rope, this is not suited to my Taste [scored through] Gout I am already crippled and cannot bear it Stop!!!-- The Pope, who wears his tiara and holds his crosier against his shoulder, answers: Fear not, I'll let you into Heaven, through the back door my dear Son. Keys hang from his neck. Behind the cannon runs the Devil pushing at the King's posterior with a trident; he says: They cannot go on without me so I bring up the rear!! Beside the cannon run tiny frogs in uniform with muskets, &c. A slightly bigger one holding a sword may represent Angoulême. Cannon fire at them from a fort on a hill."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull flourishing in a dignified attitude of strict neutrality
Description:
Title etched below image., Later state, with initials "A.J." added in lower right and the words "with Spain" added to speech bubble immediately to the right of the stocks in center of image. For an earlier state lacking these additions, see no. 14520 in the Catalogue of prints and drawings in the British Museum, v. 10., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 1823 by G. Humphrey, 24 St. James's Street & 74 New Bond Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, and Pius VII, Pope, 1742-1823
Subject (Topic):
John Bull (Symbolic character), Public debt, Taxes, Trees, Rocks, Stocks (Punishment), Forts & fortifications, Cannons, Devil, and Frogs
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in British Museum Satires No. 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see British Museum Satires No. 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue, description of an earlier state
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Later state, with price changed, of no. 8141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., Sheet trimmed within plate mark., In upper right corner of plate: Price 4 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion -- Favors: label 'God save the King' -- Favors: French tricolor cockade., and Mounted to 36 x 46 cm.
Publisher:
Pubd. Decr. 19th 1792 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in BMSat 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see BMSat 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., In upper right corner of plate: Price 3 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion - Favors: label 'God save the King' -- French tricolor cockade., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 31.4 x 39.6 cm, on sheet 35.1 x 43.9 cm., and Mounted on leaf 20 of volume 3 of 12.
Publisher:
Pubd. Decr. 19th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 27.5 x 41.9 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 71 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," " Dr. Parr," "G. Noel[?]," "Brougham," "Sir. R.[?] Wilson," "Times Paper," and "Caroline" identified in ink below image; date "12 May 1821" written in ink in lower right corner. Typed extract of thirty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Leach (right), the Vice-Chancellor, dressed as a woman, with a trimmed bonnet over his wig, sits on a corded chest inscribed Commissio[n] ; against this leans a book: Justifia et honor. He grasps a moneybag inscribed 10,000, and holds the ear of a fox which crouches against his knee. He faces John Bull who is stripped to the waist, with a gigantic leech on his back. John, a countryman in patched breeches, registers angry terror and pain; he looks over his shoulder, exclaiming: "D--me what a monstrous Leech! it not only sucks blood but honor also!" Leach says: "I am not plain, Leech, Sir, but by vulgar denomination--I am called Miss Leech if you please--." Beside J. B., and pointing menacingly towards him, are the muzzle of a cannon, a sheaf of bayonets in a chest inscribed 'G R' and 'Steel Lozenges' [see British Museum Satires No. 13513]. Against this lie shackles inscribed 'Bandages', and cannon-balls inscribed 'Bolus' and 'Iron Pills'. On a hill behind a large cap of 'Liberty' dangles from a gibbet against which leans a ladder. Leach's fox turns its head towards John, saying: "In Law. what plea so tained [sic] and corrupt, But, being season'd with a gracious voice, Observes the evil? There is no Vice so simple, but assumes Some mark of virtue on his outward parts Shak Mer of Ven--Act 3 Scene 2." Behind Leach, and on the extreme right, is a second chest inscribed 'French and Italian Monkey[s]'. A monkey wearing a fool's cap crouches on it, grinning at his reflection in a hand-mirror."--British Museum online catalogue
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 39 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "John Bull" and "Sir John Leach" identified in pencil at bottom of sheet; date "July 1820" written in ink in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. July 1820 by Smolky, 18 Rupert Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Cross dressing, Bonnets, Chests, Foxes, Worms, Parasites, Cannons, Cannon balls, Bayonets, Shackles, Ladders, Gallows, Liberty cap, Monkeys, Mirrors, and Fools' caps
"Monument for the Marquis of Granby with weeping Britannia and soldier."--British Museum online catalogue
Alternative Title:
Monument designed for the Marquis of Granby
Description:
Title from item., Publication date in British Museum catalogue: October 18, 1770., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), page 180., Temporary local subject terms: Reference to the Battle of Minden, August 1759 -- Reference to the Battle of Warburg, 1760 -- Reference to Godenburg -- Reference to Copenhagen., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Granby, John Manners, Marquis of, 1721-1770
Subject (Topic):
Britannia (Symbolic character), Angels, Cannons, Crying, Liberty cap, Soldiers, and British
"Three sailors sitting on trunks on board a ship, grimacing as they read papers. At centre one points to his paper, saying, 'Did you ever hear such palaver Jack - Just before an Action'; his paper is inscribed, 'nothing opposes the individual esteem entertaind for your excellency by your faithfull servant / J Moore / Cadiz'. At left, a sailor reads a paper inscribed, 'I am your Excellrncys most Humble Servant / Rossily'; his trunk is lettered 'Will bo[...]'. At right the third says, 'Be quiet you lubbers, you dont know how to be polite - one of the Mounseers has ax'd me a little time, before I blow him up, and see what a civil letter I have sent him.'; his trunk is lettered 'Junk' and his paper, 'Mounseer / I had the honor of your this morning, and if you don't surrender by six in the evening, I'll be d-d if I dont blow you up / yours / to command / Jack Junk'. On the floor in the foreground, a tankard of 'Grog', a pipe and broadsides, one of which is headed 'True courage'; a cannon behind at left. Reissue by Fores of a print originally published c. July 1808."--British Museum online catalogue and "In May-July 1808, at the beginning of the Peninsular war, the British fleet helped to defend the Spanish in Cádiz from the French fleet led by Rosily; the British officer John Moore left England for Portugal in July 1808. The imprint indicates a reissue, giving the address line used by Fores in 1818-19."--Curator's comments, British Museum online catalogue
Alternative Title:
British sailors perusing the dispatches from Cadiz
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.697., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Name):
Moore, John, Sir, 1761-1809. and Rosily-Mesros, François de, 1748-1832.
Subject (Topic):
Peninsular War, 1807-1814, Sailors, British, Decks (Ships), Luggage, Newspapers, Cannons, Drinking vessels, and Pipes (Smoking)
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen the original model of the guillotine, head and hand of Count Streunzee and the largest collection of caracatures in the world. Admit. 1 shl.
Publisher:
Pub. June 9, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Holland.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Bottles, Cannons, Courtesans, Military camps, Prostitutes, and Wine
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and possibly song text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Boats, Cannons, Musical instruments, Sailors, Uniforms, Violins, and Warships
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, 1 print : etching ; plate mark 38.2 x 23 cm, on sheet 39 x 23.9 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 61 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood, Brewers Druggist" identified in ink below image; date "28 Feb. 1821" written in lower right corner. The censored name "C-r-l--e" in title has had its blank spaces completed in ink to read "Caroline." Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, Mounted on page 35 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 23 cm, on sheet 38.8 x 23.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, and Manuscript "254" in upper center of plate.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
"Heading to a printed broadside. Four well-dressed men hold open a large bag, resting on the ground, in which stands a fifth, in profile to the right, who says indignantly to one of the openers: "Oh here you are--now for the Truth, the whole Truth & nothing but the Truth, by whose authority did you make Tools of the Clergy, to create divesions [sic] among their Parishione's [sic], & become sources of discord instead of Peace Makers." The other draws back disconcerted, answering: "Indeed it was not my master but the Pit Club, to whom the Nation is so much indebted." The first speaker rejoins: "Yes to whome the Nation is indebted 9 Hundred Millions." A slanting blast issues from the bag to the left, carrying into the air Wellington astride a cannon, who turns round to look anxiously down at the bag, and is followed by a cannon supported on clerical arms and legs and ridden by a bishop. The latter says: "my Minor Cannon are of little use." A little man (? Canning) runs in the blast, below Wellington. Smoke surrounds the bag. The text is the speech of Mr. Marsh at the Hampshire meeting on 12 Jan., when petitions to both Houses in favour of the Queen were resolved on. The plate illustrates a passage from the facetious printed speech: 'Besides the Ultras had a terrible weight of metal for the fight. They could muster all the great guns from Portsmouth; and if these did not do execution enough, they had at hand the little canons of Winchester.'"--British Museum online catalog
Alternative Title:
Secret spring of ultra-loyal addresses, discovered and exposed
Description:
Title from letterpress text below image., Attribution to William Heath and date of publication from the British Museum catalogue., Five lines of text beneath title: See the following witty and elucidating speech of Mr. Marsh, at the Hampshire meeting, January 12, which was attended by 6000 persons ..., Sheet trimmed to plate mark on three sides., Two columns of letterpress text at bottom, beginning: Mr. Marsh came forward, and was received with great applause. ..., "Price one shilling"--Following imprint statement., Watermark: J L 1817., Mounted to 58 x 39 cm., Mounted on leaf 42 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Jan. 1821" written in ink in lower right corner of sheet. Typed extract of fourteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Canning, George, 1770-1827
the 25th of October 1783. and [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 28. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, in profile to the left, seated on a globe. To the globe are fixed vertical rods, the upper ends of which terminate in four smaller globes which are thus supported above the principal one; chains link these four globes to a fifth globe above, and slightly longer than, the other four. On this fifth globe is a child from whose bare posteriors six balls are being projected. On two (right) of the four globes are the heads of an ass, and of a man wearing a fool's cap; to their jaws are attached reins which are held by the Frenchman whose right hand is extended in the attitude of an orator. On the third globe is a monkey's head, which more resembles that of a sheep; the fourth globe is blank. The intention of the satire is explained by the inscription beneath the title, 'A F------t ------An Ass------ A Fool------A Monkey------A Nothing'. On the large globe on which the aeronaut sits is a cannon, its muzzle projecting upwards and to the left beyond the contour of the globe. In the centre is the winged head of a bald and bearded man in profile to the left. Below is the stern and part of the side of a man-of-war, with cannon projecting from port-holes."--British Museum online catalogue
Alternative Title:
Montgolsier, a first rate of the French aerial navy and Montgolfier, a first rate of the French aerial navy
Description:
Title etched below image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 28 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub by E. Dachery, N. 11 St. James's Street [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
Restrike. For original issue of the plate, see no. 6333 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Satirical arms with a donkey as the crest, an owl wearing a cap on its back. The donkey stands upon a "Log" which rests upon a "Bible", a paper marked "Address", and a "Liturgy Petition" with a cross on it. The shield contains various images, including three warships, a tankard of beer, military tents next to cannons, and a ram. Hops and barley (or another grain) are present on either side of shield, akin to supporters. Latin mottos are contained within ribbons at the bottom, and read "furiis in censa feror" and "vir tutis sub umbra viti um."
Description:
Title from text below image., Sometimes found as a tailpiece to, and perhaps issued with, the following work: The attorney-general's charges against the late queen, brought forward in the House of Peers, on Saturday, August 19th, 1820 ... London : G. Humphrey, [1820?]., Not in the Catalogue of prints and drawings in the British Museum., Watermark: 1819., Mounted to 58 x 39 cm., Mounted (with one other item) on leaf 13 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "Log-Wood, Brewers Drey[...?]" in upper right margin, in reference to elements of the image.
Publisher:
G. Humphrey?
Subject (Topic):
Coats of arms, Donkeys, Owls, Warships, Sheep, Drinking vessels, Beer, Tents, and Cannons
Title from item., Page number in upper right corner burnished from plate., Reissue of an illustration to v. 2 of Baron Munchausen, with page number removed, imprint present and alterations within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Baron Munchausen - Flying ships.
Publisher:
Published for H.D. Symonds, Pater-noster Row, London
"Two sailors inside the Victory, discussing the fate of Nelson's body; one stands at left, weeping, his hat in his hand, saying, 'Do you know Jack they say as how they mean to put his Honors remains into another ship--- Now I think it d-d hard that as he kept us while he was alive - that we should not be allow'd to keep him now he is dead'. The other sailor sits at right with his arm on Nelson's coffin, which is on a bier under a window, a sailor's hat with a ribbon lettered 'Victory' on top of it; the sitting sailor holds up a cutlass and replies, 'Make yourself easy about that Ben--- here am I watch over the coffin, and depend upon it he never stirs from the Victory, till he arrives in his native country, where there will be plenty to revere, and guard his precious memory, for his monument will be erected in the heart of every Briton.' A cannon behind at left."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 16 of volume 8 of 14 volumes.
Publisher:
Pubd. Dec. 9th, 1805, by R. Ackermann, No. 101 Strand
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805
Subject (Topic):
Death and burial, Trafalgar, Battle of, 1805, Coffins, Cannons, Sailors, and British
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., Watermark: Fellows 1819., Mounted to 58 x 39 cm., Mounted on leaf 65 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "J. Bull," "Ald. Wood," "Q. Caroline," "Wellington," "Londonderry," "Liverpool," "Sidmouth," "Geo. IV," and "Eldon" identified in ink below image. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., 1 print : etching ; sheet 38 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
A young woman on horseback is talking to a soldier who is leaning on her knees. In the background are two tents, one of which is open and inside are three women seated a table. One of the women is sitting on the lap of a soldier. There is a cannon in the left foreground opposite the horseback rider. A drum can be seen on its side in the right corner of the open tent
Description:
Title from item. and Number '211' in lower left corner of plate.
Publisher:
Publish'd 1st Novr. by Robt. Sayer, 53 Fleet Street
Subject (Topic):
Cannons, Couples, Courtship, Military camps, Military uniform, British, and Tents
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer and Coach overturned
Description:
Title etched above image., Publication date from that of the book in which this plate was published., Two columns of verse below image: With raptures, Britannia take notice at last, proud Sawney's turn'd over by driving too fast ..., Plate numbered '31' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 29 x 31 cm.
Publisher:
E. Sumpter
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
"Gunboats in the form of coffins are foundering or about to founder. Each has a single cannon in the bows, and a mast with a triangular sail whose corner is held in the teeth of the skull which surmounts the mast. The crews all wear shrouds and bonnets rouges; on the skulls also are bonnets rouges. Some of the men are screaming in the water, where a floating skull holds the end of a sail in its teeth, looking round fiercely at one of the drowning men. Others are still in the coffin-gunboats, holding muskets or making gestures of despair. One says: "Oh de Corsican Bougre, was make dese Gun Boats on purpose for our Funeral." In the background are two British men of war. Two tiny sailors say: "I say Messmate if we dont bear up quickly there will be nothing left for us to do", and, "Rigt [sic] Tom, & I take them there things at the mast head to be Boney's Crest, a Skull without Brains." A satire on the manifest impracticability of an invasion (see British Museum Satires No. 10008) by gunboats without the command of the sea, cf. British Museum Satires Nos. 9995, &c, 10125, 10223, 10231, 10260, 10277."--British Museum online catalogue
Alternative Title:
Boney's invincible armada half seas over
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement beneath imprint: Folios of caracatures lent out for the evening., Printseller's stamp in lower right corner: S.W.F., and Mounted at the corners: 30 x 42 cm.
Publisher:
Pubd. Jany. 6th, 1804, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Coffins, Gunboats, Cannons, Rifles, Skulls, Liberty cap, Drowning, Warships, and British
publish'd according to act of Parliament, March 28th, 1750.
Call Number:
750.03.28.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Modern commander
Description:
Title from text below image., Two columns of verse below title: From Mid: to Lieutenant, Bluff, quickly doth rise ..., "Price 6d.", Companion print to: The military nurse, or, Modern officer., Temporary local subject terms: Naval uniforms -- Stern cabin -- Guns., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Warren, Peter, Sir, 1703-1752 and Great Britain. Royal Navy.
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
"A boy officer in cabin sitting by a bowl of punch and smoking, with servant."--British Museum online catalogue
Alternative Title:
Modern commander
Description:
Title etched below image., Publication date based on Carington Bowles's separation of his own business from his father's. Cf. I. Maxted. London book trades., Sheet trimmed within plate mark., Two columns of verse below title: From Mid: to Lieutenant, bluff, quickly doth rise ..., Companion print to: The military nurse, or Modern officer., Copy of a print of the same title published in 1750. Cf. No. 3089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Mounted to 29 x 21 cm., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain. and England
Subject (Name):
Warren, Peter, Sir, 1703-1752
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
Title and date from item., In margin upper left: 144., Published: The New-York Illustrated News, 6 July 1861., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
The New-York Illustrated News
Subject (Topic):
United States, History, Death (Personification)., War wounds, Soldiers, Cannons, Skeletons, and Explosions
"Cobbett, astride the neck of a diabolical monster, and followed by demons, is about to land on the English coast, where a crowd hails his return. Below is the sea, and on the right the American shore. Cobbett (a good portrait) holds out a pen in his right hand; the left hand grasps vertebrae supporting a skull and projecting from a box which rests on the monster's back and is inscribed: 'Cobbett's long hidden Treasures or the Relicts of Paine'. The skull wears a bonnet rouge, Cobbett a top-hat with tricolour cockade; he says: "How to delude the Populace.--An advantageous distribution of the Words Liberty, Tyranny, Slavery &c does wonders with the populace Cobb Vol 2. p. 114--I now say Water Water-Water!!!" The monster breathes fiery smoke, and grips Cobbett's gaitered legs with its talons; it has webbed and barbed wings and a long scaly barbed tail. The two demons immediately behind Cobbett carry large papers inscribed respectively: 'Paines [Age of] Reason' [see British Museum Satires No. 13274] and 'Cobbetts Pol. Reg'. The third carries a sheaf of spears and excretes fire inscribed 'Revolution', and smoke inscribed 'Corruption'. The last, a bird-like creature, has a body inscribed 'Plague'; other monsters are advancing from a distance. The ragged and disreputable crowd wave bonnets rouges to the approaching Champion, shouting "Welcome Welcome." They have banners, each topped by a cap of Liberty: a large red flag inscribed 'Hunt and Cobbett' is held by a knock-kneed fellow. A butcher holds on his shoulders a little black boy representing Wooler (see No. 12928, &c.) who holds up a board inscribed 'Black Dwarfe'. He shouts: "Welcome, Welcome, Brother Scribe all our differrences are ended." On another flag, in large letters, 'Riot Deb . . .', another is inscribed '[Liber]ty'. Behind are pikes. On the opposite (American) shore three quakers and a quakeress dance in a ring round a stars and stripes flag. One chants: "Yea, Verily, Friends we rejoice, that the Evil spirit hath departed from us!--" The others answer: "Yea Yea Yea." On the shore dismantled cannon lie pointing seawards; there are also pyramids of cannon-balls. On the horizon, midway between the two countries, Napoleon stands with folded arms on the rocky mountains of St. Helena, watching the scene in England; he says: "Ah! Ça ira." British ships surround the island."--British Museum online catalogue
Description:
Title etched below image., Text following title: Out of thy own mouth will I condemn thee., Text in lower right corner of plate, following a curly bracket: I am well assured that Paine was guided by villany, and not misguided by ignorance or error. Cobbett, vol. 4, p. 320., and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 1819 by E. King, No. 25 Chancery Lane, a few Doors from Cursitor Street
Subject (Name):
Cobbett, William, 1763-1835, Paine, Thomas, 1737-1809., Hunt, Henry, 1773-1835., and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Quakers, Monsters, Demons, Liberty cap, Flags, and Cannons
"Miss Gunning sits astride a cannon directed against the façade of 'Blenheim'. Her mother (right) fires the cannon by putting her pen to the touch-hole; from its muzzle issue flames an letters inscribed : 'forged Love letter', 'Letter from Marq: of Blan[dford] written by myself', 'Letter written by my Daddy', 'Letter forged by my Mother', 'Letter forged by myself', 'Letters in Answer to my self''. In the central window in the portico of Blenheim are the bare posteriors of a figure emitting a bias excrement which strikes Miss Gunning, knocking her backwards, reaches Mrs. Gunning. The former, terrified, says, "O Mother! Mother! my mask'd Battery is discovered, & we shall be blown up! - O Mother, Mother, we must raise the Siege immediately, & take refuge under the Duchess's cover'd way, & there act on the defensive: O Mother: Mother, its all your fault, say what you will:" Mrs. Gunning says, her left hand raised in horror, "Good Heavens! who could have thought that the Seige of a Coronet would have ended in smoke & stink! - well I'll take my affidavit that I know nothing at all about the matter". An aged crone, the Duchess of Bedford, stands on the extreme right, raising her hooped petticoat to form a shelter; she says, "Come under my Protection, deary's I'll hide you in Bedfordshire; & find one of my little Granny-boys, to play with Missy". On the extreme left General Gunning, wearing regimentals, walks off, stooping furtively; he says, "I find our Stratagem wont take effect, & therefore I'll be off; & menœvre; - any common Soldier can lead on, to an attack, but it requires the skill of a General to bring off his forces with honor after a defeat - "."--British Museum online catalogue
Alternative Title:
Siege of Blenheim and New system of gunning discovered
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Text following title: Vide, A bold stroke for a husband., Text in lower right corner: Dedicated to the Duke of A- [Argyll]., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 28.4 x 40.7 cm., and Mounted on leaf 2 of volume 8 of 12.
Publisher:
Pubd. March 5th, 1791, by H. Humphrey, No. 18 Old Bond St.
Subject (Geographic):
England
Subject (Name):
Bedford, Gertrude Leveson Gower, Duchess of, 1715-1794, Gunning, Miss (Elizabeth), 1769-1823, Gunning, Mrs. 1740?-1800 (Susannah),, and Gunning, John, -1797
"Miss Gunning sits astride a cannon directed against the façade of 'Blenheim'. Her mother (right) fires the cannon by putting her pen to the touch-hole; from its muzzle issue flames an letters inscribed : 'forged Love letter', 'Letter from Marq: of Blan[dford] written by myself', 'Letter written by my Daddy', 'Letter forged by my Mother', 'Letter forged by myself', 'Letters in Answer to my self''. In the central window in the portico of Blenheim are the bare posteriors of a figure emitting a bias excrement which strikes Miss Gunning, knocking her backwards, reaches Mrs. Gunning. The former, terrified, says, "O Mother! Mother! my mask'd Battery is discovered, & we shall be blown up! - O Mother, Mother, we must raise the Siege immediately, & take refuge under the Duchess's cover'd way, & there act on the defensive: O Mother: Mother, its all your fault, say what you will:" Mrs. Gunning says, her left hand raised in horror, "Good Heavens! who could have thought that the Seige of a Coronet would have ended in smoke & stink! - well I'll take my affidavit that I know nothing at all about the matter". An aged crone, the Duchess of Bedford, stands on the extreme right, raising her hooped petticoat to form a shelter; she says, "Come under my Protection, deary's I'll hide you in Bedfordshire; & find one of my little Granny-boys, to play with Missy". On the extreme left General Gunning, wearing regimentals, walks off, stooping furtively; he says, "I find our Stratagem wont take effect, & therefore I'll be off; & menœvre; - any common Soldier can lead on, to an attack, but it requires the skill of a General to bring off his forces with honor after a defeat - "."--British Museum online catalogue
Alternative Title:
Siege of Blenheim and New system of gunning discovered
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Text following title: Vide, A bold stroke for a husband., and Text in lower right corner: Dedicated to the Duke of A- [Argyll].
Publisher:
Pubd. March 5th, 1791, by H. Humphrey, No. 18 Old Bond St.
Subject (Geographic):
England
Subject (Name):
Bedford, Gertrude Leveson Gower, Duchess of, 1715-1794, Gunning, Miss (Elizabeth), 1769-1823, Gunning, Mrs. 1740?-1800 (Susannah),, and Gunning, John, -1797
The new ministry of Keppel, Conway, Burke, Fox and Richmond (together with Pitt the Younger) is depicted on the left riding small posts like hobby-horses, their identities indicated by numbers with a corresponding key beneath the design. On the right the members of the old ministry (Sandwich, Amherst, North and Mansfield) are shown entering the jaws of Hell, prodded by the Devil with a pitchfork. In the center is a dome on 5 pillars, the temple of the Constitution
Description:
Title from item.
Publisher:
Pubd. by W Richardson, No. 68 High Holborn London
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806. and Conway, Henry Seymour, 1721-1795.
Subject (Topic):
Politics and government, Gallows, Pillories, Hell, Devil, and Cannons
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories
A mock coat of arms, perhaps for George IV, that possibly served as the tailpiece or other illustration to a verse-satire on the trial of Queen Caroline. The shield is vase-shaped and includes a mug of beer at center, tents and cannons on either side of the mug, a settee below the mug, three ships at top, scales of justice with "vice" outweighing "virtue" below the ships, and a ram at bottom. Surmounting the shield is a donkey with a owl on its back, the owl wearing a tall conical hat; the donkey stands upon a "log", a volume with "bill" on its spine, a chess board, playing cards, sheets of paper labeled "address", and a cross above which "liturgy petition" is written. Plants are seen on either side of shield; below the shield are banners in which the Latin phrases "furiis in censa feror" and "vir tutis sub umbra viti um" are written
Description:
Title supplied by cataloger., Printmaker and publication information from potentially related prints that were published by Humphrey and are attributed to Theodore Lane in the British Museum catalogue. See nos. 13948-13972 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Possibly a plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Sheet trimmed within plate mark., Mounted on page 12 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters R-Z, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Coats of arms, Donkeys, Owls, Books, Playing cards, Board games, Scales, Drinking vessels, Beer, Tents, Cannons, Ships, Sheep, and Couches
