Leaf 9v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A sand peddler with a bucket in his hand stands beside his cart in the foreground while a boy sits upon the sand in the cart; in the background the Orphan Hospital
Alternative Title:
Orphan Hospital
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Name):
Orphan Hospital and Workhouse at Edinburgh,
Subject (Topic):
City & town life, Peddlers, Carts & wagons, and Almshouses
Leaf 14r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A boy lifts down a basket from the back of cart to a woman, a second figure stands beside the cart on the right. The Palace of Holyroodhouse is seen in the background
Alternative Title:
Front of Holyrood House
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Name):
Palace of Holyroodhouse (Edinburgh, Scotland),
Subject (Topic):
City & town life, Peddlers, Carts & wagons, and Vegetables
Title from item. and Possibly after Dighton; compare later Dublin impression described in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 , no. 6748.
Publisher:
Printed for & sold by Carington Bowles at No. 69 in St. Pauls Church Yard, London
Charles Fox, sitting in a 'pass-cart' reserved for paupers forced to return to the place of their origin, is transported to Malmsbury, the borough he represented until his election for Westminster in 1780. Lord North, standing under a tree, expresses his regret over this situation. A reference to Fox's expected defeat in the 1784 Westminster election
Description:
Title from text above image., Questionable attribution to J. Barrow from British Museum catalogue., 1 print : etching on laid paper ; sheet 23.8 x 33.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 71 of volume 1 of 12.
Publisher:
Pubd. March 02 [i.e. 20], 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Carts & wagons, and Clothing & dress
Charles Fox, sitting in a 'pass-cart' reserved for paupers forced to return to the place of their origin, is transported to Malmsbury, the borough he represented until his election for Westminster in 1780. Lord North, standing under a tree, expresses his regret over this situation. A reference to Fox's expected defeat in the 1784 Westminster election
Description:
Title from text above image. and Questionable attribution to J. Barrow from British Museum catalogue.
Publisher:
Pubd. March 02 [i.e. 20], 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Carts & wagons, and Clothing & dress
"A girl, in profile to the left, seated on the box-seat of a four-wheeled cart drawn by a pair of horses. She is receiving a driving-lesson from a man who sits behind her on the edge of the cart in which is a sheaf of straw. On the side of the cart is a board inscribed "Tom Longtrot's Academy for Young Ladies. Driving taught to an Inch, Ladies compleatly finish'd in a fortnight, for Gig, Whiskey, or Phaeton: Single Lesson half a Crown, Five for half a Guinea". The girl holds whip and reins very awkwardly, the hind wheel passes over one of a litter of small pigs which is with a sow in the foreground. A short stout citizen (left) clutches a post or mile-stone in alarm at the prospect of being run over. The driver wears an elaborate hat with feathers and a muslin dress, very unlike the dress of the fashionable women-whips of the day, cf. BMSat 6114. Beneath the title is engraved, "Hammersmith Turnpike", and,"When once the Women taken the Reins in hand, 'Tis then too true, that Men have no command." Behind the cart the upper part of the toll-house appears, with the head of a grinning spectator, probably the toll-keeper. By the toll is a large rectangular Georgian house with a square pillared porch inscribed "WILL-SON". This is the inn, The Bell and Anchor, at the corner of Blyth Road close to Olympia"
Alternative Title:
Morning visit to Betsy Cole
Description:
Title engraved below image., Sheet trimmed., Date of publication from British Museum catalogue., Below title: Hammersmith Turnpike., and Date erased from this impression.
Publisher:
Printed for and sold by Carington Bowles at No. 69 in St. Pauls Church Yard London
"View looking across Covent Garden piazza, the market in progress, St Paul's Church on the left."--British Museum online catalogue
Alternative Title:
Vüe de Covent Garden
Description:
Titles etched below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck faceing Fetter Lane End, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.3050., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "11" in upper right corner., Watermark: 1817., Leaf 42 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Covent Garden.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Covent Garden (London, England),, England, and London.
Subject (Name):
St. Paul's Church (Covent Garden, London, England),
Subject (Topic):
Plazas, Markets, Churches, Coaches & carriages, Carts & wagons, and Sedan chairs
"View looking down Fleet Street towards Temple Bar, with St Dunstan in the West on the right; elegantly dressed figures among carriages and carts on the street."--British Museum online catalogue
Alternative Title:
Perspective view of Temple Bar and St. Dunstan's Church and Vüe de Temple Barr une des porte de la villa de Londrer, LEglise de St. Dunstan
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "3" in upper right corner., Watermark: 1817., Leaf 44 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old St. Dunstan's Church. Temple Bar with the Traitor's Heads on it.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Fleet Street (London, England),, England, and London.
Subject (Name):
Temple Bar (London, England), and St. Dunstan's in the West (Church : London, England),
Subject (Topic):
Streets, Churches, Gates, Carriages & coaches, and Carts & wagons
"A tall thin man pushing a one-wheeled cart with puddings on the top, with a flag and dog."--British Museum online catalogue
Alternative Title:
Grande machine d'Italie qui cuit des gateaux en marchant
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Seventh plate from: Twelve London cries done from the life by P. Sandby. London, 1760., Plate numbered "7" beneath lower right corner of image., and Temporary local subject terms: Pudding vendors.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Food vendors, Baked products, Carts & wagons, Flags, and Dogs
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer
Published / Created:
[1834]
Call Number:
834.00.00.24+
Image Count:
1
Resource Type:
still image
Description:
Title devised by cataloger based on caption below image in center of sheet., Date of publication from unaltered impression in the Yale Center for British Art., Text following imprint: Also sold by T. Dewhurst, Manchester; T. Drake, Birmingham; R. Thorley, Bath; M.A. Organ, Bristol; Ross & Nightingale, Liverpool; &c &c &c., Numerous small designs on one sheet, some individually titled below., and Description based on imperfect impression; three areas of text below series title have been mostly or completely erased from sheet.
Publisher:
Pubd. by J. Kendrick, 54 Leicester Squr
Subject (Topic):
Umbrellas, Boats, Headdresses, Carriages & coaches, Skeletons, Dogs, Peg legs, Amputees, Military uniforms, Rifles, Mirrors, Deer, Sleepwear, Turbans, Monuments & memorials, Birds of prey, Devil, Cats, and Carts & wagons
"View looking down Fenchurch Street; the hall on the right with pediment at top above four Ionic pillasters, shop signs jutting out from buildings on the left, carts and carriages in street."--British Museum online catalogue
Alternative Title:
Vü de la Halle des Marchands de Fer dans Fenchurch Street
Description:
Titles etched below image, in English and French., Probably a later state, with slight alteration to the plate numbering format. For a state with "No. 6" in upper right corner, see British Museum online catalogue, registration no.: 11875,0710.4909., Date range for publication from the British Museum online catalogue., "The design copied from a print published at mid-century by John Bowles"--Curator's comments, British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "6" in upper right corner., and Leaf 25 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Worshipful Company of Ironmongers (London, England)
"View in Charing Cross with the Golden Cross Inn on the left, Northumberland House and the equestrian statue of Charles I on the right."--British Museum online catalogue
Alternative Title:
Vü de la Maison de Northumberland á Charing Cross
Description:
Titles etched below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.2814., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "11" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 30 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England) and Charing Cross (London, England),
Subject (Name):
Northumberland, Hugh Percy, Duke of, 1712-1786
Subject (Topic):
Homes and haunts, Taverns (Inns), Row houses, Dwellings, Equestrian statues, Carriages & coaches, and Carts & wagons
"A view of Mansion House on Fenchurch Street. Mayor's carriage passing by."--Royal Collection Trust online catalogue, RCIN 702269
Alternative Title:
Vüe de l'Hòtel du Lord Maire, qui comprend la fa̧cade, et le cóté occidental
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "9" in upper right corner., and Leaf 28 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Mansion House (London, England),
Subject (Topic):
Official residences, Carriages & coaches, Carts & wagons, and Sedan chairs
Exterior view of the Royal Exchange, looking towards Cheapside down a street with carriages, carts, and pedestrians; the prominent entrance of the Exchange with tower is seen at center; the dome of St. Paul's Cathedral is visible in the distance on the left
Alternative Title:
Vüe de la Bourse Royale à Londres
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "7" in upper right corner., Watermark: Curteis & Son 1806., Leaf 38 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Royal Exchange.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Royal Exchange (London, England), and St. Paul's Cathedral (London, England),
A busy scene in a farm yard. In the left foreground a woman (Aestas?) sits on a rock, while at her feet a woman spoons soup from a large bowl. She leans toward the boy at her side who holds a full soup bowl in his hands. To her left a young man approaches with two fowl hanging from the pole over his shoulder. Sheep mull about in the center foreground while on the right an old man sheers a sheep held by another young boy. In the background a man cuts rushes (?) which are loaded into a cart (with ox). In the left background stands a hut in front of which a group of men work at thatching a roof
Description:
Title written in brown ink above image, some letters very faint: Æstas., Signed in the lower right corner: Mary Walpole fecit., Upper left corner scortched with some loss at the margin., and For further information, consult library staff.
"A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint on wove paper, hand-colored ; sheet 38.1 x 29.8 cm., and Sheet trimmed within plate mark on right and left sides.
Publisher:
Pub. Mar. 1, 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Carts & wagons, City & town life, Girls, Plants, Row houses, Street vendors, and Women
"A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade."--British Museum online catalogue
Description:
Title etched below series title and number. and Mounted on leaf 6 of volume 6 of 14 volumes.
Publisher:
Pub. Mar. 1, 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Carts & wagons, City & town life, Girls, Plants, Row houses, Street vendors, and Women
"Satire on village life. A country fair in which three young women are running for the prize of a smock; the third in line has tripped over a dog and is being helped up by a man. In the foreground, left to right: a young couple embrace beneath two trees hung with drapery; a small girl fills a mug of beer from a cask on which leans the village constable, asleep, with an empty mug in his lap; a small girl beside him holds a book lettered, "Compleat Peace Off[ice]r."; a dog steals food from a plate discarded on the ground; an old man stands on tip-toe holding his eye-glass to read a notice lettered, "To be Run for by Men in Sacks, A Flitch of Bacon on Tuesday next" which is pinned to one of the trees; a sailor sits on a branch of the tree holding up the hem of the prize smock which hangs on a pole at either end of which is a three-cornered hat; another sailor lounges on the ground looking at the runing women, a large jug near his foot; a chimney boy grabs a gingerbread crown from a boy who is holding a donkey by a chain; a small girl holds a younger child who waves another gingerbread crown while a dog jumps up to reach it. Behind the area roped off for the race is a crowd of spectators and a farm cart which a woman climbs into with the help of two men and another woman already in the cart; a man with a cockade in his hat waves a small flag on a pole, perhaps indicating the start of the race; a larger flag with a cross flies behind; other villagers are gathered in and around a makeshift tent; a one-horse carriage driven by a woman and carrying a gentleman comes into the scene from the right; behind the carriage two men are fencing. Women watch from upper windows of a large house in the background; on its walls are two bird-bottles and a dove-cote which a cat is eyeing with interest from a window sill; beyond is a windmill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Country fairs -- Buildings -- Prizes: Holland smock -- Tricorne hats -- Constables -- Barrels with spiggots -- Beer -- Food: gingerbread -- Vehicles -- Chaise -- Animals -- Trades -- Donkey-driver -- Dishes: tankards -- Dove-cot -- Placards: race notice -- Customs: allusion to the "Flitch of bacon" -- Quizzing glasses -- Naval uniforms: sailor's uniform., and Mounted to 28 x 38 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
A simple drayman stands scratching his head as he stops to talk to a man who sits on a wooden crate as he drinks from a tankard outside a country inn. A pretty woman stands in the doorway (the sign for the inn just visible over her head) holding another large tankard of foaming beer in her hands; beside her a short country man smokes his pipe, his beer on the bench beside the trough. On the right in the background, unnoticed by the party at the inn, one man helps a woman climb a ladder into the back of the wagon as another in the wagon helps her climb
Description:
Title engraved below image., Plate numbered '242' in lower left corner., From the Laurie & Whittle series of Drolls., Six lines of verse in two columns below title: Says Thomas the porter to waggoner Ned, who gaping around stood scratching his head ..., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 4th April 1800, by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Imprint from impression in the British Museum., The Lewis Walpole Library impression: sheet trimmed within plate mark with loss of imprint., and Temporary local subject terms: Cits -- Tradesmen -- Cockney sportsmen -- Allusion to 'country box' -- Guns -- Parasols.
Publisher:
Publish'd June 11th, 1792, by W. Dickinson, No. 24, Old Bond Street
"The design follows that of British Museum Satires No. 7313 which it parodies. Hastings (three quarter length), in profile to the right, holds out his hands to demonstrate the objects which are seen in the diminishing rays of his camera obscura, and which reflect (in the foreground) the objects from the upper part of the design. These are [1] an 'Elephant' chained to a British flag devouring an Indian and trampling on the body of another; [2] 'Mount Ossa', a conical mountain. [3] 'Begums in Tears': a British officer raises his sword to smite a kneeling Indian woman whom he holds by the hair; other women kneel at his feet; on the ground is a decapitated infant. A wagon, with a British flag, inscribed 'Plunder' drives off in the background. [4] 'a Whale' spouting. In the rays of the camera obscura these objects, much reduced, are respectively inscribed: 'a Flea', 'a Wart'. 'Skin'd Mice'. 'An Ouzle'. Three persons (half length) stand on the right watching the reflected scenes: Thurlow says "Charmingly diminish'd". Queen Charlotte, decked with jewels, clasps her hands, saying with a pleased smile, "Poor Mice! I shall cry my Eyes out". George III looks through an opera-glass, saying, '"Very like an Ouzle"'."--British Museum online catalogue
Description:
Title from text in bottom part of image., Attributed to Gillray in the British Museum catalogue., Text below title, in lower right: Tuesdays, Wednesdays & Thursdays., and Mounted on leaf 35 of volume 2 of 12.
Publisher:
Pubd. May 9th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, George III, King of Great Britain, 1738-1820, and Charlotte, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Flags, British, Elephants, Mountains, Military officers, Carts & wagons, Decapitations, Daggers & swords, and Whales
Title from caption below image; series title appears before title, series numbering appears after the title of this part., Sheet trimmed within plate mark., Variant with imprint. Cf. No. 11785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "69" in the upper right corner., Temporary local subject terms: Tandem., and Mounted to 29 x 39 cm.
Publisher:
Pubd. April 24, 1811 by Thos. Tegg No. 111 Cheapside
A full-length view of a dog-meat peddlar cutting up dog food for a dog eagerly jumping up along the peddler's cart
Description:
Title etched below image., Printmaker and imprint from title page of book in which this plate was published., Sheet trimmed within plate mark., and Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820.
Publisher:
Samuel Leigh
Subject (Topic):
Carts & wagons, Dogs, Pet food industry, and Occupations
A Bangladeshi hunting scene showing three riders, one a woman riding side-saddle, following a pack of hounds; an English women with her children in a wagon and another woman rider in the foreground, all attended by Indian servants. In the background is a large estate with a lake and a sailboat in the middle ground
Alternative Title:
Dharmasagar, Comilla
Description:
Title from text below image., Date of publication based on costume., and Sheet trimmed to image, except in the center lower edge where the title is present.
Publisher:
publisher not identified
Subject (Geographic):
Comilla (Bangladesh)
Subject (Topic):
Hunting, Horseback riding, Hunting dogs, Carts & wagons, Servants, Bodies of water, and Buildings
On a hilly rural scene a man in a Northumbrian[?] checkered-plaid over shirt and cap, with bare feet and legs, carries a stave on which are tied his shoes and trousers. The man is followed by a similarly barefooted and barelegged boy carrying waterbottles[?]. They seem to be walking past an inn called the Crown outside which is parked a covered wagon
Description:
Title etched below image., Date based on range of years in which Davison produced caricatures. See: Isaac, Peter. Some Alnwick caricatures. Wylam : Allenholme Press, 1965., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Scene outside an inn with the sign of the 'Half-way House', at the base of which two horses with saddles and blinkers are feeding, their riders standing at left by an out-building; horse and trap outside the inn at right, a man with a whip seated in the trap, the horse approaching a trough; in the upstairs windows of the inn, a man smoking a long pipe, and a man embracing a woman with a large hat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum online catalogue, registration no.: 1937,0719.3., Plate originally published in 1784 according to the British Museum online catalogue., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms Half-way house.
Publisher:
Pub. Oct. 25, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Carts & wagons, Horses, Signs (Notices), and Taverns (Inns)
A Methodist preacher preaching to an open-air congregation with a cloth in one hand, two women preparing to steal a pair of shoes in the midst of the crowd, various people looking on including an apple seller with a cart, a ballad seller with a baby on her back, two Jews, fashionable ladies and gentlemen, a man getting his pocket picked, dogs, and a group of boys with a figure formed of a chimney brush. In the distance, people walk on the field, a figure flying a kite behind, rows of houses in the background; an inn with a sign with a fox to the right and the Palladian facade of St. Luke's Hospital beyond
Description:
Title engraved below image., Probably dates from 1765, the year in which Griffiths exhibited 'Enthusiam Displayed in the character of a Methodist preacher and his congregation in Moorfields' at the Free Society; see British Museum online catalogue, registration no.: 1871,0812.1600., and Matted to 51 x 61 cm.
Publisher:
Published according to act of Parliament, & sold by the proprietor John Griffiths, Chief Porter of the Middle Temple, opposite the General Post Office, Middle Temple Lane, & the print shops &c.
Subject (Name):
St. Luke's Hospital (London, England),
Subject (Topic):
Preaching, Audiences, Carts & wagons, Dogs, Kites (Toys), Pickpockets, Street vendors, and Taverns (Inns)
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
Design occupying top third of plate shows Bute driving a cart labelled G.R. III, having just crossed the Rubicon, laden with National Debt, Pensioners, etc., drawn by ministerial donkeys including ones labelled North, Germaine, Sandwich, and Weymouth. The donkeys are assailed by opposition dogs Burke, Wilkes, Fox etc. In the upper left an overloaded boat depicts the "Commissioners setting off for America." Smaller insets beneath the main image refer to the balance of power and antiministerial demonstrations. Two columns of dialect verse beneath image, follow the title "A new gallant shew or the ministry's cabinet & minority's closet broke open" signed at bottom by Doodle Doodle Doo. A criticism of both governmental ministry and the opposition
Alternative Title:
View of the political state of the nation
Description:
Title from item., Imperfect; cropped with loss of imprint and last 2 lines of verse., Date of publication from English political caricature., Publisher from impression in John Carter Brown Library., "Price 1 shilg.", and Mounted to 33 x 35 cm.
Publisher:
Publish'd as the act directs May 11, 1778 at Darly's, Strand
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., North, Frederick, Lord, 1732-1792., Sandwich, John Montagu, Earl of, 1718-1792., Sackville, George Germain, Viscount, 1716-1785., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., Franklin, Benjamin, 1706-1790., Hancock, John, 1737-1793., and Adams, John, 1735-1826.
Subject (Topic):
Politics and government, History, Colonies, Donkeys, Carts & wagons, Dogs, Seesaws, and Coats of arms
Three women, two standing and one sitting smoking a pipe, converse outside a shop, 'Fine Cordial Gin, two penny & best Virginia'.
Alternative Title:
Gin, two-penny and tobacco
Description:
Title etched below image., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and From the Renier Collection; on verso ms. notes in black ink 'Renier' and monogram 'AR'.
Publisher:
Pub. July 25, 1802, by S. Howitt, Panton Street, Haymarkt
Subject (Topic):
Baskets, Carts & wagons, Pipes (Smoking), Stores & shops, Street vendors, Women, and Tobacco
"Satire on Lord Bute, his patronage of Scots in London and his alleged relationship with Princess Augusta. Bute stands in the centre, holding his staff suggestively and encouraging Scots ('Hebronites') who are shown crossing the River Jordan in waggons and on foot, eating porridge and 'sowens' (a porridge-like food enjoyed in Scotland ); in the foreground a barefoot Scot carries a child in a pouch and leads another by the hand, another carries a broadsword and target, and 'Jubal' plays the bagpipes while an English waggon-driver complains that his horses had been killed by being overloaded. Three politicians, Pitt, Temple and Newcastle each claiming that they will retire from politics sit at a table on which lies a copy of the anti-Bute newspaper, the Monitor; the British lion sleeps and a fox (Henry Fox) whispers in its ear that it should sleep on. On the right, Princess Augusta and her ladies sit under a canopy surmounted by a French cock and turn toward Bute admiring his figure; Britannia weeps, crying "Degenerate Daughteres, I disown ye all"."--British Museum online catalogue
Alternative Title:
Importation of the Hebronites
Description:
Title etched below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse below title: To suite the times and raise a laugh, the subject is an upright staff ..., Temporary local subject terms: Preferments: Lord Bute's preferment -- Orders: Garter ribbon and star -- Britannia (Symbolic character) -- British Lion -- Newspapers: The Monitor -- Bible: River Jordan -- Bible: Hills of Hebron -- Bible: Land of Israel -- Literature: Ossian -- Scots -- Vehicles: waggons., Watermark: Fleur-de-lys., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Title etched above image., Sheet partially trimmed within plate mark., Inscription below image: When the fox destroys the poultry, destroy him., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Plate numbered '59' in upper right corner., Copy in reverse of No. 3638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Vehicles.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774, Calcraft, John, 1726-1772, and Murphy, Arthur, 1727-1805
A pretty, young woman rakes hay under a tree. Behind her three man use scythes in a hay field; in the distance a hitched wagon full of hay is pulled up a hill
Description:
Title engraved below image. and Numbered '181' in lower right corner of plate.
Publisher:
Printed for R. Sayer, Map, Chart and Printseller, No. 53 Fleet Street, as the act directs
"Satire with a coal-man singing while playing on a harp, sporting butterfly wings, admired by fellow coal-men."--British Museum online catalogue, description of a later state
Description:
Title etched below image., For a later state with secondary title "March of intellect among the black-diamond carriers" etched in upper margin, see British Museum online catalogue, registration no.: 1988,1001.17., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject headings: Dustmen -- Coalmen.
Publisher:
Pubd. Septr. 1828 by J. Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Butterflies, Carts & wagons, Coal, Harps, Singing, People associated with manual labor, and Working class
A satirical print mocking a scene in the Temple Church, Bristol, where clerics including Joseph Easterbrook, attemped an exorcism on a man named George Lukins, with various attendees expressing concern and support. A ballad seller waves in his right hand a sheet "A miracle or the devil, his own enemy" and in his left hand four sheets with legible titles referencing Elizabeth Canning, the Rabbit Woman, Cock Lane Ghost, and Stockell wonders. A "Methodist Cant" sits on a "Devils Nest" in the lower right as one demon emerges from the egg with a speech balloon "Our Master Hath deceived us, Oh!"
Description:
Title etched below image., In banner across base of image: Hocus pocus, an exhibition of fools & rogues., "Plate the 1st."--Lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 29 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
Lukins, George., Lukins, George,, and Easterbrook, Joseph, -1791,
Subject (Topic):
Devil, Demons, Exorcism, Physicians, Prayer, and Carts & wagons
"Two yokels stand outside a rustic inn, with a sign of fighting cocks; peasants are dancing. The verses relate comic incidents of low life in London: quarrelling, drinking, and fightng. They end: 'Then God bless our noble King George, May his reign be ever so long, And grant, as the Parliament's met, That nothing whatever goes wrong'."--British Museum online catalogue
Alternative Title:
Knibs' Pound
Description:
Title from broadside printed on the same sheet., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Broadside portion contains three columns of verse constituting the lyrics of a whimsical ballad., and Plate numbered '441' in upper left corner.
Publisher:
Publish'd Septr. 22, 1806, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Country life, Dance, Peasants, Taverns (Inns), Whips, Carts & wagons, and Pipes (Smoking)
Title from item., Date supplied by curator., Place of publication from item., After title: Transcription pour Piano; par Edouard Dorn; Entd Stat Hall; West End Branch Fouberts Place Regent Street; Offenbach, Joh. Andre; Brighton Branch Palace Place; Solo Pr. 3/-; Duet Pr. 4/-., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks; Clysters.
Publisher:
Augener & Co. 86 Newgate Street
Subject (Name):
Donizetti, Gaetano, 1797-1848. and Offenbach, Johann André.
Subject (Topic):
Quacks and quackery, Spectators, Quacks & quackery, Carts & wagons, Mules, Country life, and Medicine shows
"Two London lawyers quizzing a clever countryman."--British Museum online catalogue
Description:
Title etched below image., Numbered '182' in lower left of plate., One of the series of Laurie & Whittle drolls., Two lines of text below image: Two London attorneys overtaking a waggoner on the road ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: country inns -- Buildings: country churches -- Signs: inn signboard, 'The Crescent Moon' -- Countrymen: waggoner -- Vehicles: waggons -- Waggoner's whip -- Quizzing glasses.
Publisher:
Published June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
Title engraved below image., Date supplied by curator., Original work created ca. 1757., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Venereal Disease; Hospitals, France.
Publisher:
ches l'Auteur
Subject (Topic):
Public health, Prostitution, Sexually transmitted diseases, Prostitutes, Spectators, Carts & wagons, Horses, and Dogs
Title etched below image., Date and place of publication from item., Depicts wet nurses waiting to be selected., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by W. Sams 1 St. James Street
Subject (Topic):
Nursing, Breastfeeding, Wet nurses, Infants, Government buildings, Nurses, Carts & wagons, Soldiers, Dogs, and Horses
Title etched below image., Plate numbered '9' in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
