St. Peter and St. Paul healing a crippled beggar at the gate of the temple
Description:
Title and date supplied by curator., Place of publication based on printmaker's place of residence., Engraving from a set of 35 plates: The Acts of the Apostles., Below image is a Biblical verse in Latin, Acts. Chap. 14., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Paul, the Apostle, Saint. and Barnabas, Apostle, Saint.
Subject (Topic):
Miracles, People with disabilities, Medicine, Religious aspects, Spiritual healing, Disabled persons, Saints, Spectators, and Carts & wagons
"Men with a plague-cart burying victims at night in a field, one to left using a long hooked pole to pull the corpses from the cart into a pit; in a neo-classical frame; illustration to Barnard's 'History of England'." -- from British Museum online catalogue
Description:
Title etched below image., Date supplied by curator., Printmaker and place of publication derived from version in the British Museum., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Plague, Mass burials, Dead persons, Night, Pipe smoking, Grave digging, Horses, and Carts & wagons
"Satirical ballad on the unwillingness of the British government to go to war with Spain with a woodcut illustration derived from British Museum Satires No. 2355 showing Robert Walpole holding the tail of the British Lion which holds a staff topped by a crown. The lion is apparently attempting to lunge at a Spaniard holding a whip who has harnessed three English sailors to a cart."--British Museum catalogue
Alternative Title:
Negotiators, or, Don Diego brought to reason and Don Diego brought to reason
Description:
Title and publication information from British Museum catalogue., Mounted on leaf 73. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
R. Thompson
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Walpole, Horatio Walpole, Baron, 1678-1757
Subject (Topic):
Whips, Carts & wagons, Lions, Sailors, and Staffs (Sticks)
Title engraved below image., Imperfect; sheet trimmed within plate mark with loss of price statement from top edge. Missing text supplied from impression in the British Museum., "Price 6d."--Above image, Temporary local subject terms: Rebellions: Scotland, 1745-46 -- Street scenes: plunder of a village -- Scotchmen -- Danger of Highlanders -- Signs: British Crown -- Military uniforms: Scottish Highlanders -- Inns: post house -- Armies: Scottish rebels -- Buildings: cottages -- Plunder -- Crimes: rape -- Furnishings: bed warmer -- Farm animals -- Guns: muskets -- Saddles -- Barrels -- Musical instruments: drum., and Watermark: countermark IV.
Publisher:
Publish'd according to act of Parliament by J. Dubois at [the] Golden Head, near Cecil Street in [the] Strand
Subject (Topic):
Military uniforms, Scottish, War destruction & pillage, Villages, Taverns (Inns), Dwellings, Livestock, Carts & wagons, and Firearms
A busy scene in a farm yard. In the left foreground a woman (Aestas?) sits on a rock, while at her feet a woman spoons soup from a large bowl. She leans toward the boy at her side who holds a full soup bowl in his hands. To her left a young man approaches with two fowl hanging from the pole over his shoulder. Sheep mull about in the center foreground while on the right an old man sheers a sheep held by another young boy. In the background a man cuts rushes (?) which are loaded into a cart (with ox). In the left background stands a hut in front of which a group of men work at thatching a roof
Description:
Title written in brown ink above image, some letters very faint: Æstas., Signed in the lower right corner: Mary Walpole fecit., Upper left corner scortched with some loss at the margin., and For further information, consult library staff.
Exterior view of the Royal Exchange, looking towards Cheapside down a street with carriages, carts, and pedestrians; the prominent entrance of the Exchange with tower is seen at center; the dome of St. Paul's Cathedral is visible in the distance on the left
Alternative Title:
Vüe de la Bourse Royale à Londres
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "7" in upper right corner., Watermark: Curteis & Son 1806., Leaf 38 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Royal Exchange.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Royal Exchange (London, England), and St. Paul's Cathedral (London, England),
"View in Cheapside, looking down the wide street with the church on the right, the old shop signs over-hanging the pavements on either side."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Eglise de St. Marie le Bow dans Cheapside, London
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "10" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 41 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Cheapside (London, England),, England, and London.
"A view of Mansion House on Fenchurch Street. Mayor's carriage passing by."--Royal Collection Trust online catalogue, RCIN 702269
Alternative Title:
Vüe de l'Hòtel du Lord Maire, qui comprend la fa̧cade, et le cóté occidental
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "9" in upper right corner., and Leaf 28 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Mansion House (London, England),
Subject (Topic):
Official residences, Carriages & coaches, Carts & wagons, and Sedan chairs
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
