A group stand in a churchyard, as two men lower the coffin into a grave. The one sexton has two patches on his britches
Description:
Title from text above image., Print caption: Running to earth or in at the death. Finnis Coronat Opus., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 20, Tichborne Street, Haymarket
A view of Chesterfield Church and the churchyard, with gravestones
Description:
Title etched below image., Date based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '25' in manuscript. Label on front cover: Prints. For further information consult library staff.
Publisher:
Printed and sold by J. Ford, Chesterfield
Subject (Geographic):
Chesterfield (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
A couple of Irishmen look in horror at a white cat in a church graveyard."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 16., and Undescribed in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
In a churchyard, tombstones, adorned on top with the heads of prominent politicians, are engraved with epitaphs in their memory
Alternative Title:
Political churchyard
Description:
Title from caption etched above image. and Mounted to 30 x 38 cm.
Publisher:
Pub according t [sic] Act by B. Pownall. No. 6 Pallmall
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., Pitt, William, 1759-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Conway, Henry Seymour, 1721-1795., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Wray, Cecil, Sir, 1734-1805., Cavendish, John, Lord, 1732-1796., Sheridan, Richard Brinsley, 1751-1816., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., and Mansfield, William Murray, Earl of, 1705-1793.
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
BEIN College Pamphlets 1455 2: Autograph: Wm. Leffingwell. From the collection of the sons of Henry White, 1889., BEIN Ci67b G87: Manuscript note at head of title: New Haven burial ground. No. 1 of 6 titles bound together with binder's title "New Haven burial ground.", and Caption title.
A view of a church at Avening from the town road, including the churchyard with gravestones
Description:
Title engraved below image., With a separately titled plate on same sheet: Monument of Bruges in Avening. [London?] : [publisher not identified], [178-?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '23' in mss. Label on front cover: Prints. For further information consult library staff.
Beckford's Tower and tomb, Walcot Cemetery, near Bath
Description:
Title etched below image., Approximate date of publication based on the return of Beckford's tomb to Walcot, which occurred in 1848., and Sheet trimmed within plate mark.
Publisher:
Published (for the proprietors) by H.G. Collins, 22 Paternoster Row
Subject (Name):
Beckford, William, 1760-1844 and Lansdown Tower (Bath, England),
Subject (Topic):
Homes and haunts, Towers, Tombs & sepulchral monuments, and Cemeteries
A view of the church at Bibury and the churchyard with gravestones
Description:
Title engraved below image., Date of printing based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '21' in mss. Label on front cover: Prints. For further information consult library staff.
Title from heading above image., Publication date from unverified data from local card catalog record., and Caption below image: "And quickly opening a vein in her left arm she proceeded to sprinkle a portion of her blood upon the hideous object muttering a powerful incantation, the corpse became entirely subservient to her will & c."
Publisher:
Published by William Charlton Wright, 7 York Stt., Covent Garden
Subject (Topic):
Cemeteries, Fear, Ghosts, Kettles, and Tombs & sepulchral monuments
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of Bradwell Church in Suffolk with its graveyard. A woman and child walk along the road on the right beside a stand of trees
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Bird's eye view of the inner courts towards the south; elegantly dressed figures stroll around courtyards, with the burial grounds in the distance
Alternative Title:
Bridewell
Description:
Title engraved within banner at top of image., Date of publication from British Museum online catalogue, registration no.: 1880,1113.3246., and Sheet trimmed to plate mark on right edge.
Publisher:
Sold by John Bowles, prints and map seller over against Stocks Market
A view of a church at Cam, including the churchyard with gravestones
Description:
Title engraved below image. and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '24' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Published as the act directs by Richd. Bigland
Subject (Geographic):
Cam (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
A view of the church at Cheltenham and the churchyard with gravestones
Description:
Title engraved below image., Bound in a volume of prints [English cathedrals and monuments]; numbered '23' in mss. Label on front cover: Prints. For further information consult library staff., and Paper with watermark '1791'.
Publisher:
Published as the act directs Dec. 17, 1787 by Richd. Bigland
Subject (Geographic):
Cheltenham (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted "Miser'. In response to the request, the miser says "Give you a Christmass box. Curse you don't I pay you for your meat." On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, "Most worthy Parson give me a Christmass box." The Parson replies, "Give you a halter you rascal. What should I give you a Christmass box for." In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, "If you ever ask me for a Christmass box again, I'll physic you to death." They are standing in front of building with a lantern and sign that reads "Gargle Apothycary." The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, "Take that you saucy rascal for a Xmass box!" He replies, "What's that for. I did not want a box on the ear, not I."
Alternative Title:
Christmas boxes
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by Wm. Holland, 50 Oxford St.
Subject (Geographic):
England. and England
Subject (Topic):
Charity, Christmas, Social life and customs, Begging (Pleading), Cemeteries, Clergy, Dogs, Milestones, Muffs, and Obesity
Thomas, Antoine Jean-Baptiste, 1791-1834, printmaker
Published / Created:
[19th century]
Call Number:
Print00804
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date supplied by curator., In margin upper right: Pl. 53., Place of publication derived from language of text., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Lith. de Villain
Subject (Geographic):
Italy.
Subject (Topic):
Death, Funeral rites and ceremonies, Cemeteries, Graves, Soldiers, Dead persons, Torches, Litters, Shrouds, and Chains
A group of sportsmen stand amongst the gravestones in a churchyard cemetary aiming their guns at a flock of birds. Their hunting dogs run toward the birds. In a grave behind a tombstone (left), a gravedigger cowers in fear, a skull and pick axe beside him. In the distance the dome of St. Paul's Cathedral (?).
Alternative Title:
First of September
Description:
Caption title printed in letterpresss below etching., Imprint engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 45 x 29 cm.
Publisher:
Pubd. Sepr. 1st 1792 by J. Wallis, No. 16 Ludgate Street
Subject (Topic):
Cemeteries, Game bird hunting, Gravedigging, Hunting dogs, Poultry, and Tombs & sepulchral monuments
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. Octr. 8, 1791, by Willm. Holland, No. 50 Oxford St.
Subject (Topic):
Boredom, Cemeteries, Churches, Couples, Obesity, and Tombs & sepulchral monuments
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
published according to act of Parliament, Feb. 1, 1751. and [between 1790 and 1835]
Call Number:
Print20074
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Restrike of a plate first published in 1751. This later printing was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). The plate was again issued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., Temporary local Medical Library subject terms: Prevention of cruelty to animals -- Murder -- Pregnancy., and Price statement has perhaps been partially burnished from plate; it is lightly printed but visible on this impression.
Publisher:
Wm. Hogarth and publisher not identified
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 31.9 cm, on sheet 56 x 45 cm., and Leaf 54 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 54K(b) Box 215
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and Imperfect: sheet trimmed to plate mark 384 x 313 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 71++ Box 315
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", and "Price 1s"--Bottom left below design.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.05.1+ Box 200
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 78 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and On page 156 in volume 2. Sheet trimmed within plate mark to: 37.8 x 30.4 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
A view of the west front of the parish church, St. Bartholomew of Crewkerne, with the clergyman and parishioners in the churchyard at an interment. With a view of gravestones and thatched cottages in the distance on the left. A large tree dominates the upper portion of the design
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 53 of volume 7 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Cemeteries, Churches, Clergy, Families, Funeral rites & ceremonies, and Villages
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, Yellow fever, and Hunting
Title from item., From: Bernard Picart, Histoire générale des ceremonies, moeurs & coutumes religieuses de tous les peuples du monde, Paris: Rollins fils, 1741., Place of publication, publisher, and date from containing volume., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Rollins fils
Subject (Name):
Paris, François de, 1690-1727.
Subject (Topic):
Hysteria, Religious aspects, Convulsions, Miracles, Religious groups, Tombs & sepulchral monuments, Religious meetings, and Cemeteries
A view of a church at Miserden, including the churchyard with gravestones
Description:
Title engraved above image., With a separately titled plate on same sheet: Kingston tomb in Miserden / T. Bonnor delt. et sculpt. [London?] : [publisher not identified], [178-?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '16' in manuscript. Label on front cover: Prints. For further information consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Gloucestershire (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
Eleven plain, elderly women walk in a procession from left to right between the tombstones of a country church yard. Two of them, at the head of the procession, carry a small coffin with a cat's effigy on it. Behind them walks a crying woman with a handkerchief raised to her eyes. She is the only one who does not carry a cat under her arm. The feline participants of the funeral appear agitated
Description:
Title from item., Eight lines of verse in two columns on either side of title: No lover's corse this virgin train attend ..., Printseller's announcement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of caricatures and other humorous prints and drawings. Admittance 1 shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mentioned in the Catalogue of prints and drawings in the British Museum, under no. 8558, as in Anthony de Rothschild's collection, v. 2, p. 138.
Publisher:
Published by William Holland at Garrick's, Richard No. 50 Oxford Street
Subject (Topic):
Cats, Cemeteries, Churches, Coffins, Crying, Funeral rites & ceremonies, Single women, and Tombs & sepulchral monuments
BEIN BrSides Folio 2014 10: Imperfect: torn and mutilated, with lower right corner missing., "Area 18 acres.", and Removed from: History of the city burial ground, in New Haven, together with the names of the owners of the lots therein (1863).
Publisher:
publisher not identified and Lith. by Punderson & Crisand
BEIN Ci67b G87: Presentation inscription to Edward C. Herrick from Abraham Bishop, dated New Haven, October 18, 1842. Manuscript correction in text on rear wrapper. Original wrappers. No. 2 of 6 titles bound together with binder's title "New Haven burial ground.", BEIN 2010 209: Presentation inscription to E. Baldwin from Abraham Bishop. Original wrappers. No. 9 of 18 titles bound together., and BEIN Silliman Misc. Pamphlets 7: Number 9 (marked as 8) of 18 titles bound together. Bookplate on front pastedown, "B. Silliman".
BEIN Ci67b G87: Original brown wrappers with manuscript title. No. 3 of 6 titles bound together with binder's title "New Haven burial ground.", BEIN College Pamphlets 93 3: Imperfect: folded plate torn., BEIN 2015 1935: Original rear wrapper., BEIR Ci65 90 2: In New Haven local tracts, v. 2., BEIR Ci65 90 2: Map loose from binding., BEIR Ci65 90 2: Autograph presentation inscription to R. S. Baldwin From Hon. Aaron Skinner. A rough ms. sketch of some areas of the burying ground is on front original brown paper wrapper., BEIN Kingsley Misc. Pamphlets 16: Number 5 of 21 titles bound together., Signed, page 27: Denison Olmsted [and thirty-one others]., "Plan of the Burial Ground New Haven, Con. 1839."--folded leaf., and "Plan of the Burial Ground New Haven, Con. 1839"--Folded leaf.
Publisher:
Printed by B.L. Hamlen
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
New Haven Burying Ground. and Grove Street Cemetery (New Haven, Conn.)
Ghost of poor Molly who was drowned in Richard's mill pond
Description:
Date of publication supplied by cataloger., Anonymous. By Hannah More., Verse begins: "Quoth Richard to Bob, "let things go as they will,"., In two columns with a woodcut and title centered above both; a second woodcut near the foot of the second column; all enclosed within an ornamental border., Cf. no. T194204 in ESTC., Lewis Walpole Library copy: Sheet trimmed within border; imprint statement wanting., Mounted on leaf 31. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Tombs & sepulchral monuments, Graves, Cemeteries, Bedrooms, and Ghosts
Title and statement of responsibility written in pencil beneath drawing, on mounting sheet., Date supplied by cataloger., and Mounted opposite page 140 in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
Subject (Geographic):
Bedfordshire (England)
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
Title below image., Date supplied by curator., Place of publication derived from Puck's city of origin., Above image: Puck., Published in Puck, 14 April 1880., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Philadelphia University of Medicine and Surgery.
Subject (Topic):
Medical students, Medical education, Physicians, Malpractice, Mills, Teachers, Diplomas, and Cemeteries
Nocturnal scene of a churchyard, with a raven perched in a large tree. Below him a sexton with his shovel points towards the left, while glancing back towards a corpulent clergyman, a lawyer holding a candelabra and a shield depicting skull and bones, and a doctor with his gold-headed cane and vial
Description:
Title engraved below image., Numbered in plate: 326., Bottom edge of image retouched in the plate with drypoint., Date estimated from British Museum catalogue, volume 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Verse in plate: Near the church-yard grim Death's purveyors see, with emblems fit a close connected three! One shows a phial, and the other two look their assent, as if they'd say t'will do: The sexton pleas'd stands ready to attend, points to the grave and eyes his greatest friend. Th'ill boding raven seems to croak aloud, swallow the dose, and that bespeaks your shroud., and Publication date erased from this copy of the print.
Publisher:
Printed for Carington Bowles, at his Map and Print Warehouse, No. 69 in St. Pauls Church Yard, London
"Pitt (left) holds up the dome of St. Paul's which he is about to place over the central tower of Lincoln Cathedral (right). He stands in a graveyard at some distance, and leans forward, on tip-toe, his right foot resting on a rectangular tombstone inscribed 'Hic jacet' and decorated with a bishop's mitre, a winged skull, and cross-bones"--British Museum online catalogue
Alternative Title:
Minister endeavouring to eke out Dr. Pretyman's bishopric
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., and Temporary local subject terms: St. Paul's Cathedral -- Lincoln Cathedral.
Publisher:
Pubd. March 1787 by R. Phillips, Southwark
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806 and Pretyman, George, 1750-1827
Subject (Topic):
Cathedrals, Cemeteries, and Tombs & sepulchral monuments
"Pitt (left) holds up the dome of St. Paul's which he is about to place over the central tower of Lincoln Cathedral (right). He stands in a graveyard at some distance, and leans forward, on tip-toe, his right foot resting on a rectangular tombstone inscribed 'Hic jacet' and decorated with a bishop's mitre, a winged skull, and cross-bones"--British Museum online catalogue
Alternative Title:
Minister endeavouring to eke out Dr. Pretyman's bishopric
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Temporary local subject terms: St. Paul's Cathedral -- Lincoln Cathedral., 1 print : aquatint with etching on wove paper ; plate mark 32.7 x 24.5 cm, on sheet 36.2 x 27.1 cm., and Mounted on leaf 10 of volume 2 of 12.
Publisher:
Pubd. March 1787 by R. Phillips, Southwark
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806 and Pretyman, George, 1750-1827
Subject (Topic):
Cathedrals, Cemeteries, and Tombs & sepulchral monuments
"Social satire: two gentlemen with guns cry to heaven for mercy when they think they have shot a cherub in a graveyard; a man in a smock nearby says "Rot it now, if these had not been your Lononers wha they 'zay be zo knawing I should ha zworn it had been an Owl", which in fact it is."--British Museum online catalogue, description of an earlier state
Alternative Title:
Murdered cherub, or, The Cockney's distress at the bloody-deed and Cockney's distress at the bloody-deed
Description:
Title etched below image., Reissue, with imprint statement mostly burnished from plate, of a print originally published 7 November 1804 by S.W. Fores. For the earlier state, see British Museum online catalogue, registration no.: 1985,0119.388., Publication date from watermark., Printseller's announcement following title: Folios of caracatures [sic] lent out for the ev[ening]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printseller's identification blind stamp located in lower right corner of sheet: S·W·F., and Watermark: John Hall 1825.
Verse begins: "Attend, ye lovers, and give an ear"., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The left woodcut is found in other broadsides with Bow Church Yard and Aldermary Church Yard imprints; the date range is that covering both imprints; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Susan’s surname appears in other editions as either Massie or Mease., Mounted on leaf 60. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Couples, Cemeteries, Tombs & sepulchral monuments, Skulls, and Staffs (Sticks)
"Graveside scene at night; a fat vicar swathed in a surplice and looking at a book by the light of a lantern held up by a thin, singing clerk, from whom he also takes some snuff; the open grave to left, the child's coffin beside it, mourners behind, shrouded so that all but one face is invisible, the church in the background; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate II)' in lower right below image., Second of two plates illustrating a popular song under the same title., Thirty-two lines of verse (second half of the song) printed in two columns below title: Then Moses went on, Sir; the clock has struck one, ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed mostly within plate mark.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title, state, and series title from Paulson., Third in a series of four: The four stages of cruelty., and On page 157 in volume 2. Sheet trimmed to: 50.8 x 39.8 cm.
Publisher:
Invd. & publish'd by Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, Pregnant women, and Rake's progress
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title, state, and series title from Paulson. and Third in a series of four: The four stages of cruelty.
Publisher:
Invd. & publish'd by Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, Pregnant women, and Rake's progress
Title devised by curator, based on pencil annotation "Eaton-Socon" at bottom of mounting sheet., Unsigned; artist unidentified., Date supplied by cataloger., and Mounted on page 78a in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
Subject (Geographic):
Eaton Socon (St. Neots, England)
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
