Lithograph after the Cassilly Adams painting of 1888 that was copied in paint by F. Otto Becker in 1896 and later made into lithographic prints as an advertising promotion for Anheuser Busch Brewing Association. Print shows Custer, standing, saber raised overhead in his right hand and a pistol held by its barrel in his left, in the battle of the Little Bighorn in 1876. In addition to Custer, the painting portrays his brother Thomas Ward Custer, Rain In The Face, William W. Cooke, George W. Yates, Henry Armstrong Reed, William Van W. Reily, and Algernon E. Smith. Below image: some persons in image named or described
Description:
BEIN BrSides Elephant Folio Zc43 896ad Copy 1: Accompanied by: a label with text: Loaned to Co. K 26th Inf. M.S.G. by 1st Lieut. John M. Sweeney Co. K 26th Inf. M.S.G., and a clipping from New York Times with a picture of Colonel S. R. H. (Tommy) Tompkins., BEIN BrSides Elephant Folio Zc43 896ad Copy 2: Imperfect: sheet below image trimmed; wantiing title, imprint, attributions, copyright statement and index; on sheet 61 x 95 cm and mounted on board of same dimensions., BEIN BrSides Elephant Folio Zc43 896ad Copy 3: Imperfect: chipped. 78 x 103 cm, mounted on linen., Title from caption below image., and Below image, at lower left: Entered according to act of Congress by Adolphus Bush March 30th 1896 in the office of the Librarian of Congress at Washington, D.C.
Publisher:
Anheuser Busch Brewing Association and Milwaukee Litho. Co.
Subject (Name):
Custer, George A. (1839-1876) (George Armstrong0,, Custer, Thomas Ward, 1845-1876, Rain in the Face, approximately 1835-1905, Cooke, William W., -1876, Reed, Henry Armstrong, 1858-1876, Reilly, William V. W., 1853-1876, Smith, A. E. 1842-1876 (Algernon Emory),, Yates, George W., 1843-1876, and United States. Army. Cavalry, 7th
Subject (Topic):
Little Bighorn, Battle of the, Mont., 1876, Lakota Indians, Cheyenne Indians, and Arapaho Indians
Lithograph after the Cassilly Adams painting of 1888 that was copied in paint by F. Otto Becker in 1896 and later made into lithographic prints as an advertising promotion for Anheuser Busch Brewing Association. Print shows Custer, standing, saber raised overhead in his right hand and a pistol held by its barrel in his left, in the battle of the Little Bighorn in 1876. In addition to Custer, the painting portrays his brother Thomas Ward Custer, Rain In The Face, William W. Cooke, George W. Yates, Henry Armstrong Reed, William Van W. Reily, and Algernon E. Smith. Below image: some persons in image named or described
Description:
BEIN BrSides Elephant Folio Zc43 896ad Copy 1: Accompanied by: a label with text: Loaned to Co. K 26th Inf. M.S.G. by 1st Lieut. John M. Sweeney Co. K 26th Inf. M.S.G., and a clipping from New York Times with a picture of Colonel S. R. H. (Tommy) Tompkins., BEIN BrSides Elephant Folio Zc43 896ad Copy 2: Imperfect: sheet below image trimmed; wantiing title, imprint, attributions, copyright statement and index; on sheet 61 x 95 cm and mounted on board of same dimensions., BEIN BrSides Elephant Folio Zc43 896ad Copy 3: Imperfect: chipped. 78 x 103 cm, mounted on linen., Title from caption below image., and Below image, at lower left: Entered according to act of Congress by Adolphus Bush March 30th 1896 in the office of the Librarian of Congress at Washington, D.C.
Publisher:
Anheuser Busch Brewing Association and Milwaukee Litho. Co.
Subject (Name):
Custer, George A. (1839-1876) (George Armstrong0,, Custer, Thomas Ward, 1845-1876, Rain in the Face, approximately 1835-1905, Cooke, William W., -1876, Reed, Henry Armstrong, 1858-1876, Reilly, William V. W., 1853-1876, Smith, A. E. 1842-1876 (Algernon Emory),, Yates, George W., 1843-1876, and United States. Army. Cavalry, 7th
Subject (Topic):
Little Bighorn, Battle of the, Mont., 1876, Lakota Indians, Cheyenne Indians, and Arapaho Indians
Photographs show groups of Cheyenne and Arapaho Indians posed in front of tipis, tents, and trees, most likely in what is now Oklahoma. A few wear western clothing, and a white man and boy appear in some images. Individuals pictured include Mrs. Scabby Bull, Ethel Black Wolf, Rabbit Run, Wolf Chase, Coal A Fire, Strik-em-First, Singing Man, Jay Gould, Big Timber, and Myrtle Bad Man, among others. Two views of the Arapaho camp and one of the Cheyenne camp are taken from a distance. The album also contains two photographs of Niagara Falls
Description:
Photographer unidentified., Title devised by cataloger., and Manuscript captions throughout.
Subject (Geographic):
Oklahoma, Cheyenne and Arapaho Reservation (Okla.), and Niagara Falls (N.Y.)
Subject (Name):
Cheyenne-Arapaho Tribes of Oklahoma
Subject (Topic):
Arapaho Indians, Cheyenne Indians, Indian reservations, Indians of North America, and Tipis
Photograph album by an unidentified photographer of Cheyenne, Arapaho and Kiowa Indians, probably taken in or around the Cheyenne-Arapaho Agency in Darlington, Canadian County, Oklahoma. The outdoor scenes include a large number of family groups, women, and children, many identified with Americanized names, There are also notable images of the baptism of a Kiowa man, the "crow dance," meat drying on racks, Arapaho school girls, and a single image of what appear to be not Indian women but white woman dressed in Indian clothing, identified as "Calumet Squaws" (Calument was a town close to the agency)., and Internal evidence suggests that the album dates before 1902 (the year White Antelope, who is portrayed, died).
Description:
Individual photographs measure 10 x 12.5 cm, and have manuscript captions and numbers. and Accompanied by 100 modern copy prints.
Subject (Geographic):
Oklahoma and Darlington (Okla.)
Subject (Topic):
Indians of North America, Cheyenne Indians, Arapaho Indians, Kiowa Indians, Cheyenne-Arapaho Indian Agency (Okla.), Baptism, Missionaries, and Indian reservations
Studio portrait photographs of Cheyenne, Arapaho, and Wichita Indian delegates to the United States created by the photographic studio of Jeremiah Gurney & Son in New York City, New York, June 1871, for the Blackmore Museum, Salisbury, England and Individuals in the images consist of Arapaho Indian delegates, Little Raven (Oh-Nas-Tie), the head chief, and Bird Chief, the second war chief; Cheyenne Indian delegate, Chief Little Robe (Tak-Kee-O-Mah); and Wichita Indian delegate, Chief Buffalo Goad. Images include front and profile views of the delegates posed sitting and standing
Description:
Title devised by cataloger. and Photographs are mounted on boards with typescript captions.
Subject (Name):
Bird Chief, Buffalo Goad, Gurney, Benjamin., Gurney, Jeremiah, 1812-1895., Little Raven, Little Robe, Blackmore Museum (Salisbury, England), and Jeremiah Gurney & Son.
Subject (Topic):
Arapaho Indians, Cheyenne Indians, Indians of North America, and Wichita Indians
Bell, C. M. (Charles Milton), approximately 1849-1893
Published / Created:
ca. 1880.
Call Number:
WA Photos 7
Image Count:
54
Abstract:
Studio portraits of Indian delegates, from the Cheyenne, Sioux, Crow, and Sac and Fox tribes, taken in Washington, D.C. Subjects are identified as Prince Crow, Hizi, Iron Nation, Rushing Eagle, Big Main, White Ghost, Two Moons, and Medicine Bull, with two views (front and side) each of Red Shirt, White Cloud, Red Cloud, Standing Cloud, Captain Jim and King Crow
Description:
Manuscript captions on most mounts., Advertisment for C. M. Bell on most mounts., and Accompanied by a box list.
Publisher:
C. M. Bell
Subject (Geographic):
West (U.S.)
Subject (Topic):
Indians of North America, Dakota Indians, Cheyenne Indians, Sauk Indians, Fox Indians, Crow Indians, and Delegates
Geological and Geographical Survey of the Territories (U.S.)
Published / Created:
1876.
Call Number:
WA Photos Folio 54
Image Count:
112
Abstract:
Album of photographs of Indians of North America assembled in 1876 from images in the collection of the United States Geological and Geographical Survey of the Territories. The images in the photographs were originally created ca. 1868-1876, and consist primarily of portraiture of male delegates to the United States with occasional images of women and children. The images were created for ethnographic portfolios of the Blackmore Museum, Salisbury, England. A few images show individuals with mixed descent and interpreters, The broad geographical regions represented by individuals in the album include Eastern States, Great Lakes Region, Great Plains, Middle Atlantic States, Middle West, New England, New Southwest, Pacific Northwest, and Southern States, Portraits represent various tribal groups, including Apache Indians, Arapaho Indians, Arikara Indians, Bannock Indians, Brotherton Indians, Brulé Indians, Caddo Indians, Cherokee Indians, Cheyenne Indians, Chickasaw Indians, Choctaw Indians, Comanche Indians, Creek Indians, Crow Indians, Dakota Indians, Delaware Indians, Fox Indians, Iowa Indians, Isleta Indians, Jicarilla Indians, Kansa Indians, Keeche Indians, Kiowa Apache Indians, Kiowa Indians, Mandan Indians, Mdewakanton Indians , Miami Indians, Modoc Indians, Navajo Indians, Nez Percé Indians, Northern Arapaho Tribe, Oglala Indians, Ojibwa Indians, Omaha Indians, Oohenonpa Indians, Osage Indians, Oto Indians, Ottawa Indians, Pawnee Indians, Pima Indians, Ponca Indians, Potawatomi Indians, Santee Indians , Sauk Indians, Seminole Indians, Seneca Indians, Shahaptian Indians, Shawnee Indians, Shoshoni Indians, Sihasapa Indians, Sisseton Indians , Stockbridge Indians, Tawakoni Indians, Tohono O'odham Indians, Ute Indians, Waco Indians, Western Apache Indians, Wichita Indians, Winnebago Indians, Yankton Indians, Yanktonai Indians, and Yuma Indians, Exterior images consist primarily of informal portraiture, as well as depicting residences and settlements, including the Crow Indian Agency in Montana, 1871; the Pawnee Indian School and buildings at the Pawnee Reserve, Loup Fork, Nebraska, 1871; and a Bannock Indian camp near Fort Hall, Idaho, 1872, An image of two men depicts a seated Dakota Indian, Red Cloud (Ma-Kpe-Ah-Lou-Tah), shaking hands with William Blackmore, May 1872, and Individual photographers with images represented in the album include Charles Milton Bell, Thomas Martin Easterly, Alexander Gardner, Benjamin Gurney, Jeremiah Gurney, William Henry Jackson, James Earle McClees, Antonio Zeno Shindler, Henry Ulke, Julius Ulke, Lee Ulke, Julian Vannerson, and Orloff R. Westmann
Description:
Additional identification information for the majority of images in the album is available through the National Anthropological Archives, Smithsonian Museum Support Center, Suitland, Maryland. and Manuscript captions on mounts.
Subject (Geographic):
East (U.S.), Great Lakes Region (North America), Great Plains, Middle Atlantic States, Middle West, New England, Northwest, Pacific, Southern States, Southwest, New, and Fort Hall (Idaho : Fort)
Subject (Name):
Bell, C. M. ca. 1849-1893. (Charles Milton),, Blackmore, William, 1827-1878, Easterly, Thomas M. 1809-1882. (Thomas Martin),, Gardner, Alexander, 1821-1882., Gurney, Benjamin., Gurney, Jeremiah, 1812-1895., Jackson, William Henry, 1843-1942., McClees, James Earle, 1821-1887., Red Cloud, 1822-1909, Shindler, A. Zeno 1823-1899. (Antonio Zeno),, Ulke, Henry, 1821-1910., Ulke, Julius., Ulke, Lee., Vannerson, Julian, b. 1827., Westmann, Orloff R., Blackmore Museum (Salisbury, England), Geological and Geographical Survey of the Territories (U.S.), Northern Arapaho Tribe, and United States. Office of Indian Affairs. Crow Indian Agency
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
