Manuscript on parchment of 1) Treatise on Christian love. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk
Description:
In Italian and Latin., Script: Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i., 2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., and Binding: Sixteenth century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Didactic literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor
Description:
In Latin., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., 8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., and Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Saint-Victor, 1096?-1141.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (palimpsests of ecclesiastical documents, many leaves pieced and patched) of Bernard of Clairvaux, Collection of sermons, treatises, and letters. With works by Ogerius de Lucedio, David of Augsburg, O. F. M., Arnulfus de Boeriis, and Honorius Augustodunensis
Description:
In Latin., Script: Written by multiple scribes in a small rounded gothic bookhand, below top line., Folios 1-50 have flourished initials, 3- to 2-line, alternating blue with red penwork designs and red with purple; two initials of better quality, divided red and blue, with red and purple flourishes (ff. 42r, 43v); many initials have harping designs. For remainder of manuscript uninspired red initials, either plain or with harping designs in brown ink. Rubrics, underlining and initial strokes, in red, throughout. Running headlines, in red, on ff. 1r-83r. Notes to rubricator in margins. Paragraph marks, red or blue., and Binding: Eighteenth century, France. Greenish brown goatskin gold-tooled. Gold-tooled panels and dark red gold-tooled label (damaged) on spine. Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin letters, Medieval and modern, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper of a miscellany. The manuscript seems to be a compilation organized, corrected and expanded by a single person specialized in pharmacology and medicine and interested in natural history, encyclopedical knowledge and history
Description:
In Latin with some Czech (?), German, and Hebrew., Watermarks: crown (var. Briquet 4616?), circles (var. Briquet 3194?), bull's head (?)., Script: Copied by various scribes, writing Gothica Cursiva Libraria or Currens in various sizes, often very small; ff. 127r-143r, 7 are in a markedly different, larger form of Gothica Cursiva Libraria., The decoration is unevenly spread: heightening of majuscules and plain initials in red. On ff. 162-170 alternance of red and green initials, on f. 162r flourished initial in the same colours. Artt. 21 and 22 are not illustrated, although the text mentions figurae., At many places the paper is deteriorated by the acidity of the ink., and Binding: Original limp parchment. A bifolium from a German manuscript in Gothica Cursiva, worn and stained, lined with a German document on parchment in Gothica Cursiva Antiquior/Recentior. Leather spine stiffener with ornamental stitching.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Medicine, Medieval, Natural history, and Pharmacology
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick) of 1) Ps.-John Chrysostom, Opus imperfectum in Mathaeum (collection of sermons). 2) Hugo de Sancto Caro, De doctrina cordis. 3) Unidentified articuli fidei. 4) Martinus Strepus, Chronicon pontificum et imperatorum, concluding with "Ludovicus rex francie" in 1270
Description:
In Latin., Script: Written in good quality gothic bookhand., Red and blue divided initials, f. 1r (10-line) and f. 86v (9-line), with floral and linear motifs in parchment. Running titles, headings in red. Plain initials, 3- to 2-line, alternate red and blue. Red and blue 1-line initials alternate in table of contents. Majuscules stroked with yellow. Remains of notes for rubricator., and Binding: Twentieth century, U.S.A. Half-bound in red goatskin with gold-tooled title on spine ("Martinus Polonus/ Chronicon/ MS c. 1300") and marbled paper sides. By the same binder as Marston MS 152.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martinus, Polonus, -1279.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Papacy, History, Sermons, and Sermons, Latin
Manuscript on parchment of 2 works that belong to the Pseudoclementine Literature, ascribed to Clement bishop of Rome (ca. 96), in a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: resembles Piccard, v. 2, IV.36 (?)., Script: Copied by one hand in light red-brown ink in Humanistica Cursiva Libraria., Ample space was provided for headings and initials at the beginning of the Prologue and the ten Books of art. 1 and at the beginning of art. 2, but these were never executed., and Binding: Seventeenth century (?). Deerskin (formerly red) over pasteboard. Spine with three raised bands and worn handwritten title " ******* Epistola. M.S."; at the bottom of the spine handwritten worn pressmark. Remnants of four leather ties, including one in the middle of the upper and one in the middle of the lower edge of the covers. On the lower edge of the book the handwritten title in ink (17th century): "Epist. D. Clementis".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Clemens I.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 24
Image Count:
412
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Birgitta, Revelationes. With the Life of St. Birgitta and several prayers, one of which is in German. Written by the abbot of the monastery of Maria Forst (near Cologne).
Description:
In Latin., Watermarks: similar to Briquet Lettre P 8619 and 8625., Script: Written in a well formed running hand by a single scribe who has been identified as Freiherr von Greifenclav. Divisions for indexing carefully noted in margins., Large penwork initials of mediocre quality, in red and blue; foliage designs in center of letters and penwork borders, in red, are sometimes accompanied by vulgar green dots. Many simple initials, 7- to 1-line, in red or blue; running titles in red. Rubricated throughout., and Binding: Between 1850 and 1900. Mottled, brown calf case, gold-tooled with monogram of comte Paul Riant on spine. Detached from bookblock.
Subject (Geographic):
Connecticut, New Haven., and Cologne (Germany)
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373.
Subject (Topic):
Christian hagiography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Prayers, and Women mystics
Manuscript on parchment (thick) of 1) List of relics in an unidentified church of St. James, probably in Spain. 2) Indulgences for various prayers, masses, etc. when visiting the church of St. James. 3) Unidentified Middle English devotional text. 4) Unidentified prayer, probably a form of absolution related to indulgences in art. 2. 5) Ps.-Augustine, Ps.-Bernard, etc., and wrongly attributed to Richard Rolle, Speculum peccatoris, ending imperfectly. 6) Richard Rolle, De emendatione vitae. 7) Richard Rolle, Oleum effusum (final four sections of the Comment on the Canticles). 8) John of Peckham, extract from Constitutiones. 9) The Five Wiles of the Pharaoh in Middle English
Description:
In Latin and Middle English., Script: Arts. 5-7 written by a single scribe in anglicana bookhand. Other texts by contemporary scribes in less careful bookhands, with art. 4 in a less formal hand., Flourished initials of good quality, 4- to 2-line, blue with red penwork designs incorporating leaf motifs and marginal extensions. Headings in red. Paragraph marks in blue., and Binding: Fifteenth century, England. Original, caught up sewing with very heavy thread on four tawed skin, slit straps laced from out to inside beech boards and pegged in channels which are filled with gesso (?). Green and gold, beaded endbands are sewn on cord cores laid in grooves in the outside of the boards. Spine lined with tawed skin. Covered in tawed skin, originally pink, with two fastenings, the catches on the lower board, the upper one cut in for brown leather straps. Spine covering disintegrating, thus exposing sewing. Covers much worm eaten.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Christian literature, English (Middle), Christian literature, Latin (Medieval and modern), Christian pilgrims and pilgrimages, and Manuscripts, Medieval
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval