Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year
Description:
In Latin., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r., and Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martí, Ramón, -approximately 1286. and Nicholas, of Lyra, approximately 1270-1349.
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: copied by one hand in small Gothica Hybrida Formata (Bastarda), with a tendency towards lengthening and making loops to the ascenders on the top line., Headings in red. The manuscript is richly decorated in a uniform style with paragraph marks, line fillers, 1-line versals and 2-5-line initials in liquid gold on a blue or red ground decorated with foliage in liquid gold. On f. 1r arch-topped half-page miniature in the style of Jean Bourdichon, as wide as the writing area, above 12 lines of text, showing King David praying in a landscape. Full paneled border, the panels alternately with uncoloured background and filled with acanths, or with liquid gold background and filled with flowers or fruit; one “acanth” panel in the outer border and two similar panels in the lower one contain each a hybrid animal, one of these wearing a hat., The manuscript contains: 1) Petrus de Alliaco (Pierre d'Ailly, 1350-1420), Meditationes super septem Psalmos paenitentiales. 2) Table of Contents. 3) Lotharius Count of Segni (1160-1216, 1198-1216 pope as Innocentius III), De miseria humanae conditionis. 4) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux), De interiori homine (Meditationes). 5) Iacobus de Gruytrode (c. 1400-1475), Speculum aureum animae peccatricis, also attributed to Iacobus de Iuterbog (1381-1465), Dionysius Carthusianus (Dionysius de Ryckel, 1402/1403-1471) and Gerardus de Schiedam (d. 1442).c, and Binding: 19th century. Red silk over thin wooden boards. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ailly, Pierre d', 1350-1420?, Innocent III, Pope, 1160 or 1161-1216., and Jacobus, de Gruytrode, active 1440-1475.
Subject (Topic):
Asceticism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Repentance, and Christianity
Manuscript on paper of 1) Augustine of Hippo, Confessions; Retractiones. 2) Matthaeus de Cracovia, Tractatus de confessione et puritate conscientiae. 3) Thomas Aquinas, De perfectione spiritualis vitae. 4) Bernard of Clairvaux, De consideratione. 5) Series of short texts, including works by Bernardus de Reyda, Guillelmus Bloc, and Iacobus de Iüterbog
Description:
In Latin., Script: Probably copied by 10 hands: scribe (A), Cornelius de Middelburg alias de Clinghe, writing Gothica Hybrida Libraria (Bastarda), ff. 1r-104r8 (artt. 2, 3, and the beginning of 4); scribe (B), writing a more rapid Semihybrida, ff. 104r9-113r (central part of art. 4); scribe (C), writing Semihybrida Libraria, ff. 113v-125r (final part of art. 4); scribe (D), writing Semihybrida Libraria/Currens, ff. 125v-126v (art. 5); scribe (E), writing Hybrida Currens, ff. 127r-127bis v and 139r bottom lines-148v (beginning and final part of art. 6); scribe (F), writing Hybrida Currens, ff. 128r-139r bottom lines (central part of art. 6); scribe (G), writing Hybrida Libraria, ff. 149r-155v15 (artt. 7 and beginning of 8); scribe (H), writing Semihybrida Libraria, ff. 155v16-220v (main part of art. 8); scribe (I), Arthurus Reyniers, writing Hybrida Libraria, ff. 225r-247r (artt. 9-11); and scribe (K), writing Cursiva Currens (art. 12)., Decoration: Differs according to the various sections of the manuscript, but in general, there are red headings; red stroking of majuscules; red underlining; and 2- or 3-line red plain initials, sometimes with interior reserved shapes (mostly missing ff. 132v-148v and after f. 215r). Folios 151r-220r (art. 8) contain red numbering. Folio 1r contains red or blue 3- or 4-line flourished initials with interior reserved shapes and developed penwork in the contrasting colour, extending into the margin., and Binding: Original brown calfskin over bevelled oak boards, damaged, sewn on four leather thongs. Both covers are blind-tooled with frame, lozenge and triangle patterns; stamped with rosette, fleur-de-lys, star, "ihs", and dragon patterns. The remains of two leather straps are attached to the rear board, associated with pins (lost) on the front board. The endleaves are fragments of bifolia from a 14th cent. parchment liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430., Mateusz, z Krakowa, Cardinal, ca. 1330-1410., Thomas, Aquinas, Saint, 1225?-1274., and Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Adultery (Canon law), Biography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Simony (Canon law)
Manuscript on paper of a collection of texts, including: 1) A number of works by Albertano da Brescia, 2) Robertus Grosseteste's Templum De, 3) Laurence of Aquileia's Practica sive usus dictaminis, 4) Correspondence between Charles of Anjou and Peter III, King of Aragon, 5) Henry VII, Emperor, Letter to the citizens of Bologna. Manuscript also includes a number of other works
Description:
In Latin., Script: except for the table of contents (and possibly the final section) copied by a single hand writing Gothica Cursiva Currens (Mercantesca); the orthography is very incorrect., A collection of texts, including: 1) Albertano da Brescia, De doctrina dicendi et tacendi, Liber consolationis et consilii, De amore et dilectione Dei et proximi et aliarum rerum et de forma vitae, a sermon delivered before a congregation of Genoese notaries and causidici 1243 December 6, and Sermo. 2) Petrus Damiani, De omnibus ordinibus hominum in saeculo viventium. 3) Pantaleon Barbo, Sermon on the Incarnation and Nativity. 4) Robertus Grosseteste, Templum Dei. 5) Laurence of Aquileia, Practica sive usus dictaminis. (In tabular form, each table covering two facing pages). 6) Iohannes Bondi de Aquilegia or Laurentius de Aquilegia, Theorica sive ars dictaminis. 7) Charles of Anjou (1226-1285), Letter to Peter III, King of Aragon 1276-1285, after the latter's conquest of Sicily, 1282, and a response by Peter III, King of Aragon, to Charles of Anjou. 8) Letter of the cardinals to the newly elected pope Bertrand de Got, archbishop of Bordeaux (pope Clemens VI, 1305-1314). 9) Henry VII, Emperor (1308-1313), Letter to the citizens of Bologna, 1311. 10) Astrological treatise ascribed to Claudius Ptolemaeus (Ptolemy, 2nd century) with extensive gloss. 11) Giovanni Boccaccio (1313-1375), Historia Griseldis, Latin translation by Franciscus Petrarca (Petrarch, 1304-1374). 12) A number of other letters, poems, and treatises., and Binding: parchment wrappers over pasteboard made from leaves of a 15th or 16th century printed book; three white leather straps preserved.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Brescia, Albertano da, active 13th century., Damiani, Petrus, Saint, 1007?-1072., Grosseteste, Robert, 1175?-1253., Charles, of Anjou, 1226-1285., Boccaccio, Giovanni, 1313-1375., and Peter III, King of Aragon, 1239-1285.
Subject (Topic):
Astrology, Christian literature, Latin (Medieval and modern), Diplomacy, Latin literature, Medieval and modern, Manuscripts, Medieval, and Rhetoric, Medieval
Manuscript on parchment of Commentary on the Doctrinale of Alexander de Villa Dei, with the text of the Doctrinale (verses 29 to 1567) added in the margins by various hands
Description:
Script: Copied by various similar hands, writing in a very small Gothica Textualis Currens. The Doctrinale text (art. 3) is written in the margins by various later hands, mostly using a bold and rounded Gothica Semitextualis Libraria, with sometimes elongated and decorated ascenders or descenders. and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, de Villa Dei.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on parchment of Petrus Pictaviensis, Compendium historiae in genealogia Christi
Description:
In Latin., Script: Written by a single scribe in fine gothic bookhand, above top line., Genealogical tables accompany text throughout: drawn in red with roundels connected by pairs of parallel lines and aligned between red vertical rulings. Roundels for Adam and Eve, f. 1r, in yellow and blue, respectively; the roundels for their descendants on green ground. The plan of the temple at Jerusalem, f. 4r, in red, green and blue. The roundels for Christ, f. 5r, in blue, yellow, and red. Headings in red; spaces left for decorative initials remain unfilled., Lower portion of f. 1 torn, with loss of text., and Binding: Nineteenth century, Germany. Grubby blue paper wrapper. Title, in ink, on upper cover: "Manuscript des XIII Jahrhunderts. Historia mundi sec. ord. chronol. usque ad mortem Jesu Christi".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ and Petrus, Wiensis, -1183.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Ripelin, Hugo, approximately 1210-approximately 1270
Published / Created:
13th century
Call Number:
Beinecke MS 502
Image Count:
152
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Compendium theologicae veritatis by Hugo Ripelin. The manuscript also contains fragments of a tract by Praepositinus Cremonensis, theological notes, an ecclesiastical document, a table for finding the date of Easter, and a record of the Houses of the Teutonic Order in northeastern Europe
Description:
In Latin., Script: the main text is copied by two hands, both writing Gothica Textualis Libraria with similar features. The first wrote the Table and the entire text, except the last items in the Table and the final chapters of the text, from f. 68ra, line 17 onwards, which are copied by the second hand. German features are the undotted y and the shape of the con-abbreviation. Similar features are found in the table for finding the date of Easter, copied in a small Gothica Textualis Libraria, possibly by the same hand. The list of Houses of the Teutonic Order is approximately contemporary, in small Gothica Textualis Libraria under cursive influence (some ascenders are looped). Later additions in various hands. The main part of the text has red headings, paragraph marks and stroking of majuscules; 2-line alternately plain and flourished half inset initials, the latter with primitive penwork, 3-line flourished initials at the opening of the Books; at the opening of the additional chapters plain initials only., Hugo Ripelin's Compendium theologicae veritatis, with three final chapters not belonging to the work of Hugo Ripelin, nor found in the version of his work printed from 1470/1472 and attributed to Albertus Magnus. The manuscript also includes fragments of Praepositinus Cremonensis's Tractatus de officiis, as well as theological notes, an ecclesiastical document, a table for finding the date of Easter, and a record of the Houses of the Teutonic Order in northeastern Europe, with the dates of their foundation and of some other events, 1120 -1266., and Binding: quarter binding (circa 16th century): wooden boards with rounded edges and brown leather, the upper and lower parts of the spine strengthened by means of strips of blind-tooled white leather. The broken boards are repaired by means of leather strips and wooden strips. Remnants of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ripelin, Hugo, approximately 1210-approximately 1270. and Dominicans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Scholasticism
Manuscript on paper of Iohannes Tuberinus (Johann Beuschel, Iohannes Rotenburgensis, d. 1522), De orgiis Corporis Christi, with abundant marginal and interlinear glosses in the same hand
Description:
In Latin., Script: copied by a single hand writing Gothica Semihybrida Currens, the gloss smaller than the text., and Binding: circa 19th century undecorated parchment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Tuberinus, Joannes Mathias.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on paper of three treatises by Nicolaus de Dinkelsbühl: 1) De vitiis et virtutibus, 2) De tribus partibus poenitentiae, 3) De septem peccatis mortalibus; and one treatise by Johannes von Marienwerder, also attributed to Nicolaus de Dinkelsbühl: Expositio Symboli apostolorum. Includes moral quotations and contemporary notes
Description:
In Latin., Script: copied by several hands in Gothica Semihybrida Libraria/Currens, sometimes difficult to decipher, especially in the marginal notes and additions and on the inserted leaflets., Headings, stroking of majuscules, paragraph marks and underlining of biblical references in red. 2- or 3-line plain initials in red, mostly missing. Large flourished initials in red with brown penwork: ff. 2r, 37v, 42v, 61r, 67r, 82r, 109r, 118v, 120v, 144r. Numerous pointing fingers., and Binding: original quarter binding: red leather over bevelled wooden boards sewn on four double thongs, spine lost; the wood covered with white leather; remnants of a leather strap attached to the rear board, with hole for the pin on the front board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dinkelsbuhl, Nicolaus von, approximately 1360-1433 and Marienwerder, Joannes, 1343-1417
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Repentance, Vices, and Virtues
Manuscript on paper composed in three parts. Part I: Nicolas of Amiens, De articulis fidei catholicae. Part II: Johannes de Rupescissa, Prophecy. Part III: Various unidentified religious texts
Description:
In Latin., Watermarks: Parts I and II: unidentified crossed arrows, in gutter. Part III: unidentified balance, in gutter., Script: Part I (ff. 1-24): Written by one scribe in large gothic cursive. Part II (ff. 25-27): Gothic cursive script by one person. Part III (ff. 28-75): Gothic cursive by two hands: Scribe 1) ff. 28r-64r, and Scribe 2) ff. 64v-72r., Part I: 2-line initials, paragraph marks and underlining in red. Part III: Headings, strokes on 1-line capitals, underlining and chapter numbers in margin all in red. On f. 30r, a crude 3-line initial in red with brown penwork, including a bear's head (?) above and a man's head at side; on ff. 33v, 44v, 46v a grotesque in profile., Stains on ff. 1r and 24, ff. 25r and 27v, and ff. 28r and 75v suggest that each part was once a separate booklet., and Binding: 19th-20th centuries. Black cloth spine with olive green decorated paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicolas of Amiens.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Prophecy, Christianity, and Theology, Doctrinal
Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of Colucii Salutati, De seculo et religione
Description:
In Latin., Script: Written by the scribe Martinus de Laurentio de Padono in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura., Spaces for decorative initials are unfilled; guide-letters in margins., and Binding: Seventeenth century (?). Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Salutati, Coluccio.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on parchment (varying quality) of 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts and ends incomplete. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints. 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae
Description:
In Latin., Script: Written by more than five hands in Carolingian script and Praegothica., Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., and Binding: Twentieth century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription "S. GREGORII DIALOGI. SAEC. X".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Catholic Church
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons
Honorius, of Autun, approximately 1080-approximately 1156
Published / Created:
[between 1100 and 1150]
Call Number:
Marston MS 112
Image Count:
156
Resource Type:
unspecified
Abstract:
Manuscript on parchment (thick, end pieces; ff. 7v-8v palimpsest) of 1) Honorius Augustodunensis, Elucidarium. 2) Honorius Augustodunensis, Inevitabile, beginning of the first version. 3) Unidentified moral sentences
Description:
In Latin., Script: Folios 1r-7r written in late caroline minuscule (portions of text retraced); the underscript of the palimpsest on ff. 7v-8v was also written in caroline minuscule. Folios 7v-72v written in inelegant Beneventan script., Plain red initials, f. 1r-v; modest black initials filled with red, ff. 24v, 48r, 68v, 71v. Majuscules touched with red throughout., Upper edge of book block damaged, with some loss of text., and Binding: 18th-19th centuries, Italy. Rigid vellum case with traces of title (upside down) on spine. Edges daubed red and green.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Honorius, of Autun, approximately 1080-approximately 1156.
Subject (Topic):
Christian education, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript fragment on parchment of Isidore's Etymologia with portions of books 13 and 14.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2- and 3-line initials are in red capitals with an uncial M and round E decorated with small round balls or with two or three cross-hatches; 1-line initials are in brown and a mixture of rustic capitals, uncials, and enlarged minuscules; rubrics are in red minuscule with some capital forms; punctuated with the punctus, punctus elevatus, and the punctus versus; hyphenation in the same ink as the text; accents added by later hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Latin language, Etymology, and Christian literature, Latin (Medieval and modern)
Manuscript on paper of 1) Epistolae of Isidore, Braulio and Sisibutus. 2) Isidore of Seville, Etymologiae. 3) Richardus de Wedinghausen (Richardus Praemonstratensis), Expositio missae. 4) Bonaventure, Sermo VI de assumptione Beatae Virginis Mariae. 5) Extract from Hugh of St. Victor, Didascalion IV.14. 6) List of forbidden magical arts
Description:
In Latin., Watermarks for both end papers and text: Piccard, Ochsenkopf XII.685, Nuremberg 1430., Script: Written by a single scribe in running hybrida script., Unattractive initials in red (or red and black divided) with penwork designs, dots, knobs and/or heart-shaped appendages, all in red and black. Numerous plain red initials of similar design. Headings, running headlines, chapter numbers and initial strokes in red. T-O map of the world on f. 131v in red., and Binding: 15th-16th centuries, Bohemia. Stays from 15th-century parchment manuscript. Original sewing on three double supports attached to flush, sharply bevelled wooden boards. Spine leather originally sewn around endbands. Covered in cream colored suede-like skin with very faint traces of a blind-tooled X in an outer frame. Spine: double fillets at head and tail; a neat, sewn mend near the head. Pink paper place marks on the fore edge. Two strap-and-pin fastenings, the pins on the upper board and stubs of kermes pink straps attached to lower one with flower-shaped plates. Trace of a chain attachment near head of lower board; title (mostly effaced) in gothic bookhand near head of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin language, Etymology, and Manuscripts, Medieval
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary
Description:
In Latin., Script: Written in compact gothic script with numerous corrections and notes in contemporary and later hands, 13th-15th centuries., Decorative initials, divided red and blue, 3-line, with extensive penwork designs and cascades also in red and blue, for the beginning of each book of art. 5 and for art. 6. Simple initials, red or blue, 2-line, with penwork designs of the opposite color throughout the codex. Running titles (e.g., FLO. B. I) in red and blue; headings, chapter numbers, and underlining, in red., Outer column of f. 140 cut off; no loss of text., and Binding: Nineteenth century. Limp vellum case with two ties and two black, gold-tooled labels: "Flores ex operibus B. Bernardi" and "M. S. XIII-XIV C." Wound, caught-up sewing, wound endbands, and vellum lining on the spine between sewing supports. On front and back flyleaves: Deed, in Latin, dated 26 March 1450, issued by Antonius Longobardus [several letters or words lost in binding] neapolis Reginalis ad contractus Iudex. The document was cut in half and trimmed to serve originally as pastedowns; considerable loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153. and William of Tournai.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Theology
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Alternative Title:
Historia scholastica
Description:
In Latin., Script: Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., The ink on the first pages has flaked, making them very difficult to decipher., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and Binding: Modern limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century, Catholic Church. Council of Lyons, and Franciscans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Religious poetry, Latin, and Sermons, Latin
