The palatial room, lit by a candle chandelier, is filled with members standing in conversation. Burdett, in breeches and boots, is recognizable. Four throw dice at a table in the foreground
Alternative Title:
Opposition members engaged upon hazardous points
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15217 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 252.
Publisher:
Sherwood & Co.
Subject (Name):
Brooks's (Club)
Subject (Topic):
Chandeliers, Conversation, Eating & drinking, Gambling, Men, and Private clubs
Sixteen men are seated at an oval table in Windsor arm-chairs smoking long-stemmed tobacco pipes, drinking from glasses and tankards, and engaging in conversation. The figures include Lord George Gordon, William Holland, William Lloyd, Thomas Townley Macan, James Ridgway, Henry Delahay, Charles Pigott, Daniel Holt, Daniel Isaac Eaton, William Williams, Doctor Watson, and Joseph Gerald. On the far right a female servant brings in fresh tobacco pipes and a bottle and the walls include various prints and pictures including landscapes, 'three witches addressing Macbeth', and satires
Description:
Title and date based on Newton's aquatint print after this image. and Later published aquatint described in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8339.
Subject (Name):
Gordon, George, 1741-1779, Holland, William, active 1782-1817, Macan, T. T. (Thomas Townley), Ridgway, James, Symonds, H. D. (Henry Delahoy), Pigott, Charles, -1794, Holt, Daniel, and Eaton, Daniel Isaac, -1814
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Interior scene, with a family gathered on the left and looking over at a seated man on the opposite side of the room. The father, sitting in a chair, lights his pipe using the candle on the small table next to him; a pitcher and two mugs are also seen on the table. Behind the father stands his wife, and on the floor beside him sits a young girl. The other man, sitting across the table from the father, is wearing a coat and hat; his left hand is extended, perhaps reaching for his mug
Description:
Title and date from local card catalog record., Signed within image with the artist's initials., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Subject (Topic):
Interiors, Conversation, Candles, Pipes (Smoking), Tables, Pitchers, and Drinking vessels
Cards for a Regency parlor game that take the form of question and answer. The cards printed in black are questions from a man to a woman, her replies are the red printed set
Description:
Title devised by cataloger., Fourteen cards printed in black, fourteen cards printed in red., Possibly privately printed., and For further information, consult library staff.
Volume 1, page 68. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature of two men, one on the left turning from his examination of a small object to listen to the other who stands in profile on the right with a tray hanging on a strap in front of him, who gestures as he talks."--British Museum online catalogue
Description:
Title devised by curator., Tentatively attributed to Francis Grose in the British Museum online catalogue, registration no.: 1925,0511.83., Contemporary note "by Capt. Grose" written in ink at bottom of sheet., Date from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 68 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
SH Contents W218 no. 1 Framed, shelved in LFS Bin 50
Image Count:
1
Abstract:
Horace Walpole's watercolor of an amorous young couple. Formerly hung in the Red Bedchamber in Strawberry Hill
Description:
Dated and signed with Walpole's initials "H.W. 1737" in lower left of image., After Watteau., Verso frame, label: The Moyer Gallery, Paul W. Cooley., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A pleasing drawing, in body colour, from a subject of Watteau's, 1737, by Horace Walpole.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Watteau, Antoine, 1684-1721
Title in pencil lower left margin: "And he said--" 1/50., Signed and dated in pencil lower right margin: Kyra Markham '43., Edition of 50., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and In pencil lower left margin: 1/50.
The palatial room, lit by candle chandelier, is filled with memebers standign conversation. Burdett, in breeches and boots, is recognizable. Four throw dice at a table in the foreground
Alternative Title:
Opposition members engaged upon hazardous points
Description:
Title from caption below image., Date of publication from British Museum catalogue., Date of publication rubbed from this impression. Sheet trimmed within plate mark., and Date of publication erased from sheet.
Publisher:
Published by Sherwood & Co.
Subject (Name):
Brooks's (Club)
Subject (Topic):
Chandeliers, Conversation, Eating & drinking, Gambling, Men, and Private clubs
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 4 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A loquacious gentlemen holding a raised walking stick vertically in front of his body prepares to strike the foot of a passerby by feigning a blunder. From the caption: Provide a good stout stick (the heavier the better), well loaded with iron, and sally forth at the business time of the day ... enter on a long story and at the end of every marked sentence, make a sudden plunge with your stick downwards, which must be managed with great velocity, and at proper periods; by these methods your friend cannot fail feeling the force of your observations; and every person's toes must suffer that come within the reach of the argument
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 3
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with typeface and ornamental border., Letterpress capation in fourteen lines below title: The person who has a desire to put this grace in practice, must be consciousness of possessing an unconquerable habit of talking incessantly, if that is not a leading trait in his character, he had better decline the study; but if hef finds himself master of so neccessary a qualification ..., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Conversation
Three gentleman (former military?) stand on the sidewalk outside a London club conversing. One wears a patch on his eye and carries a talking stick; another one has a peg leg. The man on the left carries a walking stick and wears spurs on his boots
Description:
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Last digit of the date etched over., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Geographic):
England and London.
Subject (Topic):
Clubs, Conversation, Eye patches, Peg legs, and Staffs (Sticks)
Volume 2, page 84. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Alternative Title:
Symptoms of polite conversation
Description:
Title from text below image., Sheet trimmed to plate mark., For prints of similar composition and subject matter, see nos. 8537 and 8538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted on page 84 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Septr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"Social satire; two sailors on horseback, one with a pipe in his hatband on a small white horse with a spotted handkerchief on a stick attached to its bridle, the other smoking a pipe on a large brown horse; they ask each other how their journeys on their horses have been, using language associated with ships, for example: "endeavouring to double the point at Mile-end she fell foul of a dray, and smack she lay me keel upermost in a stinking ditch ... I hoisted my pocket handkerchief on her topmast as a sign of distress, which was seen by some comrades at anchor in the moorings. ..."."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.711., For another print by Roberts dealing with sailors during the Peace of Amiens, see British Museum online catalogue, registration no.: 1990,1109.69., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn
Subject (Topic):
Sailors, British, Horses, Pipes (Smoking), Handkerchiefs, and Conversation
"A group of men sit round a table with candles and beer discussing public affairs."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 11., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A jovial citizen leaning on his tall cane in profile to the right addresses another, who walks off to the right, turning his head to scowl at his interlocutor. The former says: "How do you do my Old Friend - pretty warm by this time I suppose, - a long time in business. - how much might you clear now in the course of last Year?" The other answers: "Whats that to you - skant tell - keep no books, what you want to come the Inquisition rig I suppose, an be d------d to you!" He is obese and is stuffing a 'Banke[rs] Book 17[98]' into his coat-pocket. His dog 'Surly' looks round with contempt at the first speaker, and befouls his cane."--British Museum online catalogue
Description:
Title etched below image., A satire on the income tax., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Printmaker from British Museum catalogue., and Watermark: T. Edmonds 1817.
Publisher:
Pubd. April 1st, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Topic):
Income tax, Law and legislation, Conversation, Dogs, and Staffs (Sticks)
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Two men stand in the foreground conversing. The man on the left holds a mug out in front of him, while the man on the right smokes a pipe; two dogs playfully run past the men. A house is visible in the background on the right, and the wall of another structure is seen on the far left
Alternative Title:
Mr. Slaughter and Mr. Heeltap talking of the state affairs
Description:
Titled by the artist in ink below image., Signed in lower left corner with the artist's initials., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Subject (Topic):
Conversation, Drinking vessels, Pipes (Smoking), Dogs, and Dwellings
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 38.4 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 16 in: Album of William Hogarth prints.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38 x 46.3 cm., and Formerly on page 110 in volume 2. Removed in 2012 by LWL conservator.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Ms. note in Steevens's hand in pencil on folio page: See Nichols's book, 3d edit, p. 262, &c., Ms. note in Steevens's hand in pencil at bottom of print: Given me by Mr. Henderson [?]., Ms. note in brown ink below image at bottom right: Scotin fe. aqua forti., and Formerly on page 109 in volume 2. Removed from Steevens volume by LWL conservator.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and Sheet trimmed within plate mark.
"'The Marriage Settlement' (after the painting by Hogarth in National Gallery); a grand interior where Earl Squander and a city merchant arrange the marriage of their son and daughter; the extravagantly dressed young man looks at his reflection in a glass while his future bride listens to the lawyer's soft words; through the window is a view of a palatial house under construction."--British Museum online catalogue
Alternative Title:
Marriage settlement
Description:
Title from British Museum online catalogue., Title engraved below image., "Size of picture ft. 3 by 2 ft. in. 4.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2692., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 158., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 228.
Publisher:
Pubd. June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall-Mall, London
Four women stand conversing in an indoor setting on a patterned carpet or floor. All are elaborately coiffed and dressed, wearing aprons and hats, the latter including representatives of the bergère and dormeuse styles
Description:
Title from item., Publisher's initials "MD" form a monogram., and Numbered in plate at top: v. 2, 46.
A conversation piece: John Rich and his family relaxing in the gardens at Cowley; three men on the right stand admiring a painting; two women on the left sit by the table in conversation, behind John Rich who reclines on pillows on grass, an open book to his left and large pitcher in front of him; after Hogarth; illustration to Nichols' and Steevens' 'The Genuine Works of William Hogarth' (1810).
Description:
Title etched below image., Text following title: From an original painting in the possession of Abrm. Langford Esqr., Plate from: Nichols, J. The genuine works of William Hogarth., and Found in Filbrigg, p. 235 (iii).
Title devised by curator., Signed by the artist in ink at lower right., Stamp on verso, "Puck, November 16, 1893"., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local subject terms: Emotion.
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Conversing.
Publisher:
Published April 7th, 1789, by Jno. Matthews, No. 441 Strand
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1790?]
Call Number:
Drawings W87 no. 13 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
Two men in coats engage in a terse exchange. One of the individuals holds a newspaper where the front page headline reads 'Peace' and asks "Who brought it about" The second man responds "I don't know!!
Alternative Title:
Deep politicians
Description:
Title inscribed below image in black ink in the artist's hand., Signed by the artist., Date supplied by cataloger., and For further information, consult library staff.
Three men seated at the table, the one in the center with a fierce, 'boar-like' face. With his right hand he points to a paper "Ext-----y Gazette" which lies on the table, while with his left hand he literally button-holes the man on his left. The man on his right slouches in his chair as he dozes with his mouth open and his hand in his vest pocket
Description:
TItle from item. and On verso: Letter 'E' stamped in lower right corner.
