A version of British Museum satire no. 4765, in reverse. A narrow design with les sky and slightly less ground. Half of the dog on the left is cut off in the design. Two soldiers showing a party of civilians around their tents erected in an open space. The civilian gentleman have walking sticks tucked under their arms, and one carries a quizzing glass. The short, stout lady wears a large hooded cloak and carries a large umbrella
Description:
Title from caption below image., Questionable date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Military camps, Military uniforms, British, Staffs (Sticks), Soldiers, Tents, and Umbrellas
Two soldiers showing a party of civilians around their tents erected in an open space. The civilian gentleman have walking sticks tucked under their arms, and one carries a quizzing glass. The short, stout lady wears a large hooded cloak and carries a large umbrella
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate numbered "1" in upper left corner., and Watermark.
Publisher:
Publish'd Decr. 1st, 1779, by Watson & Dickinson, No. 158 New Bond Street
Subject (Topic):
Dogs, Military camps, Military uniforms, British, Staffs (Sticks), Soldiers, Tents, and Umbrellas
Title from item., Date supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Patients, psychiatric., and Trimmed and mounted.
A couple of Irishmen look in horror at a white cat in a church graveyard."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 16., and Undescribed in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
On a country road, two countrymen encounter an ugly witch who sits crouching on a fence rail holding her broom, her hair sticking out straight from her head. The one countryman kneels on the ground with a horrified look on his face, clutching his hat in front of him. His companion, a thinner man, stand behind him adjusting his glasses. Their dog stands at the fence looking up at the witch. In the distance (right) a cottage can be seen behind a group of bushed. In the top center a bright moon shines in the night sky
Description:
Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1794 J Whatman [name partially trimmed].
A very fat gentleman on the left paying court to an ugly old lady on the right; both are seated with the gentleman with a small dog beneath his chair and a cat near his feet; the lady is holding a fan and wearing the towering hairstyle of the period. Behind them draperies are pulled aside revealing shelves of books
Description:
Title etched below image., Place of publication follows publisher's street address., Numbered in lower left of plate: 382., Variant of George 4557, without verses below design, but with imprint date present., and Contemporary pencil ms. notation identifying subjects: Mr. Mason & Mrs. Montague.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Name):
Montague, Elizabeth Robinson, 1720-1800. and Mason, William, 1725-1797.
Subject (Topic):
Clothing & dress, Hairstyles, Couples, Interiors, Bookcases, Dogs, and Cats
Title etched below image., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Wounds.
Publisher:
publisher not identified
Subject (Name):
Adam, Albrecht, 1786-1862,
Subject (Topic):
Medicine, Military, Horses, Soldiers, Dogs, Wounds & injuries, and War casualties
Volume 2, page 13. Etchings by Henry William Bunbury, Esq. and after his designs. Page 1. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman in a bleak mountainous landscape cradling an infant, sitting beside the body of a man lying bleeding on the ground, a dog sitting in the foreground beside his master; after Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker attribution to Dickinson from the British Museum online catalogue, registration no.: 1891,0213.43., Sheet trimmed to plate mark., Six lines of verse below image, etched on either side of title: Cold on Canadian Hills or Minden Plain! Perhaps [the] parent wept, her soldier slain, Bent o'er her babe her eyes dissolved in dew, The big drops mingling with the milk he drew, Sad mournfull presage of his future years; The child of misery baptized in tears. Langhorne., Mounted on page 1 of: Bunbury album., 1 print : aquatint, stipple engraving, and etching on laid paper ; sheet 36.9 x 43.5 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Feby. 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 13. Etchings by Henry William Bunbury, Esq. and after his designs. Page 1. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman in a bleak mountainous landscape cradling an infant, sitting beside the body of a man lying bleeding on the ground, a dog sitting in the foreground beside his master; after Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker attribution to Dickinson from the British Museum online catalogue, registration no.: 1891,0213.43., Sheet trimmed to plate mark., Six lines of verse below image, etched on either side of title: Cold on Canadian Hills or Minden Plain! Perhaps [the] parent wept, her soldier slain, Bent o'er her babe her eyes dissolved in dew, The big drops mingling with the milk he drew, Sad mournfull presage of his future years; The child of misery baptized in tears. Langhorne., and Mounted on page 13 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Feby. 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
From a doorway on the left, a man approaches a large, well-dressed woman who sits in a chair under two paintings. He is pointing to his red nose and holds a cane under his arm and his hat behind his back; a dog is at his heel
Description:
Title etched below image., Companion to a print entitled "Before"., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Willlm. Holland, 50 Oxford St.
Subject (Geographic):
England
Subject (Topic):
Courtesans, Dogs, Interiors, Staffs (Sticks), and Clothing & dress
Plate [15] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Alfred the Great standing in a simple interior, flexing his bow, looking up at an elderly woman who gestures with one hand at him, with the other at the fire, rebuking him for allowing the cakes to burn at the fire, while a young woman sitting over a tub at a table behind him and a little boy carrying twigs near the hearth, look at the cakes with amusement."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on right and left sides., and Plate [15] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
A group of four musicians in a semi-circle play their instruments -- a viola, violin, harpsichord, and cello. Most of the musicians are seated in chairs, but the violist stands with one leg raised. A dog and cat (who plays amongst some fallen sheet music) are in the foreground left and right, respectively
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. April 21, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Cats, Dogs, Musical instruments, Music ensembles, and Musicians
"Satire on village life. A country fair in which three young women are running for the prize of a smock; the third in line has tripped over a dog and is being helped up by a man. In the foreground, left to right: a young couple embrace beneath two trees hung with drapery; a small girl fills a mug of beer from a cask on which leans the village constable, asleep, with an empty mug in his lap; a small girl beside him holds a book lettered, "Compleat Peace Off[ice]r."; a dog steals food from a plate discarded on the ground; an old man stands on tip-toe holding his eye-glass to read a notice lettered, "To be Run for by Men in Sacks, A Flitch of Bacon on Tuesday next" which is pinned to one of the trees; a sailor sits on a branch of the tree holding up the hem of the prize smock which hangs on a pole at either end of which is a three-cornered hat; another sailor lounges on the ground looking at the runing women, a large jug near his foot; a chimney boy grabs a gingerbread crown from a boy who is holding a donkey by a chain; a small girl holds a younger child who waves another gingerbread crown while a dog jumps up to reach it. Behind the area roped off for the race is a crowd of spectators and a farm cart which a woman climbs into with the help of two men and another woman already in the cart; a man with a cockade in his hat waves a small flag on a pole, perhaps indicating the start of the race; a larger flag with a cross flies behind; other villagers are gathered in and around a makeshift tent; a one-horse carriage driven by a woman and carrying a gentleman comes into the scene from the right; behind the carriage two men are fencing. Women watch from upper windows of a large house in the background; on its walls are two bird-bottles and a dove-cote which a cat is eyeing with interest from a window sill; beyond is a windmill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Country fairs -- Buildings -- Prizes: Holland smock -- Tricorne hats -- Constables -- Barrels with spiggots -- Beer -- Food: gingerbread -- Vehicles -- Chaise -- Animals -- Trades -- Donkey-driver -- Dishes: tankards -- Dove-cot -- Placards: race notice -- Customs: allusion to the "Flitch of bacon" -- Quizzing glasses -- Naval uniforms: sailor's uniform., and Mounted to 28 x 38 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
"The interior of a well-furnished dressing-room. A young woman stands in the centre, arms akimbo, putting on a pair of breeches and looking towards the mirror which stands on a dressing-table (right) in which a small monkey is also looking. A maid-servant (left) stoops to fasten the buttons at the right. knee. A poodle, partly shaved, barks at the actress; it stands on a play bill inscribed "and the Part of Capt Macheath by Miss ." A pair of top-boots lies on the floor. On a stool (right) is a sword, a pair of stays, and a paper inscribed "To be seen a most surprising Hermaphrodite.""--British Museum online catalogue
Alternative Title:
Miss Brazen just breecht
Description:
Title from text engraved below image. and Sheet trimmed to plate mark.
Publisher:
Printed for & sold by Carington Bowles ...
Subject (Geographic):
England
Subject (Topic):
Actresses, Clothing & dress, Cross dressing, Dogs, and Women domestics
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An election procession of thirteen patriots walking from right to left wearing the colours of Sir Watkin Lewes, elected M.P. for the City, 29 Sept. 1781, see British Museum satire no. 5849. Two flags are carried, one "Lewes & Freedom", the other, "No Ministerial Influence", in reference to Lewes' speech on his election on 29 Sept. Two of the men are playing flutes, a third blows a horn. The figures are probably portraits; two are butchers wearing aprons, their steels hanging from their waists; beside one of them walks a muzzled dog with a collar inscribed "Liberty"; this butcher is eating as he walks. One man drinks a glass of wine, holding a lump of food in his left hand. One with a swathed and gouty leg walks on crutches. All have election favours in their hats, these are inscribed respectively "Lewes for ever"; "Sr Watkin for ever"; "Freedom"; "Lewes"; "No Bribery"; "Lewes"; "No Corruption". In the hat of the butcher with the dog is "Freedom's my plan Sr Watkin is the Man". The background is formed by the lower part of the façade of two houses in a street, the front of two shops being indicated. On the pavement (left) four little chimney-sweeps are shouting and waving their hats and brushes."--British Museum online catalogue
Alternative Title:
Electioneering procession from the Mansion House to Guildhall
Description:
Title etched below image. The 'o' in 'electioneering' has been inserted above the line., Signed in the image "J.N." JN is the monogram of John Nixon., and Verses following title: These stanch friends to freedom you here do behold, Will be bribe'd with good eating tho' they spurn at yr gold. For offer them money it's such a disgrace, 'Tis a thousand to one they dont spit in your face. But give them pudding & beef with compliments civil, To serve you they'll go ay e'en to the devil."
Publisher:
Pubd. Octr. 25, 1781 by W. Wells No. 132 Fleet Street
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Great Britain. Parliament
Subject (Topic):
Political activity, Elections, Butchers, City & town life, Chimney sweeps, Clothing & dress, Corruption, Dogs, Muckraking, Musical instruments, Political parades & rallies, Slogans, and Staffs (Sticks)
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 98.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 21.1 x 27.5 cm, on sheet 23.2 x 28.6 cm., and Mounted on leaf 79 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1798]
Call Number:
Drawings W87 no. 35 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
An elderly woman questions a man dressed in a curious combination of professional military uniform and shopkeeper's attire with an apron tide around his waist and a musket propped against his shoulder. The woman exclaims, "Thee looks't very genteel indeed Tommy, I should hardly ha known thee, but I hope the shop is not quite neglected, trade must be minded thee know'st" while the shoppkeeper/soldier responds, "Trade d--n trade! I'm a gemmen and a soljer as Mister Wind-hum says".
Description:
Title from inscriptrion in black ink below image., Date supplied by cataloger., and Attributed to Woodward.
Subject (Topic):
John Bull (Symbolic character), Stores & shops, Commerce, Soldiers, Military uniforms, and Dogs
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures lent for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Shopkeepers -- Male dress: Shopkeeper's dress -- Pets: Performing dogs., and Watermark: J. Whatman 1794.
Publisher:
Pubd. June 5th 1798 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Military uniforms, British, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An undertaker, bearing a coffin, presents himself before a rotund figure smoking pipe, sitting in a chair
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on earlier state bearing a more complete imprint with the year crossed out but still legible: Pubd. Febry. 26, 1807, by T. Tegg, 111 Cheapside. Cf. British Museum online catalogue, registration no.: 2001,0520.42., Imperfect; sheet trimmed within plate mark with loss of bottom half of title lettering., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "297" in the upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching, hand-colored ; 255 (cl) x 352 (pl) mm., and Sheet trimmed within plate mark at top and bottom, with probable loss of plate number from upper right.
Publisher:
T. Tegg, 111 Cheapside
Subject (Topic):
Undertakers, Coffins, Smoking, Pipes (Smoking), Obesity, Chairs, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An undertaker, bearing a coffin, presents himself before a rotund figure smoking pipe, sitting in a chair
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on earlier state bearing a more complete imprint with the year crossed out but still legible: Pubd. Febry. 26, 1807, by T. Tegg, 111 Cheapside. Cf. British Museum online catalogue, registration no.: 2001,0520.42., Imperfect; sheet trimmed within plate mark with loss of bottom half of title lettering., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "297" in the upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching, hand-colored ; 250 (cl) x 352 (pl) mm., and Sheet trimmed within plate mark at top and bottom, with probable loss of plate number from upper right.
Publisher:
T. Tegg, 111 Cheapside
Subject (Topic):
Undertakers, Coffins, Smoking, Pipes (Smoking), Obesity, Chairs, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An undertaker, bearing a coffin, presents himself before a rotund figure smoking pipe, sitting in a chair
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on earlier state bearing a more complete imprint with the year crossed out but still legible: Pubd. Febry. 26, 1807, by T. Tegg, 111 Cheapside. Cf. British Museum online catalogue, registration no.: 2001,0520.42., Imperfect; sheet trimmed within plate mark with loss of bottom half of title lettering., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "297" in the upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Imperfect; sheet trimmed within plate mark on top and bottom edges, with almost complete loss of title., Watermark: 1817., and Leaf 72 in volume 4.
Publisher:
T. Tegg, 111 Cheapside
Subject (Topic):
Undertakers, Coffins, Smoking, Pipes (Smoking), Obesity, Chairs, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An undertaker, bearing a coffin, presents himself before a rotund figure smoking pipe, sitting in a chair
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on earlier state bearing a more complete imprint with the year crossed out but still legible: Pubd. Febry. 26, 1807, by T. Tegg, 111 Cheapside. Cf. British Museum online catalogue, registration no.: 2001,0520.42., Imperfect; sheet trimmed within plate mark with loss of bottom half of title lettering., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "297" in the upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: A 1819 [partially trimmed]., and Mounted to 27 x 35.2 cm.
Publisher:
T. Tegg, 111 Cheapside
Subject (Topic):
Undertakers, Coffins, Smoking, Pipes (Smoking), Obesity, Chairs, and Dogs
"A stout John Bull sits in an arm-chair holding a long pipe in his left hand which rests on a circular table beside a glass and bottle of 'Coniac'. He looks up with an anxious scowl at an elderly man who stands (right), saying, "I 'am come again about the Taxes Sir - if agreeable to you to discharge them". The tax-collector holds a large open book, 'New Taxes for the Year 1796', [The last figure is doubtful] in which he writes with his left hand. He wears a hat in which a pen is thrust, an ink-bottle hangs from a button, in each pocket of his greatcoat is a large book, one being 'Additional Taxes on Window Lights'. Under his arm is another large book: '[T]axes Receipts Taxes'. Beside the taxpayer sits a dog, who glares up at the tax-collector with an expression resembling that of his master."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Not in J. Grego's Rowlandson the caricaturist., Lewis Walpole print 794.12.26.01: Title expanded in contemporary hand: Mr. Taxus or an unwelcome visitor to John Bull., and Watermark: Strasburg bend.
Publisher:
Publd. as the act directs by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Alcoholic beverages, Chairs, Dogs, and Pipes (Smoking)
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine.", Numbered in black ink lower right in an unknown hand: 505. Remnants of former blue mounting on verso., and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 24.5 x 31.4 cm, on sheet 32.9 x 34.9 cm.
Publisher:
Publish'd Decr. 1st, 1801, by H. Humphrey, 27 St. James's Street
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols'sbook, 3d edit, p. 325., and On page 164 in volume 2. Sheet trimmed to: 39.1 x 50.8 cm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and 1 print : etching and engraving, on laid paper ; sheet 385 x 504 mm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State and date from Paulson., Ms. note in pencil in Steevens's hand above print: 3rd Impression., and Formerly on page 166 in volume 2. Removed in 2012 by LWL conservator.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 165 in volume 2.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image. and State from Paulson.
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Leaf 39. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Companion print to: Anglers of 1611., and On leaf 39 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Fishing, Fishing & hunting gear, Boats, Dogs, and Brass instruments
Two newly arrived Frenchmen meet on the pavement outside the door of the White Bear (Piccadilly). Their speech and appearance amuse two girls who have just passed (left), and a stable-boy and coachman (right) and the fact that a dog is urinating on the boot of the tall man on the left who is unaware of this action. They wear supposedly English dress: breeches and boots, top-hats with small high crowns, reversing the shape of the prevailing bell-shaped topper (cf. BM Satires 14438). One (right) wears a multi-caped coat (carrick, see BM Satires 12375) and carries its skirts looped over his arm; against his shoulder he holds a huge (furled) umbrella. Their words are below the title: "Gode a Morning Sare, did it rain tow Marrow?--"Yase it vas"--. Above the door is a carved polar bear. In the window (left) above a green blind appear a tureen, bottle, &c.; placards hang against the panes offering Hashed Tongue, Soup Meagre, Hotch Potch, and Mock [Turtle]. On the right of the door is the entrance to the coach-office: The Original White Bear Inn. Coach & Waggon Office--The Original Paris Coach Office. Advertisements and place-names flank the doorway: (left) Expeditio--French English Made Easy; P[aris] & Dover Dilligence & Jumbling Ease, (right) Deal, Dover, Brighton, Paris, Calis. On the right is the entrance to the inn-yard in which stands a coach. -- From the British Museum online catalogue with additional comments., Title from caption below image., Lines of dialogue below title: "Gode a morning sare, did it rain towmorrow? "Yase it vas.", Sheet trimmed within plate mark., Companion print to: Anglo-Parisian salutations, or, Practice par excellence!, Reissue of no. 14440 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 6, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 113.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
City & town life, Dogs, Umbrellas, Stores & shops, Taverns (Inns), and Urination
Title from caption below image., Lines of dialogue below title: "Commong porty wous munseer? O Oui, il est un tres belle jour"!, Sheet trimmed within plate mark., Companion print to: Anglo-Gallic salutations in London, or, Practice makes perfect., Reissue of no. 14441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 10, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 115.
Title from item., One plate printed on two sheets, each of the sheets with its own title etched below image., Printmaker and artist from first state published print 1 Jan. 1790 by Bentley & Co. as: Magentic dispensary., Date surmised from publication date of Magazine., Above left half of the joined image: Engraved for the Carlton House magazine., Reissue, with altered title, of no. 7748 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Machines for magnetic cures -- Bag-wig -- Male costume, 1790 -- Female costume, 1790 -- Pictures amplifying subject -- Animal magnetism -- Dr. Yeldell.
Publisher:
publisher not identified
Subject (Name):
De Mainauduc, John Boniot, -1797 and Loutherbourg, Philippe-Jacques de, 1740-1812
Title from text below image., Attribution to William Heath and date of publication from pencil note "Heath 1826" in lower left; also present is the note "McCleary" in lower right., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Clyster -- Animals, prevention of cruelty to.
Publisher:
publisher not identified
Subject (Topic):
Animal welfare, Veterinary medicine, Medical equipment & supplies, Goats, Donkeys, Dogs, and Cattle
Title from item., Sheet trimmed to plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: French term for pregnancy.
Publisher:
Pubd. Feby. 20th 1786 by J. Wicksteed, No. 30 Henrietta Strt. Covent Garden
In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who taxes bugs, pets, a bulbous nose and a runny nose, corns on a foot, and a man's skin. In the scene on the upper right, the tax collector penalizes a man whom he accuses of evading tax as he defecates in a bush
Alternative Title:
Taxes as they will be!!
Description:
Title etched below image., Attributed to Isaac Cruikshank by Krumbhaar., Publisher's advertisement following imprint: ... folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street ...
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, Black people, Birds, Birdcages, Cats, Defecation, Dogs, Servants, Single women, and Tax payers
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
Title from item., Publication date from the Catalogue of prints and drawings in the British Museum., Earlier state, with artist's name and title intact, and without background lines and altered border, of No. 4773 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Antiquarians -- Mythology: allusion to Boadicea (Boudicca) -- Containers: antique chamber pots -- Books., and Mounted to 49 x 37 cm.
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., and Mounted to 35 x 26 cm.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Leaf 54. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
At home and abroad ; Abroad and at home
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature. A single imprint statement is etched in lower left corner of top image., Restrike. For original issue of the plate, see nos. 10809 and 10810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 66., and On leaf 54 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi [i.e. Field & Tuer]
Two men, their feet in the stocks, are guarded by a constable holding a staff. The man on the left smokes a pipe; a dog looks up at him. The man on the right scratches his head
Description:
Title etched below image.
Publisher:
Pubd. March 1, 1794, by Willm. Holland, No. 50 Oxford St.
"Portrait of Bampfylde Moore Carew, half-length, standing, directed towards right, facing and looking towards front, with chin-length hair, wearing a tattered coat and a neckerchief, holding a little dog in his right arm, the elbow resting on a table, looking over his shoulder towards the viewer."--British Museum online catalogue
Description:
Title from caption below image., Text below image: From the original picture in the possession of Thos. Carew Esqr. of Crowcombe in Somersetshire., Date and place of publication from the British Museum online catalogue, registration no.: 1902,1011.1267., and For further information, consult library staff.
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Watermark: fleur-de-lis
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., 1 print : etching on laid paper ; plate mark 30.1 x 34 cm, on sheet 32 x 36.6 cm., and Mounted on leaf 51 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Mounted on page 69.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple ; plate mark 350 x 247 mm., and Hand-colored.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., and Watermark: J. Whatman 1822.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.8 cm, on sheet 41.8 x 25.6 cm., and Leaf 95 in volume 4.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a hill-side looking away to left, her hands joined under her apron, wearing a broad-brimmed hat over a veil, a cross and chain around her neck and a gown with a laced bodice, holding a crook in the crook of her left arm with two shaggy dogs at her heels and a view of a church spire smong trees and a castle at the foot of a hill behind to left."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 45 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.9 x 18.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 2d Feb. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 February 1773]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a hill-side looking away to left, her hands joined under her apron, wearing a broad-brimmed hat over a veil, a cross and chain around her neck and a gown with a laced bodice, holding a crook in the crook of her left arm with two shaggy dogs at her heels and a view of a church spire smong trees and a castle at the foot of a hill behind to left."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., and Mounted on page 5 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs, 2d Feb. 1773, by J. Bretherton, No. 134 New Bond Street
Title from caption below image., Imprint from impression in the British Museum., The Lewis Walpole Library impression: sheet trimmed within plate mark with loss of imprint., and Temporary local subject terms: Cits -- Tradesmen -- Cockney sportsmen -- Allusion to 'country box' -- Guns -- Parasols.
Publisher:
Publish'd June 11th, 1792, by W. Dickinson, No. 24, Old Bond Street
A young woman under an enormous heart-shaped coiffure. In the topmost section of her hair is a kitchen fireplace with meat roasting on a spit, and a monkey in a fool's cap sitting on the chimney admiring itself in a mirror. On either side of the hair are kitchen implements, poker, tongs and shovel, a mop, broom, etc., and, in the center, a large wheel of cheese infested by mice. Various vegetables are assembled around the cheese, while a dog and cat confront one another below it.
Description:
Verse in lower margin: The taste at present all may see, but none can tell what is to be. Who knows when Fashion's whims are spread, but each may wear this kitchen head. The noddle that so vastly swells, may wear a fools cap hung with bells., "Price one shill."--Lower margin., Sheet trimmed within plate mark., Sheet trimmed with loss of imprint and price. Imprint from impression in the British Museum online catalogue., and Mounted to 38 x 27 cm.
Publisher:
Pub. 13 June 1776 by W. Humphrey Gerrard Street Soho
Subject (Geographic):
England
Subject (Topic):
Women domesticss, Wigs, Hairstyles, Cooks, Cooking utensils, Fireplaces, Mops & mopsticks, Brooms & brushes, Dogs, Cats, Apes, Cheese, and Vegetables
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For possible earlier issue of the plate, published 1 March 1803, see: Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "4" in upper left corner., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Geographic):
France.
Subject (Topic):
Billiard rooms, Billiards, Dogs, Games, Men, Servants, and Pictures
Leaf 41. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For possible earlier issue of the plate, published 1 March 1803, see: Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 41 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Printmaker and publication information from a smaller version of this design published 1 Mar. 1803 by R. Ackerman. See Grego, J. Rowlandson the caricaturist, v. 2, page 42., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London : Publisher not identified, 1836?], p. 41., A copy of no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Imperfect; artist's signature erased from lower right corner of sheet., and 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 26 x 39 cm
Publisher:
publisher not identified
Subject (Topic):
Billiard rooms, Billiards, Dogs, Servants, and Pictures
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
Volume 2, page 73. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man wearing large-brimmed and feathered hat and carrying a rifle over his shoulder, his catch attached to his belt, which two of the six dogs grouped around him look at with interest at left; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "First state with etched letters, before re-publication"--British Museum online catalogue, registration no.: 1873,0712.442., Sheet trimmed to plate mark., and Mounted on page 73 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd January 5th, 1791, by Thos. Macklin, Poets Gallery, Fleet Street
Volume 1, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman sitting in a boat, waving as her dog looks longingly towards the right, a man rowing at left, land and ships on the sea behind; after Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker attribution to Charles Knight from the British Museum online catalogue, registration no.: 1906,0419.120., Sheet trimmed to plate mark., Illustration to John Gay's poem 'Sweet William's farewell to black-ey'd Susan'., Two lines of verse etched below title: Her less'ning boat, unwilling rows to land; Adieu! she cries, and wav'd her lily hand. Gay., Companion print to: Blouzelind., Temporary local subject terms: Ballads., and Mounted on page 23 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 1st, 1792, by W. Dickinson, No. 24 Old Bond Street
"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
Title from text in image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Design enclosed by a horseshoe-shaped border., Two columns of verse below image: Calm, tho not mean, couragious without rage ... Signed: W. Hamilton., and Mounted to 23 x 20 cm.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesquely ugly candidate (right) bows low, top-hat in hand, right hand pointing to his breast, before a sturdy and ragged rat-catcher, who stands facing him, scratching his forehead. The latter holds by a strap a rectangular cage of rats; across his shoulders, like a garter ribbon, is a broad band on which dead rats, or rat-skins, are extended (cf. British Museum satires No. 5099). Under his arm is a rod on which two rats are spiked, a pouch hangs from his shoulders, and he wears short gaiters. The candidate, apprehensive and deferential, says: "What my honest friend Lurcher--I have not had the pleasure of seeing you since last Election. we expect a severe contest this time, therefore "earnestly Solicit Your Vote and Interest and shall request the Honor of--Mr Lurcher's Company to Dinner at the Hog in the Pound. N.B. Dinner Ticket only .10s--6d." Close behind the candidate is his very ugly agent, holding a purse from which he is about to take a coin. Both wear spurred boots. The rat-catcher answers: "I see Your Honor bees mortal short of memory. You forget as how your Worships committed me to the County Jail for--a Month--"fro [sic] only Throwing a Sheeps Je at a Hare running a cross the Common. So your worship may if you please Call a gain to Morrow [a catch-phrase, cf. British Museum Satires No. 11207]." Two curs stand beside him. Behind is the corner of his cottage; over the door: 'Gs Lurcher Rat Catcher All sorts of Vermin destroyed'. A fat countrywoman stands on the door-step using a broom to dislodge two cats from the projection over the door. In the background (right) is a country inn with a sign on which a fat pig is depicted. A man leads two saddle-horses under the entrance to the courtyard; above is a placard: 'Neat Wines ...' In a bow-window punch-bowls and bottles are ranged."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as William Elmes in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "86" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., In lower left corner of design: Price one shilling col'oured., and Sheet trimmed within plate mark on top edge.
Publisher:
Thomas Tegg
Subject (Topic):
Cats, Dogs, Political elections, Ratcatchers, Rats, Swine, and Taverns (Inns)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesquely ugly candidate (right) bows low, top-hat in hand, right hand pointing to his breast, before a sturdy and ragged rat-catcher, who stands facing him, scratching his forehead. The latter holds by a strap a rectangular cage of rats; across his shoulders, like a garter ribbon, is a broad band on which dead rats, or rat-skins, are extended (cf. British Museum satires No. 5099). Under his arm is a rod on which two rats are spiked, a pouch hangs from his shoulders, and he wears short gaiters. The candidate, apprehensive and deferential, says: "What my honest friend Lurcher--I have not had the pleasure of seeing you since last Election. we expect a severe contest this time, therefore "earnestly Solicit Your Vote and Interest and shall request the Honor of--Mr Lurcher's Company to Dinner at the Hog in the Pound. N.B. Dinner Ticket only .10s--6d." Close behind the candidate is his very ugly agent, holding a purse from which he is about to take a coin. Both wear spurred boots. The rat-catcher answers: "I see Your Honor bees mortal short of memory. You forget as how your Worships committed me to the County Jail for--a Month--"fro [sic] only Throwing a Sheeps Je at a Hare running a cross the Common. So your worship may if you please Call a gain to Morrow [a catch-phrase, cf. British Museum Satires No. 11207]." Two curs stand beside him. Behind is the corner of his cottage; over the door: 'Gs Lurcher Rat Catcher All sorts of Vermin destroyed'. A fat countrywoman stands on the door-step using a broom to dislodge two cats from the projection over the door. In the background (right) is a country inn with a sign on which a fat pig is depicted. A man leads two saddle-horses under the entrance to the courtyard; above is a placard: 'Neat Wines ...' In a bow-window punch-bowls and bottles are ranged."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as William Elmes in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "86" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., In lower left corner of design: Price one shilling col'oured., Sheet trimmed within plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 29 in volume 2.
Publisher:
Thomas Tegg
Subject (Topic):
Cats, Dogs, Political elections, Ratcatchers, Rats, Swine, and Taverns (Inns)
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Three columns of verse below title: Did you ever hear of Captain Wattle, / He was all for love and a little for the bottle ..., Plate numbered '214' in lower left corner., Temporary local subject terms: Furniture: chairs -- Maps: wall-map of England -- Naval uniforms: officer's uniform., and Watermark: 1811.
Publisher:
Published 4th April 1798 by Laurie & Whittle, 53 Fleet Street, London
Roberts, Piercy, active 1791-1805, printmaker, publisher
Published / Created:
[September 1801]
Call Number:
801.09.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A view of the shop of P. Roberts, publisher, from the street with a crowd on the sidewalk and street looking at the display of prints in the window. An elegant figure Roberts (?) stands in the doorway with a tool of his trade (a burin?) in hand; a customer is seated inside near the window. In the crowd are men, women and children, including a Black man and a man with no legs
Description:
Title from caption etched below image., Printmaker surmised from subject matter., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note at top of sheet: No. 7.
Publisher:
Pub'd. Sepr. 1801 by P. Roberts, Middle Row, Holborn
Subject (Geographic):
England and London
Subject (Name):
Roberts, Piercy, active 1791-1805,
Subject (Topic):
Black people, City & town life, Crowds, Dogs, Merchandise displays, Prints, Stores & shops, Window displays, Printing industry, and People with disabilities
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
Title from time., Publication date based on the Gentleman's magazine's account of a chess match played by Philidor in the presence of the Turkish ambassador, February 23, 1794., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Turkish ambassador -- Clubs: Parsloe's Chess Club-- Furniture: chairs -- Furnishings: framed pictures -- Picture frames -- Male costume, ca. 1794.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Philidor, F. D. 1726-1795. (François Danican),
Subject (Topic):
Blindfolds, Chess, Clubs, Dogs, Fire screens, and Fireplaces
Charles Fox, with a blindfold signed, "East India Bill," is lead by a small dog with Lord North's face toward a building that may be a debtor's prison. In his left hand, he holds a long spiked staff topped with crown
Alternative Title:
King of the beggars
Description:
Title etched below image. and Mounted to 37 x 25 cm.
Publisher:
Pubd. 22d March 1784 by Wm. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806. and North, Frederick, Lord, 1732-1792.
Subject (Topic):
East India Company, Politics and government, Beggars, and Dogs
Title below image., Temporary local subject terms: Cupids -- Vases: amphoras -- Allusion to the myth of Artemis -- Architecture: bridges., and Watermark.
Publisher:
Publish'd July 5, 1792, by I.F. Tomkins, No. 49 New Bond Street
A large clumsy dog (left) oddly like a bear, its collar inscribed 'Towler', sits under an oak surrounded by puppies; all bark savagely at a group of animals representing France and subject countries. Napoleon is an ape, who pushes forward an ass laden with 'Swiss Cheese'; he holds a staff on which are shackles and a cap of Liberty, and turns his head to snarl. The British dog barks "Keep off Boney"; all the puppies bark "Keep off". By the aged oak, up which ivy climbs, is a scroll inscribed 'Union' [cf. BMSat 10103, &c.]. The 'Gallic Mongrel', its collar inscribed 'Snarl', retaliates: "I bark at you I bite these". 'These' are animals to whose leg or collar is attached a heavy weight inscribed 'Liberty'. They are 'Signor', an Italian greyhound, and 'Mynheer', a ringed pig or boar. A similar weight is attached to the (Swiss) ass
Description:
Title from caption below image., Printmaker from British Museum catalogue., Printseller's statement following imprint: Folios of caricatures lent out for the evening., and For further information, consult library staff.
Publisher:
Pubd. Septr. 26, 1803 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Foreign relations, History, Foreign public opinion, and Dogs
Leaf 2. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Abstract:
In outdoor setting with a lake in the background, a full length view of young lady facing right with her enormous heart-shaped coiffure topped by a hat trailing long ribbons behind. Her dress, bearing several layers of ruffles, is extended in the back by a huge bustle, forming a resting place on which reposes a small lap dog
Alternative Title:
Cork rump
Description:
Title from item., State without plate number., and Publisher's initials "MD" form a monogram.
Publisher:
Pub. Jany. 1, 1777, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Fashion, Skirts, Dogs, Hats, and Clothing & dress
Leaf 2. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Abstract:
In outdoor setting with a lake in the background, a full length view of young lady facing right with her enormous heart-shaped coiffure topped by a hat trailing long ribbons behind. Her dress, bearing several layers of ruffles, is extended in the back by a huge bustle, forming a resting place on which reposes a small lap dog
Alternative Title:
Cork rump
Description:
Title from item., State without plate number., Publisher's initials "MD" form a monogram., On leaf 2., and 1 print : etching & engraving on laid paper ; plate mark 35.3 x 25 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. Jany. 1, 1777, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Fashion, Skirts, Dogs, Hats, and Clothing & dress
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted "Miser'. In response to the request, the miser says "Give you a Christmass box. Curse you don't I pay you for your meat." On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, "Most worthy Parson give me a Christmass box." The Parson replies, "Give you a halter you rascal. What should I give you a Christmass box for." In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, "If you ever ask me for a Christmass box again, I'll physic you to death." They are standing in front of building with a lantern and sign that reads "Gargle Apothycary." The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, "Take that you saucy rascal for a Xmass box!" He replies, "What's that for. I did not want a box on the ear, not I."
Alternative Title:
Christmas boxes
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by Wm. Holland, 50 Oxford St.
Subject (Geographic):
England. and England
Subject (Topic):
Charity, Christmas, Social life and customs, Begging (Pleading), Cemeteries, Clergy, Dogs, Milestones, Muffs, and Obesity
Leaf 42. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A lady and gentleman are enjoying an equestrian promenade, too busily engaged in flirting to notice that their horses are riding over some wandering pigs. A Jew is in a chaise, taking his pleasure in the air; the fair Jewess, his wife, is driving, the rest of their family are by their side. A stout elderly volunteer in his uniform is out for exercise and relaxation, mounted on a heavy horse from the cart, ridden with blinkers."--Grego
Description:
Title etched below image., Restrike. For original issue of the plate, published ca. 1799, see: Grego, J. Rowlandson the caricaturist, v. 1, page 372., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 42 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Jews, Horseback riding, Carriages & coaches, Swine, Dogs, and Military uniforms
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching, hand-colored ; sheet 21.0 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., and Date '1785' in lower right corner of image.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A wooded scene in the immediate suburbs of London, with St. Paul's in the background. Two 'cits' with guns prepare to fire, since their dog points at a bush, behind which, concealed from the sportsmen, squats a man excreting (left). A man holding a powder-flask watches with amusement from the top of a gate (right). Another dog sits in the foreground (right). Beneath the title is engraved: 'Against the Wind he takes his prudent way, While the strong Gale directs him to the prey; Now the warm scent assures the covey near, He treads with caution & he points with fear. Gay. -------------------------clausisque expectat ocellis; θυμπον---------------------------------------------'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs Septr. 1st, 1785, by J. Jones, No. 63 Great Portland Street, Marylebone
Five men accompanied by two dogs leisurly sit around a small table in a tavern smoking long-stemmed tobacco pipes and drinking while one of their number squeezes juice and pulp from a fruit into a large punch bowl resting on the table
Description:
Title and artist's signature inscribed in the artist's hand below image. and Sheet trimmed to oval shape.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 18.6 x 26.5 cm., and Printed on wove paper; hand-colored.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 19.3 x 26.5 cm., and Printed in raw sienna ink on wove paper.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Plate numbered '298' in lower right corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of caption below title: Bless me how we are tossed about, I never saw such rough weather in my life; I hope the boat will not upset; Pray ferry-man has there been many people lost in crossing here? "Lost, did you say! No I never knew of any one to be lost there's my brother he was drowned here last week, but we found him next day., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd May 12, 1803 by Laurie & Whittle, 53 Fleet Street, London
"A fat man (left) seated in an arm-chair, his swathed left leg supported on a stool, his crutches and an open 'Treatise on Gout' beside him. A meretricious-looking young woman bends over him, putting her right hand on his right shoulder and holding his left hand. A young woman of disreputable appearance pours out wine for him. A footman in livery (right) is about to put a large tureen on a dinner-table (right). A fat man is seen through an open door. A dog and cat lie together in the foreground. Behind the man's chair are the curtains of a bed. Probably one of the establishments in King's Place, cf. British Museum Satires No. 6764, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Prostitution.
Publisher:
Publish'd Novr. 30th - 1785 - by J.R. Smith, No. 83 - Oxford Street
Subject (Topic):
Gout, Prostitutes, Servants, Wine, Crutches, Dogs, and Cats
"Gouty persons falling down or toiling up a steep, rough hill below the Crescent."--British Museum online catalogue
Description:
Title etched below image., Twelfth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Accidents, Hills, Falling, Crutches, Dogs, and Carriages & coaches
Seven monkeys in men's clothing -- gentlemen's frock, a jocky outfit, a coachman -- race in a carriage pulled by dogs as they celebrate with glasses of wine
Description:
Title from caption below image., Place and date of publication from unverified data in local card catalog record., and Mounted to 29 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Carriages & coaches, Dogs, Eating & drinking, and Monkeys
"Six English sitting round a table in the open air playing assorted instruments, a flute, harp, violin, cello and guitar, while the sixth sings."--British Museum online catalogue
Description:
Title etched below image., Print was attributed to Louis Félix Legendre in the British Museum catalogue., Date from British Museum online catalogue., and Partial watermark along top edge.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 45 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.9 x 18.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., and Mounted on page 7 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
