Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 April 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 43. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a mountain-top, looking away to left, her hands tucked under her apron, wearing a gown with a laced bodice, fichu and a soft hat, with a shaggy dog beside her to right and a little boy chasing a butterfly in front of her, with a church at the foot of mountains in the background to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 43 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.4 x 17.4 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs April 30th, 1772, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 April 1772]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 43. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a mountain-top, looking away to left, her hands tucked under her apron, wearing a gown with a laced bodice, fichu and a soft hat, with a shaggy dog beside her to right and a little boy chasing a butterfly in front of her, with a church at the foot of mountains in the background to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., and Mounted on page 5 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs April 30th, 1772, by J. Bretherton, No. 134 New Bond Street
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum catalogue, description of a variant state with different title
Alternative Title:
Cooks, scullions, hear me every mother's son and Fierce as staring Ajax from his seat
Description:
Title etched below image., Printmaker and date of publication from Grego., Variant state, with different title, of a plate issued with the title: Fierce as staring Ajax from his seat, uprose with visage stern the king of meat. Cf. No. 7187 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Literary quotation -- Peter Pindar's The Lousiad.
Print shows a man and a boy chasing a pig in the yard of a country alehouse. In the background, another man pauses to remove his hat and wipe his brow, while a fourth has evidently tripped and lies sprawling on the ground. A dog barks at the commotion
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "31" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 19 x 25.2 cm., and Printed in vermillion ink on laid paper.
Print shows a man and a boy chasing a pig in the yard of a country alehouse. In the background, another man pauses to remove his hat and wipe his brow, while a fourth has evidently tripped and lies sprawling on the ground. A dog barks at the commotion
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "31" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A lady in quasi-military dress rides a sorry horse on the road to Rumsford [Coxheath]. She is followed by her husband who is dressed as a militia officer for auxilliary forces which were frequently encamped on Cox Heath. A dog trots panting at the side of the group
Description:
Title from text inscribed in contemporary hand on verso., Date based on publication date of James Bretherton's etching after this drawing., The signpost depicted in the drawing reads 'Rumford' while the Bretherton etching changes the text to 'Coxheath', and For further information, consult library staff.
Subject (Geographic):
England and England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, Militias, and Dogs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., Mounted on page 93 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 23.3 x 31.1 cm.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Bunbury 779.07.03.02+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., and Mounted on modern secondary support.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate numbered "317" in upper right corner., and Watermark: Edmeads & Co.
Publisher:
Pubd. March 1, 1814 by Tho. Tegg No. 111 Cheapside
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1777]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 109. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue
Description:
Title etched below image., Intermediate state of the plate, after additional drypoint shading added but before title changed. For an earlier state with less drypoint shading, see no. 4730 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. For a later state with the title "Damn Mambrino", see no. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date of publication from a brief mention of the print on page 278 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark., Temporary local subject terms: Gout -- Horse racing -- Horses: Becephalus., and Mounted on page 109 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1777]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 109. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue
Description:
Title etched below image., Earliest state of the plate, before additional drypoint shading added and before title changed. For a later state with the title "Damn Mambrino", see no. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date of publication from a brief mention of the print on page 278 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Gout -- Horse racing -- Horses: Becephalus., and Mounted on page 109 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with imprint statement added, of a print originally published circa 1779. Cf. No. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: Edmeads & Pine.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
Leaf 71. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 71 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Barbers, Barbershops, Mirrors, Shaving, Shaving equipment, and Dogs
Nine small scenes, arranged in three rows, showing people and animals engaged in various activities
Description:
Titles etched below images., Publication date based on date assigned by Isaac to other Davison prints., Sheet trimmed within plate mark on top edge., Plate numbered "44" in upper right corner., and Not in: Isaac, P. Some Alnwick caricatures.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Astronomers, Criminals, Dogs, Farmers, Folk singers, Singers, Swine, and Trained animals
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "324" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 24 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "324" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1818.
Title from item., Date supplied by curator., Place of publication derived from publisher's known location., Above image: Revers des médailles. No.2., In image lower left: 256 [reversed]., Originally published in Le Charivari 5 April 1840., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. d'Aubert & Cie
Subject (Topic):
Diet, Obesity, Hyperphagia, Boys, Dogs, and Pasta products
Title etched below image., Date supplied by curator., Place of publication derived from language of text., In margin upper right: No. VIII., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title from item., Date derived from informaton about publisher., In margin top right: 7., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
in Verlag bey Jean Morino L.Co. Konigl: Acad: Kunsthändler in Berlin
Subject (Topic):
Astrology, Unplanned pregnancy, Pregnant women, Cats, Dogs, and Astrologers
Title from item., Date supplied by curator., Original work created 1837., Role of Artist Anst. v. Reiffenstein & Rösch is unclear., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
bei L.T. Newmann
Subject (Topic):
Ophthalmology, Blindness, Ophthalmologists, Healing, Families, Physicians, Dogs, and Medicines
Title in lower margin center., Place of publication derived from printmaker's place of residence., Date of publication derived from printmaker's date of death., Above image at left: Belvedere., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
publisher not identified
Subject (Topic):
Pulse, Urine, Analysis, Lovesickness, Physicians, Women, Sick persons, and Dogs
Title in lower margin center., Place of publication derived from printmaker's place of residence., Date of publication derived from printmaker's date of death., Above image at left: Pinakothek., Dou's painting dated 1652., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Child care, Medicine shows, Patent medicines, Spectators, Children, Mothers, Dogs, Hunters, and Wheelbarrows
Feckert, Gustav Heinrich Gottlob, 1820-1899, printmaker
Published / Created:
[not after 1899]
Call Number:
Print10130
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's date of death., Publisher information supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
L. Baumann & Co.
Subject (Topic):
Medicine, Rural, Country life, Farmers, Medicines, Umbrellas, Dogs, and Taverns (Inns).
"Diogenes as an elderly man, walking with a stick and a gourd at his waist-band, to right, holding out a lantern, with a dog going ahead of him; trees behind to left, a small building with steps leading to the door, across a fence in fields to right."--British Museum online catalogue
Description:
Title etched below image., Numbered '125' in lower right corner of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Allusion to Greek philosopher.
Publisher:
Printed for R. Sayer, Printseller, No. 53 Fleet Street as [the] act directs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his Ieft hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (right) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (left). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue
Alternative Title:
Directions to footman
Description:
Title etched below image., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., Printmaker from British Museum catalogue., Reissue, with date burnished from plate. For the original issue with date "10th Novr. 1807" at end of imprint, see no. 10918 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling cold.", Plate numbered '273' in upper right corner., and Watermark: Charles Wise.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Topic):
Dinners and dining, Accidents, Eating & drinking, Servants, Women domestics, Birdcages, Cats, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his Ieft hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (right) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (left). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue
Alternative Title:
Directions to footman
Description:
Title etched below image., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., Printmaker from British Museum catalogue., Reissue, with date burnished from plate. For the original issue with date "10th Novr. 1807" at end of imprint, see no. 10918 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling cold.", Plate numbered '273' in upper right corner., 1 print : etching with stipple, hand-colored ; sheet 333 x 223 mm., and Sheet trimmed within platemark.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Topic):
Dinners and dining, Accidents, Eating & drinking, Servants, Women domestics, Birdcages, Cats, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his Ieft hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (right) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (left). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue
Alternative Title:
Directions to footman
Description:
Title etched below image., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., Printmaker from British Museum catalogue., Reissue, with date burnished from plate. For the original issue with date "10th Novr. 1807" at end of imprint, see no. 10918 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling cold.", Plate numbered '273' in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.8 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 90 in volume 4.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Topic):
Dinners and dining, Accidents, Eating & drinking, Servants, Women domestics, Birdcages, Cats, and Dogs
A comic nighttime scene: a man in his night cap stands in the entrance of his front doorway holding a blunderbuss under his arm and a lit candlestick in his hand. He and his dog both show alarm at the sight of a horse tied to the knocker on the door. In the background (left), around the corner of the house the moonlight reveals two young men who watch in amusement, one laughing behind his hand. On the ground are clam shells. A lantern above the door provides further light on the subject
Alternative Title:
Disturbed by the nightmare
Description:
Title engraved below image., Engraved after a painting exhibited at the Royal Academy in 1828; see Oxford Dictionary of national biography, entry for Theodore Lane., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by J. Bulcock, 163 Strand, July 1, 1828, & at Paris by H. Rittner, Boulevard Montmartre
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint ; sheet 32.2 x 25.6 cm., Printed on wove paper; hand-colored. Sheet trimmed within plate mark., and Mounted to 44 x 35 cm.
Publisher:
Pub. Feb. 20, 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Bricklayers, Charity, Chimney sweeps, City & town life, Dogs, Donkeys, Street vendors, and Women domestics
Engraved titlepage with vignette from: The poetical works of Robert Dodsley [Cooke's edition] London : Printed for C. Cooke, and sold by all the booksellers in Great-Britain and Ireland, [1797]. and Temporary local subject terms: Milkmaids -- Young men.
"A dog facing a cat that stands over a dead bird with a dead deer on the bench beside them, after Jervas. Plate 38 of Vol.1 of the 'Houghton Gallery'."--British Museum online catalogue
Description:
Title from text below image., Text below title: Size of the picture, 3 f. 1 1/2 i. by 4 f. 1 1/2 i. in length., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate XXXVIII from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 1., and Mounted to 30 x 31 cm.
Publisher:
Published March 2d, 1778, by John Boydell, engraver in Cheapside
Dogs dressed in gentleman's coats and breeches meet around a table covered in papers. They address a dog in a police uniform who stands at attention to receive instructions. The figure at the head of the table address him, "And d'ye hear! destroy every Dog you find not Muzzled."
Alternative Title:
Dogmatism
Description:
Title etched below image., Date completed with "28" written in ink., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pub. by S. Gans, Southampton St., Strand
Subject (Geographic):
England and London.
Subject (Topic):
Animal control, Animals in human situations, and Dogs
"Two dogs facing a cat that has stolen a dead bird off the table, after Jervas. Plate 37 of the 'Houghton Gallery'."--British Museum online catalogue
Description:
Title from text below image., Text below title: Size of the picture, 3 f. 1 1/2 i. by 4 f. 1 1/4 i. in length., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate XXXVII from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 1., and Mounted to 30 x 31 cm.
Publisher:
Published March 2d, 1778, by John Boydell, engraver in Cheapside
A full-length view of a dog-meat peddlar cutting up dog food for a dog eagerly jumping up along the peddler's cart
Description:
Title etched below image., Printmaker and imprint from title page of book in which this plate was published., Sheet trimmed within plate mark., and Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820.
Publisher:
Samuel Leigh
Subject (Topic):
Carts & wagons, Dogs, Pet food industry, and Occupations
Title from item., Date supplied by curator., Place of publication based on street addresses of publishers., Sheet trimmed., Below image: Vide Pastor fido Act 4 Scene 9., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Theater and Medicine.
Depicts a furious man (William Austin) on a sidewalk, shouting "Damn your foollish [sic] caricatures" as he attacks the windows of Matthias Darly's London printshop with his walking-stick. On his left arm he carries a portfolio as a shield (emblazoned with a broken anchor). From it fall papers and drawings, including a prescription (suggestive of madness) from Dr. Monrow (i.e. John Monro, physician of Bethlehem Hospital). One print in the shop window echoes the present image, while Austin's "Proposals for opening a museum of drawings" is trodden underfoot by a dog in the foreground
Description:
Title etched below text., Text beneath image: "Be it known to all men that I -- upon just cause before God and men do declare & pronounce war with and against all and every printshop and printseller within and without the city of London....", Text on shield is a quote from John Gay's My own epitaph: Life's a jest and all things show it. I thought it once, but now I know it., At bottom of plate: B--b--y., Attributed to Francesco Bartolozzi. See British Museum catalogue., and Cropped within plate mark. Numbered in ink by an unidentified hand: 46.
Publisher:
Published as the act directs by Danl. Demoniae
Subject (Geographic):
England and London.
Subject (Name):
Austin, William, 1721-1820., Darly, Matthias., and Monro, John, 1715-1791.
Subject (Topic):
Mental illness, Shields, Dogs, Coats of arms, Prints, Stores & shops, and Window displays
Plate [71] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Titlepage for Chapter XXII; Edward IV standing, holding a bow in one hand, taking Lady Gray's hand in the other as she kneels to left, holding a child on her lap, with a boy holding two greyhounds behind to right; a descriptive plaque below."--British Museum online catalogue
Alternative Title:
Edward the Fourth declaring his attachment to Lady Elizabeth Gray
Description:
Title from text above image., Sheet trimmed within plate mark., and Plate [71] in a volume bound to 50 cm.
Publisher:
Published as the act directs by R. Bowyer, Historic Gallery
Subject (Name):
Edward IV, King of England, 1442-1483, and Elizabeth, Queen, consort of Edward IV, King of England, 1437?-1492,
Meulen, R. van der, active approximately 1830, printmaker
Published / Created:
[ca. 1830]
Call Number:
Print10122
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's date of activity., Place of publication derived from publisher's known location., In margin top: Koninklijk Museum van s'Gravenhage., In margin bottom center: Déposé., See also Print10001., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Physician's visit; Vapours.
Publisher:
Steend. Desguerrois en Co.
Subject (Topic):
Physician and patient, Lovesickness, Physicians, Servants, Eating & drinking, Sick persons, Chamber pots, Dogs, and Pitchers
A view of the interior of a busy English barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (left); beside her, one soldier brushes his britches while another adjusts his helmet. A second woman (center) carries a child on her back as she hands a drink to a soldier who sits on a bunk; a basket of rolls (?) hangs from her arm. A third woman (left) stands at a washing tub wringing out clothes as she looks up approvingly at a young boy dressed as a soldier; beside her a handsome, well-dressed solder holds a baby who smiles at the scene
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: French barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Great Britain. Army
Subject (Topic):
Barracks and quarters, Arms & armament, Barracks, British, Breast feeding, Children, Dogs, Grooming, Laundry, Soldiers, English, and Women
Leaf 67. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For original issue of the plate, published ca. 1807, see: Grego, J. Rowlandson the caricaturist, v. 2, page 78., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 4185 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On leaf 67 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Bunbury 782.02.23.01+ Impression 1
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., and Watermark: L.V.G.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., Mounted on page 12 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching with drypoint on laid paper, partly hand-colored ; sheet 32.8 x 41.6 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
A Methodist preacher preaching to an open-air congregation with a cloth in one hand, two women preparing to steal a pair of shoes in the midst of the crowd, various people looking on including an apple seller with a cart, a ballad seller with a baby on her back, two Jews, fashionable ladies and gentlemen, a man getting his pocket picked, dogs, and a group of boys with a figure formed of a chimney brush. In the distance, people walk on the field, a figure flying a kite behind, rows of houses in the background; an inn with a sign with a fox to the right and the Palladian facade of St. Luke's Hospital beyond
Description:
Title engraved below image., Probably dates from 1765, the year in which Griffiths exhibited 'Enthusiam Displayed in the character of a Methodist preacher and his congregation in Moorfields' at the Free Society; see British Museum online catalogue, registration no.: 1871,0812.1600., and Matted to 51 x 61 cm.
Publisher:
Published according to act of Parliament, & sold by the proprietor John Griffiths, Chief Porter of the Middle Temple, opposite the General Post Office, Middle Temple Lane, & the print shops &c.
Subject (Name):
St. Luke's Hospital (London, England),
Subject (Topic):
Preaching, Audiences, Carts & wagons, Dogs, Kites (Toys), Pickpockets, Street vendors, and Taverns (Inns)
"Satire on a Cambridge student: a young man on horseback with a macaroni queue holding out a driving whip as if it is a lance and galloping to right; the horse is defecating; a hound runs beside them; in the distance on the right King's College Chapel."--British Museum online catalogue
Description:
Title from text below image., Printmaker and date of publication from description of an earlier state in the British Museum catalogue., Early state, before additional shading of the figures and more ground detail added in drypoint. For a later state before these additions to the plate, see no. 4724 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark., and Mounted on page 115 of: Bunbury album.
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge student: a young man on horseback with a macaroni queue holding out a driving whip as if it is a lance and galloping to right; the horse is defecating; a hound runs beside them; in the distance on the right King's College Chapel."--British Museum online catalogue
Description:
Title from text below image., Printmaker and date of publication from the British Museum catalogue., and For an earlier state before drypoint additions to the plate, see Lewis Walpole Library call no.: 75 B87 770.
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge student: a young man on horseback with a macaroni queue holding out a driving whip as if it is a lance and galloping to right; the horse is defecating; a hound runs beside them; in the distance on the right King's College Chapel."--British Museum online catalogue
Description:
Title from text below image., Printmaker and date of publication from the British Museum catalogue., For an earlier state before drypoint additions to the plate, see Lewis Walpole Library call no.: 75 B87 770., Mounted on page 3 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : drypoint on laid paper ; sheet 10.2 x 16.5 cm., Sheet trimmed to plate mark., and Annotation by Horace Walpole in ink in lower left corner of sheet: H.W.B. f.
Copy of the third print in the Hogarth's series "Four Times of the Day. A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window two of whom are smoking pipes; and a grape vine is climbing up towards the roof
Alternative Title:
Soireé and Soreé
Description:
Title engraved below image., Date from Paulson: "Publish'd 23d June 1740.", Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 379 x 279 mm.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.8 x 40.3 cm, on sheet 59 x 46 cm., and Plate 24 in the album: Queen Charlotte's collection of Hogarth works.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper, hand colored ; plate mark 488 x 404 mm, on sheet 522 x 422 mm., and Stain in upper right corner; smaller stain in lower right corner.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., and Found loose in Heath volume.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image. and "Price 5 shillings"--Following printmaker's name.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.9 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 24 in: Album of William Hogarth prints.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., and The print has been touched in red ink by Hogarth(?).
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., This impression, face and chest of woman is printed in reddish ink; the man's hands printed in blue., and On page 92 in volume 1. Sheet 488 x 393 mm.
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., Partial watermark top center of sheet., and Mounted to 28 x 38 cm.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
"A monk walks through a ford leading a dog with a crown on its head: 'Father Peters' leading George III to Rome. The monk says "He cocks his Tail yet". He is going towards a wayside cross (right), above which are rocks, on which is seated the Pope, holding out a cross towards the travellers and saying "Hold out my Sons to the End & I'll give you a Crown of Glory". Behind him is a dome surmounted by a cross indicating St. Peter's. On the other side of the pool (left) there are also rocks, on them stands a sheep (?) and in the distance, by the sea-shore, are two small churches of rural appearance; off the shore are three dismantled ships with brooms at their mast-heads to show that they are for sale, the scene being inscribed "Little Britain."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum online catalogue., and Sheet trimmed to plate line.
Publisher:
Pub. by M Darly No. 159 Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820., Pius VI, Pope, 1717-1799., and Petre, Robert Edward Petre, Baron, 1742-1801.
"A satire on Drury Lane Theatre. The Board consists of three men at a table, almost covered by four large dishes, each containing an article of food with a portrait head. On the farther side sits Sheridan, ladling guineas towards his grinning and avid mouth. Facing him is Tom Sheridan, identified by a pamphlet, 'Caractacus', in his coat-pocket, and, opposite him, the President of the Board, .... These two turn towards the foremost of a number of hungry dogs with human heads; the latter beckons to him, while Tom feeds him with a cheque or note of 100£. Another dog, its collar inscribed 'John Bull' [1803], showing that he is Colman, turns away, but looks distrustfully over his shoulder at the pair. There are six others. T. Sheridan draws furtively from the pocket in the tail of his coat a purse, for which a (normal) dog begs, seated on an open book, 'The World' [first played at Drury Lane 31 Mar. 1808], showing that he is James Kenney. Beside the book are scattered papers inscribed 'Rejected Plays &c.', at which two dogs with human heads sniff and paw. One has a collar inscribed 'Carlo' [from 'The Caravan', see No. 10172, &c.], and is probably F. Reynolds. A man, resembling Wroughton in No. 11079, approaches the table, a napkin under his arm, carrying a large tureen inscribed 'Water Grue and containing plays: 'World!' [Kenney], 'Siege of St Quintin' [by T. Hook, first played Drury Lane 10 Nov. 1808], 'Travellers' [by Andrew Cherry, music by Corri, first played Drury Lane, 14 Jan. 1806], 'Venoni' ['or, The Novice of St. Mark's'] (by M. G. Lewis, first played Drury Lane, 1 Dec. 1808). The dishes on the table are 'Toad in a Hole, Turtle, Calfs Head Surprse [sic]', and 'Barbicued Pig'. Under the table (right) is a pile of papers, or books in shadow at which mice or rats are nibbling. These are the neglected classics, and are inscribed 'Jonson', 'Shakesp . . .', 'Beaumont and Fletch . . .' The room is panelled."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as De Wilde in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Satirist., and Mounted to 27 x 41 cm.
Publisher:
Published for the Satirist Feby. 1st, 1809, by S. Tipper, 37 Leadenhall Street
Subject (Name):
Theatre Royal, Drury Lane (London, England), Arnold, Samuel James, 1774-1852, Colman, George, 1762-1836, Cherry, A. 1762-1812 (Andrew),, Dimond, William, active 1780-1837, Hook, Theodore Edward, 1788-1841, Kenney, James, 1780-1849, Lewis, Matthew Gregory, 1775-1818, Reynolds, Frederick, 1764-1841, Sheridan, Richard Brinsley, 1751-1816, Sheridan, Thomas, 1775-1817, and Wroughton, Richard, 1748-1822
Subject (Topic):
Dogs, Dramatists, Eating & drinking, Interiors, and Taverns (Inns)
Title from item., In margin lower left: A.C. 360 English 5000., Date derived from Glasgow Printing Co. history., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Issued by the Directorate of Health Services, Government of India. Published by the Advertising Branch, Ministry of I. & B., Government of India and Printed by Glasgow Printing Co. Ltd., Howrah
Subject (Topic):
Public health, Flies as carriers of disease, Sanitation, Rural, Villages, Cows, Dogs, Wells, and Flies
Title from text printed in letterpress below image., Two columns of verse in letterpress below title: The first of September, at five in the morn, The weather quite cloudy, the prospect forlorn..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Watermark.
published according to act of Parliament, Feb. 1, 1751 [that is, between 1790 and 1835]
Call Number:
Print20072
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State from Paulson., Second state, with price mostly burnished from plate. This state of the plate was first issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and Temporary local Medical Library subject terms: Prevention of cruelty to animals.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.5 x 32.1 cm, on sheet 59 x 46 cm., and Plate 76 in the album: Queen Charlotte's collection of Hogarth works.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.6 x 32.1 cm, on sheet 56 x 45 cm., and Leaf 52 in: Album of William Hogarth prints.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 53K(a) Box 215
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and Sheet trimmed to 382 x 313 mm.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.03.1+ Box 200
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", This impression stamped '6d' following price '1s'., and 1 print : etching & engraving on laid paper ; plate mark 380 x 320 mm, on sheet 470 x 384 mm.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 69++ Box 315
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., and Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight."
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and On page 155 in volume 2. Sheet trimmed within plate mark to: 37.6 x 30.8 cm.
BEIN 1985 177: Dust jacket., BEIN Iq W883 933F: Dust jacket., BEIN 1974 1548: Dust jacket. Bookplate of Linda Lee Thomas Porter., BEIN Shirley 3710: Dust jacket., "Large Paper Edition"--Dust jacket., "With four original drawings by Vanessa Bell ..."--Dust jacket., "First published, October, 1933."--p. [4], and "Authorities": p. 151.
Design occupying top third of plate shows Bute driving a cart labelled G.R. III, having just crossed the Rubicon, laden with National Debt, Pensioners, etc., drawn by ministerial donkeys including ones labelled North, Germaine, Sandwich, and Weymouth. The donkeys are assailed by opposition dogs Burke, Wilkes, Fox etc. In the upper left an overloaded boat depicts the "Commissioners setting off for America." Smaller insets beneath the main image refer to the balance of power and antiministerial demonstrations. Two columns of dialect verse beneath image, follow the title "A new gallant shew or the ministry's cabinet & minority's closet broke open" signed at bottom by Doodle Doodle Doo. A criticism of both governmental ministry and the opposition
Alternative Title:
View of the political state of the nation
Description:
Title from item., Imperfect; cropped with loss of imprint and last 2 lines of verse., Date of publication from English political caricature., Publisher from impression in John Carter Brown Library., "Price 1 shilg.", and Mounted to 33 x 35 cm.
Publisher:
Publish'd as the act directs May 11, 1778 at Darly's, Strand
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., North, Frederick, Lord, 1732-1792., Sandwich, John Montagu, Earl of, 1718-1792., Sackville, George Germain, Viscount, 1716-1785., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., Franklin, Benjamin, 1706-1790., Hancock, John, 1737-1793., and Adams, John, 1735-1826.
Subject (Topic):
Politics and government, History, Colonies, Donkeys, Carts & wagons, Dogs, Seesaws, and Coats of arms
Title etched below image., Signed "M." in the lower right corner of design., Publication date partly trimmed; verified in British Museum catalogue., Sheet trimmed within plate mark., Watermark in center of sheet., and Mounted to 26 x 35 cm.
Publisher:
Pub. as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Wray, Cecil, Sir, 1734-1805, Hood, Samuel Hood, Viscount, 1724-1816, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Butchers, Butcher shops, Dance, Dogs, Musicians, and Political elections
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
In a fashionable parlor, two well-dressed couples entertain each other. On the right a gentleman plays the violin as his companion sings; she holds sheet music in her hand as she faces the fireplace, her back to the viewer. The violinist stands on a sheet of paper on which is written "The downfall of Paris." Above the fireplace, over a mantel with piles of books, including a volume with Code Napoleon written on its spine, is a portrait of "Napoleon le-Grand" and on either side, landscape views of Elba and St. Helena. On the left an effeminate soldier with a medal that reads "Jena" (a reference to the 1806 victory?) offers a young lady plates of fruit and cookies. The side table beside them is laiddened with fruit, flowers, liquor, and cookies. A fluffy, white dog barks at her feet. Pairs of Cupids with arrows and with laurel wreaths decorate the wallpaper
Alternative Title:
French fireside
Description:
Title engraved below image., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript "8" in upper center of plate.
Publisher:
Publish'd by J. Le Petit, 20 Capel St., Dublin
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Couples, Dogs, Fireplaces, Floor coverings, Mantels, Parlors, Singing, and Violins
"The artist (left), a partly draped figure with small horns among his loosely curling hair, points with both hands to a picture on an easel (right), turning his head towards the spectator. In front of him (left) is a table on which are his painting-materials: a sheaf of brushes in a pot, palette, charcoal-holder. On a large canvas a man with the head of a wolf stands wearing a sheepskin with the head on his head and shoulders. In his right hand is a firebrand, the left supports the long staff of a flag inscribed 'Watch Word Peace'. Above it hovers a dove with an olive branch. At his feet stands a snarling wolf, also in sheep's clothing. A mastiff standing beside the artist barks at the (painted) wolf. Against the easel rests a large volume: 'Outlines \ of the \ Opposition \ in 1795 \ collected from the Works \ of the most capital Jacobin Artists \ " They speak Peace to their \ Neighbours, but Mischief is in their hearts, they devise deceiful \ Things against them that are quiet \ in the Land " Psalms'."--British Museum online catalogue, description of a variant state
Alternative Title:
Outlines of the Opposition in 1795 collected from the works of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "1" etched in upper left corner, see no. 8636 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Peace with France., and Mounted to 42 x 34 cm.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Dogs, Books, Artists' materials, and Politics and government
"The artist (left), a partly draped figure with small horns among his loosely curling hair, points with both hands to a picture on an easel (right), turning his head towards the spectator. In front of him (left) is a table on which are his painting-materials: a sheaf of brushes in a pot, palette, charcoal-holder. On a large canvas a man with the head of a wolf stands wearing a sheepskin with the head on his head and shoulders. In his right hand is a firebrand, the left supports the long staff of a flag inscribed 'Watch Word Peace'. Above it hovers a dove with an olive branch. At his feet stands a snarling wolf, also in sheep's clothing. A mastiff standing beside the artist barks at the (painted) wolf. Against the easel rests a large volume: 'Outlines \ of the \ Opposition \ in 1795 \ collected from the Works \ of the most capital Jacobin Artists \ " They speak Peace to their \ Neighbours, but Mischief is in their hearts, they devise deceiful \ Things against them that are quiet \ in the Land " Psalms'."--British Museum online catalogue, description of a variant state
Alternative Title:
Outlines of the Opposition in 1795 collected from the works of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "1" etched in upper left corner, see no. 8636 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Peace with France., and Mounted on page 84.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Dogs, Books, Artists' materials, and Politics and government
"The artist (left), a partly draped figure with small horns among his loosely curling hair, points with both hands to a picture on an easel (right), turning his head towards the spectator. In front of him (left) is a table on which are his painting-materials: a sheaf of brushes in a pot, palette, charcoal-holder. On a large canvas a man with the head of a wolf stands wearing a sheepskin with the head on his head and shoulders. In his right hand is a firebrand, the left supports the long staff of a flag inscribed 'Watch Word Peace'. Above it hovers a dove with an olive branch. At his feet stands a snarling wolf, also in sheep's clothing. A mastiff standing beside the artist barks at the (painted) wolf. Against the easel rests a large volume: 'Outlines \ of the \ Opposition \ in 1795 \ collected from the Works \ of the most capital Jacobin Artists \ " They speak Peace to their \ Neighbours, but Mischief is in their hearts, they devise deceiful \ Things against them that are quiet \ in the Land " Psalms'."--British Museum online catalogue, description of a variant state
Alternative Title:
Outlines of the Opposition in 1795 collected from the works of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "1" etched in upper left corner, see no. 8636 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Peace with France., 1 print : etching on wove paper ; plate mark 30.4 x 23.8 cm, on sheet 33.2 x 26.4 cm., Mounted on leaf 65 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilberforce, William, 1759-1833 and Fox, Charles James, 1749-1806
Subject (Topic):
Dogs, Books, Artists' materials, and Politics and government
A copy of a print (British Museum satires no. 12392) published by Humphrey in 6 March 1814. The players are the same, but one (right) has become gouty and sits in a winged arm-chair. The spectators are altered, but are perhaps intended to be the same persons, transformed by dress and pose. One (right) is a dandy who leans against the chimney-piece warming his coat-tails, and watching with a contemptuous smile. There is a picture of skittle-players, as in no. 12392; in place of the horse (left) a left-handed cricketer is depicted
Description:
Title from caption below image.
Publisher:
Pubd. August 1st, 1819 by G. Humphrey, 27 St. James's Street
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print., and Manuscript "Aug 1835" added after imprint.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Floor coverings, Hand lenses, and Pictures
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair, the one on the right with a quizzing glass. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", and See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Hand lenses, and Pictures
A conversation piece: John Rich and his family relaxing in the gardens at Cowley; three men on the right stand admiring a painting; two women on the left sit by the table in conversation, behind John Rich who reclines on pillows on grass, an open book to his left and large pitcher in front of him; after Hogarth; illustration to Nichols' and Steevens' 'The Genuine Works of William Hogarth' (1810).
Description:
Title etched below image., Text following title: From an original painting in the possession of Abrm. Langford Esqr., Plate from: Nichols, J. The genuine works of William Hogarth., and Found in Filbrigg, p. 235 (iii).
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two men converse in an interior next to a fireplace. The figure at right rises and points to a portrait over the fireplace, a dog looking up to follow the gesture. The other figure, seated, holds a glass of wine. A grinning classical bust on the bookcase, lettered "Aristhoph..."."--Metropolitan Museum of Art online catalog
Description:
Title etched below image., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1816., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Frontispiece to part 20 of: The Wits magazine, and Attic miscellany. London : Printed for Thomas Tegg, [1818], Five lines of text below title: Foote, who had a sovereign contempt for his wife, said to Murphy, You may learn geography from her face ..., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Fireplaces, Portrait paintings, Dogs, Drinking vessels, Sculpture, and Bookcases
"Portrait; long half length, seated at round table, turned to the left, but looking at viewer; one arm around dog on table, another dog's head in his lap; his left hand at chest, under coat."--British Museum online catalogue
Description:
Title engraved below image., George Steevens (10 May 1736-22 January 1800), English Shakespearean commentator., and Pasted on inside back cover of volume 1.
Publisher:
Published Sep. 1 1800 by S. Harding, No. 127 Pall Mall
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., and Sheet trimmed within plate mark.
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., Sheet trimmed within plate mark., 1 print : etching and engraving with stipple on laid paper ; sheet 22 x 25 cm., and Sheet trimmed within plate mark on top and bottom edges.
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., Caption below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away. Virtue and truth, driv'n to despair, it's rage compells to fly, but cherishes, with hellish care, theft, murder, perjury. Damn'd cup! that on the vitals preys, that liquid fire contains which madness to the heart conveys, and rolls it thro' the veins., Companion print: Beer Street., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3136., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 186.
Publisher:
Published by G.G. & J. Robinson Paternoster Row
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., Companion print: Beer Street., 1 print : etching and engraving on laid paper ; plate mark 38.8 x 32.1 cm, on sheet 59 x 46 cm., and Plate 75 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., Companion print: Beer Street., Sheet trimmed within plate mark to: 38.3 x 31.4 cm., and On page 154 in volume 2. Removed in 2012 by LWL Curator.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., Companion print: Beer Street., 1 print : etching and engraving on laid paper ; plate mark 39 x 32.3 cm, on sheet 56 x 45 cm., and Leaf 50 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., Companion print: Beer Street., 1 print : etching and engraving on laid paper ; plate mark 38.8 x 32.1 cm, on sheet 59 x 46 cm., and Plate 75 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Kinnaird 52K(a) Box 315
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., Companion print: Beer Street., and Sheet trimmed to plate mark: 385 x 320 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
publish'd according to act of Parliamt., Feb. 1, 1751.
Call Number:
Sotheby 67++ Box 315
Collection Title:
Plate 75. Queen Charlotte's collection of Hogarth works. Leaf 50. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the streets of the slum Ruins of St. Giles, Westminster, the only business are S. Gripe pawnbroker (left), Kilman Distiller (right) and the undertaker (background right). It is a scene of urban desolation with gin-crazed Londoners -- charity children, mothers and babies, trades people, cripples, etc. -- shown dead or dying, fighting, or stupefied with drink. Notably in the foreground a syphilitic mother sitting on the steps lets her child fall to its death over the railing, towards a flagon labeled "Gin Royal", as she takes a pinch of snuff; below her in the steps, an emaciated, bare-chested ballad-seller sleeps with a glass in one hand and a basket and a jug in the other; the ballad hanging from the basket is entitled 'The downfall of Mdm Gin". His dog looks down at the empty glass. On the right in a crumbling building a barber is shown hanging by his neck; below a crowd is being pushed back towards Kilman Distiller. Mid-ground a woman is being placed in a coffin, her child weeping on the ground beside the coffin. Another child is impaled on a spit and carried along by a cook with a bellows on his head. In the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken
Description:
Title engraved above image., State and publisher from Paulson., Verse below image: Gin cursed fiend with fury fraught, makes human race a prey; it enters by a deadly draught, and steals our life away ..., and Companion print: Beer Street.
Publisher:
Wm. Hogarth
Subject (Topic):
Building deterioration, Children, Crowds, Death, Dogs, Fighting, Gin, Intoxication, Occupations, Pawnshops, People with disabilities, Signs (Notices), Slums, Starvation, Suicides, Street vendors, and Undertakers
Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Verlag von G. L. Lang in Speyer and Lithographisches Instit. v. Dubois in Zweibrücken
Subject (Topic):
Pulse, Sick persons, Physicians, Medical equipment & supplies, Poor persons, Families, Dogs, and Chamber pots
Volume 2, page 51. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three women in a field, one kneeling at left fastening corn into a bundle, another carrying hers on her head, the third behind, turned away with the grain under her arm, a boy sits playing a pipe at right, a building with tower behind; oval design after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 51 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Volume 2, page 72. Etchings by Henry William Bunbury, Esq. and after his designs. Page 13. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two women on their way to market, one standing to right facing with an empty basket on her arm, the other walking to the right in profile with her basket full of chickens and ducks, in the background a man walking beside his laden animal; an oval composition after Bunbury."--British Museum online catalogue
Description:
Title from text below image., "Second published state after alteration of date"--British Museum online catalogue, registration no.: 1917,1208.2974., Sheet trimmed to plate mark., Companion print to: [Home from market]., Mounted on page 13 of: Bunbury album., and 1 print : stipple engraving with engraving on laid paper ; oval image 29.9 x 24.1 cm, on sheet 38.8 x 28.0 cm.
Publisher:
Publish'd June 1, 1790, by W. Dickinson, engraver, Bond Street
Volume 2, page 72. Etchings by Henry William Bunbury, Esq. and after his designs. Page 13. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two women on their way to market, one standing to right facing with an empty basket on her arm, the other walking to the right in profile with her basket full of chickens and ducks, in the background a man walking beside his laden animal; an oval composition after Bunbury."--British Museum online catalogue
Description:
Title from text below image., "Second published state after alteration of date"--British Museum online catalogue, registration no.: 1917,1208.2974., Sheet trimmed to plate mark., Companion print to: [Home from market]., and Mounted on page 72 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd June 1, 1790, by W. Dickinson, engraver, Bond Street
Title from item., Date derived from publisher's active dates., Place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by Currier & Ives, 152 Nassau St. New York
"The Queen and Alderman Wood head a procession through the City, all riding asses (cf. British Museum Satires No. 13918, &c.). They advance towards a group of Radical Reformers with placards who wave their hats. Notes below the design divided by vertical lines indicate the characters; these are centred by a description of the Queen, enclosed in an oval: 'Her most Gracious M.....y Columbine B--i, alias Mother Red Cap 2nd [cf. British Museum Satires No. 13975], Queen of all the Radicals, Whigs, Hoaxers &c B......i in all her looks and Brandy in her eye [see British Museum Satires No. 14175].' Wood is dressed as a jester in party-coloured clothes, red and yellow, here indicating the royal liveries used by the Queen; he takes the Queen's right hand; his right hand is on his breast, and he looks with eager anticipation at the Reformers. Behind him is the profile of Lady Ann Hamilton, who plays a fiddle; she wears a much-feathered (military) Scots cap. They are: 'Absolute Wisdom [see British Museum Satires No. 13899] alias Mathew Jackall Master of the Ceremonies--A rare specimen of disinterestedness--a keen eye for the Loaves & Fishes', and 'Lady Ann Bagpipe principal Scotch Fiddler [cf. British Museum Satires No. 14110, &c.] to her M.....y with an accompaniment of All round the Rad pole how we Flock.' The Queen wears a red cap with the décolletée over-dress with frilled trousers of British Museum Satires No. 14103, a large miniature of Bergami (see British Museum Satires No. 13858) hanging from her waist. She holds the tail of the ass which she bestrides with ungartered stocking, her shoe having fallen to the ground; on her saddle-cloth: 'B B Knight of St Columbine' [see British Museum Satires No. 14120]. A fat décolletée woman, also in a red cap, rides just behind her; she is Countess Oldi, Bergami's sister (who was with the Queen in London), described as 'Countess Patois Bourgois The Elegant & Accomplished Sister of Bart.....o The Fancy-Man.' On the Queen's left rides a thin young man, Wood's son, in quasi-dandy dress with red and yellow jacket, holding a banner inscribed 'All Majesty & Grace'; he registers alarm at a small barking dog which causes his ass to stop and kick. He is 'The Dandy Standard Bearer alias Young Absolute'. Just behind a youth, Willy Austin, rides, holding two children before him: 'Billy By-Blow of Black-heath [see British Museum Satires No. 12027] in charge of the Nursery.' Next him is a man wearing a braided coat or tunic and holding up a flag inscribed 'Innocence'. He is not described, and is perhaps Keppel Craven. Close behind him is a turbaned Moor or negro (cf. British Museum Satires No. 13929), in red and yellow. They are followed by two naval officers, one in civilian dress and wearing a Maltese cross. They hold a banner between them: 'Rights and Privileges.' They are 'Lieutt Humm'en [Hownam] 1st Champion & Knight of St Columbine' and 'Lieutt Flim Flam [Flinn] 2nd Champion & Knight of the Smelling Bottle'. The last ass in the procession is ridden by a naked Bacchus, a wine-bottle in each hand, and a half-draped Woman who puts an arm round his neck. They are: 'Two Proteges and Bosom Friends of her M.....y'. The procession continues, receding in perspective to the extreme right, as a dense crowd with bludgeons, banners, and staves supporting caps of Liberty. The banners are 'Anarchy', 'Riot' (both tricolour), 'Disaffection', 'Immorality', 'Indecency'. Description: 'A long Train of concomitant Blessings to add to the Peace, Comfort, Relief, and Happiness of that first rate Martyr Broad-shouldered and patient Bull.' The radicals face the procession in the foreground (left) and are more realistically drawn than the other figures. On the extreme left is Hunt, smartly dressed, but with a chain dangling from one wrist. He is 'The Hero of Spa and Peters Fields with a day rule from Ilchester'. Next him is Wilson: 'Sir Robert Lavalette [see British Museum Satires No. 12706, &c.] of Southwark KMT [sic] & MP'. Beside him is Hobhouse: 'Jack Cam Westminster's Darling' [see British Museum Satires No. 13501]. In front of Wilson is Sir Charles Wolseley, wearing a striped straight-jacket over fashionable dress, his arms (compulsorily) folded. He is 'The Legislatorial Attorney for Brummigum [see British Museum Satires No. 13251] with a day rule from St Lukes' [a lunatic asylum]. Behind him is Cobbett: 'William Tompaine [see British Museum Satires No. 13525] Cobt Weathercock' [see British Museum Satires No. 14032, &c.]. In front of him is Burdett (now with frontal baldness in place of the former prominent lock of hair), standing between Waddington, a ragged, dwarfish fellow holding up a placard inscribed 'Long Live Mother Red Cap', and Harrison, a man with chained wrists holding up a cap of Liberty on a staff. These three are: 'Sir Frank Demagogue Westminster's Jewel'; 'Little Wadd' [see British Museum Satires No. 14261]; 'Parson Har . . s . n Founder of the Sect of Radical Methodists, with a day rule from Durance Vile' [see British Museum Satires No. 13254]. The last also supports a tall pike which dominates the group, its head inscribed 'Rallying Point'; to this are tied a cap of Liberty and two banners: 'Revolution' (red) and 'Radical Reform' (blue); the shaft transfixes a wig (emblem of the Whigs). Hunt, Wilson, Cobbett, and Burdett wave white top-hats (emblem of Hunt and the radicals) with red favours; Wilson and Waddington wear similar hats. All wear large red disks on the left breast. From the crowd standing behind them emerge placards: [1] a Harlequin pattern inscribed 'Q Columbine for ever' [see British Museum Satires No. 14120]; [2] a wig, inscription: 'Q a handle to the Wig'; [3] 'Automaton for ever' [see British Museum Satires No. 14120]; [4] 'Poll Acre [polacca, see British Museum Satires No. 13818] for Ever'. All the banners of both contingents are topped with caps of Liberty, and other caps of Liberty are supported on staves. On the cobbles in the foreground a woman and a sailor sit drinking together, she holds out her arm towards the Queen. On the right ragged men run forward, cheering the Queen. The farther side of the route is lined with butchers shouting and making rough music with marrow-bones and cleavers, as at Westminster elections. Behind these a dense crowd of spectators is indicated. Behind are the houses and (shuttered) shops of 'Bridge Street'; cheering spectators lean from all the windows and watch from the roofs. Placards on two houses are: 'Adam and Eve', two nude figures, cf. British Museum Satires No. 14120, and 'Gill Tea Figs, &c.' This block is divided from the more distant houses by 'Cannon Row'. From the roofs of the latter buildings cannon are firing at three winged figures in the air; all three fall, wounded; they are 'Decency', 'Modesty', and 'Delicacy'. In the distance (right) are dark clouds, an owl, and a violent flash of lightning."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Bergami, Bartolomeo Bergami, Baron., Wood, John Page, Sir, 1796-1866, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, Broughton, John Cam Hobhouse, Baron, 1786-1869, Wolseley, Charles, Sir, 1769-1846, Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Waddington, S. Ferrand 1759- (Samuel Ferrand),
Subject (Topic):
Politicians, Parades & processions, Donkeys, Dogs, Crowds, Arms & armament, Spears, Military officers, Banners, Flags, Miniatures (Paintings), Liberty cap, and Lightning
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 January 1768]
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 79. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on pretensions to elegance showing a fine room in which a thin elderly dancing master teaches a stout young woman to dance, while an older woman sitting behind watches them. A man sits strumming a guitar to the left, books and sheets of music lie on the floor; a monkey plays with a fan; a little dog capers on its hind legs behind the dancing pair. On the wall behind are two pictures in ornate frames, one of a dancing couple and the other of a bear dancing with its keeper."--British Museum online catalogue
Description:
Title etched below image., Printmaker and publisher identified as Matthias Darly in the British Museum online catalogue, registration no.: J,5.80., Initial letters of publisher's name in imprint form a monogram., Imperfect; sheet trimmed within plate mark with loss of imprint statement and plate number. Missing text supplied from impression in the British Museum., Plate numbered "66" in upper right corner., Temporary local subject terms: Dancing lessons -- Music-books -- Bear-leaders -- Pictures amplifying subject -- Female costume -- Male costume -- Dancers., and Bound in opposite page 79 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:
Alternative form of title
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.
