Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
Rake's progress. Plate 5 and Youth to reimburse his squander'd gold
Description:
Title from text engraved above image., "Plate 5"--Lower right below design., Verses below image in three columns, four lines each: The youth to reimburse his squander'd gold, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fifth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the left and last word on the right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad in a lion skin, raises his club threateningly; with his right hand he holds a chain encircling a large group of masqueraders, some of whom have their hands tied behind their backs, their props or accessories are scattered on the ground; other masqueraders climb out of the windows of the building behind. On the left, Piety, Wisdom and Britannia emerge from a church followed by clergymen; beggars ask for alms, one holds a dog on a lead who rushes towards Heidegger. Mercury flies overhead holding a scroll lettered, "The Masquerade destroyt".
Description:
Title etched below image., Artist unidentified., Date 1727 by Paulson, R. Hogarth's graphic works, (3rd ed.), p. 48. Dated "ca. 1724" in the British Museum catalogue., According to John Nicholls in his Biographical anecdotes of William Hogarth (1785, p.134), this print inspired Hogarth's "Masquerades and Operas" (British Museum satires no. 1742), but the reverse may be the case., "Price 1 shilling"--Lower left., Sheet trimmed to plate mark., On page 26 in volume 1., and Ms. note in Steevens's hand above: An anonymous print to which Hogarth was indebted. See the following print.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748. and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Volume 2, page 39. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman on horseback, looking down at a man standing with dogs and a spear at his side, another man with horse beside and a folly above them; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker attribution to Dickinson from the British Museum online catalogue, registration no.: 1906,0419.123., Sheet trimmed to plate mark., Dedication etched below title: To Lady Williams Wynne, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her Ladyships most obedient humble servant, W. Dickinson., Probably an illustration to Matthew Prior's poem 'Henry and Emma'., and Mounted on page 39 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd June 26th, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Leaf 21r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man, carrying a basket of pies in his right arm, walks toward the right as he rings a bell; a dog walks behind him. Behind them, a man rests on his elbows the lower half of a Dutch door
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Pies, Baskets, Dogs, and Bells
In avenue of trees beside a rail-fence, an old farmer's wife (right), wearing spectales and dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; at the girl's feet (left) is a small lap-dog
Description:
Title etched below image., Sheet trimmed within plate mark., and Copy of a print originally published by Carington Bowles in 1770. See no. 4537 and 4538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs, 11th October 1779 by Robert Wilkinson, at No. 58 in Cornhill
In avenue of trees, an old farmer's wife (right), dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; to the left a black page boy holds the girl's lap-dog. In the distance on the left is a house with two gable windows
Description:
Title from caption below image., Sheet trimmed to plate mark., "From an original drawing by Grimm." See Stephens., Companion print of: Welladay! is this my son Tom!, Cf. "Be not amaz'd dear mother. It is indeed your daughter Anne" no. 4537 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / F.G. Stephens, v. 4. Published by Carington Bowles in 1770., No. 6 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Daughters, Dogs, Hairstyles, Servants, and Mothers
A young maid seated by the kitchen table is admiring in a small mirror her coiffure as it is being arranged by a footman. A little girl playing by the window is mimicking his work on her rag doll. In the foreground on rihgt, an old woman is washing clothes in a large tub. On the other side of the kitchen an maid plays a mandolin while singing together with a footman seated by her side. A small shaggy pet dog sits on an open music book by their feet, howling in accompaniment. A kitten plays with the ribbons of a hat left leaning against the table leg on the floor. In the background is a large fireplace with dishes and candlesticks on the mantle and a bird-cage from which a large black bird peeks curiously at the hairdressing in progress
Description:
Title from item., After painting by Collet titled: High taste in low life, exhibited at the Society of Artists in 1765. Cf. Catalogue of the paintings, sculptures ... exhibiting by the Free Society of Artists, 1765, no. 63., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Townhouse kitchen -- Containers: Warming pan.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, publish'd as the act directs
Subject (Topic):
Candlesticks, Cats, Dogs, Interiors, Irons (Pressing), Kitchens, and Music
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
publish'd according to act of Parliament, July 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 55. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire, with references to the Duke of Grafton and Nancy Parsons and Lord Bute and Princess Augusta."--British Museum online catalogue
Alternative Title:
Quality dinner hour
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: The great in one eternal round, of folly and excess are found ..., Companion print to: High life at noon., Temporary local subject terms: Architectural details: staircase -- Furnishings -- Dishes: covered dishes -- Hams -- Roasted fowl -- Pets: lapdog -- Male dress, 1769 -- Female dress, 1769., 1 print : etching with engraving on laid paper ; sheet 21.5 x 32.1 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 60 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Maynard, Annabella Parsons, Viscountess, d. 1814 or 15
publish'd according to act of Parliament, July 1st 1769.
Call Number:
769.07.01.01+
Collection Title:
Page 55. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire, with references to the Duke of Grafton and Nancy Parsons and Lord Bute and Princess Augusta."--British Museum online catalogue
Alternative Title:
Quality dinner hour
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: The great in one eternal round, of folly and excess are found ..., Companion print to: High life at noon., and Temporary local subject terms: Architectural details: staircase -- Furnishings -- Dishes: covered dishes -- Hams -- Roasted fowl -- Pets: lapdog -- Male dress, 1769 -- Female dress, 1769.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Maynard, Annabella Parsons, Viscountess, d. 1814 or 15
"View looking across a lawn towards the house; a pond on the left with a dog drinking and ducks swimming, an elegantly dressed family with a dog and small girl in foreground."--British Museum online catalogue
Description:
Title engraved below image., Second in a series of twelve plates showing country seats outside London; the first plate bears the series title: Twelve views of gentlemens seats, in the environs of London., Plate numbered "2" in upper right corner., Mounted to 24 x 38 cm., and Leaf 47 in an album of views of London and its vicinity.
Publisher:
Published 12th Sepr. 1792 by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
Highbury (London, England)
Subject (Topic):
Buildings, Social & civic facilities, Dogs, Lakes & ponds, and Ducks
"The mother sits beside an open work-table, receiving the children whom a black footman ushers in, looking round the door and grinning broadly. The eldest girl has rushed into her mother's arms; a little boy stands beside her, gleefully welcoming a younger girl who is running forward. The eldest boy, on whom his mother's eyes are fixed, advances nonchalantly, blowing a trumpet. A cockatoo screeches on its perch. There are two pictures: Harvest Home and Happy Return, a woman at her cottage door greeting a youth."--British Museum online catalogue
Alternative Title:
Commencment of the holidays and Commencement of the holidays
Description:
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15188 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., Temporary local subject terms: Holidays -- Black servants -- Parlors -- Families -- Pictures amplify subjects -- Parrots -- Joy -- Horns., and Watermark: 1834.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26 Haymarket
Subject (Topic):
Blacks, Children, Cockatoos, Dogs, and Sewing equipment & supplies
A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: "12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &"". In the foreground lies another sheet which readss "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word "Saving" written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title written below image., Signed with initials and dated by the artist in lower left corner., "Sold by all the printsellers in London, Nov. 9, 1799"--Written in above title., and Original design for a print published 9 November 1799.
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Subject (Topic):
Politicians, Pleading (Begging), Kicking, Poor persons, Interiors, Cats, and Dogs
A caricature of the new Lord Mayor of London: Harvey Combe stands centered in a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (butcher?) holds a knife in one hand and a scroll in the other inscribed with a large order for meat: "12 haundres venison, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef". In the foreground lies another sheet which reads "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag. The two cats on the left and the dog following the butcher are also thin from malnutrition. Two large spiders have spun large webs below the archway on the left below are two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title etched below image., Engraved after a signed drawing by John Nixon in The Lewis Walpole Library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Sold by all the printsellers in London
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Title from item., Date derived from publisher's active dates., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by Currier & Ives; 152 Nassau St. New York
Subject (Topic):
Animals, Pets, Children, Infants, Rattles, and Dogs
Title from caption above image., Publisher and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Numbered in ms. upper edge of sheet: 47., and Mounted to sheet 22 x 16 cm.
Publisher:
T. Tegg
Subject (Geographic):
England
Subject (Topic):
Clothing and dress, Dogs, Firearms, Sleepwear, and Wigs
Volume 2, page 68. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man rides (right to left) a violently shying horse, passing on the near side a two-wheeled farmer's cart, driving left to right, in which are seated a man and woman, the backs of their heads being visible. The front part of the cart is cut off by the right edge of the design. The horseman wears a naval uniform, his hat flies off, he tugs at his rein with both hands. He is attempting to pass between the cart and a steep bank. At the back of the cart a goose puts its head through a basket to hiss at the horse. A dog barks at the bird."--British Museum catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Gambado, G. Academy for grown horsemen. London : W. Dickinson [etc.], 1787., and Mounted on page 68 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 1, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Military uniforms, Carriages & coaches, Geese, and Dogs
"A family, grouped round a small round table, see with consternation that the candle has a large blue flame. They are an elderly woman who is sewing, an elderly man in a smock frock, a youth, a small child, and a dog, whose raised head appears in the foreground. Behind the woman (left) stands a ghost in white drapery, with a beard and corpse-like face, glaring down at the group."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Watermark: J Whatman 1794., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pub. July 30, 1796, by S.W. Fores, No. 50 Piccadilly
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '12' in upper left corner., Eighteen lines of verse in three columns, below image: To this brave man the Knight repairs For counsel in this law affairs; ... As heart can wish, and need not shame The proudest man alive to claim., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave Man, the Knight repairs, For Counsel in his Law-Affairs; ..., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Sheet trimmed within plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave man, the knight repairs, for counsel in his law-affairs; ..., and Numbered "7" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave man, the knight repairs, for counsel in his law-affairs; ..., Numbered "7" in upper right corner., and On page 39 in volume 1.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave Man, the Knight repairs, For Counsel in his Law-Affairs; ..., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Sheet trimmed within plate mark., and On page 39 in volume 1. Plate trimmed to: 26.7 x 35.2 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., After Hogarth., Caption on either side of title begins: To this grave [sic] man, the knight repairs, for counsel in his law-affairs; ..., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93.
Publisher:
publisher not identified
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
"A bogus wizard stands raising his wand while a grotesque figure, in answer, snorting fire, emerges in clouds of smoke from a rectangular aperture in the floor (left), dagger in one hand, cup of 'poison' in the other. The dupe, an ugly man in old-fashioned dress, watches terror-struck, while a woman picks his pocket from behind a curtain. A magic circle, with toad, skull, &c, a cat, a book with cabalistic signs, a stuffed crocodile suspended from the ceiling, give the required atmosphere."--British Museum online catalogue
Alternative Title:
Raising the devil
Description:
Title etched below image., Temporary local Medical Library subject terms: Devils & demons -- Cabalism., 1 print : etching and aquatint ; plate mark 29.7 x 34.6 cm., and Hand-colored.
Publisher:
Pubd. March 12, 1800, by R. Ackerman, No. 101 Strand
"A bogus wizard stands raising his wand while a grotesque figure, in answer, snorting fire, emerges in clouds of smoke from a rectangular aperture in the floor (left), dagger in one hand, cup of 'poison' in the other. The dupe, an ugly man in old-fashioned dress, watches terror-struck, while a woman picks his pocket from behind a curtain. A magic circle, with toad, skull, &c, a cat, a book with cabalistic signs, a stuffed crocodile suspended from the ceiling, give the required atmosphere."--British Museum online catalogue
Alternative Title:
Raising the devil
Description:
Title etched below image. and Temporary local Medical Library subject terms: Devils & demons -- Cabalism.
Publisher:
Pubd. March 12, 1800, by R. Ackerman, No. 101 Strand
"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., and Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ...
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ..., 1 print : stipple engraving with etching ; sheet 67.8 x 53.5 cm., and Trimmed within plate mark. Printed on wove paper.
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
Leaf 29. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A design in two equal compartments placed side by side. A fat Frenchman (left) sits at a round table in profile to the right, knife and fork in hand, grinning delightedly at a large joint of beef flanked by a vast loaf and a decanter. He wears an enormous cocked hat, Hessian boots, and a coat of quasi-military cut. He says: "Ah What Monsieur Jack Bull you going to starve me!!!" Beside him sits his greyhound, bulgingly replete. From the table hangs a scroll: 'Beef Mutton Veal [bracketed] 002, loaf 005, Plenty'. The table has a cloth, the floor is carpeted. John Bull (right), thin and almost bald, his baggy face showing traces of former tet, sits in profile to the left, with clasped hands, regarding with resigned disgust a small oblong table, on which are a plate of fish (herring and sprats), a small oar, and a meagre dish of potatoes. His ragged coat is that of a once prosperous citizen. He says: "who would have thought it!" From the table hangs a scroll headed 'Pd: Beef 1s, Mutton 10 1/2, Veal 1[s], Butter 1. 6, loaf 1. 9 Potatoes 3d' A pitcher of water stands on the boarded floor. Beside him his emaciated bulldog lies moribund. On the wall in each compartment is a large print: [left] 'A French man in 1788', a copy, reversed of the Frenchman in British Museum Satires No. 5612, Gillray's 'Politeness' (see frontispiece, vol. v); a thin fop taking snuff, and saying over his shoulder (to John Bull), "Vous etes une Bete". The lean greyhound behind his chair sniffs other nervously towards John's mastiff; frogs hang on the wall, [right] A copy of the other part of British Museum Satires No. 5612: 'John Bull in 1788', John sits scowling contemptuously over his (right) shoulder at the Frenchman, saying, "you be d------d". A huge joint hangs on the wall."--British Museum online catalogue
Alternative Title:
John Bull at the sign, the case is altered
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 29 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. by J. Aitken, Castle St., Liecester [sic] Square [i.e. Field & Tuer]
Subject (Name):
Restrike. For original issue of the plate, see no. 9714 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Subject (Topic):
John Bull (Symbolic character), Dining tables, Eating & drinking, Food, Meat, and Dogs
Leaf 51. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Irish jaunting car
Description:
Title etched below image., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 282., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 51 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 1st, 1814, by T. Rowlandson, No. 1 James St., Adelphi and Field & Tuer
Copy in reverse of the first state of Plate 4 of Hogarth's 'The Rake's Progress' (Paulson 135): In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
Rake's progress. Plate 4 and Tho' prest with debts, [the] Beau maintain's his state, ...
Description:
Title from text engraved above image., "Plate 4"--Lower right below design., Verses below image in three columns, four lines each: Tho' prest with debts, [the] Beau maintain's his state, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fourth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and plate number and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Topic):
Interiors, Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Title from item,, Numbered 'Plate 44' in upper left corner., Placement instructions 'Page 107' in upper right corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Women -- Itinerant pedlars -- Dishes: Dunstable ware -- Walking staves.
"An elderly man with his hat tied over his ears and his right hand plunged deep in his coat-pocket walks (left to right) in a wintry landscape, across ice or snow. A flying demon, 'Jacky Frost', nips his nose between finger and thumb; he has webbed wings of ice fringed with icicles, and is naked except for a night-cap and skates. He has long pointed ears, grotesque features, and a tail. A dog walks in front of his master, looking up, and raising his paws as if hurt by the icy ground. In the background are tiny skaters."--British Museum online catalogue
Description:
Title from caption below item., Date from George's Catalogue of prints and drawings in the British Museum, Printmaker dentified as John Cawse after Woodward. See British Museum registration number: 1935,0522.7.7, Sheet trimmed leaving thread margins on three sides., and Watermark: TACE.
"A foppishly dressed man stands full face, holding a cane against his left shoulder. The fingers of his right hand are extended to display a large ring on the fourth finger. He wears a high-crowned hat, a voluminous swathing round his neck apparently of spotted gauze; a high collar at the back of his head reaches his hat-brim. His breeches are high in the waist and long in the leg where they are tied; low wrinkled top-boots show striped stockings. His coat is cut away to form tails. Beside him is a small dog with a ruff-like collar."--British Museum catalogue
Description:
Title etched below image., Eight lines of verse in two columns below title: 'Whoe,er, with curious eye, has rang'd Through Ovids tales, has Seen, How Jove, incens'd, to Monkies chang'd A tribe of worthless Men, The Brute with Contempt the man surveyd Nor would a name bestow, But Woman lik'd the motley breed And Calld this thing a Beau.', and Watermark (partial): initials G R below shield.
Publisher:
Pub. Mar. 29, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Rings
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:
John Bull and his dog Faithful
Description:
Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):
John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
"Four designs, each with a title, the plate divided into four quarters. [1] 'John Bull Happy'. A cottage interior: John Bull, a stout countryman with wrinkled gaiters as in BMSat 7889, 8141, dozes serenely in an arm-chair before a blazing fire, holding a pitcher on his knee. Behind (left), his wife sits spinning; two little boys feed a bird in a wicker cage. A pretty young woman approaches the open door with a milk-pail on her head. Brass utensils are ranged on the chimney-piece, beside which is a roasting-jack with wheel and chain. A well-fed cat and dog sleep amicably by the fire. [2] 'John Bull going to the Wars'. John Bull has enlisted and marches off (left to right) beside a file of soldiers with drawn sabres, the man next him blowing a bugle. He marches with awkward energy, gazing proudly in profile to the right, not to see his wife and children (left), who cling to him, weeping. He holds a musket and is dressed as in [1], with the addition of a grenadier's cap and bandolier. Behind (left) is a corner of his cottage. [3] 'John Bull's Property in danger'. John Bull's wife, followed by her three children, approaches the stone gateway of the Treasury, its iron gate open, the three balls of a pawnbroker above it, the inscription 'Money Lent by Authority'. Beside it are two bills: 'Wanted a Number of Recruits to serve abroad' and 'List of Bankrupts John Bull'. The woman carries her spinning-wheel and a bundle of household goods; the smallest boy, holding his mother's petticoat, carries the bird-cage; the girl carries the churn and a bowl. The elder boy carries spade, rake, and pitchfork (a kettle slung to the prongs) and leads a pig. [4] 'John Bull's glorious Return'. A gaunt, one-legged, and one-eyed soldier (right), in tattered uniform, limps on crutches into a miserable hovel in which his starving family crouch over a fire lit on the hearth. The little boy clutches a bare bone; onions and a broken dish are on the floor (cf. BMSat 8145). Mother and sons are ragged and emaciated, the daughter has a certain youthful grace. They look with frightened astonishment at their almost unrecognizable father."--British Museum online catalogue
Alternative Title:
John Bull happy, John Bull going to the wars, John Bull's property in danger, and John Bull's glorious return
Description:
Title etched below images., Four designs on one plate, each with a caption title., Sheet trimmed within plate mark., and Temporary local subject terms: Interiors: cottage -- Bird cages -- Kitchen utensils: churn -- Farming tools -- Spinning-wheel -- Children -- British soldiers -- Military uniforms: Grenadier's cap -- Bandolier -- Swords: sabres -- Guns: bayoneted musket -- Musical instruments: bugle -- Emblems: pawnbroker's three balls -- Veterans -- Medical: amputees -- Crutches -- Eye patches -- Poverty.
Publisher:
Pubd. June 3d, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Topic):
John Bull (Symbolic character), Cats, Dogs, and Fireplaces
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife leans from the balcony over the door. With her are three children and a woman holding an infant. Two horsemen are in pursuit, one holds up Gilpin's wig. A spaniel barks. The inn appears to be drawn with some topographical correctness. A sign bestrides the road (right) with the words 'The Old Bell \ An Ordinar[y] \ Late Lan' and, below the bell, 'J. King from'. Another sign is on the front of the house."--British Museum online catalogue
Alternative Title:
John Gilpin's return from war
Description:
Title from caption below image., Verse in three columns below title begins: "Away went Gilpin, and away went Gilpin's hat and wig; He lost them sooner than at first for why? They were too big ...", Numbered "558" in lower left corner., Sheet trimmed to plate mark., No. 31 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Chasing, Dogs, Families, Horseback riding, Horses, and Taverns (Inns)
Leaf 12. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife and family watch from the balcony; an inn-servant from the door. Dogs bark and spectators are amused."--British Museum catalogue
Alternative Title:
'Stop, stop, John Gilpin! here's the house!' they all at once did cry ...
Description:
Title etched above image., Four lines of verse below image: 'Stop, stop, John Gilpin! here's the house!' they all at once did cry; the dinner waits, and we are tir'd! said Gilpin 'So am I!'., Third plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "3" in upper right corner., and Bound in as leaf 12 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Taverns (Inns), Servants, Family members, Balconies, Spectators, and Dogs
Title from item., Date and place of publication derived from other versions of work., A poor copy after Dighton., Text on compass: Fear God., Text encircling central image: Keep within compass and you shall be sure to avoid many troubles which others endure., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Morality.
Publisher:
publisher not identified
Subject (Topic):
Conduct of life, Ethics, Money, Compasses (Drawing instruments), Dogs, Farms, Punishment & torture, Vice, Eating & drinking, Prisoners, and Prisons
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. The words round the circle are the same as in BMSat 6903. Beneath the circle is inscribed 'Prudence produceth esteem'."--British Museum catalogue., The first three words of the title at the top and "Prudence produceth Esteem" below, followed by four lines of verse. The whole title appears around the circumference of the circle., Four verses of four lines begins: Instead of cards my fair-one look, (I beg you'll take it kind) Into some learned author's book, And cultivate your mind. ..., Companion print to: Keep within Compass and you shall be sure, to avoid many troubles which others endure., and Reissue of No. 6907 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Lacks series numbering.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
"View of the house with two men on horseback in the right foreground with their dog approaching to the house."--British Museum online catalogue
Alternative Title:
Kendal House, the property of Sir James Smith, near Uxbridge, Middlesex
Description:
Title engraved below image., Eighth in a series of twelve plates showing country seats outside London; the first plate bears the series title: Twelve views of gentlemens seats, in the environs of London., Plate numbered "8" in upper right corner., Mounted to 23 x 38 cm., and Leaf 55 in an album of views of London and its vicinity.
Publisher:
Published 12th Sepr. 1792 by Robt. Sayer & Co., Fleet Street, London
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Kitchen of a French post house ; Playing billiards
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. No. 4764 in v. 4 and no. 5913 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1749 ; 59.533.1747., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"An Irishman sits beside a table, smoking, while a comely maidservant shows him two dishes of meat. His bundle is tied to a stick; a dog sits beside him. On the wall is a (framed) 'Game of the Goose': three concentric ovals divided into small sections with a goose in the middle."--British Museum online catalogue
Description:
Title etched below image., From the Laurie & Whittle series of Drolls., Eight lines of verse arranged in two columns below title: An Irish-man came late unto the Inn, and ask'd the maid what meat there was within ..., Plate numbered '346' in lower left corner., and Temporary local subject terms: Irishman -- Urn.
Publisher:
Publish'd May 7, 1804, by Laurie & Whittle, 53 Fleet Street, London
Title from text below image., Place and date of imprint conjectured from that of the book., Plate from: A series of original portraits and caricature etchings by the late John Kay (1877 ed), v. i., Numbered in lower right of plate: 126., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from item., Place of publication derived from publisher's street address., In margin top center: Salon de 1843., Date derived original painting's exhibition date., In margin lower right: En Basse Bretagne, quand un malade est en danger il est transportè dans une ecurie., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
Challamel édit 4. de l'Abbaye and Imp. Bertauts Paris
Title from item., Date and publisher information from untrimmed copy in the Musée Carnavalet, Paris., Trimmed sheet., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Balance.
Publisher:
S. lith de Delpech
Subject (Topic):
Acrobats, Equilibrium, Street entertainers, Daggers & swords, Circuses & shows, Spectators, Dogs, Drums (Musical instruments)., and Drinking vessels
Title from item., Date and place of publication from item., Sheet trimmed., Below title: Gravé d'apres le Tableau de D. Teniers de la même grandeur., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis a vis St. Yves, A.P.D.R.
Subject (Topic):
Childbirth, Rural conditions, Poor persons, Infants, Mothers, Breast feeding, Dogs, and Children
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's known place of business., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Gihaut frères, Editeurs and Lith. de Villain
Subject (Topic):
Convalescence, Sick persons, Family members, Country life, Dogs, and Spinning apparatus
Title etched below image., Date and place of publication supplied by curator., Sheet trimmed., In margin upper right: No. III., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Clysters.
Publisher:
publisher not identified
Subject (Topic):
Veterinary medicine, Pet medicine, Enema, Dogs, Diseases, Medical equipment & supplies, Pets, and Physicians
Title etched below image., Date and place of publication supplied by curator., Sheet trimmed., In margin upper right: No. III., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Clysters., and Hand-colored copy of Print01031.
Publisher:
publisher not identified
Subject (Topic):
Veterinary medicine, Pet medicine, Enema, Dogs, Diseases, Medical equipment & supplies, Pets, and Physicians
"A handsome young Highland officer walks arm-in-arm with a slightly taller young woman. Her hair under her flat feathered hat is in a small bag or net of tartan. Behind these walk in single file the family descending in height. First, a youth in Highland uniform, next three girls, the second without a hat, her hair curling on her shoulders. Last a small boy, in Highland uniform, carrying a stick across his shoulder, musket-wise, and holding a dog on a lead. The dress of all the girls is plainer, skimpier, and shorter than that of Frenchwomen; all, except the youngest, have bodices or spencers of different colours from their skirts."--British Museum online catalogue
Description:
Title etched below image., Date from British Museum online catalogue., and "Déposé."
Publisher:
Chez Genty, rue St. Jacques, No. 14
Subject (Geographic):
Scotland.
Subject (Topic):
Clothing & dress, Dogs, Ethnic stereotypes, Families, and Kilts
Title from item., Date derived from printmaker's date of death., Place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Basan, rue du Foin
Subject (Name):
Hippocrates,
Subject (Topic):
Research, Alchemy, Laboratories, Furnaces, Experiments, Physicians, Skulls, Hourglasses, and Dogs
Berthoud, H. (Henry), active 19th century, printmaker
Published / Created:
[not after 1864]
Call Number:
Print00794
Image Count:
1
Resource Type:
still image
Description:
Title from item., Place of publication derived from language of text., Date derived from printmaker's accepted date of death., Inscribed above image: No.13 (bis)., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Paris (France).
Subject (Topic):
Morgues, Dead persons, Litters, City & town life, Morgues & mortuaries, Street vendors, and Dogs
La mort du Roy Henry deuxieme aux tournelles à Paris, le x. Juilllet 1559 and La mort du Roy Henry deuxieme aux tournelles à Paris, le x. Juillet 1559
Description:
Title in upper margin., From Jacques Perrissin and Jacques Tortorel, Tableaux des guerres, massacres...en France, de 1559 à 1570, Geneva., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Henry II, King of France, 1519-1559., Catherine de Médicis, Queen, consort of Henry II, King of France, 1519-1589., Paré, Ambroise, 1510?-1590., Guise, Charles de, Cardinal de Lorraine, 1525-1574., Montmorency, Anne, duc de, 1493-1567., and Francis II, King of France, 1544-1560.
Subject (Topic):
Sports injuries, Medical consultation, Death, Kings, Queens, Physicians, Medical equipment & supplies, Guards, and Dogs
Interior view of an English tavern, with two men dining at a table in the left foreground (their dogs beside them looking up at the food) and another man reading a newspaper at a table to the right. A fourth man stands in the right background, his back to the viewer, looking out a window. A waiter carries a plate of food from the left
Description:
Title etched below image. and "Originally issued by Martinet in 1806, this example has an additional Basset imprint and is thus a later impression."--Dealer's description.
Publisher:
Chez Martinet, et presentement chez Basset Md. d'Estampes et fabricant de papiers, peints, rue St. Jacques au coin de celle des Mathurins, No. 64
Subject (Geographic):
England.
Subject (Topic):
Interiors, Taverns (Inns), Eating & drinking, Dogs, Newspapers, and Waiters
Title etched below image., Date derived from subject., Place of publication from item., In margin lower right: Déposée à la Bibliothèque Natale., In margin upper right: No.13., Eight lines of verse about vaccination vs. inoculation are on either side of title., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Inoculation controversy; Infectious diseases.
Publisher:
chez Dépeuille Rue des Mathurins Sorbonne aux deux Pilastres d'Or
Subject (Geographic):
Great Britain.
Subject (Topic):
Smallpox, Vaccination, Smallpox vaccine, Quacks and quackery, France, Foreign relations, Anti-vaccination movement, Carriages, Cows, Horses, Medicine shows, Soldiers, Children, Turkeys, Dogs, and Spectators
Plate [77] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Lady Elizabeth kneeling before Edward IV with arms outstretched, her younger child between them and elder to her left, the King's greyhound in right foreground."--British Museum online catalogue
Alternative Title:
Lady Elizabeth Gray intreating Edward IV to protect her children and Lady Elizabeth Gray entreating Edward the Fourth to protect her children
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [77] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Elizabeth, Queen, consort of Edward IV, King of England, 1437?-1492, and Edward IV, King of England, 1442-1483,
Title etched below image., Date derived from printmaker's date of death., Place of publication from item., In image border, in ink: Ex dono D. Car. Selb Pictor. de Stockach 1787., The story of Tobias and the Angel is from the Book of Tobit., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Miracle cures.
Publisher:
publisher not identified
Subject (Name):
Tobias (Biblical figure). and Gabriel (Archangel).
Subject (Topic):
Blindness, Medicine in the Bible, Miracles, Angels, Older people, Spouses, and Dogs
"On a street, a man with a walking stick waves his hand at a dog standing at left, behind his back two finely dressed young men converse, one gesturing to right as if suggesting that they should leave, a monk behind them walking to left, and a religious building over a wall in the background (Two Gentlemen of Verona)."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Text below title: From the original drawing in the collection of Her Royal Highness the Duchess of York., Lines of dialogue on either side of title: Launce. O, tis a foul thing, when a cur cannot keep himself in all companies ... The two gentlemen of Verona., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd Jany. 1st, 1794, by Thos. Macklin, Poets Gallery, Fleet St.
Leaf 31. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion on horseback drives a cabriolet to the left. A macaroni sits inside the carriage while a footman stands on the back of it. A dog runs alongside the vehicle; a man holding a parasol is passed in the background
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., Sheet trimmed within plate mark on left edge., Plate numbered "8" in upper right corner., Enlarged copy of no. 4633 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. This is likely the print mentioned on page 42 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Vehicles: French cabriolets -- French postillions -- French dogs -- Parasols -- French footmen -- Macaronies in France.
Leaf 31. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion on horseback drives a cabriolet to the left. A macaroni sits inside the carriage while a footman stands on the back of it. A dog runs alongside the vehicle; a man holding a parasol is passed in the background
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., Sheet trimmed within plate mark on left edge., Plate numbered "8" in upper right corner., Enlarged copy of no. 4633 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. This is likely the print mentioned on page 42 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Vehicles: French cabriolets -- French postillions -- French dogs -- Parasols -- French footmen -- Macaronies in France., First of two plates on leaf 31., and 1 print : etching on laid paper ; plate mark 17.6 x 25.1 cm, on sheet 44.4 x 27.5 cm.
"Satire on the French and on fashion ...: a postillion with a long queue drives a cabriolet to the right in which is a macaroni and footman, both with elaborate hairstyle; the macaroni bows to another, behind, who carries a parasol; a dog runs beside the horses."--British Museum online catalogue
Description:
Title from text below image., Later state, with publisher's name and address burnished from plate. For an earlier state with "MDarly No. 39 Strand" present after publication date, see British Museum online catalogue, registration no.: 1861,1012.341., Attribution to Bunbury from the British Museum catalogue., Sheet trimmed within plate mark on top and bottom., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., Mounted on page 81 of: Bunbury album., 1 print : etching with engraving on laid paper ; sheet 17.6 x 20.6 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dandies, French, Vehicles, Coach drivers, Servants, Umbrellas, and Dogs
"Satire on the French and on fashion ...: a postillion with a long queue drives a cabriolet to the right in which is a macaroni and footman, both with elaborate hairstyle; the macaroni bows to another, behind, who carries a parasol; a dog runs beside the horses."--British Museum online catalogue
Description:
Title from text below image., Later state, with publisher's name and address burnished from plate. For an earlier state with "MDarly No. 39 Strand" present after publication date, see British Museum online catalogue, registration no.: 1861,1012.341., Attribution to Bunbury from the British Museum catalogue., Sheet trimmed within plate mark on top and bottom., Four lines of verse in French below title: Barbares Anglois! qui du memê couteau ..., and Watermark, partially trimmed.
Publisher:
publisher not identified
Subject (Topic):
Dandies, French, Vehicles, Coach drivers, Servants, Umbrellas, and Dogs
Title from item., Place of publication from item., Date from copy in Wellcome Collection. Wellcome Library no. 811674i., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
chez Vidal Graveur, rue de la Harpe, au coin de celle Poupee, No. 181
Subject (Topic):
Quacks and quackery, Medicine shows, City & town life, Spectators, Stages (Platforms)., Quacks & quackery, Dogs, Anchors, Stores & shops, Horses, and Patent medicines
Title from item., Date derived from printmaker's active date., Above image: Galeries Pittoresque; No.19., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Dero-Becker, editeur, rue neuve St. Augustin, N.43 and Lith de Lemercier, rue de Seine S G.55.
Subject (Topic):
Convalescence, Sick persons, Fathers, Dogs, and Children
Title from item., Date supplied by curator., Place of publication derived from language of text., Above image: L'Artiste., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified and Lith. de Delaunois
Subject (Topic):
Convalescence, Sick persons, Physicians, Family members, and Dogs
Title from item., Date derived from printmaker's date of death., Sheet trimmed., In margin lower left: Tiré du Cabinet de Mr. Langlier., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Clysters., and Stain LR corner. Discolored, soiled, foxed. 2x2.
Publisher:
Chez l'Auteur rue des Mathurins
Subject (Topic):
Enema, Irrigation (Medicine)., Voyeurism, Servants, Dogs, and Curiosity
Title from item., Date supplied by curator., Place of publication derived from publisher's known location., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Lith. de G. Engelmann
Subject (Topic):
Quacks and quackery, Tapeworms, Drugs, Parasitology, Medicine shows, Spectators, Dogs, Patent medicines, and Worms
Neice presented to her relatives by her French governess and Niece presented to her relatives by her French governess
Description:
Title from caption below image., Numerous lines of dialogue in English and French on either side of title: Well-a-day Aunt! What monstrosities are these? ..., Sheet trimmed within plate mark., Reissue of no. 12922 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Jan. 3, 1817, by H. Humphrey., Temporary local subject terms: Hatboxes -- Education., and Numbered in ms. at top of sheet: 121.
Title engraved below image., Date supplied by curator., Original work created ca. 1757., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Venereal Disease; Hospitals, France.
Publisher:
ches l'Auteur
Subject (Topic):
Public health, Prostitution, Sexually transmitted diseases, Prostitutes, Spectators, Carts & wagons, Horses, and Dogs
Title from caption etched below image., Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet trimmed to plate mark., Numbered in upper right corner: c. 6., Temporary local subject terms: Outdoor scenes: village -- Games: leap-frog -- Male dress: boys' dress -- Vauxhall Gardens: paintings in Vauxhall., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
Title from caption below image., Text above image: A little music à la françoise., Sheet trimmed within plate mark., Reissue of no. 13047 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Sept. 18, 1818, by G. Humphrey., Temporary local subject terms: Gypsies -- Dustmen -- Dustman's bells., and Numbered in ms. at top of sheet: 30.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Butchers, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Organ grinders, Street entertainers, and Violins
Title from item., Date and place of publication supplied by curator., In margin lower left: 26., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Diseases, Convalescence, Communicable diseases, Horses, Crutches, Dogs, and Sick persons
Volume 2, page 8. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two girls in black capes and chip hats, their hair dressed high with ringlets, playing guitars, with a couple of dogs for audience, while a young man in a plumed hat ogles them but is pushed aside by a horrified monk, behind to right, a norman castle in the background."--British Museum online catalogue
Alternative Title:
Friar-Phillip's geese : a tale from La Fontaine
Description:
Title in French and English etched below image., Sheet trimmed to plate mark., Six lines of verse, in French and English, etched below each title. Verses in English begin: Oh the sweet bird, cries the lad in the utmost transport of joy, prithee sing a little ..., and Mounted on page 8 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 3d, 1782, by T. Watson, No. 33 Strand
"A stage-coachman (left) holds open the door of his coach, showing that it is overcrowded with five fat passengers. He speaks to a fat woman who stands in profile to the right, holding a fan, a dog tucked under her left arm. A flagged pavement and cobbled roadway show that they are in a London street. Beneath the title is engraved: '"Just room for one Madam," - "Vell I wow I have run all the way like a Lamp-lighter, till I am all over in such a Heat you can't think."'"--British Museum online catalogue
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '198' in lower right corner., From the Laurie & Whittle series of Drolls., and One line of text below title: Just room for one Madam, -- vel [sic] I vow I have run all theway like a lamp-lighter ...
Publisher:
Published 1st September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dogs, Carriages & coaches, Coach drivers, Obesity, Streets, Travelers, and Women
Two 'cits' are shown out for a day's sport in the countryside. One is rather thin and fashionably dressed, while the other is an older, fat John Bull type. The younger man leaps a low fence, firing his rifle at a flight of birds, his clipped poodle leaping beside him. His fat companion stands on the far side of a ow stile, gun in hand, an eager bulldog at his side; he tries to catch his hat which his friend has knocked off
Description:
Title etched below image., Date based on range of years in which Davison produced caricatures. See: Isaac, Peter. Some Alnwick caricatures. Wylam : Allenholme Press, 1965., Sheet trimmed to plate mark on top edge., A copy in reverse of Gillray's print "Cockney-sportsmen shooting flying", published 12 November 1800. Cf. No. 9597 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 389., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], The digit "4" in "1784" in imprint statement is etched backwards., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. Feby. 11, 1784, by W. Humphey [sic], Strand and Field & Tuer
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy."--British Museum online catalogue, description of an earlier version of the same design
Description:
Title engraved below image., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to the folk ballad 'Lord Thomas and fair Annett'., and Mounted on page 105 of: Bunbury album.
Publisher:
Publish'd Jany. 23, 1794, by W. Dickinson, No. 24 Old Bond Street
Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., Mounted on page 9 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.3 cm, on sheet 40.2 x 35.0 cm.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., and Mounted on page 20 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., Another impression of a print owned by Horace Walpole which is now at NYPL 71., and Mounted to 30 x 42 cm.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
Leaf 18. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6529 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 128-9., and On leaf 18 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
Volume 2, page 93. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A soldier admires a young woman who holds out her skirt to hold fish she is buying from a fisherman."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a mention of the reissued set of plates published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 93 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
Subject (Topic):
Soldiers, Horses, Baskets, Fishermen, Fish, and Dogs
"Heading to (printed) verses ... A countryman relates his adventures on a visit to London. The scene is a promenade in Hyde Park. The countryman looks askance at a young woman with a parasol on a hinged stick who has just passed, but stares back at him. The fifth of seven verses: I went one day to spy The gentry in Hyde Park, Sirs, A girl push'd rudely by, To whom I did remark, Sirs-- "Though your face be mighty fair, I've seen a bear more civil;" Then so little clothes they wear, Oh! Lunnon is the Devil. Ta, ra [&c.]."--British Museum online catalogue
Description:
Title from text printed in letterpress in lower portion of sheet., Imprint statement from text in letterpress printed in lower right corner of sheet., Text in letterpress following title: Tune-When I was a pure. The music published by Goulding, Phipps, D'Almaine, and Co. 124, New Bond Street., Four columns of verse in letterpress: When at home with dad, we never had no fun sirs ..., and Plate numbered '506' in upper left corner.
Publisher:
Published February 14, 1809, by Laurie and Whittle, 53 Fleet Street London
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Parks, Walkways, Umbrellas, Dogs, and Military uniforms
A pretty, young woman in a straw hat and wearing an apron and shawl with a posey of flowers at her bosom pushes a wheelbarrow filled with apples along the embankment of a river, right to left. In the distance is the skyline of London. A dog sniffs the ground lower left
Alternative Title:
Must you have some golden pippins
Description:
Title from item., Publication date based on Amigoni's sojourn in London., 'Price 6d.'--Below verse., Sixteen lines of verse in two columns below title: The season o'er for oysters, Nell, on Southwark side can pippins sell ..., and Temporary local subject terms: London: topography
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Topic):
Apples, Cityscapes, Dogs, Food vendors, Street vendors, Wheelbarrows, and Rural women
Title etched below image., Date from item., Place of publication derived from street address., In upper right margin: 45., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hydrophobia.
Publisher:
Pubd 1826 at the Artist Depy 21 Charlotte St Fitzroy Sq.
Subject (Topic):
Rabies, Dogs, Crowds, Fear, Shooting, and Umbrellas
Copy (reversed) of the first state of Plate 8 of Hogarth's 'The Rake's Progress' (Paulson 139), after the painting at Sir John Soane's Museum.: A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Rake's progress. Plate 8 and His fortune ruin'd, frenzy wrecks his mind
Description:
Title from text engraved above image., "Plate 8"--Lower right below design., Verses below image in three columns, four lines each: His fortune ruin'd, frenzy wrecks his mind, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the eighth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and plate number on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
[Stomach Poison: Answers and Judgments in the Grievance of a Man against his Stomach].
Description:
Title from item., Translated title supplied by curator., Date supplied by curator., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy; Stomach disorders.
Publisher:
bey Peter Isselburg Kupferstechen zu finden
Subject (Topic):
Urine, Analysis, Stomach, Diseases, Alcoholism, Medical consultation, Sick persons, Physicians, Dogs, Eating & drinking, Hourglasses, and Books
Title and date from item., Place of publication derived from creators' nationalities., Published: Attic Miscellany I: 121., Sheet trimmmed within plate mark with loss of artist's inscriptions. Information is supplied from copy in the Wellcome Collection., Attic Miscellany I, p. 121., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publish'd as the Act directs by Bentley & Co.
Subject (Topic):
Magnetic healing, Quacks and quackery, Magnets, Sick persons, Dogs, Urination, Snuff, and Quacks & quackery
Title etched below image., Sheet trimmed within plate mark., Print from: The attic miscellany, v. i, p. 121., Temporary local subject terms: Male costume, 1790 -- Female costume, 1790 -- Pictures amplifying subject -- Animal magnetism -- Dr. Yeldell., and Mounted to 25 x 31 cm.
Publisher:
Publish'd as the act directs by Bentley & Co.
Subject (Name):
De Mainauduc, John Boniot, -1797 and Loutherbourg, Philippe-Jacques de, 1740-1812
A young woman sits under a tree, holding a small dog on a leash. An instrument (a recorder?) is partially hidden by her arm and hungs by a cord across her shoulder. In the distance is a horse and chaise
Description:
Title from item., Number '204' in lower left corner of plate., and Temporary local subject terms: Ladies' costume.
Publisher:
Published 23rd July, 1787, by Robert Sayer, 53 Fleet Street
Volume 2, page 80. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A kneeling woman reads the palm of a girl standing at left in travelling clothes with a basket on her arm, two others watching, leaning on a fence behind, children and a dog sitting beside a fire at right, over which a large pan hangs; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Fourteen lines of verse below image, seven on either side of title: Last Friday's eve, when, as the sun was set, I, near yon stile, three sallow gipsies met ... Vide Gay's Pastorals., and Mounted on page 80 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, Poets' Gallery, Fleet Street
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Baskets, Fences, Children, Dogs, Campfires, and Pots & pans
"'The Marriage Settlement' (after the painting by Hogarth in National Gallery); a grand interior where Earl Squander and a city merchant arrange the marriage of their son and daughter; the extravagantly dressed young man looks at his reflection in a glass while his future bride listens to the lawyer's soft words; through the window is a view of a palatial house under construction."--British Museum online catalogue
Alternative Title:
Marriage settlement
Description:
Title from British Museum online catalogue., Title engraved below image., "Size of picture ft. 3 by 2 ft. in. 4.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2692., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 158., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 228.
Publisher:
Pubd. June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall-Mall, London
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures. The decor includes an elaborate ormulu clock, chinese porcelain and figures (including a Buddha), a bust of a Roman matron, old master paintings (one, evidently erotic, is screened by a curtain).
Alternative Title:
Marriage a-la-Mode. Plate 2
Description:
Title engraved below image., State from Paulson, and After the painting "Tête à Tête" in the National Gallery, London.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Lock on wife's forehead added in ink., and On page 113 in volume 2. Sheet trimmed to: 38.6 x 45.6 cm.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.5 cm, on sheet 45 x 56 cm., and Leaf 17 in: Album of William Hogarth prints.
