Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added below image in lower left. For original issue of the plate, see no. 5790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; sheet 18.3 x 14.2 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 7 of 12.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
Title etched below image., Attributed to Rowlandson by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with roulette, hand-colored ; sheet 21.9 x 18.7 cm., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement., Mounted to 23.4 x 20.2 cm., and Formerly mounted on leaf 5 of volume 1 of 14 volumes.
Publisher:
Publ. according to act, July 29th, 1780, by J. Jones & T. Rowlandson, N. 103 Wardour St., Soho
Title etched below image., Attributed to Rowlandson by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Matted to 36 x 28 cm., and Formerly mounted on leaf 6 of volume 1 of 14 volumes.
Publisher:
Publ. according to act, July 29th, 1780, by J. Jones & T. Rowlandson, N. 103 Wardour St., Soho
Title etched below image., Attributed to Rowlandson by curator., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly mounted on leaf 7 of volume 1 of 14 volumes.
Publisher:
Pubd. according to act, Sept. 1st, 1780, by J. Jones & T. Rowlandson at No. 103 Wardour Street, Soho
"The interior of a barber's shop. A very old and completely bald man reclines in an arm-chair (left), a cloth over his shoulders; a fat barber is about to place on his head a tie-wig. On the ground at his side lies a wig with a long pigtail queue which is being befouled by a dog. Behind, on a tall stand, is a barber's block fitted with a small wig. The barber's assistant, a lean man wearing spectacles and an apron, fits a small wig on the head of a stout man, who stands in profile to the right, his hand in his coat-pocket. On the right is a lattice window in three divisions; a man sits in a chair facing the window. Wigs are hung up in the window. On a high shelf (left) are round wig-boxes. Next the shelf is nailed up a print of Absalom hanging from a tree, while his horse gallops away. ... The ceiling is raftered."--British Museum online catalogue, description of original issue
Description:
Title etched below image., Reissue, with new imprint statement and printmaker's signature added, of a plate originally published 13 December 1780 by T. Rowlandson and J. Jones. Cf. No. 5765 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication based on publisher's active dates. See British Museum online catalogue., Sheet trimmed to plate mark on bottom edge., and Formerly mounted on verso of leaf 10 of volume 1 of 14 volumes.
Publisher:
Publish'd as the act directs by H. Brookes, Coventry Street
"The interior of a barber's shop. A very old and completely bald man reclines in an arm-chair (left), a cloth over his shoulders; a fat barber is about to place on his head a tie-wig. On the ground at his side lies a wig with a long pigtail queue which is being befouled by a dog. Behind, on a tall stand, is a barber's block fitted with a small wig. The barber's assistant, a lean man wearing spectacles and an apron, fits a small wig on the head of a stout man, who stands in profile to the right, his hand in his coat-pocket. On the right is a lattice window in three divisions; a man sits in a chair facing the window. Wigs are hung up in the window. On a high shelf (left) are round wig-boxes. Next the shelf is nailed up a print of Absalom hanging from a tree, while his horse gallops away. ... The ceiling is raftered."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., First two letters of "TRowlandson" in imprint form a monogram., Sheet trimmed within plate mark., and Formerly mounted on leaf 11 of volume 1 of 14 volumes.
Publisher:
Pubd. accd. to act, Dec. 13th, 1780, by TRowlandson & J. Jones, No. 103 Wardour Street, Soho
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780?]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 5. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image on second plate., A single design on three plates., Sheets trimmed within plate mark., Dedication below image on first plate: To His Royal Highness George Prince of Wales., Dedication below image on third plate: This plate is dedicated to His Royal Highness by his most obedient humble servant, James Bretherton., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tipped in at page 5 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, Dogs, Hunting, and Hunting accidents
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with additional publisher's street address added to end of imprint statement. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., and Watermark: L.V.G.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street & No. 33 Strand
Volume 1, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "5" in upper left corner., and Mounted on page 27 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with plate reworked in aquatint and with a different imprint statement, of a print originally published 15 November 1780 by Watson & Dickinson. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., Temporary local subject terms: Male costume -- Gaiters -- Clerical wig -- Bob-wig -- Reference to Cambridge., and Watermark.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
publish'd as the Act directs [ca. 2 September 1780]
Call Number:
780.09.02.01+
Image Count:
1
Resource Type:
still image
Abstract:
Fashionably dressed young woman, in a large hat and elbow-length gloves, is seated on a grassy bank under trees with a distant view of London to the right
Description:
Title from item., Printmaker from British Museum catalogue., Publication date erased from print., and Publication date extrapolated from that of a smaller version of this print published by C. Bowles on 2 September 1780.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Fashionably dressed young woman, in a large hat and elbow-length gloves, is seated on a grassy bank under trees with a distant view of London to the right
Description:
Title from item. and Reduced version of no. 5823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard
"A soldier and a woman in deshabille swapping clothes; the woman standing hands on hips on the left wearing the sword and tricorn; the man sitting demurely on the right holding a fan and wearing a bonnet; tea-tray and four poster bed behind, a dog jumping up at a parrot on the left and a book open on the floor inscribed 'Ovid's Metamorphoses done into English';"--British Museum online catalogue
Alternative Title:
Transmutation of sexes
Description:
Title from item., Sheet trimmed within plate line., and Publication date from British Museum catalogue. Date burnished from plate.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Cross dressing, Soldiers, Military uniforms, British, Boudoirs, Tableware, Furniture, Pets, and Clothing & dress
Title from item., Imperfect; sheet trimmed within plate mark., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs 1st Jany. 1780 by Robert Wilkinson, at No.58 in Cornhill
Subject (Geographic):
England
Subject (Topic):
John Bull (Symbolic character), Cooks, French, Blacks, Kitchens, and Cooking utensils
Caption title., Place and date of publication based on provence: formerly bound in a collection of chapbooks published in Lichfield in the 1770s., First line: Miss Pure, a very neat and clean-heeled Filly, from Black Mary's Hole, near London ..., A broadside with a simple woodcut above the title, advertising the services and skills of woman, Miss Jenny Foreyard, Cleopatra Tickleback, Diana Trapes, Polly Trim, Jenny Spruce, and Lucy Pleasant., Not in ESTC., and Broadsides printed on laid paper and mounted in an album bound in red, quarter-leather morocco with Cockerell-marbled boards and vellum corners, with black-leather, gilt-stamped spine label. For further information, consult library staff.
"A raree-show man (right) is exhibiting his peep-show, in a box inscribed "A Vieu of Plymouth", to Lord Amherst, in profile to the right, who stoops down, his hands on his knees, to look through one of the two round holes. The showman says, "There you see Cannons without Carriages and Carriages without Cannons. There you see Generals without Orders there you see &c. &c." The show-box is supported on trestles. Amherst is in general's uniform, wearing the ribbon of the Bath. Behind him, partly cut off by the left margin of the print, stands a Grenadier at attention, holding a musket; he watches the general with a grin. Beneath the design is engraved: "Col Mushrooms Compts to Lord Am------t recommends this cheap but Satisfactory mode of viewing distant Garrisons hopes his Lordship has received the Golden Pippins a few of them are for his Secretary.""--British Museum online catalogue
Alternative Title:
Vieu of Plymouth and View of Plymouth
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Pubd. by M. Darly (39) Strand
Subject (Name):
Amherst, Jeffery Amherst, Baron, 1717-1797 and Great Britain. Board of Ordnance.
Leaf 57. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire: a crowd of invalids and loungers on the North Parade in Bath."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, published approximately 1780-1790, see British Museum online catalogue, registration no.: 1948,0214.797., Questionable attribution to Joshua Kirby Baldrey from unverified data in local card catalog record., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 57 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Bath (England),
Subject (Topic):
City & town life, Terraces, Crowds, Staffs (Sticks), Wheelchairs, People with disabilities, Umbrellas, Wheelbarrows, and Street vendors
Satirical armorial ridiculing Lord Denbigh's claim to descend from the Habsburg family
Description:
Title etched below image., Artist identified as 'Lord de Ferrars' in the British Museum catalogue., Publication date from contemporary manuscript note in lower left margin: Publish'd 27th May 1780., Four lines of text in Latin below title: Monstrum, horrendum informe, ingens, cui lumen ademptum. Quale portentum neque militaris, aaunia in latis alit esculetis, nee jubae tellus generat, &c. &c., Dedication etched at bottom of plate: Humbly dedicated to Garter King at Arms and all other the officers of the College of Arms, London., 1 print : etching on wove paper ; plate mark 30.3 x 22.5 cm, on sheet 33.2 x 25.2 cm., and Mounted on leaf 49 of volume 8 of 12.
Satirical armorial ridiculing Lord Denbigh's claim to descend from the Habsburg family
Description:
Title etched below image., Artist identified as 'Lord de Ferrars' in the British Museum catalogue., Publication date from contemporary manuscript note in lower left margin: Publish'd 27th May 1780., Four lines of text in Latin below title: Monstrum, horrendum informe, ingens, cui lumen ademptum. Quale portentum neque militaris, aaunia in latis alit esculetis, nee jubae tellus generat, &c. &c., and Dedication etched at bottom of plate: Humbly dedicated to Garter King at Arms and all other the officers of the College of Arms, London.
Leaf 7. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"George III, wearing a crown and ermine-trimmed robe is seated in an arm-chair asleep. The tassels of his girdle are thistles, indicative of Scottish influence. Round his neck is a chain from which hangs a cross, indicating the Romanizing tendencies of which he was accused at this time, see British Museum Satires No. 5534, &c. His crown is being taken from his head by a judge in wig and ermine-trimmed robes, evidently Mansfield. Over the king's shoulder looks a Scot in Highland dress, evidently Bute, holding the sceptre which he has taken from the king's hand. He leans towards Mansfield saying "What shall be done with it?" Mansfield answers, "Wear it Your sel my Leard." On the king's left a man stands who holds in both hands the other side of the crown, he says, "No troth I'se carry it to Charly & hel not part with it again Mon!" He is dressed an an English gentleman, though his language indicates that he is a Scottish Jacobite; he is perhaps intended for some unpopular Scot, perhaps Wedderburn, then attorney-general. Behind the king's chair America, wearing a feathered head-dress, watches the scene; he says "We in America have no Crown to Fight for or Loose." In the foreground (right) sits Britannia asleep, her head resting on her hand; by her side lies the British lion, also asleep and chained to the ground. At her feet are two maps, one of "Great Britain" (torn) lies on one of "America". On the left stands a man in rags with bare legs and dishevelled hair, clasping his hands together and saying "I have let them quietly strip me of every Thing"; he appears to represent the British commercial community. An Irishman next him, a harp under his arm, walks away saying "I'le take Care of Myself & Family". The background to these figures is a hedge; behind it on the right is a Dutchman (the United Provinces) helping himself to the contents of two hives."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 30., and On leaf 7 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 15th, 1780, by W. Renegal [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Britannia (Symbolic character), Commerce, Sleeping, Beehives, Harps, and Lions
"George III, wearing a crown and ermine-trimmed robe is seated in an arm-chair asleep. The tassels of his girdle are thistles, indicative of Scottish influence. Round his neck is a chain from which hangs a cross, indicating the Romanizing tendencies of which he was accused at this time, see BMSat 5534, &c. His crown is being taken from his head by a judge in wig and ermine-trimmed robes, evidently Mansfield. Over the king's shoulder looks a Scot in Highland dress, evidently Bute, holding the sceptre which he has taken from the king's hand. He leans towards Mansfield saying "What shall be done with it?" Mansfield answers, "Wear it Your sel my Leard." On the king's left a man stands who holds in both hands the other side of the crown, he says, "No troth I'se carry it to Charly & hel not part with it again Mon!" He is dressed an an English gentleman, though his language indicates that he is a Scottish Jacobite; he is perhaps intended for some unpopular Scot, perhaps Wedderburn, then attorney-general. Behind the king's chair America, wearing a feathered head-dress, watches the scene; he says "We in America have no Crown to Fight for or Loose." In the foreground (right) sits Britannia asleep, her head resting on her hand; by her side lies the British lion, also asleep and chained to the ground. At her feet are two maps, one of "Great Britain" (torn) lies on one of "America". On the left stands a man in rags with bare legs and dishevelled hair, clasping his hands together and saying "I have let them quietly strip me of every Thing"; he appears to represent the British commercial community. An Irishman next him, a harp under his arm, walks away saying "I'le take Care of Myself & Family". The background to these figures is a hedge; behind it on the right is a Dutchman (the United Provinces) helping himself to the contents of two hives."--British Museum online catalogue
Description:
Title from item., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.2 cm, on sheet 28.7 x 43.8 cm., and Mounted on leaf 11 of volume 1 of 12.
Publisher:
Pubd. May 15th, 1780, by W. Renegal
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Britannia (Symbolic character)., Commerce, Sleeping, Beehives, Harps, and Lions
"George III, wearing a crown and ermine-trimmed robe is seated in an arm-chair asleep. The tassels of his girdle are thistles, indicative of Scottish influence. Round his neck is a chain from which hangs a cross, indicating the Romanizing tendencies of which he was accused at this time, see BMSat 5534, &c. His crown is being taken from his head by a judge in wig and ermine-trimmed robes, evidently Mansfield. Over the king's shoulder looks a Scot in Highland dress, evidently Bute, holding the sceptre which he has taken from the king's hand. He leans towards Mansfield saying "What shall be done with it?" Mansfield answers, "Wear it Your sel my Leard." On the king's left a man stands who holds in both hands the other side of the crown, he says, "No troth I'se carry it to Charly & hel not part with it again Mon!" He is dressed an an English gentleman, though his language indicates that he is a Scottish Jacobite; he is perhaps intended for some unpopular Scot, perhaps Wedderburn, then attorney-general. Behind the king's chair America, wearing a feathered head-dress, watches the scene; he says "We in America have no Crown to Fight for or Loose." In the foreground (right) sits Britannia asleep, her head resting on her hand; by her side lies the British lion, also asleep and chained to the ground. At her feet are two maps, one of "Great Britain" (torn) lies on one of "America". On the left stands a man in rags with bare legs and dishevelled hair, clasping his hands together and saying "I have let them quietly strip me of every Thing"; he appears to represent the British commercial community. An Irishman next him, a harp under his arm, walks away saying "I'le take Care of Myself & Family". The background to these figures is a hedge; behind it on the right is a Dutchman (the United Provinces) helping himself to the contents of two hives."--British Museum online catalogue
Description:
Title from item.
Publisher:
Pubd. May 15th, 1780, by W. Renegal
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Britannia (Symbolic character)., Commerce, Sleeping, Beehives, Harps, and Lions
Title from item., Title etched below image., Publisher's initials form monogram., Sheet trimmed to plate line., and Date of possible publication from British Museum catalogue. Reissue by a different publisher.
Publisher:
Pub. by HHumphrey, No. 18 New Bond Strt
Subject (Name):
Amherst, Jeffery Amherst, Baron, 1717-1797., George III, King of Great Britain, 1738-1820., and Gordon, George, Lord, 1751-1793.
"Several scenes combined in one design. The Associations of various counties to present petitions and form committees to demand reforms are represented in the upper right portion of the plate: A procession of men walks (right to left), their leader holding a standard with the arms of the county inscribed "County of York 30 Decr 1779" (the date of the meeting at which it was agreed to present a petition and prepare a plan for an Association to secure reform). He holds a paper inscribed "Petition" and says, "Virtue & Fortitude shall Guide us". Representatives of the other petitioning and associating counties follow, with the appropriate dates on labels issuing from their mouths: ...". The last man carries an ensign flag on which is inscribed "London Newcastle upon Tyne Bristol Westminster &c. &c. &c." Beneath the procession is engraved "Immortal Gods! What Honor waits the men who save their Country from impending Ruin." The leader is probably intended for Sir George Savile. On the left George III is seated in his closet; a young man stands before him addressing, not the king, but an imaginary audience, saying, "The only Patriot His Power is too Confined". This is perhaps intended for Lord George Gordon's private interview with the King on 27 Jan. 1780; ... . Outside the door of the royal closet and facing the petitioners is a monster with wings and three heads, breathing fire. In the lower right, ... Britannia sits on a ruinous stone pedestal which is being further undermined by a female figure with a forked tail and the legs of a satyr; she is applying a lever to its base saying, "And shall not I, Corruption is my name, Undermine the British Constitution". Lord North attacks the pedestal with a pickaxe, saying, "I will assist you Sister in the same Design". Bute, in Highland dress with the Garter ribbon and star, flourishes a broadsword, while he takes from Britannia the staff and cap of Liberty; he says, "Away wi ye to the Deel Where is your Liberty now". Britannia, holding her shield and 'Magna Carta', says to the marching petitioners above her head, "Tis you alone my Friends who can revive my Drooping Hopes & save me from Distraction". Behind Britannia (left) and in a glory of rays stands a man inscribed "Chatham" with outstretched arms, saying "O Cleanse Yon Augean Stable". He points towards the design beneath the king's closet. This represents the House of Commons (left); the Speaker in his chair, members seated on each side of a table. It is seen through two pillars, up one (right) climbs an alligator, round the other is a serpent with a branch of apples in its mouth. Above is inscribed "Ruled by Powerful Influence". A procession of members walks (left to right) from the House up a path leading to the door of the king's closet above. They carry scrolls inscribed "25 000"; "5000"; "£40,000"; "15,000 £10,000, £50 000". One says, "Secure in the Enjoyment of Places Pensions & Emoluments of Office we fear not the Clamour of Yorkshire Clodpoles"; another says, "God help the Rich the Poor can beg". Their leader carries an "Address of Thanks". Beneath this gang of ministerialists a mythological figure leaning against an anchor and a gushing water-conduit (? Neptune) says,"Is there not some Chosen Curses, ... Public Treasure Wasted in Corrupting the Morals of the People". He is saying, "No New Taxes but a Retrenchment of Public Expences.""--British Museum online catalogue
Alternative Title:
Public virtue displayed in a contrasted view
Description:
Title from item.
Publisher:
Printed for Danl. Wilson at No. 20 Portugal Street Lincolns Inn
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Savile, George, Sir, 1726-1784., North, Frederick, Lord, 1732-1792., Bute, John Stuart, Earl of, 1713-1792., Pitt, William, Earl of Chatham, 1708-1778., Gordon, George, Lord, 1751-1793., and Neptune (Roman deity),
Subject (Topic):
Taxation, Politics and government, Britannia (Symbolic character), Petitions, and Dragons
Two elderly women in hats sit, the one on the left is facing forward with arns across her chest; the woman on the right turns to the right and holds a sheet in her hands
Description:
Title below image., Trimmed within design; lines in pencil drawn on left and top., Date and place of publication based on John Nixons known years of activity and location., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. annotation in lower left of image: John Nixon.
"Half length portrait of an elderly clergyman in profile to the right with a long sharp nose and receding chin."--British Museum online catalogue
Description:
Title etched below image., Printmaker and questionable year of publication from British Museum catalogue., Sitter identified as Benjamin Buckler (1718-1780), fellow of All Souls, Oxford, where there is a portrait of him ascribed to Gainsborough. See British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching on wove paper ; plate mark 15.4 x 9.8 cm, on sheet 22.0 x 13.6 cm., and Mounted on leaf 23 of volume 7 of 12.
"Half length portrait of an elderly clergyman in profile to the right with a long sharp nose and receding chin."--British Museum online catalogue
Description:
Title etched below image., Printmaker and questionable year of publication from British Museum catalogue., Sitter identified as Benjamin Buckler (1718-1780), fellow of All Souls, Oxford, where there is a portrait of him ascribed to Gainsborough. See British Museum catalogue., and Sheet trimmed to plate mark.
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "4" in upper left corner., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Geographic):
France.
Subject (Topic):
Billiard rooms, Billiards, Dogs, Games, Men, Servants, and Pictures
The cats' castle is assaulted by an army of rats; in five scenes with verses below
Description:
Title etched above image., Approximate date of publication supplied by curator. Prints with C. Sheppard's publication line are first known from 1778; see British Museum online catalogue., Sheet trimmed to plate mark., For a variant (later?) state with imprint "Printed & Sold by D. Ash, 27 Fetter Lane, London" and plate number "28" in upper left corner, see British Museum online catalogue, registration no.: 1862,1011.552., For a brief mention of The Lewis Walpole Library impression of this print, see: O'Connell, S. The popular print in England, 1550-1850, page 124., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Battles: Cats vs. rats -- Spikes on Temple Bar(?) -- Executions -- Food: Cheshire cheese -- Sieges -- Navy -- Ships: 'Royal Rat' -- Castles -- Military camp -- Flag of the rats: Cheshire cheese -- Flag of the cats: Three herring., and Window mounted to 20 x 29 cm.
"George III (left), seated in a chair, is being shown by the ghost of Chatham a procession of figures walking towards a pit (right) inscribed "Chaos". Chatham wears pseudo-classical draperies, a tie-wig crowned with a laurel wreath, and is surrounded by a glory of rays. He holds up a circular glass to the king, who looks through it with an expression of alarm. On the back of the king's chair is a crown surmounted by a weathercock which points to the South, probably to indicate that North's power is over, cf. BMSat 5659. Under his feet are torn county petitions, and an open book, "Lock on Government". The petitions are those of York, Westminster, Middlesex, Hampshire, Surrey. There is also the design of the façade of a building inscribed, "The Elevation of [a] Baby House". The leaders of the procession, who are on the brink of the pit, are the kings of France and Spain. A devil (right) with wings, horns, and a long barbed tail, points into the pit. Behind the two kings come North and Sandwich. North holds a rolled document inscribed "Taxes". Under his arm is a large money-bag with a gaping hole in it, by which is an open book or paper inscribed "New Way to pay old Debts, A Farce by Boreas" (Massinger's comedy had recently been revived at Drury Lane). On his right Sandwich walks with his arms folded, a paper under his arm is inscribed "Catches & Glees Mr Arne" (Arne (1710-78), the musical composer, is generally styled Dr; Sandwich was "the soul of the Catch Club", see BMSat 5342). From his pocket protrude papers, one inscribed "Greenwich Hospital", in allusion to the scandal caused by Captain Baillie's exposure of abuses there, see BMSat 5548. The other is inscribed "Love & Madness"; this is the title of a series of fictitious letters recently published purporting to be the correspondence of Hackman and Martha Ray, Sandwich's mistress, see BMSat 5540, &c, but really by Herbert Croft. See Walpole, 'Letters', xi. 139-40,13 Mar. 1780. Behind come Mansfield, in judge's wig and robes, and Bute in Highland dress, both with expressions of despair; they are being hurried along by a man with the face of a fiend who has seized Mansfield by the arm and Bute by the shoulders. Beside them walks a Dutchman, his hands in his breeches pockets, being propelled from behind by a devil, significant of the unpopularity of the Dutch Republic,"--British Museum online catalogue
Alternative Title:
Peep into futurity
Description:
Title from item. and Trimmed within plate line.
Publisher:
Published as the act directs May 16, 1780, by W. Wells, No. 132 opposite Salisbury Court Fleet Street London
Subject (Geographic):
Netherlands.
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, William, Earl of Chatham, 1708-1778., Bute, John Stuart, Earl of, 1713-1792., Mansfield, William Murray, Earl of, 1705-1793., Sandwich, John Montagu, Earl of, 1718-1792., North, Frederick, Lord, 1732-1792., Charles III, King of Spain, 1716-1788., and Louis XVI, King of France, 1754-1793.
Caption title, on either side of woodcut showing a naked woman holding the hand of a child, also naked., Place and date of publication based on provence: formerly bound in a collection of chapbooks published in Lichfield in the 1770s., First line: The diversions of this meeting is expected to be very splendid; and, for the better information of the votaries at the shrine of Venus ..., Five lines of verse on either side of woodcut: [The] sportsmen who are free and willing, To feel, you're welcome for a shilling ... This is what we call a trade., A broadside advertising the services and skills of woman and brothels, with some prices., Not in ESTC., and Broadsides printed on laid paper and mounted in an album bound in red, quarter-leather morocco with Cockerell-marbled boards and vellum corners, with a black-leather spine label, gilt-stamped. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England, England., and London.
Subject (Topic):
Brothels, Prostitutes, Prostitution, Children, and Unmarried mothers
Two physicians greet each other. The one on the left has a large belly and holds his hands in his pockets. The one on the right is smaller and thinner and holds his hat in his hand. From a piece of paper protruding from his pocket reads: "Pitts[...] Salutarian."
Description:
Title etched below image. and Date conjectured from costume.
The Count sits in a large chair, a basket of frogs on the floor between his wide-spread legs; he wears a powdered wig under his hat, his uniform, a gold cross on a black ribbon around his neck, high black boots with spurs, and sword at his waist. He is wide-eyed and stiff -- marionette-like -- as he eats a frog. A man servant with a worried expression on his face and wearing a red liberty cap approaches him from the left, holding a tray labeled "Fricasee of Frogs". From the right, a woman, her face mostly obscured by her large head scarf, carries a bowl labeled “Soup meager”.
Alternative Title:
French admiral in all his glory
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Name):
Estaing, Charles Henri, comte d', 1729-1794
Subject (Topic):
History, Foreign participation, French, Frogs, and Wigs
"design in two groups, one (left) representing the past, the other (right) the present. A Dutchman personifying the Dutch Republic, threatened by Spain (left) kneels, hat in hand, before a military officer representing England, imploring help. He says, "the poor distracted States of Holland". The Englishman answers, "I am your Friend Mynheer I'll help you up & beat your foes". A Spaniard stands (left) behind the Dutchman's back, his sword raised to strike, his left fist clenched, saying, "I am determined Mynheer you shall never rise more". On the right is another group of figures representing Holland, England, America, France, and Spain: A Dutchman on the extreme right, smoking a pipe, his hands in his breeches pocket, scowls at an English officer, saying, "I am now ye high & Mighty." (The States General of the United Provinces were addressed as Hogen Mogen, 'High Mightinesses'.) The Englishman, a drawn sword in his hand, says to him "Now is ye time to pay ye debt of Gratitude". America, an Indian holding a tomahawk, says to France, pointing to England, It shall never have my Colonies again. France, a French military officer with a drawn sword, wearing spurred jack-boots, points to England, saying, "begar me will have half his Possessions". Spain, in cloak and feathered hat, also with a drawn sword, stands behind France saying "Don Diego has vow'd the downfall of England." Beneath the design verses are engraved: "See Holland oppress'd by his old Spanish Foe, To England with cap in hand kneels very low, The Free-hearted Britton, dispels all its care, And raises it up from the brink of Dispair. But when three spitefull foes old England beset, The Dutchman refuses to pay a Just debt; With his hands in his pockets he says he'll stand Neuter, And England his Friend may be D------d for the Future.""--British Museum catalogue
Description:
Title from item.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Foreign relations, Dutch, Caricatures and cartoons, French, Spaniards, Caricatures and cartons, Americans, Indians of North America, and Clothing & dress
"George III guides (left to right) a plough which is drawn by a snorting bull; he is blindfolded and wears a crown and the garter ribbon; from his pocket hangs a fragment of "Magna Charta". Lord North rides on the bull, urging him forward with a whip, attached to his shoulders is a knapsack or bundle inscribed "Ways & Means". Another man goads the bull with a spear. A Scot in highland dress, probably Gordon, tugs violently at the bull's harness, trying to pull it back; two other men who have been tugging at the bull have fallen to the ground and the wig of one has fallen off. The bull is advancing towards the "River Tweed" (right), on the farther side of which are a large thistle and some fir trees on a hill. This shows that Scotland has not as yet been ploughed up for the emissaries of the Pope, see BMSat 5534. In the foreground (left) lies a sleeping bishop, his head on his hand, holding a crozier, and leaning on a book and a "Map of Bishoprick". Behind him and the king a Jesuit, a Catholic priest, and a monk are sowing in the ground which has been already ploughed. Above their heads the Pope is seated on clouds which are supported by a swarm of demons and imps. He wears his triple crown, a royal crown is suspended over his head; in his right hand is a crozier to which are attached keys, in his left hand is a sheaf of thunderbolts. At his side is an inverted cornucopia, pouring out documents inscribed "Absolutions", "Persecutions", "Releases from Purgatory", "Pardons for Money", "Excommunications", "Curses on Heriticks", "Indulgences", "Bulls", "Confessions". Truth, an almost nude female figure, stands upon clouds (right) surrounded by a glory of rays; on her breast is a face surrounded by rays. She holds up a large scroll inscribed "40000 English Protestants massacred in Ireland 1641 Protestants burnt at Smithfield in the reign of Queen Mary. Gunpowder Plot or an attempt to blow up the Parliament House Protestants massacred at Paris, in the Vallies of Piedmont. Tortures of the Inquisition." Beneath the design are the dedication and explanation: "To the Respectable Association of Protestants & to every Worthy supporter of both Church & State this Plate is Dedicated by their Humble Servt the Publisher. Explanation. The State Husbandmen Plowing up the glebe of the Constitution, whilst the Popish Emissaries take the Advantage of the supineness of the Established Church who is fast asleep in the Vineyard where its grand Adversary the Pope, and all his host of Devils, are permitted to Sow the Seeds of their Pernicious Doctrine: Opposition attempts to stop their Progress, but the band of Unanimity is broke, & they have fallen off. Truth descends, showing a Scroll of Melancholy proofs of popish cruelty, Soliciting the Aid of her Friends, to vanquish the Inveterate Enemy, who threatens the Ruin of thair Religion, thair Posterity & thair much injured Country."--British Museum online catalogue
Description:
Title from item., Trimmed within plate mark., Attributed to Gillray in British Museum catalogue., and Publisher's name and address burnished from plate. Publisher identified in British Museum catalogue as W. Humphrey, Printseller, Strand, London.
Publisher:
Published June 2 1780 by W [... ] Printseller [...]
Subject (Name):
George III, King of Great Britain, 1738-1820., North, Frederick, Lord, 1732-1792., Gordon, George, Lord, 1751-1793., and Catholic Church
Subject (Topic):
Papacy, Gordon Riots, 1780, Clergy, Demons, Plows, and Bulls
Leaf 56. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Droll: a fat and jolly woman representing 1760 seated facing a thin gin-sodden woman of 1780."--British Museum online catalogue
Alternative Title:
Emblems of 1760 and 1780
Description:
Title engraved below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1988,0514.64., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below image, four on either side of title: In this poor and humble station, see an emblem of the nation ..., and On leaf 56 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published as the act directs, 1st Jany. 1780, by Robt. Wilkinson, at No. 58 in Cornhill and Field & Tuer
"A monk walks through a ford leading a dog with a crown on its head: 'Father Peters' leading George III to Rome. The monk says "He cocks his Tail yet". He is going towards a wayside cross (right), above which are rocks, on which is seated the Pope, holding out a cross towards the travellers and saying "Hold out my Sons to the End & I'll give you a Crown of Glory". Behind him is a dome surmounted by a cross indicating St. Peter's. On the other side of the pool (left) there are also rocks, on them stands a sheep (?) and in the distance, by the sea-shore, are two small churches of rural appearance; off the shore are three dismantled ships with brooms at their mast-heads to show that they are for sale, the scene being inscribed "Little Britain."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum online catalogue., and Sheet trimmed to plate line.
Publisher:
Pub. by M Darly No. 159 Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820., Pius VI, Pope, 1717-1799., and Petre, Robert Edward Petre, Baron, 1742-1801.
"A Country Fair, with a man in the left selling sculpted figurines, food on the right getting falling out of the fire; above a man on the right shouts 'Millar's miraculous Stratagens' while another on the left retorts 'Cole's queer Whims & Oddities'."--British Museum online catalogue
Description:
Title from item. and Publication date conjectured from costume.
published as the act directs Mayth [sic] 25, 1780.
Call Number:
780.05.25.02
Image Count:
1
Resource Type:
still image
Description:
Title from item., Artist and printmaker from British Museum catalogue., and Sitter identified in British Museum catalogue as possibly Gaetano Manini, painter, of Milan, Italy, or Magnini, a picture dealer.
"A sequel to BMSat 5797. Jack and his prize, the young woman of BMSat 5797, sit side by side on a settee, his left arm round her waist. Beside the woman (right) is a circular table, on which is a wine-bottle and two glasses, one of which she holds. The room is well furnished with a patterned carpet, on the wall which forms the background is a picture of a man seated at a table drinking punch, and a mirror in a carved frame with candle sconce"--British Museum online catalogue
Description:
Title engraved below image., Publication date from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Topic):
Courtship, Couples, Sailors, British, Clothing & dress, and Interiors
Leaf 6. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. British Museum Satires No. 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see British Museum Satires No. 5568. ..."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 29., and On leaf 6 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. ..."--British Museum online catalogue
Description:
Printmaker from British Museum catalogue., Title from item., Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Temporary local subject terms: America as an Indian -- France as a Frenchman -- Holland as a Dutchman -- Spain as a Spaniard -- Scotland as a Scotsman -- Holland: cask of gin -- Allusion to Omoa., 1 print : etching on wove paper, hand-colored ; sheet 24.5 x 35.3 cm., Sheet trimmed within plate mark., and Mounted on leaf 9 of volume 1 of 12.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. Beneath the design is engraved: "The Bull see enrag'd has the Spaniard engag'd, And gave him a Terrible Toss, As he mounts up on high, the Dollars see fly, To make the bold Britton rejoice, The Yankee & Monsieur, at this look quite queer, For they see that his Strength will prevail, If they'd give him his way, and not with foul play, Still tug the poor Beast by the Tail.""--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Earlier state of no. 5624 before verses and labels. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Capture of Omoa -- Native Americans -- Bulls -- American Revolution.
Publisher:
Pub'd 4th Jany. 1780. by W. Humphrey No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and North, Frederick, Lord, 1732-1792
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. ..."--British Museum online catalogue
Description:
Printmaker from British Museum catalogue., Title from item., Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Temporary local subject terms: America as an Indian -- France as a Frenchman -- Holland as a Dutchman -- Spain as a Spaniard -- Scotland as a Scotsman -- Holland: cask of gin -- Allusion to Omoa., 1 print on wove paper : etching, hand-colored ; sheet 25 x 36 cm., and Mounted to 37 x 56 cm.; sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"Lord Amherst in profile to the right in general's uniform rides a prancing horse, holding up a large sword, dripping with the blood of two geese, one of which lies dead beside him, the other staggers, with its neck slashed. Beneath the design is engraved: "If I had Power, Id kill 20 in an Hour."Behind, red-coats on horses with drawn swords are indicated among clouds of smoke. Behind and on the left a large square house is on fire, flames coming from the windows."--British Museum online catalogue
Alternative Title:
Lord Amherst on duty
Description:
Title etched above image. and Sheet trimmed within plate mark.
Publisher:
Pub. accg to act June 12. 1780 by M Darly 39 Strand
Subject (Name):
Amherst, Jeffery Amherst, Baron, 1717-1797.
Subject (Topic):
Gordon Riots, 1780, Military uniforms, British, and Geese
In an elegant bedroom a young woman sits at her dressing table looking at her reflection in the mirror. At her side is a barber with combs in his apron gestures at her image which shows the elaborate high hair of the fashion. Embroidered curtains hang over her canopied bed; the room is decorated with wallpaper and a patterned rug, curtains on the window, and a sash behing the dressing table
Description:
Title from item. and Date conjectured from costume.
"Gordon stands full face, pointing with his cane to a roll inscribed "Protestant Petition", which shows signatures in two columns, another roll lies beside it. His right foot rests on a book inscribed "Popery". He is plainly dressed, lank hair falling on his neck; in his left hand, which is gloved, he holds out his hat and his other glove. Behind him is the point of intersection of the five roads which crossed in St. George's Fields, beside which are drawn up in close order members of the Protestant Association as they are supposed to have met before marching to Westminster on 2 June, but with a complete and military regularity which is very different from fact. Letters refer to explanations below the print. A circle (left) inscribed "B" is the "London Division"; two concentric circles, "D", are the "Scotch Division" (right). Behind (left) is a large tent, and a semicircle of petitioners "A" which represents the "Southwark Division". Opposite them (right) and drawn up facing two roads is "C", the "Westminster Division". Beneath the title is engraved, "President of the Protestant Association"."--British Museum online catalogue
Description:
Title from item., Imprint from British Museum catalogue., and Imperfect; trimmed within plate mark with loss of imprint.
Publisher:
Published as the act directs, Augt. 4, 1780, by John Harris, Sweetings Alley, Cornhill
A well-dressed prostitute lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Sheet trimmed within plate mark with loss of imprint. Imprint and dimensions supplied from impression in the British Museum online catalogue. See British Museum number 2010,7081.1306., Verse in two columns below image: "In the tent how engageing the charmer reclines, the stoutest of hero's to love she inclines; she's a trap, to catch captain's; you're lost & undone, if once you attack her, as sure as a gun.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 54 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and Sheet 34.3 x 25.0 cm.
Subject (Topic):
Military camps, Prostitutes, Rugs, Screens, Sofas, and Tents
"A young woman with her hair dressed high, wearing a calash hood, glancing towards the viewer as she walks to left, arms folded and holding a small book; river and trees in the background."--British Museum online catalogue
Description:
Title from item.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Hats, Clothing & dress, Parks, and Architectural follies
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. BMSat 5674."--British Museum online catalogue
Description:
Title from item., Possibly by Gillray. See British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 22.6 x 26.0 cm, on sheet 25.0 x 28.6 cm., and Mounted on leaf 12 of volume 1 of 12.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. BMSat 5674."--British Museum online catalogue
Description:
Title from item. and Possibly by Gillray. See British Museum catalogue.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand
Leaf 8. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A British and a French sailor addressing one another. The British sailor stands full-face, a club in his right hand, his left hand on his hip. He wears a crowned hat, a handkerchief knotted round his neck, and wide, knee-length trousers. He scowls threateningly. The Frenchman, very thin, stands facing him, in profile to the left; he grins, saying "Ha! Ha! we beata You": the Englishman answers "you Lie". The Frenchman wears a feathered hat, ruffled shirt, long trousers, and a cutlass. His hair is in a very long pigtail queue, tied with a bow of ribbon. In the background a naval battle is indicated by ships and clouds of smoke slightly sketched. Cf. British Museum Satires No. 5674."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5695 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 8 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Augt. 9th, 1780, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Sailors, French, and Clothing & dress
"A naval officer wearing a ribbon and star is mounted on the back of an old naval pensioner, with a wooden leg and a blind eye who is supported on crutches. He gives his right hand to another officer who is dancing along by his side, his right hand on his hip. The old pensioner says, "To what a Condition alas! am I brought, Who so many Battles so bravely have fought." The scene is outside the gates of Greenwich Hospital. A pensioner lies in the road, in front of the triumphant pair, leaning against a post or milestone (right). He says, "Alas! what a Scene to each Son of the wave, Who in Thunder & Fire have always been brave." Immediately behind the old pensioner who is being used as a beast of burden walks a man with a surly expression, beating a drum. Behind him (left) three pensioners supported on crutches and sticks, walk away turning their backs on the procession. One looks over his shoulder, saying, "Is this the reward for services past, While------with Honor & profits are grac'd." In the background buildings of the Hospital are freely sketched."--British Museum online catalogue
Alternative Title:
Naval triumph, or, Favors conferred, Favors confer'd, and Favors conferred
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Four lines of verse below image, two on either side of title: The shake of the hand, with such goodness & grace, shews who is in favour & who is in place, at Greenwich the poor invalids will proclaim, what at present we do not think proper to name., Sheet trimmed to plate mark., and Formerly mounted on leaf 10 of volume 1 of 14 volumes.
Publisher:
Printed for J. Harris, No. 3 Sweetings Alley, Cornhill
"The half length figure of a ruffianly man, shouting "Down with the Bank" and raising in both hands a stick or bar. In his hat is a ribbon favour inscribed "No Popery". On the right and behind is the façade of Newgate in flames."--British Museum online catalogue
Alternative Title:
Newgate reformer
Description:
Title etched below image., Printmaker from British Museum catalogue., The ficticious publisher "I. Catch" probably refers to Jack Ketch or the hangman. See British Museum catalogue., Four lines of verse below title: Tho' he says he's a Protestant, look at the print, the face and the bludgeon will give you a hint, religion he cries, in hopes to deceive, while his practice is only to burn and to thieve., 1 print : etching on wove paper ; plate mark 27.4 x 21.2 cm, on sheet 38.6 x 28.5 cm., and Formerly mounted on leaf 4 of volume 1 of 14 volumes.
Publisher:
Publish'd as the Act directs, June 9th, 1780, by I. Catch of St. Giles's
Subject (Geographic):
England and London
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Gordon Riots, 1780, Vandalism, and Clothing & dress
"The half length figure of a ruffianly man, shouting "Down with the Bank" and raising in both hands a stick or bar. In his hat is a ribbon favour inscribed "No Popery". On the right and behind is the façade of Newgate in flames."--British Museum online catalogue
Alternative Title:
Newgate reformer
Description:
Title etched below image., Printmaker from British Museum catalogue., The ficticious publisher "I. Catch" probably refers to Jack Ketch or the hangman. See British Museum catalogue., Four lines of verse below title: Tho' he says he's a Protestant, look at the print, the face and the bludgeon will give you a hint, religion he cries, in hopes to deceive, while his practice is only to burn and to thieve., and Watermark: SEC[?] 1828.
Publisher:
Publish'd as the Act directs, June 9th, 1780, by I. Catch of St. Giles's
Subject (Geographic):
England and London
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Gordon Riots, 1780, Vandalism, and Clothing & dress
Leaf 29. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The half length figure of a ruffianly man, shouting "Down with the Bank" and raising in both hands a stick or bar. In his hat is a ribbon favour inscribed "No Popery". On the right and behind is the façade of Newgate in flames."--British Museum online catalogue
Alternative Title:
Newgate reformer
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], The ficticious publisher "I. Catch" probably refers to Jack Ketch or the hangman. See British Museum catalogue., Four lines of verse below title: Tho' he says he's a Protestant, look at the print, the face and the bludgeon will give you a hint, religion he cries, in hopes to deceive, while his practice is only to burn and to thieve., Cf. Wright, T. Works of James Gillray, the caricaturist, page 31., and On leaf 29 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd as the act directs, June 9th, 1780, by I. Catch of St. Giles's [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
England and London
Subject (Name):
Restrike. For original issue of the plate, see no. 5679 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. and Newgate (Prison : London, England)
Subject (Topic):
Gordon Riots, 1780, Vandalism, and Clothing & dress
"Whole length caricature portrait of a man sitting on a four-legged stool in profile to the right. He has a large sharp nose. In his left hand he holds a paper inscribed "Newgate Contract". On the ground are two papers, one inscribed "To Mr Nic", the other, "Speech agt City Place Bill". He is plainly and neatly dressed, his wig in a tight pigtail queue."--British Museum online catalogue
Description:
Title etched below image., Attributed to Mary Darly in dealer's description., Date of publication from the British Museum catalogue. Based on the building of new Newgate Prison which began in 1770 and was completed after 1780., The figure in the print is identified on the British Museum impression, "Sharp, an ironmonder in Leadenhall Street." The London directory for 1780 James Sharpe, Ironmonger is at 15 Leadenhall Street., and Imperfect; sheet trimmed within plate mark with partial loss of artist statement from lower left corner. Missing text supplied from impression in the British Museum, registration no.: 1868,0808.13117.
"A large pot stands over a fire on the ground, a number of men stand round it, some throwing ingredients for the soup into it. A man (right) holds a torch to the bottom of the pot saying "I'll sett the whole in a blaze"; another (left) feeds the fire with folded documents inscribed ". . . esq. Bonds", saying "A new way to pay old Debts". His squint and Mephistophelian wig indicate Wilkes. Behind him an obese man looks on with his arms folded and his breeches' pockets hanging out empty; he says, "I cannot do that but I'll vote to burn the Owners". He is probably Charles Fox. A sailor wearing striped trousers hurries away from the pot, into which he is excreting, saying "Heavens a Lee Shore I'd rather face". He is evidently intended for Keppel, known as Admiral Lee Shore (see BMSat 5992, &c.) after the action off Ushant of 27 July 1778 (cf. BMSat 5626, &c), who after his court martial (see BMSat 5536) had protested against serving under Sandwich as First Lord and had been ordered to strike his flag. Next him a man holding a large basket puts a potato into the pot, saying, "G------d fire me now if I've a Potatoe left". He may be Burke (or Barré). Next sits Louis XVI facing the pot; he wears a crown and a coat covered with fleur-de-lys; with one hand he points to the sailor, with the other he holds up a frog, saying, "Dis an dat make ver good Soup". On his left stands a man with turnips (?) under his arm saying, "A very good strengthener - but will it cure. . . ". The next man holds a cow's heel over the pot saying "by Jasus nothing makes better Mutton Broth than a good Cow heel". He is perhaps Barré (or Burke). The Duke of Richmond with a ribbon and star comes up with a coal-scuttle saying "and I'll find Coals". He was the grantee of a duty on coals (granted by Charles II to his grandfather, son of the Duchess of Portsmouth). This was the notorious 'Richmond Shilling' denounced in Paine's 'Rights of Man'. A woman runs forward from the right, her sleeves turned up and wearing an apron and ragged petticoat; she says, "Stop Thief the son of a W------e has stole my Coals". On the extreme left is a grotesque monster or devil, with horns and a barbed tail, at his feet, in profile to the left kneels a bishop, his hands raised in prayer, saying, "We are gathered together in thy name". On the extreme right a spectator looks from a doorway, pointing at the scene and saying "Sing tantararara Rogues all Rogues all"."--British Museum online catalogue
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Pubd. March 16th. 1780 by T. Cornell Printsellers, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Wilkes, John, 1725-1797, Keppel, Augustus Keppel, Viscount, 1725-1786., Richmond, Charles Lennox, 3rd Duke of, 1735-1806., and Louis XVI, King of France, 1754-1793.
A man standing next to a tree tries to defend himself from an attacking swarm of hornets whose nest he disturbed with his cane. A reference to the County Associations and petitions (1779-1780) and to Edmund Burke's plan of economical reform
Description:
Title engraved above image., Sheet trimmed within plate mark., Place of publication from that of magazine., and Frontispiece to July, 1780, issue of the Universal magazine.
"A huntsman (left), mounted on a horse snorting flames which are inscribed "Faction", preceded by the "ministerial hounds", chases a stag, inscribed "Constitution". The huntsman is Bate, afterwards Bate Dudley, representing the Ministerial Press. He is dressed like the body of news vendors with drums and trumpets to advertise the 'Morning Post' seen by Walpole in Nov. 1776 (see BMSat 5550), and is blowing a trumpet. His cap is inscribed "Post", round his shoulders is slung a bundle inscribed "Materials for Post", made up of "Satire", "Malice", "Scandal", "Falsehood". From his pocket hangs a paper, "The Art of Lying made Easy by B." He leaps a fence inscribed "Bounds of Discretion". The hounds are taking a circular course as the stag has doubled back and is advancing towards a ravine, a signpost pointing "To the Vale of Oblivion". The stag says "I shall fall like Lucifer never to Hope again." The two foremost hounds have human faces; the first (North) says "We shall soon be in at the Death - She can go no further N . . . h". The next, inscribed "Twitcher" (Lord Sandwich), says "I have long had her Destruction at Heart & the sooner the better". The third (Lord G. Germain) says, "I run almost as fast now as I did at Minden" (cf. BMSat 5675). Next is a dog with a judge's wig (Mansfield) saying, "She will find no Covert near Caen Wood" (cf. BMSat 4885). A dog inscribed "L. S." says "I am the sort to go Thro Thick & Thin"; perhaps intended for Lord Stormont, Secretary of State, and Mansfield's nephew, or possibly for Lovel Stanhope, who was appointed Comptroller of the Board of Green Cloth in September 1780. A dog with the face of a demon, [Mr Hawkins has written "Jer. Dyson" on this dog, but he died in 1776] probably representing the Devil as in BMSat 5675, says, "I allways was firm to the cause". The next dog is inscribed "Log" and is saying "I stick at Nothing". This is evidently Sir Hugh Palliser, whose log-book was found at his court martial to have been altered, see BMSat 5536, 5537. The last dog says "I am Adam'd Good Dog but ye last Fox Hunt Had like to be Death of me". He is William Adam, whose duel with Fox on 29 Nov. 1779 roused much bitterness against the ministry, see BMSat 5575, 5625. The scene is a wooded hill and the going is rough. Behind Bate on the left is the partly ruined "Templum Libertatis" overgrown with shrubs and shored up by timbers inscribed "Richmond", "Barre", "Camden", "Burke & Fox", "Wilks". Beneath the design is etched: "Hungry Dogs the old Proverbs say Eat dirty Pudding, when in their way So Will these Dogs as oft we are told Catch at any thing which looks like Gold. Or bears the least Aspect of doing Good for themselves tho their Country ruin. Tis little Rogues submit to fate Whilst ye Great enjoy ye World in State.""--British Museum online catalogue
Alternative Title:
Ministerial hounds in full cry
Description:
Title from item., Sheet trimmed, with upper right corner torn off., and Publication date from British Museum catalogue.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Dudley, H. Bate Sir, 1745-1824. (Henry Bate),, North, Frederick, Lord, 1732-1792., Sandwich, John Montagu, Earl of, 1718-1792., Sackville, George Germain, Viscount, 1716-1785., Palliser, Hugh, Sir, 1723-1796., and Adam, William, 1751-1839.
An older man, representing Rev. Madan, is attacked by two women, one of them pulling on his coat and indicating a crying boy standing next to her, the other grasping his wig with her left hand and ready to strike him with a small stool she is holding in her right. Her right foot is propped on a volume entitled "Thelyphthora," his treatise advocating polygamy. Behind her, a third woman is picking his pocket. On the left two women are engaged in a fight; on the right a couple is kissing behind a screen on which is displayed an image of a duel, above it is an image of a prisoner in chains and next to it a body hanging from the gibbet
Alternative Title:
Polygamy displayed and Doctor Madman restored to his senses
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Publish'd 1st Decr. 1780 by the author
Subject (Geographic):
England
Subject (Name):
Madan, Martin, 1726-1790.
Subject (Topic):
Clergy, Polygamy, Fighting, Children, Couples, and Clothing & dress
"Men and women eating in the open air, at a table, some sitting, others standing. In the background are the tents of a camp; in the middle distance (right) eight men and women holding hands are dancing in a ring. A man of grotesque appearance, one eye covered with a circular patch, sits full-face, plying a knife and fork. Behind him stands Wilkes, who is chucking a pretty maid-servant under the chin so that she spills the wine which she has just poured out. This attracts the amused attention of a man standing behind Wilkes, and of one sitting at the table. The other figures are indicated only by their heads, which are perhaps portraits: there are two women of attractive appearance, one, whose high-dressed hair is decorated with feathers, the other with a hat trimmed with a cockade and feathers; a grotesque-looking old man with unkempt hair who is drinking wine; an old man with a grenadier's cap. A man seated on the bench shows only a wig and a broad back. On the bench is also a sucking-pig which a dog is seizing. On the ground are bottles, a pile of plates, and a brimming punch-bowl. Two cocks (right) are fighting. Beneath the title is engraved "Oh what a charming Thing is eating"."--British Museum online catalogue
Description:
Title from item. and Ttrimmed within plate line on top and bottom.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Wilkes, John, 1725-1797
Subject (Topic):
Military camps, Eating & drinking, Cockfighting, and Dance
"A thin man wearing a coat with military facings, draws after him (right to left.) a small four-wheeled carriage, similar to a bath-chair or perambulator, inscribed Cox Heath. In it sits a child with a doll. A dog stands at her feet barking at the man who draws the carriage, who has a bundle strapped to his back, apparently containing hay. At the back of the carriage in the place of a footman stands a ragged dwarfish man. On the farther side of the carriage is a recruiting sergeant playing a fife. In the foreground (right) a fat woman, the wife of the man drawing the carriage, walks along carrying a basket containing bottles and a large umbrella in her right hand; a musket is tucked under her left arm. She and the three men all wear oak-leaves in their hats. In the distance the tents of the camp are indicated. An inscription beneath the title has been cut off. One of a number of satires on the militia and the camp of Coxheath, see BMSat 5523, &c."--British Museum online catalogue
Alternative Title:
Recruiting sergeant and contented mates
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Military camps, Baby carriages, and Clothing & dress
Volume 1, page 13. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a group of new recruits being drilled by two soldiers outside an inn called 'The Old Fortune', the sign showing a one-legged old soldier, while a young woman sells vegetables from a basket; the head of a grinning man appears behind her below the inn sign."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: J,6.47., Sheet trimmed to plate mark., Plate numbered "2" in upper left corner., Temporary local subject terms: Military: Drilling recruits -- Recruits -- Sergeant -- Signboards: 'The Old Fortune' (Of War) -- Street scenes., and Mounted on page 13 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Jany. 1st, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Saint James's Palace (London, England),
Subject (Topic):
Military uniforms, British, Military officers, Soldiers, Recruiting & enlistment, Taverns (Inns), and Signs (Notices)
A stout publican (Samuel House) holding a tankard with initials SH in his right hand and a pipe in his left is standing in front of his house. He wears waistcoat with sleeves, without a coat and wig; his breeches are unbuttoned at the knees. Behind him is a large barrel on which is written "Fox for Ever Huzza." A man smoking a pipe is seated below the window in which sit two other men, one with a pipe. Another man is vomiting out the second window
Alternative Title:
Sir Samuel House
Description:
Title from item., Trimmed within plate mark at the bottom with loss of imprint., First state, with printmaker's name on plate., Date of publication from nos. 5696 and 5697 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 5., and Sheet trimmed.
Publisher:
publisher not identified
Subject (Geographic):
England and Westminster
Subject (Name):
House, Samuel, -1785. and Fox, Charles James, 1749-1806.
Subject (Topic):
Political elections, Drinking vessels, Tobacco pipes, Barrels, Birdcages, Vomiting, and Clothing & dress
"Hibernia (left) seated under a tree receives advances from four men representing France, Spain, Holland, and Portugal. She holds a spear, and a shield on which is the Irish harp. At her side is a large roll inscribed "Irish Linnen" and a corded bale or packing case. The tree is inscribed "Shelaley" [An obsolete form of shillelagh, the term for a cudgel deriving from "a wood of that name [in County Wicklow] famous for its oaks". Grose, 'Dict. Vulg. Tongue', 1785, cited O.E.D.] and a branch over Hibernia's head is encircled with a wreath inscribed "Shamroke". She says, "I was once the Wife of John Bull, but now Ive a License to trade for myself, my Ports are free for all Mankind to enter". Lord North looks from behind the trunk of the tree, saying, "Had it not been for the Disturbance in America you should never have had a free trade I'm as far North as any of you". France approaches, hat in hand, his right. hand outstretched, saying "I have no vear de Shirt since Fielding take de Holland vich Mynheer sent me, I'm forced to make shift vith de Ruffle, if you vill let me into your Port for to get a bit of Linnen, I vill give you de French P--x, vich is all I shall have left ven de var is over". (It was a common gibe among the English populace that Frenchmen wore ruffles without shirts.) Spain, wearing a feathered hat, cloak, and slashed doublet, says "Let me enter your Port I'll give you plenty of Spanish Gold for your Linnen, tho' if Rodney comes to see me often I shall have none left". Holland, wearing a high-crowned hat and smoking a pipe, says "I want apiece of Linnen to send to America, she wants a new Shift but can't come for it least she should catch cold, if you'll let me enter your Port I'll give you a Dutch Herring and a glass of Hollands after it to keep it from rising in your Stomach". Portugal, dressed like Spain, except that his doublet is not slashed, says "I keep a Vineyard in Portugall, if you'll let me into your Port, I'll supply you with Wine at a cheap rate for your Linnen, if you'll drink none from France or Spain.""--British Museum online catalogue
Alternative Title:
Suitors to Hibernia on her having a free trade
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Publish'd March 18, 1780, by I. Mills, No. 1 Ratcliff Row, London
Subject (Geographic):
Ireland and Great Britain.
Subject (Name):
North, Frederick, Lord, 1732-1792.
Subject (Topic):
Foreign economic relations, Free trade, and Clothing & dress
Two groups of men, an English group on the left (including George III, North, and Shelburne) and a Dutch group (including a sailor and clergyman) stand on the seashore, with the lone figure of Lord George Gordon on the right and allegorical figures overhead. The figures are numbered but there is no accompanying explanation. A naval battle between French and British ships occupies the distance. Concerns English policies towards Dutch shipping and Dutch reaction to the Gordon Riots
Alternative Title:
That and this side of the water, Dutch & English politicks, and Dutch and English politicks
Description:
Title from item., Place of publication from address of the supposed publisher, William Richardson of High Holborn. See Maxted, London book trades., and An English copy of: Engelsch nieuws. See British Museum catalogue, no. 5722.
Publisher:
Publish'd as the Act directs Septr. 29th, 1780 by Wm. Richardson
Subject (Geographic):
Great Britain, Netherlands., Netherlands, and Great Britain.
Subject (Topic):
Foreign relations, Gordon Riots, 1780, Commerce, and Clothing & dress
The kings of England, France, and Spain stand or sit by a table set with a punch-bowl, wine bottles, and glasses. Behind the table is a four-paneled screen. A waiter with a bill in his hand and a napkin under his arm says to George II: "Who pays the reckoning." George responds: "O! The French King pays for me." The King of France in a coat decorated with fleur-de-lys responds: "The King of Spain pays for all." The King of Spain seated at the table and dressed in a clock and feathered hat says: "D-n the family compact."
Alternative Title:
Three kings
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Text below image indicates the country of each corresponding King portrayed in image: England; France; Spain., Stamped on verso: British Museum 1868 4656; second stamp indicting British Museum duplicate: JRR in ms., and Date added in ms. by unidentified hand in ink in lower right corner: 26 Feb. 1780.
Publisher:
Published as the Act directs, Feby. 26, 1780 by WRichardson, No. 68 High Holborn
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charles III, King of Spain, 1716-1788, and Louis XVI, King of France, 1754-1793
"Lord North (left), with a sack over his shoulder inscribed "Budget", drags by a chain a large lion. The lion's right fore-paw, inscribed "America", has been cut off, and his leg is bleeding. With the lion walk America, France, and Spain. America, a Red Indian with a head-dress and kilt of feathers, holds out a tomahawk in his left hand; in his other hand is the staff supporting the cap of liberty; he says, "This Limb belongs to me in Spite of Fate". France holds out a sword in his left hand, his right is on the lion's head; he says, "Either by Policy or Force I must Obtain some limb or Other". Spain, standing by France, says "I am afraid I shall lose all my Dollers & get Nothing". Behind the lion (r.) three men advance with a flag inscribed "Associations", two of them with drawn swords; they point towards North; one says, "Let our Associations Stop that lump of Iniquity from Ruining our Country"; the next says, "One limb is lost Already by his Infernal tricks". The third says, "Give us an Account how you Spend our money". North is saying, "D------n these Associations they will put a Stop to my Proceedings at last." He is walking over documents inscribed "York; Middlesex; Petitions, and Protestant Petition" (the monster petition for the repeal of the Catholic Relief Act to which Lord George Gordon was then collecting signatures). In the foreground a large thistle is growing, emblematic of the evil influence of Scotland; near it appears part of some striped material, perhaps the American flag, but with many more than thirteen stripes."--British Museum online catalogue
Alternative Title:
Voice of the public for an enquiry into the public expenditure
Description:
Title from item., Trimmed within plate line with partial loss of imprint., Publication day and year from British Museum catalogue., and Possibly engraved by T. Colley. See British Museum catalogue.
Publisher:
Pub. by E. Hedges No. 2, under the Royal Exchange, Cornhill
Subject (Geographic):
Great Britain and United States
Subject (Name):
North, Frederick, Lord, 1732-1792.
Subject (Topic):
Politics and government, Foreign relations, and History
An obese man with fox's head, holding a sheet of paper inscribed "On the Freedom of Election," is facing his very thin opponent with a hound's head holding a sheet inscribed "Services done in America." They represent, respectively, Charles James Fox, and Thomas Pelham, Lord Lincoln, the latter supported by the court
Alternative Title:
Fox and Hound and Rival candidates
Description:
Title from item.
Publisher:
publisher not identified
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806. and Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795.
Subject (Topic):
Political elections, Foxes, Dogs, and Clothing & dress
The interior of a coffee-house, the customers, with one exception, deeply interested and dismayed at the news in a 'Gazette Extraordinary'. On each side of the room is an oblong table flanked by wooden settees. Between the tables and in the center of the design three men stand, one of whom reads from a 'Gazette Extraordinary'. His two companions look at him with scowling attention; one, his hat under his arm, has both hands thrust deep into the pockets of his coat; the other holds his forehead, from which his wig has been pushed back. A dog gazes up at them. At the table on the left a man sits in full face gaping with dismay, his hands rest on the table grasping his knife and fork. Two men sit on opposite sides of the table on the right; one holds a glass in his left hand, while he looks up at the group with the newspaper. His vis-à-vis has turned sideways, his hands on his knees, with an expression of melancholy alarm. Behind him, one hand on the back of the settle, stands John Wilkes, conspicuous by his squint and his characteristic wig; he holds a glass of wine and frowns. At his side is a man leaning back asleep. -British Museum catalogue
Description:
Title from caption inscribed in ink below image., Artist's signature and date inscribed in ink in the artist's hand below image., Published etching after this drawing described in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 5923., and For further information, consult library staff.
Subject (Topic):
Coffeehouses, Newspapers, Debates, and Discussions
"A soldier on a great horse holds a rope attached to the legs of two prisoners who sit behind him facing the animal's tail; a drawn sword is in his right hand. Behind (right) is a haystack, on the top of which are two other Spaniards, much alarmed at the approach of a countryman who threatens them with his pitch-fork. A man and woman (left), both wearing coats with military facings, watch the scene; she points, he looks through a small telescope. In the foreground a sow and three young pigs are galloping. In the background is the sea, with fishing-boats."--British Museum online catalogue
Description:
Title from item. and Sheet trimmed to plate line.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Spanish, Captives, Soldiers, Swine, and Clothing & dress
"A Welshman shown half-length seated looking towards the viewer, with left elbow on a table beside pipe, glass and carafe to right, pointing at his goat whose head appears to left, wearing plain coat over pale waist-coat, short powdered wig and broad brimmed hat to which a leek has been strapped."--British Museum online catalogue
Alternative Title:
Welch-man and his goat and Welshman and his goat
Description:
Title from caption below image., Sheet trimmed to plate mark with loss of imprint., Purchased from British Museum in 2010. Cf. British Museum number 2010,7081.2185., No. 16 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
George III sharing a cannibal feast with an Indian chief. Under a palm-tree (left) are three American Indians; one, standing, holds the dismembered body of an infant, so that its blood pours into a cup formed of a skull held by a kneeling Indian (left). The third (right), whose feathers and bracelets show that he is a chief, sits on the ground holding a tomahawk in one hand, a long bone which he is gnawing in the other. On his left, and in the centre of the design, sits George III on the ground, gnawing the other end of the Indian's bone, while he holds a smoking bowl made of a skull. He is wearing the ribbon and star of the Garter. On the ground in front are the head and limbs of an infant, and a dog vomiting. On the king's left is a flag-staff, surmounted by a cross, from it hangs a ragged flag on which is inscribed "GEO . . . E the T[hird] by the Grace of. . . . of. . . . King [Def]ender of the Faith &c.” Beneath it, a 'Holy Bible' stands upside down. Two figures hasten towards the feast from the right. A very fat bishop wearing a mitre holds in his right hand a crozier, in the left a paper inscribed “Form of Prayer 4th Febry General Fast.” He is saying “That thy Ways may be known upon Earth, thy saving Health among all Nations.” Behind him is a sailor carrying on his head a packing-case inscribed “Scalping Knives, Crucifixes, Tomahawks, Presents to Indians 96,000”; he says, “D------n my dear Eyes, but we are hellish good Christians.” Beneath the design is engraved, “Qui facit per alium, facit per se. Princ. Leg. Ang.” In the upper right corner of the print is engraved on a scroll, “The Party of Savages [The original here adds “under Le Mote”] went out with Orders not to spare Man, Woman, or Child. To this cruel Mandate even some of the Savages made an Objection, respecting the butchering the Women & Children; but they were told the Children would make Soldiers, & the Women would keep up the Stock. Remembrancer, Vol. 8. p. 77”--British Museum online catalogue
Alternative Title:
Par nobile fratrum
Description:
Title from item., Sheet trimmed within plate mark., and First state, with imprint present.
Publisher:
Pub'd as the act directs Febry. 3, 1780 by I. Almon, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820. and Markham, William, 1719-1807.
Subject (Topic):
Indians of North America, Cannibalism, Clergy, and Clothing & dress
Two military officers on horseback beside a fence, one tall and thin with a walking stick under his arm, following another who is short and corpulent who holds his sword by the blade
Alternative Title:
City defenders
Description:
Title from item.
Publisher:
Pub by M Darly Sept 1, 1780 (39) Strand
Subject (Topic):
Military officers, British, Military uniforms, Horseback riding, Staffs (Sticks), Daggers & swords, and Wigs
"The beam of a pair of scales supported on a post, from each end of which, instead of a scale, dangles a man as if from a gibbet. On the centre of the beam is perched an owl wearing a ribbon and star, inscribed "Center of Gravity". On the lighter side (left) hangs a man over whose eyes a fool's cap has been drawn, through which protrude ass's ears. In his right hand is a "Plan for enlarging Newgate", in his left a copy of the 'General Advertiser'. On the right hangs a man in parson's gown and bands, his eyes covered by a turban-shaped cap; in his left hand is a copy of the 'Morning Post', in his right a newsboy's horn, from which issues a blast inscribed "Blast ye", directed against the other body hanging from the gibbet. On his breast is a playing-card, the knave of clubs. Over his head are falling a castle, two churches, and two mitres. He is Bate, editor of the 'Morning Post', noted as a bruiser, see BMSat 5550, &c. On the ground stand two figures pointing to the gibbet: Justice (left) leans on her sword, holding her scales, above her head is engraved: "Grave wisdom takes the centre of the Beam, And leaves to Knave & Fool, the wide extream." The owl perhaps represents North, often accused of unseemly levity, and his attitude towards Ministerial journalists. The Devil (r.) stands holding a coffin on which is a skull and cross-bones surmounting a freely sketched inscription suggesting the words "Here lies P[arson] B[ate]" and two reversed mitres. He points grinning to Bate; above his head is inscribed, "Here I wait; To take my B------.""--British Museum online catalogue
Description:
Title from item. and Trimmed to design.
Publisher:
Publish'd May 8, 1780, by W. Renigald
Subject (Geographic):
England and London
Subject (Name):
Cooke, William, active 1776-1780., Dudley, H. Bate Sir, 1745-1824. (Henry Bate),, and North, Frederick, Lord, 1732-1792.
Title from item., Trimmed to plate line on sides and bottom., "Resembles the manner of Viscount Townshend."--British Museum catalogue., and Publisher's name transcribed as "Kearly" in British Museum catalogue.
Publisher:
Pubd. 1st. of March 1780 by J. Kearly Stafford St., Old Bond St. & E. Hedg under the Royl. Exchange
Subject (Name):
North, Frederick, Lord, 1732-1792., George III, King of Great Britain, 1738-1820., Mansfield, William Murray, Earl of, 1705-1793., Bute, John Stuart, Earl of, 1713-1792., Downshire, Wills Hill, Marquis of, 1718-1793., and Buckingham Palace (London, England)
"A companion print to BMSat 5640. A large bull transfixed on a spit roasts before a fire (left) over which hangs a large covered pot. Beside the animal sits George III (left) wearing a ribbon, in his right. hand he holds the end of the spit, in the left a handkerchief, saying "Turning the Spit, has made me Sweat; by George". Sandwich holds a large spoon to baste it, saying, "Not quite so fat as he was formerly". Bute, in tartan, stands behind the bull, saying, "Twas a Noble Beast; Jemmy Twitcher". On the right is a dinner table, behind which sit figures representing France, America, and Spain. France is saying "A bit of the Brown for Louis". America, a Red Indian woman, with a feathered head-dress, her knife raised to her mouth, her left hand in her plate clutching a fork, is saying, "A Dish of Buttock for Congress". Spain, in cloak and feathered hat, says "Some of the Flank for Don Diego". On the ground in front of the table sits a Dutchman eating with a spoon out of a bowl; he says "I've got a Dish of Memorial Broth", an allusion to the succession of memorials presented by Sir Joseph Yorke to the States General on breaches of their treaties with England, see BMSat 5568, 5571, &c Lord North is bringing a dish from the fire to the table, saying "I'll serve you all my good Friends as fast as possible". Beneath the design is engraved: "Behold the poor Bull! once Britania's chief boast, Is kill'd by State Cooks, and laid down for a Roast! While his Master, who should all his Honours maintain, Turns the Spit tho' he should such an Office disdain. Monsieur licks his gills at a bit of the Brown, And the other two wish for to gobble him down, But may ill digestion attend on the treat, And the Cooks every one soon be roasted, & Eat.""--British Museum online catalogue
Alternative Title:
Political cooks serving their customers
Description:
Title from item.
Publisher:
Publish'd as the act directs Feby. 12, 1780, by I. Harris, Sweetings Alley, Cornhill, London
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., North, Frederick, Lord, 1732-1792., Bute, John Stuart, Earl of, 1713-1792., and Sandwich, John Montagu, Earl of, 1718-1792.
Subject (Topic):
John Bull (Symbolic character)., Foreign relations, Cauldrons, and Cooking utensils
