"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 32.8 x 23.2 cm, on sheet 34.9 x 24.5 cm., and Mounted on leaf 27 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 43.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 47 x 33 cm.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
Volume 2, page 35. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An organ grinder turning angrily to left at the sight of a soldier placing his hand on the arm of a beautiful girl from his troupe playing the mechanical organ at left, his dog at his ankles reflecting his sentiment by growling at another at the soldiers feet, behind at left a woman beating a drum and on the right a young girl plays a triangle, two friars stand behind, ogling the organ player, buildings and a church on the street behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 35 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 20th, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Street musicians, Organ grinders, Drums (Musical instruments), Soldiers, Monks, and Dogs
A view of a barber's shop with images of customers receiving various stages of services: shaving, hair cuts, care of wigs. Two dogs fight over a wig in the foreground
Description:
Title etched below image., Publication date from no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., No. 1 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 31 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching with rocker on laid paper ; sheet 50.7 x 66.7 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Volume 2, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Scene: Shaving in front of tent -- Militia: Sentry -- Officer -- Costume, 1784 -- Black footboy -- Military: Busby -- Male hats, 1784., and Mounted on page 23 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. June the 25th, 1784, by C. White, Stafford Row, Pimlico
Subject (Topic):
Military camps, Military uniforms, Military officers, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
A lawyer wearing spectacles and with a feather pen in his mouth sits at a tall desk in his study while country bumkins solicit him with payment in dead animals and produce -- e.g., rabbits, fowl, and piglets. His clerk (behind him at the desk) smiles as he also writes with a feather pen. On the wall (right) hangs a map of Great Britain and above it on a bookshelves large folios with titles 'Strange reports' and 'Burn's justice'.
Alternative Title:
Avocat de la campagne avec ses clients
Description:
Title from text below image., Title in English and French., Sheet trimmed to plate mark., Numbered "553" in lower left corner., No. 30 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
"A companion print to British Museum Satires No. 6912; a similar group of men in a similar room stand or sit at a rectangular table singing from a large music-book held open on the table. Punch-bowl, wine-bottle, glasses, pipes, a tumbler are on the table which is covered by a heavy cloth. Their expressions are more serious than those of the catch-singers. Two men in the background are smoking, one of whom is lighting his pipe. A dog sits in the foreground looking up at the singers. The words of the glee are engraved beneath the print, beginning: 'Which is the properest Day to drink, Saturday, Sunday, Monday,'; republished state."--British Museum online catalogue
Alternative Title:
Allegresse
Description:
Title from item., Artist from description in Sotheby's catalog., Publication date assigned by the repository based on the series number., Twelve lines of verse below image., Numbered '567' in series., and Temporary local subject terms: Glee Club -- Punch bowls -- Wine bottles -- Glass: wine glasses -- Tablecloths -- Interiors: Robert Smith's house in St. Paul's Church Yard -- Carpets.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Singing, Smoking, Pipes (Smoking), Wine, Drinking vessels, and Dogs
"Satire: a parson saying farewell to his family as he prepares to ride off on his unkempt horse to give a 'Charity Sermon'; they stand outside a thatched cottage on the right and a milestone indicates that they are 70 miles from London; their small boy holds a copy of 'The Youth's Instructor'."--British Museum online catalogue, description of earlier issue
Description:
Probable reissue of no. 3756 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, pt. 2. Original issue without imprint date; dated in the Catalogue ca. 1760., Sheet trimmed within plate mark., Plate numbered '564' in lower left corner., After Dighton. Cf. Sotheby's catalog., Temporary local subject terms: Clergy: journeyman parson -- Signs: milestones -- Cottages: exterior -- Architectural details: windows with diamond pattern -- Country churches -- Country houses -- Charity sermons -- Male costume: fastening on sleeves of shirt -- Children's costume: young boy -- Baby -- Hats: mob-cap -- Horses., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69, St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A man sits a tavern table facing left, his right arm raised as if making a strong point. On the table is tankard filled with a large head of froth; on the tankard are etched the words "Spotted Dog Holy Well sc." From his pocket a rolled document with the heading "Burke on oecon[omy]."
Description:
Title etched below image., Sheet trimmed within plate mark., Five lines of text below image: You may talk what you will of Mustor Pitt's wirtues, but I will maintain it, that Muster Burke Gemmen is the most wirtuous honest man in the King's dominions, if he had his won very Gemmem we shoud not be Burthern'd withe such vicked txes, but zounds, Mr. Burke Gemmen caunt carry the whole House of Commons in his belly., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to Edmund Burke -- Allusion to Burke's speech on public economy, 11 February 1780 -- Allusion to William Pitt's tax proposals, 1784., and Ms. annotation in lower left, below image: John Nixon 1785.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797. and Pitt, William, 1759-1806.
Subject (Topic):
Taxation, Politics and government, Beer, Debates, Drinking vessels, and Taverns (Inns)
"Social satire: a crowd of invalids and loungers on the North Parade in Bath."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Joshua Kirby Baldrey from unverified data in local card catalog record., Published between 1780-1790; see British Museum online catalogue, registration no.: 1948,0214.797., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bath: North Parade Street -- Prepoint Street -- City buildings -- Walking staves -- Parasols -- Pavement -- Candy in baskets -- Street vending -- Iron fences -- Female costume, 1785 -- Male costume, 1785., 1 print : etching with stipple, hand-colored ; plate mark 272 x 412 mm., and Data in local record (attribution to John Kirby; 1795 date) from Joan Sussler, Lewis Walpole Library.
Publisher:
publisher not identified
Subject (Geographic):
Bath (England),
Subject (Topic):
Gout, Health resorts, City & town life, Terraces, Crowds, Staffs (Sticks), Wheelchairs, People with disabilities, Umbrellas, Wheelbarrows, and Street vendors
"Social satire: a crowd of invalids and loungers on the North Parade in Bath."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Joshua Kirby Baldrey from unverified data in local card catalog record., Published between 1780-1790; see British Museum online catalogue, registration no.: 1948,0214.797., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Bath: North Parade Street -- Prepoint Street -- City buildings -- Walking staves -- Parasols -- Pavement -- Candy in baskets -- Street vending -- Iron fences -- Female costume, 1785 -- Male costume, 1785.
Publisher:
publisher not identified
Subject (Geographic):
Bath (England),
Subject (Topic):
Gout, Health resorts, City & town life, Terraces, Crowds, Staffs (Sticks), Wheelchairs, People with disabilities, Umbrellas, Wheelbarrows, and Street vendors
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., 1 print : etching and aquatint on wove paper ; sheet 25 x 19.2 cm., Sheet trimmed within plate mark on three sides., and Mounted on verso of leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Watermark: partial, fleur-de-lis on shield with initials L V G below.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Mounted on page 46 with one other print.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Lunardi, slim and handsome, walks diagonally towards the spectator from the right, supported on a staff, his left hand held out as if begging. On his back is his collapsed balloon, a large bundle from which project a net and two oars or propellers. His dress is fashionable but ragged. In the background are trees and a church."--British Museum online catalogue, description of earlier state of similar composition
Alternative Title:
Itinerant aeronaut
Description:
Title from caption below image., Printmaker and date from earlier state in British Museum catalogue., Later state, with plate shortened on bottom edge resulting in loss of imprint. Cf. No. 6858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eight lines of verse below title: Behold an hero comely tall and fair! His only food phlogisticated air! ..., Sheet trimmed to plate mark., and Mounted on leaf 10 of volume 2 of 14 volumes.
Titleetched below image., Printmaker from British Museum catalogue., Originally published July 30th, 1782. Cf. Catalogue of prints and drawings in the British Museum, v. 5, no. 6015., Sheet trimmed mostly within plate mark., and Temporary local subject terms: Executioner's ax -- Braying asses -- Bible: quotations (2 Sam. 17:1-23).
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Beds -- Bed curtains -- Paintings amplifying the subject: portrait of Charlotte -- Tables -- Letters (Correspondence) -- Pistols -- Suicide attempts -- Chamber pots -- Literature: Goethe, Johann Wolfgang von. Sorrows of Werter., and Watermark center left of sheet.
"A clumsy and ramshackle two-wheeled chaise numbered '63', with a folding hood (raised) and a broken wheel, is driven (left to right) along the sea-shore. The driver sits on the hind-quarters of the horse, flourishing his whip; the reins are of rope. A stout woman fills the interior. In the distance (right) a similar chaise is driven right to left, the driver seated on the front of the vehicle. In the distance (left) is a jetty with a lighthouse; beside it is a ship, probably the English packet. Behind are low mountains."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 35.8 x 46.1 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 22 of volume 2 of 14 volumes.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
"[Left image] One of two designs on the same plate, see BMSat 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756). [Right image] A companion design to BMSat 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Essay on the sublime and beautiful
Description:
Two images on one plate, each individually titled below., Printmaker from description of earlier state in the British Museum catalogue., Reissue of a plate originally published in 1785 by T. Cornell. Cf. Nos. 6863 and 6864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 165., and Watermark: I Taylor.
Publisher:
Pub. April 10, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Podiums, Public speaking, and Shoemakers
"[Left image] One of two designs on the same plate, see British Museum Satires No. 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756)"--British Museum online catalogue and "[Right image] A companion design to British Museum Satires No. 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue
Alternative Title:
Essay on the sublime and beautiful
Description:
Titles from text etched below each image., Printmaker from British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Publication information supplied from Grego., Two images on one plate, each individually titled below., and Watermark: fleur-de-lis.
Publisher:
T. Cornell
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Desks, Public speaking, and Shoemakers
"Pitt lies prone on a whipping-block; Fox (left) holds up his coat-tails in his left hand, while he raises a birch-rod in his right, Pitt's bare posteriors being much scarred. Pitt says, "This is a question of feeling not Argumt"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Successful opposition -- Scrutiny begun on April 23, 1784 -- Allusion to Irish propositions -- Birch rods -- Whipping blocks., Watermark in center of sheet: Portal & Bridges., and Mounted to 27 x 33 cm.
Publisher:
Publish'd by E. Jackson, Mary le bone Street
Subject (Geographic):
England) and London.
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Great Britain. Parliament
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., 1 print : etching on wove paper ; plate mark 15 x 23.7 cm, on sheet 17.5 x 26 cm., and Mounted with one other print on leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., and Mounted on page 42.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"Five elderly barristers are grouped round an oblong table on which are writing-materials; all wear large tie-wigs. The client sits 'chapeau-bras', hands on knees, in an arm-chair (left), listening with gaping mouth and stupidly eager expression. He appears to be a boorish country gentleman in London dress. The counsel beside him reads from a large document: 'Know all men by these presents'. Another also reads. Two others watch and listen with cynical intentness. The fifth (right), an aged man wearing gauntlet gloves, sits with closed eyes in an arm-chair facing the client. On the wall are pinned legal notices: 'Court of Kings Bench Dn Common Pleas ... [&c.]'. Heavy folios lie open on the floor."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate published by W. Hunter on 21 December 1785. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 173., Imprint continues: ... where may be had all Rowlandson's works., Sheet trimmed to plate mark leaving thread margins., and Mounted on leaf 28 of volume 2 of 14 volumes.
Publisher:
Publish'd Oct. 17, 1793, by S.W. Fores, N. 3 Piccadilly ...
"A mail-coach, driven right to left, is overturning, the off back wheel having fallen off. The near horse is falling, the other rears violently. The driver has dropped the reins and holds up his arms; he is hidden by the guard seated on his left who falls backwards, his blunderbuss is going off and shatters the roof of the coach, causing letters and letter-bags to fly into the air. A pistol at his side is also going off; it fires point-blank at the bare posteriors of an elderly woman who has fallen head downwards, screaming, her person much exposed; she was apparently an outside passenger. A man puts his head and arms out of the coach-window, shouting in terror. On the centre panel of the coach and above the Royal Arms is inscribed 'The Mail Coach'; on each side panel, 'GR'. In the background (right) is a signpost pointing to the left, 'To Bath'."--British Museum online catalogue
Alternative Title:
Persons and property protected
Description:
Title from text above and below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 16 of volume 2 of 14 volumes.
Publisher:
Published by S.W. Fores Carracature [sic] Ware-House, No. 3 Piccadilly, London
Catharine II Empress of Russia and Catherine II Empress of Russia
Description:
Title from item., Date and place of publication and title from the British Museum online catalogue, registration no.: S,7.96., and Description based on imperfect impression; sheet trimmed within plate mark with loss of title and imprint.
Publisher:
Pubd., as the Act directs, Febry. 10. 1785 by G. Bartolozzi No. 5 John Street, Oxford Road
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted on page 41.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., 1 print : etching with drypoint and stipple on wove paper ; plate mark 34.3 x 28.5 cm, on sheet 36.7 x 29.9 cm., and Mounted on leaf 26 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted to 47 x 34 cm.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A wooded scene in the immediate suburbs of London, with St. Paul's in the background. Two 'cits' with guns prepare to fire, since their dog points at a bush, behind which, concealed from the sportsmen, squats a man excreting (left). A man holding a powder-flask watches with amusement from the top of a gate (right). Another dog sits in the foreground (right). Beneath the title is engraved: 'Against the Wind he takes his prudent way, While the strong Gale directs him to the prey; Now the warm scent assures the covey near, He treads with caution & he points with fear. Gay. -------------------------clausisque expectat ocellis; θυμπον---------------------------------------------'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs Septr. 1st, 1785, by J. Jones, No. 63 Great Portland Street, Marylebone
"A fat man (left) seated in an arm-chair, his swathed left leg supported on a stool, his crutches and an open 'Treatise on Gout' beside him. A meretricious-looking young woman bends over him, putting her right hand on his right shoulder and holding his left hand. A young woman of disreputable appearance pours out wine for him. A footman in livery (right) is about to put a large tureen on a dinner-table (right). A fat man is seen through an open door. A dog and cat lie together in the foreground. Behind the man's chair are the curtains of a bed. Probably one of the establishments in King's Place, cf. British Museum Satires No. 6764, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Prostitution.
Publisher:
Publish'd Novr. 30th - 1785 - by J.R. Smith, No. 83 - Oxford Street
Subject (Topic):
Gout, Prostitutes, Servants, Wine, Crutches, Dogs, and Cats
Title from item., Originally published in 1785. See British Museum catalogue., Possibly a companion print of Rowlandson's "Cully pillag'd"., Watermark., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., and Watermark: J Whatman.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., 1 print : etching with stipple on wove paper ; sheet 23.6 x 32.7 cm, mounted to 28 x 37 cm., and Sheet trimmed within plate mark with loss of imprint.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue, description of a later state of similar composition
Description:
Title etched below image., Later state, with title altered and imprint statement burnished out, of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., Probably published before 1802, when the imprint "Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly" was added and the plate reissued. Cf. No. 9875 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Final words of burnished imprint statement barely visible below title: [...?] Oxford Street., and Mounted on leaf 3 of volume 2 of 14 volumes.
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
Title etched in open letters below image., Description based on imperfect impression; sheet trimmed within plate mark with loss of first letters in title. Missing letters supplied in contemporary hand., Dated from the ms. note on impression at The Lewis Walpole Library, Yale University., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on verso of a partially trimmed map: Operations of the siege of the citadel of Antwerp showing the 1st and 2nd parallels and the commencement of the works of the 3rd. London : Published by M. Colnaghi, Decr. 1832., and Mounted to 22 x 28 cm.
Title from text below image., Printmaker from plate no. 1., Series title from plate no. 1., No. 2 from the Dighton's series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy., Plate is numbered "2" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Corporals' uniforms -- Male costume, ca. 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Crutches, Screens, Furniture, Tables, Chairs, Stools, Interiors, Military uniforms, British, Staffs (Sticks), and Smoking
Title from item., No. 5 in the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Printmaker from series title on plate no. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: kitchens -- Interiors: stone floors -- Utensils -- Plates -- Candlesticks -- Coal buckets -- Coals -- Brooms -- Towels hanging on racks -- Fireplaces -- Kettles -- Female costume, ca. 1785 -- Male costume, ca 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Title from item., Printmaker, place and date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Commutation Tax, 1785 -- Soap tax -- Tax on lights -- Tax on windows -- Signs: sign-posts -- Trades: washerwomen -- Vehicles: tumbrels -- Windows -- Pitt's speech -- Gallow ropes., and Partial watermark in upper right of plate: fleur-de-lis on shield with initials L V G.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"[Left image] The Prince of Wales (right), wearing his star, kneels at the feet of a lady (left), his right hand holds her left hand, his left hand is on his breast. The lady wears a large feathered hat and has some resemblance to the Duchess of Devonshire, cf. BMSat 6263, &c, none to Mrs. Fitzherbert. [Right image] A sailor with a wooden leg and a good-looking young woman of meretricious appearance sit side by side on a barrel; he pours wine into a glass."--British Museum online catalogue, description of an earlier state of similar composition
Description:
Titles etched below images., Also attributed to Rowlandson by Grego and the British Museum catalogue., Reissue, with new publication line, of a print originally issued 15 December 1785. Cf. Nos. 6870, and 6871 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two images on one plate, each individually titled., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 170-1., and Mounted on leaf 26 of volume 2 of 14 volumes.
Publisher:
Pub. March 18, 1790 by S.W. Fores, N. 3, Piccadilly
Title etched below image., Publisher from that of the magazine for which the print was issued., and Listed without description with other prints from: The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., no. 6885.
Publisher:
Harrison & Co.
Subject (Topic):
Courtrooms, Lawyers, Judicial proceedings, and Manners & customs
Title etched below image., Reissue of illustration in The wit's magazine, 1785, p. 115, with the publication line burnished from the plate., Publication date based on that of the first issue in The wit's magazine., and Listed without description with other prints from: The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., no. 6885.
Publisher:
publisher not identified
Subject (Topic):
Courtrooms, Lawyers, Judicial proceedings, and Manners & customs
"Delpini, dressed as a woman, both arms held above his head, runs forward in profile to the left imitating a dancer."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One line of quoted text following title: "Grace was in all her steps" &c., 1 print : etching with stipple on wove paper ; plate mark 27.4 x 20.2 cm, on sheet 29.5 x 22 cm., and Mounted on verso of leaf 30 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 26th April 1785 by Jas. Bretherton
Subject (Name):
Delpini, Mr. -1828 (Carlo Antonio),
Subject (Topic):
Cross dressing, Opera singers, and Stages (Platforms)
"Delpini, dressed as a woman, both arms held above his head, runs forward in profile to the left imitating a dancer."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One line of quoted text following title: "Grace was in all her steps" &c., and Mounted on page 52 with one other print.
Publisher:
Published 26th April 1785 by Jas. Bretherton
Subject (Name):
Delpini, Mr. -1828 (Carlo Antonio),
Subject (Topic):
Cross dressing, Opera singers, and Stages (Platforms)
"Delpini, dressed as a woman, both arms held above his head, runs forward in profile to the left imitating a dancer."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One line of quoted text following title: "Grace was in all her steps" &c., and Mounted to 41 x 33 cm.
Publisher:
Published 26th April 1785 by Jas. Bretherton
Subject (Name):
Delpini, Mr. -1828 (Carlo Antonio),
Subject (Topic):
Cross dressing, Opera singers, and Stages (Platforms)
Title etched below image., Printmaker from series title on plate no. 1., No. 7 in the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Folding tables -- Toys: horse and wagon -- Weapons: pistols -- Weapons: sword -- Female costume, ca 1785 -- Male costume, ca 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Toys, Carpets, Fireplaces, Interiors, and Wigs
Title from item., Printmaker from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Medical: doctors -- Fighting: fist fights.
Publisher:
Published Novemr. 28th, 1785 by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6790. Fox in the foreground (right) leans back disconsolately in a low chair; in his right hand is an empty purse, in the left 'Pitts Speech'. Beside him in his upturned hat are a dice-box and dice. On the left Burke, stripped to the waist, kneels before his three-legged stool on which is propped an open book inscribed 'Reform'; he is flagellating himself with a birch-rod held in his right hand, and a rosary attached to a cross in his left. Behind, as if seen in a camera obscura or through a window, North is embracing a young woman wearing tattered garments; above their heads is the view of an avenue inscribed 'St James's Park'."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner and with parts of imprint statement worn and barely legible. For original issue of the plate, see no. 6791 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Apl. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
"A companion print to BMSat 6790. Fox in the foreground (right) leans back disconsolately in a low chair; in his right hand is an empty purse, in the left 'Pitts Speech'. Beside him in his upturned hat are a dice-box and dice. On the left Burke, stripped to the waist, kneels before his three-legged stool on which is propped an open book inscribed 'Reform'; he is flagellating himself with a birch-rod held in his right hand, and a rosary attached to a cross in his left. Behind, as if seen in a camera obscura or through a window, North is embracing a young woman wearing tattered garments; above their heads is the view of an avenue inscribed 'St James's Park'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Self-flagellation -- Allusion to reform -- Purses -- Gambling: dice and dice-box -- Furniture: stools -- Birch rods -- Crucifix -- Maidservants -- Kissing -- Pictures amplifying subject: St. James's Park -- Desperation -- Punishment -- Allusion to William Pitt, 1759-1806.
Publisher:
Pubd. Apl. 25th, 1785, by W. Humphrey, No. 227 Strand
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Self-flagellation -- Allusion to reform -- Purses -- Gambling: dice and dice-box -- Furniture: stools -- Birch rods -- Crucifix -- Maidservants -- Kissing -- Pictures amplifying subject: St. James's Park -- Desperation -- Punishment -- Allusion to William Pitt, 1759-1806., Mounted to 37 x 28 cm., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
"A companion print to BMSat 6790. Fox in the foreground (right) leans back disconsolately in a low chair; in his right hand is an empty purse, in the left 'Pitts Speech'. Beside him in his upturned hat are a dice-box and dice. On the left Burke, stripped to the waist, kneels before his three-legged stool on which is propped an open book inscribed 'Reform'; he is flagellating himself with a birch-rod held in his right hand, and a rosary attached to a cross in his left. Behind, as if seen in a camera obscura or through a window, North is embracing a young woman wearing tattered garments; above their heads is the view of an avenue inscribed 'St James's Park'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Self-flagellation -- Allusion to reform -- Purses -- Gambling: dice and dice-box -- Furniture: stools -- Birch rods -- Crucifix -- Maidservants -- Kissing -- Pictures amplifying subject: St. James's Park -- Desperation -- Punishment -- Allusion to William Pitt, 1759-1806., 1 print : etching on wove paper, hand-colored ; sheet 35.6 x 25.5 cm., and Mounted on leaf 74 of volume 1 of 12.
Publisher:
Pubd. Apl. 25th, 1785, by W. Humphrey, No. 227 Strand
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pugilists -- Fighting -- Snuff boxes -- Fobs., and Watermark (partial): fleur-de-lis on crowned shield.
Publisher:
Published August 31st, 1785, by S.W. Fores, No. 3 Piccadilly
"An eloping couple drive headlong in a coach and four (right to left) pursued by an angry father on a galloping horse who shakes his whip at them. He is followed by three grooms on horseback. The man leans from the off window of the coach, the lady from the near window; both aim pistols at the father who is close behind them. Two postilions ride the near horses. A signpost (right) points 'To Gretna Green'. A group of trees and a cloud of dust form the background."--British Museum online catalogue
Alternative Title:
Trip to Gretna Green
Description:
Title etched below item., Sheet trimmed within plate mark, resulting in loss of text. Cf. Beineicke Rare Book & Manuscrcipt digital library, no.: 11792248, Printmaker and publication date from Grego., and Temporary local subject terms: Vehicles: coach -- Elopements -- Pursuit of elopers -- Guns: pistols -- Postillions -- Signs: sign posts.
"An eloping couple drive headlong in a coach and four (right to left) pursued by an angry father on a galloping horse who shakes his whip at them. He is followed by three grooms on horseback. The man leans from the off window of the coach, the lady from the near window; both aim pistols at the father who is close behind them. Two postilions ride the near horses. A signpost (right) points 'To Gretna Green'. A group of trees and a cloud of dust form the background."--British Museum online catalogue
Alternative Title:
Trip to Gretna Green
Description:
Title etched below item., Sheet trimmed within plate mark, resulting in loss of text. Cf. Beineicke Rare Book & Manuscrcipt digital library, no.: 11792248, Printmaker and publication date from Grego., Temporary local subject terms: Vehicles: coach -- Elopements -- Pursuit of elopers -- Guns: pistols -- Postillions -- Signs: sign posts., 1 print : etching on wove, hand-colored, on sheet 33.5 x 49 cm., Sheet trimmed within plate mark., and Mounted on leaf 25 of volume 2 of 14 volumes.
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Satire on ministerialists, 1785 -- Barber's blocks -- Allusion to Irish Propositions, 1785 -- Allusion to Edward, Baron Hawke, 1705-1781 -- Earl of Mulgrave, 1755-1831 -- 3rd Duke of Montrose, 1755-1836., Watermark (partial): initials LVG below shield., and Mounted to 29 x 37 cm.
Publisher:
Pubd. as the act directs, by Moore, Bond Street
Subject (Name):
Jenkinson, Charles, 1727-1808, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Camden, Charles Pratt, Earl, 1714-1794, Taylor, Michael Angelo, 1757-1834, Melville, Henry Dundas, Viscount, 1742-1811, Stanhope, Charles Stanhope, Earl, 1753-1816, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Galloway, John Stewart, Earl of, 1736-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Sydney, Thomas Townshend, Viscount, 1733-1800, Hood, Samuel Hood, Viscount, 1724-1816, Macdonald, Archibald, Sir, 1747-1826, Rose, George, 1744-1818, and Carrington, Robert Smith, Baron, 1752-1838
"A young man, his arm around the waist of a coy young woman, whispers in her ear and gestures towards the cover of a wood at left, at the edge of which they stand; in the mid-distance at right, another man rides away from the wood, leading a riderless horse."--British Museum online catalogue, description of trimmed impression lacking imprint statement
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly the same plate as an impression in the British Museum, from which the imprint statement might have been trimmed. Cf. British Museum online catalogue, registration no.: 1935,0522.10.207., and Mounted on leaf 17 of volume 2 of 14 volumes.
Publisher:
Publish'd Novr. 30th, 1785, by J.R. Smith, No. 83 Oxford Street
"[Top image] A lady (left) and a yeomanry officer (right), both three-quarter length, sit side by side. She has an open music-book on her lap, and gazes at him. He wears a high feather-trimmed cap, short tunic, and sabre, and is playing a flute. [Bottom image] A lady (left) and a yeomanry officer (right), both three-quarter length, sit side by side. She has an open music-book on her lap, and gazes at him. He wears a high feather-trimmed cap, short tunic, and sabre, and is playing a flute."--British Museum online catalogue
Description:
Titles etched below images., Reissue with added stippling, altered signatures, and a new publication line. For an earlier state published by T. Smith in 1785, see Beinecke Library call no.: Auchincloss Rowlandson v. 2., Two images on one plate, each individually titled and signed., For an earlier state of the top image on the plate, see Grego, J. Rowlandson the caricaturist, v. 1, pages 174-5., and Mounted on leaf 9 of volume 2 of 14 volumes.
Publisher:
Pubd. June 15th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Stt
"[Top image] A lady (left) and a yeomanry officer (right), both three-quarter length, sit side by side. She has an open music-book on her lap, and gazes at him. He wears a high feather-trimmed cap, short tunic, and sabre, and is playing a flute. [Bottom image] A lady (left) and a yeomanry officer (right), both three-quarter length, sit side by side. She has an open music-book on her lap, and gazes at him. He wears a high feather-trimmed cap, short tunic, and sabre, and is playing a flute."--British Museum online catalogue
Description:
Titles etched below images., Reissue with added stippling, altered signatures, and a new publication line. For an earlier state published by T. Smith in 1785, see Beinecke Library call no.: Auchincloss Rowlandson v. 2., Two images on one plate, each individually titled and signed., For an earlier state of the top image on the plate, see Grego, J. Rowlandson the caricaturist, v. 1, pages 174-5., 1 print : etching and stipple engraving on wove paper, black and white ; sheet 35.1 x 23.5 cm, Trimmed within plate mark on two edges., and Mounted on leaf 9 beneath hand colored sheet, of volume 2 of 14 volumes.
Publisher:
Pubd. June 15th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Stt
"[Top image] A lady (left) and a yeomanry officer (right), both three-quarter length, sit side by side. She has an open music-book on her lap, and gazes at him. He wears a high feather-trimmed cap, short tunic, and sabre, and is playing a flute. [Bottom image] A young man seated on a settee embraces a young woman who lies across his knees, her head resting on the arm of the settee (right). She kisses him, putting her arm round his neck."--British Museum online catalogue, description of a later state of similar composition
Description:
Titles etched below images., For a later state with altered signatures, see no. 8738 and no. 8739 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Two images on one plate, each individually titled and signed., and Mounted on leaf 8 of volume 2 of 14 volumes.
Publisher:
Pubd. 12th Augt. 1785 by T. Smith, No. 6 Wardour Street, Soho
Subject (Topic):
Couples, Military officers, Flutes, Hugging, and Kissing
"Design in an oval. half length portrait of Pitt in the House of Commons, standing at the table on which are books and two documents inscribed 'Parliamentary Reform' and 'Commutation Act'. Three shadowy seated figures watch him: Fox (left) says, "Oh that I had him at Brooks's! I'd Reform him". Next, a man wearing a hat says, "If I had him at Deal I'd soon Smuggle him - Oh that poor Charley had continued in, He'd never suppress our trade". The third says, "He has made a Bankrupt of me. Oh that I could Adulterate". (The smuggled tea had been much adulterated.) Above the design is etched, 'Save, oh Save my Country!!! My Fathers' dying words I never can forget.'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Tax: Commutation Tax, 1785 -- Parliamentary reform, 1785 -- Allusion to Pitt's suppression of smuggling -- Allusion to Pitt's suppression of tea adulteration -- Literature: quotation from William Pitt, 1708-1778., and Mounted to 26 x 19 cm.
Publisher:
Pubd. Feby. 18, 1785, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
Title etched below image. and Temporary local subject terms: Expressions of speech: 'I say' -- Edinburgh: North Bridge -- Bridge balustrades -- Hunter, Alexander, d. 1786 -- Hog, Roger, d. 1789.
"The interior of an artist's studio. A young man is seated in an armchair at his easel, with palette and brushes. On the canvas is a classical scene: a goddess surrounded by naked infants. His nude model (right) reclines sleepily on a sofa (right), holding a piece of drapery. Her hat, shoes, and garments are beside her. Two men enter (left) through a door: a young man in riding-dress who stares at the model, an elderly man who holds up his hand in apparent disapproval. The painter turns round as if to prevent their entry. On the wall sketches are pinned (suggesting the art of the history-painter). There is also a statuette on a bracket (right). The room is lit by a window on the painter's left."--British Museum online catalogue
Alternative Title:
Painter disturbed
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with loss of imprint; publication information from British Museum catalogue., 1 print : etching with stipple on laid paper, hand-colored ; sheet 19.0 x 29.6 cm., Sheet trimmed within plate mark with loss of title and imprint statement., and Mounted on leaf 20 of volume 2 of 14 volumes.
"The interior of an artist's studio. A young man is seated in an armchair at his easel, with palette and brushes. On the canvas is a classical scene: a goddess surrounded by naked infants. His nude model (right) reclines sleepily on a sofa (right), holding a piece of drapery. Her hat, shoes, and garments are beside her. Two men enter (left) through a door: a young man in riding-dress who stares at the model, an elderly man who holds up his hand in apparent disapproval. The painter turns round as if to prevent their entry. On the wall sketches are pinned (suggesting the art of the history-painter). There is also a statuette on a bracket (right). The room is lit by a window on the painter's left."--British Museum online catalogue
Alternative Title:
Painter disturbed
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with loss of imprint; publication information from British Museum catalogue., and Mounted on leaf 20 of volume 2 of 14 volumes.
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 21 of volume 2 of 14 volumes.
Publisher:
Publish'd Novr. 31st, 1785, J.R. Smith, No. 83, Oxford Street
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife leans from the balcony over the door. With her are three children and a woman holding an infant. Two horsemen are in pursuit, one holds up Gilpin's wig. A spaniel barks. The inn appears to be drawn with some topographical correctness. A sign bestrides the road (right) with the words 'The Old Bell \ An Ordinar[y] \ Late Lan' and, below the bell, 'J. King from'. Another sign is on the front of the house."--British Museum online catalogue
Alternative Title:
John Gilpin's return from war
Description:
Title from caption below image., Verse in three columns below title begins: "Away went Gilpin, and away went Gilpin's hat and wig; He lost them sooner than at first for why? They were too big ...", Numbered "558" in lower left corner., Sheet trimmed to plate mark., No. 31 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Chasing, Dogs, Families, Horseback riding, Horses, and Taverns (Inns)
The profiles of an elderly and ugly pair, registering hostile anxiety, meet, their tongues touching, while between them is a punch-bowl. Just above their heads two doves bill on a branch
Description:
Title etched below image., Printmaker from Grego., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by S.W. Fores, No. 23 Piccadilly
Subject (Topic):
Bowls (Tableware), Couples, Doves, Kissing, and Older people
The profiles of an elderly and ugly pair, registering hostile anxiety, meet, their tongues touching, while between them is a punch-bowl. Just above their heads two doves bill on a branch
Description:
Title etched below image., Printmaker from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on laid paper, hand-colored ; sheet 19.5 x 24 cm., and Mounted on leaf 5 of volume 2 of 14 volumes.
Publisher:
Pubd. by S.W. Fores, No. 23 Piccadilly
Subject (Topic):
Bowls (Tableware), Couples, Doves, Kissing, and Older people
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"A companion print to BMSat 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. BMSat 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with imprint statement altered and with much of the aquatint worn from the plate., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Sheet trimmed within plate mark., Temporary local subject terms: Furniture: armchairs -- Stools -- Mirrors -- Broken bellows -- Lighting: dark lantern -- Emblems: dark lantern of conspiracy -- Bellows as emblem of Ld. North -- Spiders -- Sewing -- Poverty., and Impression from a worn plate; beginning of imprint statement is lightly printed and illegible.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Mounted on verso of leaf 91., and 1 print : aquatint and etching on laid paper ; plate mark 36 x 25.6 cm, on sheet 39.3 x 25.9 cm, mounted to 44.4 x 27.5 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Watermark in center of sheet: J Whatman., and Mounted to 37 x 31 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"A companion print to BMSat 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. BMSat 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with imprint statement altered and with much of the aquatint worn from the plate., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Sheet trimmed within plate mark., Temporary local subject terms: Furniture: armchairs -- Stools -- Mirrors -- Broken bellows -- Lighting: dark lantern -- Emblems: dark lantern of conspiracy -- Bellows as emblem of Ld. North -- Spiders -- Sewing -- Poverty., 1 print : aquatint & etching on wove paper, hand-colored ; sheet 36.1 x 25.7 cm., and Mounted on leaf 73 of volume 1 of 12.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title from text above image., Sheet trimmed within plate mark., Date from advertisement in Theatrical magazine, 8 January 1773, p. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Underground -- Horton's soup room -- Soup room keepers: allusion to Mr. Horton -- Food: soup with dumplings -- Architectural details: ornamental vaults -- Swags -- Mirrors -- Soup rooms., and Mounted to15 x 22 cm.
Title from item., No. 3 from the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Printmaker from series title on plate no. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors -- Furniture: chairs -- Weapons: muskets -- Weapons: swords -- Boots -- Crutches -- Walking staves -- Military uniforms -- Corporals' uniforms -- Male costume, ca. 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Leaf 54. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two designs on one plate. Top (British Museum Satires No. 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (British Museum Satires No. 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in the country ; Nap in town
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature. Imprint statement appears twice, once below each title., Restrike. For original issue of the plate, see nos. 6868 and 6869 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 175., and On leaf 54 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho and Field & Tuer
"Two designs on one plate. Top (BMSat 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (BMSat 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in town
Description:
Title etched below images. Each image signed and dated in image and each with an imprint statement below., 1 print : etching in sepia on laid paper ; designs 34.1 x 22.4 cm, on sheet 35.6 x 24.8 cm., and Sheet trimmed on one side within plate mark. Watermark cropped on right centered edge.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
"Two designs on one plate. Top (BMSat 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (BMSat 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in town
Description:
Title etched below images. Each image signed and dated in image and each with an imprint statement below.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
"Two designs on one plate. Top (BMSat 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (BMSat 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in town
Description:
Title etched below images. Each image signed and dated in image and each with an imprint statement below., 1 print : etching on wove paper, hand-colored ; plate mark 35.0 x 24.8 cm, on sheet 36.7 x 25.9 cm., and Mounted on leaf 2 of volume 2 of 14 volumes.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
"Two designs on one plate. Top (British Museum Satires No. 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (British Museum Satires No. 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in the country ; Nap in town
Description:
Titles etched below images., Later state, with both images contained within double border lines added along edge of plate., Two images on one plate, each with a separate title and signature. Imprint statement appears twice, once below each title., Late-20th century restrike on modern paper, with pencil annotation "RP/77" in lower right that suggests a 1977 printing date. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., For the original issue of the plate, see nos. 6868 and 6869 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 175.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
Two designs on the same plate. Upper design: A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Lower design: A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor
Alternative Title:
Nap in town
Description:
Lettered beneath each image with title; lettering within image on upper design: "Rowlandson. 1785."; below lower design: "London Pubd by S.Alken, No.3 Dufours Place, Broad Street, Soho".
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
Obadiah's ill timed complaisance to Doctor Slop in the Dirty Lane
Description:
Title etched below image., Series title etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Muddy roads -- Church buildings.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Horseback riding, Stone walls, and Mud
Title from item., Variant state of No. 6799 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Second state, with alterations to design., Temporary local subject terms: Taxes: allusion to tax on maidservants -- Allusion to tax on shops -- Allusion to window tax -- Petitions: trampled London petition -- Trampled Manchester petition -- Trampled Westminster petition -- Westminster riots -- Signs: sign-posts -- Propaganda -- Butchers' cleavers -- Dogs -- Cats -- Shops to let -- Irish Propositions -- Staff of Liberty -- Allusion to the custom of riding the black ram --Expressions of speech: "I'll darken his daylights.", Watermark: Fleur-de-lis, partially obscured by image., and Mounted to 23 x 43 cm.
Publisher:
Published as the Act directs, June 20, 1785, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Sheet trimmed within plate mark., Temporary local subject terms: Emblems: anchor as emblem of hope -- Hot air balloons -- Bills: East India Bill, 1784 -- Coalitions: Fox-North Coalition, 1783 -- Treasury Bench -- Irish Propositions, 1785 -- Navigations laws as an anchor., Watermark: J Whatman., and Mounted to 40 x 28 cm.
Publisher:
Pubd. as the act directs, by J. Nunn, Great Queen Street
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
"Two men, much caricatured, with large heads, in consultation. Both are fashionably dressed, and wear hats; one (l.), standing full face, wears spurred boots, the other, standing in profile to the left., wears buckled shoes."--British Museum online catalogue, description of variant state and Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) Perhaps an allusion to the incessant negotiations and intrigues which were going on for Cabinet reconstruction, see 'Corr. of George III', iv. 475-9. 7-8 Nov. 1779, &c.
Description:
Title etched below image., Originally published 20 October 1779. Publication date and the printmaker's address altered., Variant state of No. 5558 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Cabinet reconstruction -- Spurs -- Walking staves -- Swords -- Hats.
Publisher:
Printed & published as the act directs, Octr. 20, 1785, by W. Hinton, copper plate printer, No. 5 Sweetings Alley, Royal Exchange, engraving and printing in general
