A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's Characters ; Caricaturas?
Description:
Title from quotation etched below image., Frederick Birnie was active in London from 1787-1792. See British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Caricatured heads.
Two superimposed prints connected at the top edge by a paper hinge. The face of the print on top (Beau 1700) has been cut out to show the face of Beau 1791. Each is fashionably dressed in the respective styles of the period
Alternative Title:
Beau 1791
Description:
Title engraved above images., Sheets trimmed mostly within plate mark., Two lines of verse below Beau 1700: Then the full flaxen wig, spread o'er the shoulders ..., Two lines of verse below Beau 1791: But now the whole's revers'd -- each fop appears ..., and Watermark.
Publisher:
Publish'd Novr. 22, 1791, by C. Fourdrinier, Junr., Charing Cross
"Satire against Barnave as a Janus-headed figure, holding the civil list as a tied sack in his hand, with 3-line verse below."--British Museum online catalogue
Alternative Title:
Homme du peuple 1789
Description:
Title from item., "Janus" etched below image in lower left; "Brutus" etched below image in lower right., Illustration from an unidentified book with another portion of an illustration on verso., Text below image begins: Tantot froid, tantot chaud, tantot blanc ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Declaration of Rights of Man -- Mythology: reference to Janus -- Literature: allusion to Shakespeare's Julius Caesar -- Allusion to French Revolution., Watermark (partial); probably fleur-de-lis in an oval frame., and With a stamp of Bibliotheca Lindesiana in lower right corner.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Barnave, Antoine, 1761-1793
Subject (Topic):
History, Foreign public opinion, British, Janus (Roman deity), and Bags
Title from caption below image., Above the image: Attic miscellany., and Temporary local subject terms: Mastiffs -- Weapons: bludgeons -- Ruffians -- Orders: Star of the Thistle -- Norfolk.
Title from text below image., Cf. No. 7958 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dogs: mastiffs -- Weapons: bludgeons -- Ruffians -- Orders: Star of the Thistle.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lorgnettes -- Seals -- Slang: dock., and Mounted to 37 x 20 cm.
Title from captions above or below each image., Date of publication based on that of a similar print with the same title published 25 Mar. 1791 by W. Dickinson. See British Museum online catalogue, registration no.: 1948,0214.465., Three designs on one plate, each individually titled., Description based on imperfect impression; sheet trimmed within plate mark with loss of text below image in lower right, possibly the printmaker's signature., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A stout farmer rides (left to right) past an inn on a cow. The cow befouls and tramples on a paper inscribed 'Tax on Ho[rses]'. The farmer looks triumphantly over his right shoulder at a group of spectators standing at the door of the inn, and snaps his fingers, saying, "Pitt be D------d". A basket containing poultry hangs from the saddle. Part of the inn is on the left of the design, its sign is a stout man holding a foaming tankard gazing at three sacks, inscribed 'Joe Jolly 1784' (a '7' appears to have been etched over the '4'). Five amused spectators stand by the door; from a window above two men applaud the farmer."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print originally published in 1784., Pitt's budget of 1784 imposed an annual tax of 10s. on saddle- and carriage-horses, exempting those used for trade and agriculture. On 27 November 1784 one Jonathan Thatcher rode his cow to and from the market of Stockport in protest against the horse-tax. See Chambers, 'Book of Days', ii. 627, where there is a copy of a similar print., and For a variant state, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Way to overturn a coach according to act of P-l-m-t and Way to overturn a coach according to act of Parliament
Description:
Title from item., Sheet partially trimmed within plate mark., Publisher's advertisement following imprint: where may be seen the largest collection of caracatures [sic] in the Kingdom, also the head & hand of Count Struenzee. Admitt. 1 s., and Temporary local subject terms: Allusion to Richard Gammon, 1748-1818 -- Allusion to Holyhead -- Coaches: overloaded stage-coaches -- Expressions of speech: gammon -- Bills: bill regulating stage-coaches, 1790 -- Addresses: Irish address on Regency, 1789.
"Dr. Price preaches from a ramshackle tub inscribed 'Political Gunpowder', his arms outstretched to the right; from his pocket projects a document inscribed 'Revolution Toasts'. His sermon hangs over the edge of the tub, the upper sheet headed 'Bind the Kings with chains &c.' The tub rests on a large book: 'Calculations' (an allusion to Price's works on population and finance). Beneath the title is engraved : '"Every Man has his Price!" Sir R. Walpole'."--British Museum online catalogue
Description:
Title from text below image. Series title above image., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., and Plate from the Attic miscellany, v. ii, page 118.
Publisher:
Published as the act directs, by Bentley & Co.
Subject (Name):
Price, Richard, 1723-1791 and Walpole, Robert, Earl of Orford, 1676-1745.
"Sir William Chambers sits in profile to the left at a small round table; on it is a house of cards which is falling in pieces. From his pocket protrudes a paper inscribed 'Art of', scored through, followed by 'Grant of Parlt'. Beside him on the ground (right) is a large book or portfolio: 'Art of Building and Rebuilding or Palladia improved by S---W---C'. Other papers (left) are 'Affidavit It was only a crack signed - Adam [and] Wyat' and 'Bills for the repairing S. H." On the wall are three pictures: (left to right) (1) a rock entitled 'Inigo Jones', (2) a picture in a broken frame: 'The House that Jack built', a view of the north (Strand) front of Somerset House, (3) 'A Ruin A View on the Thames', a picture of the south front of Somerset House in ruins."--British Museum online catalogue
Alternative Title:
Great architect modelling, Sr W- in his study, and Sir William in his study
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: House of cards -- Furniture: round pedestal tables -- Pictures amplifying subject: Somerset House -- Parliament grants -- River Thames -- Affidavits -- Reference to cracks in the Somerset House structure -- Allusion to Inigo Jones's work on Somerset House -- Allusion to Robert Adam, 1728-1792 -- Allusion to James Adam, 1730-1794 -- Allusion to Sir John Thynne, d. 1580 -- Allusion to Andrea Palladio, 1508-1580., and Watermark: fleur-de-lis on crowned shield with initials GR below.
Chivalry revived by Don Quixote de St. Omer & his friend Sancho
Description:
Title etched below image., Sheet trimmed within plate mark., Publisher's statement following imprint: ... where may be seen the largest collection of caracatures [sic] in the Kingdom, also the head & hand of Count Struenzee admittance one shilling., Temporary local subject terms: Monsters: five-headed 'Beast of Rome' -- Clergy: Catholic bishops-- Literature: allusion to Burke's Reflections on the French Revolution -- Processions -- Societies: allusion to Revolution Society -- Coaches: cradle-shaped coach -- Medallion of William III -- City corporations -- Oppression -- Allusion to aristocratic privileges -- Weapons: swords -- Books as shields., and Mounted to 31 x 44 cm.
Publisher:
Pub. Janry. 31, 1791, by S. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Price, Richard, 1723-1791, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title engraved below image., Sheet trimmed within plate mark., Illustration to Cumberland's History of Nicholas Pedrosa, from the Attic miscellany, v. ii, opp. p. 153., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from item., Plate from: The Attic miscellany, v. ii, p. 177., Temporary local subject terms: Elections: Westminster election, 1790 -- Maces: House of Commons' mace -- Petitions: Westminster petition -- Mythology: Protheus., and Mounted to 25 x 18 cm.
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., 1 print : mezzotint on laid paper ; sheet 34 x 25 cm, mounted to 35 x 26 cm., Sheet trimmed within plate mark, resulting in partial loss of imprint and plate number., and Music notes below image removed.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
Title etched above and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Strolling actors., and Watermark (partial): initial W appended at the bottom of a shield.
Publisher:
Pub. Feb. 16, 1791, by S.W. Fores, N. 3 Piccadilly
Title from item., Sheet trimmed mostly within plate mark., Publisher's advertisement following imprint: where [may] be seen the largest collection of caricatures in the Kingdom, also the head and hand of Count Struenzee, admitance [sic] 1 sh., Temporary local subject terms: Buildings: churches -- Churchyards -- Funerals -- Fighting -- Coffins -- Tombstones -- Skulls -- Mourners -- Undertakers -- Clergy: parsons -- Bishops., Watermark: armorial shield with monogram W at the bottom., Mounted on a strip of paper at the bottom to 28 cm., and Note next to title in contemporary hand: A clerical boxing match.
Title from item., Possibly by Henry Wigstead or William Holland. See British Museum catalogue., Plate slipped on top half., Temporary local subject terms: Allusion to Whitworth -- Horse throughs -- Phlebotomists -- Medical procedures: bleeding -- Medical equipment -- Allusion to London hospitals -- Artisans -- John Taylor, 'Doctor John.', and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pubd. Feby. 20, 1791, by Wm. Holland, No. 50 Oxford Street
Title devised by curator., Self-portrait. See Thieme-Becker., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Satiric self-portraits -- Artists' self-portraits.
Title from item., Attributed to Cruikshank based on George's attribution of a companion print to the same printmaker. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, 6, no. 8028., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Strolling actors -- Poverty.
Publisher:
Pub. Feb. 22, 1791, by S.W. Fores, N. 3 Piccadilly
"A companion print to BMSat 8279. An elderly man, obese and grotesque, stands on a rostrum (right), reading through a single eye-glass held in his right hand. His audience (of men and women, with one small boy who eats an apple) sit and stand: a bench stretches across the foreground on which three persons (left) sit in back view, the other seven, full-face, turn their backs on the reader. Two elderly men, much amused, sit with their backs against the rostrum; the other listeners are standing. The design is crowded, with thirty-seven figures, nearly all fully characterized, some slightly caricatured. On the back wall is a print of John Gilpin losing his hat and wig, cf. BMSat 6886, &c. On the rostrum is a placard: 'Select Poems from | Peter Pindar | Don Quixote & | Tristam [sic] Shandy.'"--British Museum online catalogue
Description:
Title from caption below image., Imprint from impression in the British Museum., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Companion print to: Tragic readings., and Added in later hand above title: June 1[8]10.
Publisher:
Publish'd Feby. 25, 1791, by C. Knight, Brumpton [sic], and W. Dickinson, No. 158, New Bond Street
"A man stands on a rostrum (left) reading nearsightedly from a book, with the expression and gesture (right fist clenched) of a ranting actor. The audience are much moved. Two men try to lift a fainting lady, resembling Mrs. Wells, from her chair (right). A man seated near her astride a bench inspects her through a quizzing-glass with amusement; his neighbour (? Topham), also astride, gapes at her with consternation. On the rostrum are two placards: 'Tomorrow | As you like it, with Select | Poems and To Night, First | Orlando Furioso, | Second | The Victim | with Part | of Mr Sheridans | Speech in | Westminster Hall' (see BMSat 7331). On the wall are three framed pictures or prints (left to right): a fox looking in at a window; an actress raising a dagger to stab herself; two cupids, one raising an axe to strike the other who lies prostrate."--British Museum online catalogue
Description:
Title from caption below image., Imprint from impression in the New York Public Library., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Companion print to: Comic readings., Mounted on modern secondary support., and Added in later hand above title: June 1810.
Publisher:
Publish'd Feby. 25, 1791, by C. Knight, Brumpton [sic], and W. Dickinson, No. 158 New Bond Street
Title from item., Temporary local subject terms: Allusion to Bourbon Family Compact treaty, 15 August 1761 -- Berkeley Square: Lansdowne House -- Joseph Jekyll, M.P., as a monkey -- John Morris, M.P., as a bear -- Bears -- Monkeys., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 32 x 43 cm.
Publisher:
Pub. Feb. 26, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, and Jekyll, Joseph, 1754-1837
Subject (Topic):
Great Britain, Politics and government, and Trained animals
"The Prince of Wales reclines on a sofa, half-sitting, half-lying, and leaning against Mrs. Fitzherbert. He is intent on a circular box or 'bandelure' at the end of a string which he holds round the second finger of his raised right hand, playing with the toy revived in the twentieth century as Yo-yo. Sheridan leans over the back of the sofa, embracing Mrs. Fitzherbert and thrusting his hand inside her decolletage. She puts her left hand on Sheridan's cheek, her right arm is round the Prince. The expressions of all three excellently indicate their preoccupations. On the left a fire blazes in the grate; above it is a decorative panel of a horse-race. On the shelf above is a bust of 'Claudius Rom: Imp:', a dice-box and dice, and the figure of an infant Bacchus, astride a cask and holding up a glass. On the wall behind Sheridan's head is a picture of 'Joseph & Potiphers Wife'. Behind him and on the extreme right is an open door showing a staircase. The Prince is stouter than in earlier prints; he wears his star, but his wrinkled stockings and slippers, like his pose, suggest indolence and domesticity. Mrs. Fitzherbert wears a tiara inscribed 'Ich dien', with three ostrich feathers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of quoted verse on each side of title: "Thus sits the dupe, content! "Pleases himself with toys, thinks Heav'n secure ..., Sheet trimmed to plate mark on top edge and sides., and Temporary local subject terms: Busts: Claudius, emperor of Rome, 10 B.C.-54 A.D. -- Images amplifying subject: Bacchus as an infant -- Images amplifying subject: depiction of horse race on mantelpiece -- Pictures amplifying subject: Joseph and Potiphar's wife -- Toys: bandalore (yo-yo) -- Gambling: dice and dice-box -- Interiors: sitting rooms -- Furniture: sofas -- Fireplaces -- Morganatic marriages: George IV to Mrs. Fitzherbert -- Allusion to Bible: Genesis, 39.7-12 -- Emblems: frivolity (bandalore) -- Prince of Wales's feathers -- Mottoes: Prince of Wales's motto -- Literature: quotation from Sir Richard Blackmore.
Publisher:
Pubd. Feby. 28th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Sheridan, Richard Brinsley, 1751-1816
"Dibdin stands smiling beside a harpsichord (left) directed to the left, and leaning slightly forward, left hand extended. In his right is a paper inscribed 'Oddities Wags'. On each side of the harpsichord is a tripod supporting a lighted candle-sconce. He is giving a musical entertainment. In the text he is ridiculed as Petronius Broadgrin, noted for consummate effrontery, and he is recommended the works of Joe Miller as a repertory of jokes. Below the title: 'Wags have at ye.'"--British Museum online catalogue and A description of Dibdin's musical entertainments, Oddities and The Wags
Alternative Title:
Oddity wags have at ye
Description:
Title etched above image. Above title: Attic miscellany., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., For another state published under different title, see: Marmaduke Momus., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. ii, page 197., and Mounted to 27 x 20 cm.
A man in Scottish dress kicks a bull as he cuts it with a knife crying, "Hoot! Damn yeen. Saul what de ye hoke for." Also pictured a abyssianian couple skin a lion. A sphynix with a confused look sits as a stream pours out from under his chair with a crocodile and crabs floating in the water and frogs observing from the side. Monkeys in the trees observe the scene below. A other four-legged animal emerges from the tent in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of verse on each side of title: There, which the squeamish souls of Britain shocks, ... ., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark (countermark) : V I.
Publisher:
Pubd. March 3, 1791, by W. Holland, No. 50 Oxford St.
Subject (Geographic):
Egypt, Ethiopia., and Nile River.
Subject (Name):
Bruce, James, 1730-1794
Subject (Topic):
Description and travel, Antiquities, Clothing & dress, Scottish, Bulls, Crabs, Crocodiles, Frogs, Lions, Monkeys, Tents, and Tourists
"Miss Gunning sits astride a cannon directed against the façade of 'Blenheim'. Her mother (right) fires the cannon by putting her pen to the touch-hole; from its muzzle issue flames an letters inscribed : 'forged Love letter', 'Letter from Marq: of Blan[dford] written by myself', 'Letter written by my Daddy', 'Letter forged by my Mother', 'Letter forged by myself', 'Letters in Answer to my self''. In the central window in the portico of Blenheim are the bare posteriors of a figure emitting a bias excrement which strikes Miss Gunning, knocking her backwards, reaches Mrs. Gunning. The former, terrified, says, "O Mother! Mother! my mask'd Battery is discovered, & we shall be blown up! - O Mother, Mother, we must raise the Siege immediately, & take refuge under the Duchess's cover'd way, & there act on the defensive: O Mother: Mother, its all your fault, say what you will:" Mrs. Gunning says, her left hand raised in horror, "Good Heavens! who could have thought that the Seige of a Coronet would have ended in smoke & stink! - well I'll take my affidavit that I know nothing at all about the matter". An aged crone, the Duchess of Bedford, stands on the extreme right, raising her hooped petticoat to form a shelter; she says, "Come under my Protection, deary's I'll hide you in Bedfordshire; & find one of my little Granny-boys, to play with Missy". On the extreme left General Gunning, wearing regimentals, walks off, stooping furtively; he says, "I find our Stratagem wont take effect, & therefore I'll be off; & menœvre; - any common Soldier can lead on, to an attack, but it requires the skill of a General to bring off his forces with honor after a defeat - "."--British Museum online catalogue
Alternative Title:
Siege of Blenheim and New system of gunning discovered
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Text following title: Vide, A bold stroke for a husband., and Text in lower right corner: Dedicated to the Duke of A- [Argyll].
Publisher:
Pubd. March 5th, 1791, by H. Humphrey, No. 18 Old Bond St.
Subject (Geographic):
England
Subject (Name):
Bedford, Gertrude Leveson Gower, Duchess of, 1715-1794, Gunning, Miss (Elizabeth), 1769-1823, Gunning, Mrs. 1740?-1800 (Susannah),, and Gunning, John, -1797
Title from item., Attributed to Cruikshank from reproduction of the original drawing for this print. See Wark., From a series of Drolls., Temporary local subject terms: Military recruitment -- Military uniforms: recruiting sergeant's uniform -- Recruiting drummer's uniforms -- Buildings: inns -- Military: recruiting sergeants -- Drums -- Furniture: tresle tables -- Settles -- Puns -- Costume: cocked hats, 1791 -- Military: drummers -- Yokels -- Signs: chequered inn sign -- Landlords., and Watermark (partial): armorial shield.
Publisher:
Published 10th March 1791, by Robt. Sayer, No. 53 Fleet Street, London
New papa disappointed with Justice Shallows attempt to charm the brutes
Description:
Title from caption below image., Printmaker from British Museum catalogue., Publication year appears to have been altered in plate from 1791 to 1792., Sheet trimmed within plate mark., Temporary local subject terms: Domestic service: nurses -- Forceps -- Surgical tools -- Obstetrics --Tambourine -- French horn -- Hurdy-gurdy -- Children: newborns -- Literature: allusion to "Pickle" in Bickerstaff's Spoil'd Child, played by Mrs. Jordan -- Allusion to Dorothy Jordan, 1761-1816., and Watermark: I Taylor.
Publisher:
Pub. March 15, 1792, by S.W. Fores, No. 3 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837, Warren, Richard, 1731-1797, and Ford, Richard, Sir, -1806
Subject (Topic):
Medical equipment & supplies, Musical instruments, and Physicians
"A travesty of Quintin Matsys' picture of 'The Misers' at Windsor, the misers being George III, writing in his ledger and counting coins, and Queen Charlotte, leaning on his shoulder. The pose, dress, background, and accessories are closely copied, except that the hood over the Queen's head is pushed back to show a large ear-ring and her hair which is decorated with pearls. The 's' of 'Originals' in the title has been scored through, stressing the identification of 'the Misers'."--British Museum online catalogue
Alternative Title:
From the original at Windsor and Lord Courtown's dream
Description:
Title etched below image; letter 's' in 'originals' scored through with several etched lines., Questionable attribution to Kingsbury from the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pen cases -- Inkpots -- Jewels: Queen Charlotte's jewels -- Travesty: Quinten Metsys's The Money Changer and His Wife -- Allusion to James Stopford, Earl of Courtown, 1731-1810., and Watermark: initials LV G.
Publisher:
Pubd. by Jacob Dowse, near Turnstile, Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Purses, Books, Candlesticks, Interiors, Pets, Birds, Miserliness, and Coins
"A very short and corpulent woman stands full face, her handkerchief is raised towards her face as if to mop it, her left arm is clasped by a man of similar proportions, who kneels in profile to the left, looking up at her with a pained expression."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner below image: Design'd for the Shakespeare Gallery., Sheet trimmed within plate mark., and Temporary local subject terms: Parody on Boydell's Shakespeare Gallery -- Obesity.
Publisher:
Pubd. March 20th, 1791, by H. Humphrey, No. 18 Old Bond Street
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
"The interior of a room in a cottage. General Gunning (left) as an old gipsy-woman, but wearing a military coat, is seated (on a drum) at a table, facing his daughter. In place of a sword he wears a broom. He seals a letter, a number of seals and a letter 'To D------ of M------' [Marlborough] are on the table beside him. Miss Gunning holds a pack of cards (the ace of spades uppermost) to her lips, saying, "I Swear that I never wish'd or tried directly or indirectly to get a Coronet; that I never saw or writ to Lord B------[Blandford] or Lord L--------- [Lorne], in all my Life; - that Men are my aversion; - & that I never had any thing to do with, with the Groom, in all my born days; - Will that do, Dad?" He answers, "Well done, Bett! we'll get thro' the Business I'll warrant you; - we can write with all sorts of hands, we've got all kinds of Seals, & with the assistance of our old Friend under the Table, we shall be able to gu them yet daughter but I must be Mum". Through a hole in the boards under the table the Devil emerges, surrounded with flames, he holds up a torch exultantly, saying "Swear!" Gunning melts his sealing-wax in the torch, the right is an open hearth over which hangs a cauldron full of coronets. Beside it (left) sits Mrs. Gunning, blowing the fire with a pair of bellows formed of a book: 'Letter to the D------ of A' (see BMSat 7983). She says: "That's right, my sweet innocent Angel! say Grace boldly! make haste my dear little lovely Lambkin! - I'll soon blow up the Fire, while Nauntee-Peg helps to cook up the Coronets; we'll get you a nice tit-bit for Dinner, before we've done, my dear little deary." Opposite her and on the extreme right an old woman, dressed in rags stands over the cauldron with a spoon, saying, "Puff away, Sister! the Soup will soon boil - law's me, how soft the Green Peas do grow, & how they Jump about in the Pot when you Puff your Bellows!" Behind her is a placard: 'Waltham Abbey - by Peg Niffy'. (Mrs. Gunning, née Minifie, was said in the Press to have written a novel called Waltham Abbey, this she denied. 'Letter . . .', p. 89.) On the wall behind Miss Gunning is a print of the pillory (the punishment for perjury) and a bill: 'Affidavit of Eliz: Canning.' Behind her father are 'The Life of a Soldier', 'The Man of Honor a Catch', and 'The useful Groom a new song'. Through a door (left) behind Gunning is seen a groom holding a horse; he says, "I'm ready to ride, or swear, or any thing". A signpost points 'to Blenheim'."--British Museum online catalogue
Alternative Title:
Peep at the conjuration of Mary Squires & the Gypsey family
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Allusion to John Campbell, 5th Duke of Argyll -- Allusion to George William Campbell, 6th Duke of Argyll -- Allusion to George Spencer, 4th Duke of Marlborough -- Allusion to George Spencer, 5th Duke of Marlborough -- Literature: allusion to Susannah Gunning's Waltham Abbey -- Interiors: cottage -- Pictures amplifying subject: title page of Waltham Abbey -- Pictures amplifying subject: pillory -- Furniture: tables -- Military drums -- Coronets -- Utensils: ladles -- Inkpots -- Seals -- Sealing-wax -- Minifie, Margaret "Auntee Peg"., and Watermark: armorial shield with fleur-de-lis on top and initials G R below.
Publisher:
Pubd. March 25th, 1791, by J.M. Fobes [sic], N. 3 Piccadilly
Subject (Name):
Canning, Elizabeth, 1734-1773., Squires, Mary, -1762., Gunning, Mrs. 1740?-1800 (Susannah),, Gunning, Miss 1769-1823 (Elizabeth),, Gunning, John, -1797, and Minifie, Margaret
Subject (Topic):
Bellows, Brooms & brushes, Card games, Cauldrons, Devil, Drums (Musical instruments), Fireplaces, Grooms (Weddings), Playing cards, and Torches
Volume 2, page 76. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark leaving thread margins., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: Quantum mutatus ab illo Hectore., and For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Publish'd March 25, 1791, by W. Dickinson, No. 24 Old Bond Street
"The interior of a bedroom, with Miss Gunning in bed (left), facing the spectator; a stout woman, her mother, holds her arm; both look round in alarm at a much-caricatured creature, Miss Minifie, who rushes towards them (right) from an open door, arms outstretched, gaping with staring eyeballs. Mrs. Gunning raises a leg in her surprise, breaking a bottle of 'Brandy' which with a glass had been concealed under her petticoats. Beneath the design is etched: 'What's the matter Auntee-Peg, what makes you put on such a long Face?"' In the upper and lower margins is the inscription: 'I was sitting by the Bedside of my smiling-injured-innocent-Lambkin, & holding one of the sweet tender hands of my amiable-gentle-dovelike-Cherub, when her Aunt came into the Room, with a face paler than Ashes, - "What is the matter, Auntee Peg" - says my dear-chaste-adorable-kind-benificent-enchanting-heart-feeling-benificent-paragon of Goodness \ She broke upon us the dishonorable-infamous-false-accusations, & the cruel most cruel messages that accompanied them, at that moment a Vow issued from my torn, my rent, my wounded, my agonizing, my suffering Heart, & my dear-divine-glorious-Arch angelic-Angel, said &c &c.'"--British Museum online catalogue
Alternative Title:
What's the matter Auntee-Peg, what makes you put on such a long face?"
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: bedrooms -- Furniture: side tables -- Beds -- Glass: wine bottles -- Alcohol: brandy -- Allusion to the Gunning scandal -- Literature: burlesque of Mrs. Gunning's A Letter ... to the Duke of Argyll., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pub. March 25th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Gunning, Miss 1769-1823 (Elizabeth),, Gunning, Mrs. 1740?-1800 (Susannah),, and Minifie, Margaret
"General Gunning stands in profile to the right before the door of his house, a bludgeon in his hand, driving before him his wife and daughter both scantily clad, but the latter with feathers in her hair. On the left is a military officer (Bowen) sheathing a sword in a broken sheath; Mrs. Bowen stands behind him. From General Gunning's pocket protrude papers: 'aff. by Mr B' and 'Am by Mr B.' He says "Now I shall save a 1000 a year in Housekeeping & keep as many - [whores] as I like." Miss Gunning says "Oh thus to be persecuted & rob'd of - all for Lorn." Mrs. Gunning says "Oh! my Darling my Angel fear not the machinations of these Combind plotters while you have a Mothers arms to support you". She points towards a woman's face at a window (? or in a picture) over which is etched: 'Here my Inosent shall you find a parants Care to soothe your troubles & every honest means pursued to discover those base dark assas[sins]'. Bowen says "Oh how they did run we have done the Business". His wife says "Aye Aye Clear off did not I do my part well.""--British Museum online catalogue
Alternative Title:
Specimen of martial prowess
Description:
Title from item., Printmaker from British Museum online catalogue., Publisher's annoucement following imprint: ... whare [sic] may be seen the compleatist [sic] collection of caricature prints & drawings in the Kingdom. Admite. 1 s & &., Temporary local subject terms: General's uniform -- Captain's uniform -- Bludgeons -- Weapons -- Expulsion -- Allusion to the Gunning scandal -- Capt. Bowen -- Mrs. Bowen., and Watermark: J Whatman.
Publisher:
Pub. March 27, 1791, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Gunning, John, -1797, Gunning, Miss 1769-1823 (Elizabeth),, and Gunning, Mrs. 1740?-1800 (Susannah),
"A foppishly dressed man stands full face, holding a cane against his left shoulder. The fingers of his right hand are extended to display a large ring on the fourth finger. He wears a high-crowned hat, a voluminous swathing round his neck apparently of spotted gauze; a high collar at the back of his head reaches his hat-brim. His breeches are high in the waist and long in the leg where they are tied; low wrinkled top-boots show striped stockings. His coat is cut away to form tails. Beside him is a small dog with a ruff-like collar."--British Museum catalogue
Description:
Title etched below image., Eight lines of verse in two columns below title: 'Whoe,er, with curious eye, has rang'd Through Ovids tales, has Seen, How Jove, incens'd, to Monkies chang'd A tribe of worthless Men, The Brute with Contempt the man surveyd Nor would a name bestow, But Woman lik'd the motley breed And Calld this thing a Beau.', and Watermark (partial): initials G R below shield.
Publisher:
Pub. Mar. 29, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Rings
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: where may be seen the completest collection of caricature prints & drawings in the Kingdom. Admite. 1 s. Just pubd Chesterfields Principles of Politeness in the stile [sic] of Mr. Bunbury. In a few days will be pubd. Frailties of Fashion., Temporary local subject terms: Military: officers -- Military uniforms: officers' uniforms -- Guns: pistols -- Highway robbery -- Cowardice -- Environs of London -- Literature: allusion to Chesterfield's Letters To His Son, "Principles of Politeness" -- Allusion to Henry Bunbury, 1750-1811., and Watermark: J Whatman.
Publisher:
Pubd. March 29, 1791, by S.W. Fores, No. 3 Piccadilly
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
Title from item., Two lines of verse on plate below image: Though parsons often patience teach ..., Illustration to ballad The Patient Parson. The text of the ballad is printed below the plate., Publisher's advertisement at bottom of sheet: Just published in this manner, Mrs. Thrale's Three Warnings, The Greenwich Pensioner, Poll and My Partner Joe, and many other esteemed songs and pieces. In Fores's exhibition, No. 3 Piccadilly may be seen the compleatest collection of caricatures in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ballads -- Clergy wives --Parsonage -- Pictures amplifying subject: 'Job in his distress' -- Wall clock -- Furniture: dinner table., and Watermark: fleur-de-lis.
Publisher:
Publish'd as the act directs, by S.W. Fores, N. 3 Piccadilly
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons --Violins -- Costume: female child's costume -- Furnishings: busts -- Pictures -- Trades: dancing masters -- Expressions of speech: tol lol de rol., Watermark (partial) : initials G R under part of armorial shield., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed, possibly from '90.'
Publisher:
Publish'd 1 April, 1791, by W. Fores, No. 3 Piccadilly
Subject (Topic):
Ballrooms, Interiors, Mirrors, and Musical instruments
Two head-and-shoulder portraits in separate ornamental oval frames of Hon. Charles Wyndham and Mrs. Hodges
Description:
Titles engraved below images., From the "Histories of the téte-à-téte annexed" inthe Town and Country Magazine, 1791, page 99., and Mounted to 21 x 28 cm.
Publisher:
Publish'd 1st April 1791 by A. Hamilton Junr. Fleet Street
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., '6' in imprint reversed to 'd'., Temporary local subject terms: Allusion to Pantheon -- Carlton House: colonnade -- Prince of Wales's support of the Haymarket Opera House -- Rivalry: Haymarket Opera House vs. Pantheon., Watermark: fleur-de-lis on crowned shield with monogram W at bottom., and Stamped 'Clark, Norwood' on verso.
Publisher:
Pubd. April 6, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
"The Recording Angel sits full face in the upper part of the design, writing at a long scroll, which rests on a small but very solid rectangular table supported on billowing clouds. He is a sulky-faced naked child, with wide-spread wings and wearing a nightcap. A large tear falls from his right eye. The Accusing Spirit, a bald-headed, elderly man, his face blotched with drink, with wings and wearing a long robe, in profile to the right, holds up to the Angel a paper inscribed "He shall not dye by xxx". The winged heads of a man and woman, poised on the claws of birds of prey, rest on clouds in the upper left corner of the design; he regards her insinuatingly, she grins back. A cherub's winged head flies behind the Accusing Spirit. Rays of light fall diagonally from the right on the Recording Angel. Billowing clouds complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: Dedicated (without permission) to the Revd. Mr. Peters.
Publisher:
Pubd. April 8th, 1791, by H. Humphrey, No. 18 Old Bond Street
Title from item., Frontispiece to Garrick's adaptation of Ben Jonson's "The Alchemyst" in Bell's British theatre, v. 2, no.2., Four lines from Scene 3 below title: Drug [i.e., Abel Drugger] - this one please your worship ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Alchemists -- Alchemists' workshops.
"Pitt as Don Quixote (and Petruchio) bestrides a sorry rosinante, the white horse of Hanover, scarred and decrepit and apparently at the point of death. Behind him sits the King of Prussia. Holland, as Sancho Panza, on the animal's hind-quarters, clasps Prussia round the waist. The Sultan, on the extreme left, crouches behind the horse, kissing its tail. Pitt, who holds a whip, points a thin mail-clad hand arrogantly at Catherine of Russia (right), a stout woman who has sunk in terror to her knees, but is supported by the Emperor Leopold and by France, a grotesquely lean Frenchman of the old régime, wearing a cocked hat ornamented with fleur-de-lis. Pitt wears Mambrino's helmet (the barber's basin) surmounted by a crown and a feather. He says: ""Katharine, that cap of yours becomes you not; "Off with that bauble, 'tis my royal will." The 'cap' is a crescent in her hair, symbolizing her conquests from Turkey and, more especially, Oczakoff, the place in dispute. Pitt's horse (George III), says, weeping, "Heigho! to have myself thus rid to death, by a Boy & his playmates, merely to frighten an Old Woman - I wish I was back in Hanover to get myself a belly full". A holster on the animal's neck is inscribed 'G.R', but the 'G' has been struck out and replaced by 'P' (to indicate that Pitt has usurped the prerogative of the Crown, cf. BMSat 7479, &c). The King of Prussia, with his chin on Pitt's shoulder, glares fiercely; he holds a drawn sabre and says, "Blood & Dunder, I would give her one good Prussian stroking". Sancho Panza, a fat Dutchman, says, "I'm in a good humour to give her a dram of right Holland's". The crouching Turk cries obsequiously, "Amman! Amman! Anglois, Alia, Alia". Catherine is terrified, she turns away from Pitt exclaiming: ""I see my Lances are but straws; "My strength is weak, my weakness past compare; "And am asham'd, that Women are so simple "To offer War when they should kneel for Peace." France says, "O, by Gar! if Mirabeau was but 'live! Sacre Dieu." The Emperor, who is crowned, and wears a cloak on which is the Habsburg eagle, says, "Das is de devil, to give up all again". Beside Catherine is a sword tying across a plan of a fortress, Oczakow."--British Museum online catalogue
Alternative Title:
What you will and Modern Quixote
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Don Quixote -- Horse of Hanover -- George III as the Horse of Hanover -- Weapons: sabre -- Horse whip -- Allusion to Oczakow -- Allusion to Triple Alliance (England, Prussia and Holland)., and Watermark: J Whatman.
Publisher:
Pubd. April 20th, 1791, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, Selim III, Sultan of the Turks, 1761-1808, and Pitt, William, 1759-1806
"From a cylindrical stone vat filled with steaming liquid protrude the legs and arms of a negro, who is being held under the surface by a fierce-looking overseer with the handle of a scourge. The overseer stands on a ladder (right), saying, "B-t your black Eyes! what you can't work because you're not well? - but I'll give you a warm bath, to cure your Ague, & a Curry-combing afterwards to put Spunk into you." On the wall above his head are nailed up, in a row with a bird, a fox, and ferrets (vermin), a black arm and two ears. Through a doorway (right) palm-trees are suggested. Beneath the title is etched: 'Mr "Frances [sic] relates "Among numberless other acts of cruelty daily practised, "an English Negro Driver, because a young Negro thro sickness was unable to "work, threw him into a copper of Boiling-Sugar-juice, & after keeping him, "steeped over head & Ears for above Three Quarters of an hour in the boiling "liquid, whipt him with such severity, that it was near Six Months before he "recover'd of his Wounds & Scalding"------Vide Mr Frances Speech, corroborated by Mr Fox, Mr Wilberforce &c &c.'."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on three sides., Temporary local subject terms: Barbarities -- Barbarities to blacks -- Overseers -- West Indies -- Enslaved people -- Motion to abolish slave trade, April 18, 1791 -- Allusion to Charles James Fox, 1749-1806 -- Allusion to William Wilberforce, 1459-1832 -- Allusion to Sir Philip Francis, 1740-1818., Matted to 36 x 49 cm., and Watermark.
Publisher:
Pubd. April 23d, 1791, by H. Humphrey, N. 18 Old Bond Street
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: where may be seen the greatest collectn of caracatures [sic] in the Kingdom, admitce 1 sh, likways [sic] the head & hand of Count Struenzee., Temporary local subject terms: Chelsea, King's Road -- West Bourne Stream -- Factories: Chelsea, Patent Floorcloth -- Plenipotentiaries -- Literature: allusion to Alexander Pope's Eloisa to Abelard -- Turks -- Musicians -- Carriages -- Dogs., and Watermark: fleur-de-lis on crowned shield with monogram W at bottom.
Publisher:
Londn. Pub. April 25, 1791, by S. Fores, N. 3 Piccadilly
Subject (Name):
Duncan, Mary Tufton, Lady, 1723-1806 and Pacchierotti, Gasparo, 1744-1821
"Alderman Boydell (half length), wearing a bag-wig, stands in profile to the right, slashing with a knife a small picture on the wall. He glares furtively; the fingers of his left hand are greedily crisped. He says: "There! There! - There's a nice gash! - there! - ah, this will be a glorious subject for to make a fuss about in the News-papers; - a hundred Guineas reward, will make a fine sound: - there! there! - O, there will be fine talking about the Gallery: and it will bring in a rare sight of Shillings for seeing of the cut Pictures; - there! - & there again! - egad there's nothing like having a good headpiece! - here!! - here!! - there! there! - and then these Small pictures won't cost a great deal of money replacing; - indeed one would not like to cut a large one to pieces for the sake of making it look as if People envied us; no! - that would cost rather too much; & my pocket begins - but mum! - thats nothing to nobody - well, none can blame me for going the cheapest way to work: - to [Etched over 'there', erased but just legible] keep up the reputation of the Gallery - there! there! there! - there! there!" ..."--British Museum online catalogue
Alternative Title:
Peep into the Shakespeare Gallery
Description:
Title etched below image; first five words of title have been scored through but left conspicuously legible., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Shakespeare Gallery -- Vandalism -- Allusion to Renwick Williams, 'The Monster.'
Publisher:
Pubd. April 26th, 1791, by H. Humphry [sic], N. 18 Old Bond Street
Title from item., Sheet trimmed resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Bachelors' Hall written and composed by Dibdin for his entertainment called The Oddities. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Let Us All Be Unhappy Together, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others. In Fores's exhibition, No. 3 Piccadilly, may be seen the compleatest collection of caricature prints and drawings in Europe. Admittance one shilling., and Temporary local subject terms: Huntsmen -- Buildings: country houses -- Architectural details: outdoor stairway to country house -- Male costume: riding costume, 1791 -- Bachelors -- Horse whips -- Hunting horns.
Publisher:
Pub. Aprill [sic] 30, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Horseback riding, Hunting, Hunting dogs, and Musical entertainments
Title from item., Sheet trimmed, resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Let Us All Be Unhappy Together, written and composed by Dibdin for his entertainment called The Wags. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Bachelors' Hall, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bachelors -- Social gatherings -- Dishes: punch bowl -- Wine glasses -- Utensils: ladles -- Furniture: tables -- Chairs -- Chamber pots -- Urination -- Musical entertainments., and Watermark: fleur-de-lis.
Publisher:
Pub. Aprill [sic] 30, by S.W. Fores, No. 3 Piccadilly
"Sheridan and Fox are prisoners behind a bar on which they lean. Burke towers above them, with a stern frown, seizing each by the hair. He says: ""Behold the abettors of Revolutions, see "the authors of Plots & conspiracies, & take cognizance of the enemies of both "Church & State; - "I know them all, & have a while upheld, the unyok'd "humour of their Wickedness," - I have bore [sic] with them 'till the measure "of their iniquity is full; but now, I will bare them before ye Justice of injured "humanity, - I will prove unequivocally, that there exists at the present "moment, a junto of Miscreant Jacobites [sic], who are aiming at the Over-"throw of the British Constitution" - Vide Burkes Speech on the Quebec Bill - ". Sheridan (left) in profile to the left, his hands clasped, says with a terrified expression, "Ha! what's that? miscreant Jacobites! - plots Conspiracies! Revolution! - O! Damnation! we're all found out! - ah Joseph! Joseph! I fear you've brought up your Neck for a fine Collar!" Fox (right), his head bowed under Burke's hand, his handkerchief to his eyes, says, "O the devil! I'm quite overcome, & stupified with Grief! to think that the Man who has been my dearest Friend, and my Chum in all infamy, for Twenty five years, should now turn Snitch at last! good-lack-a-day!"."--British Museum online catalogue
Alternative Title:
Father of the gang turnd. kings evidence and Father of the gang turned king's evidence
Description:
Title from text in bottom part of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Burke's speech on Quebec Bill -- Coalition: denounced in 1791 -- Spectacles -- Literature: Sheridan's School for scandal., and Watermark: Strasburg lily, dated 1805.
Publisher:
Pubd. May 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Jacobites, Politicians, Impeachments, Prisoners, Debates, Eyeglasses, Crying, and Handkerchiefs
"A ragged cobbler (not caricatured) wearing an apron stands full face on his low bench in the attitude of a preacher. He holds out a dilapidated shoe in one hand, a strap in the other. Behind him (right) are listeners: a stolid man and two elderly and agitated crones. On the bench behind him are his tools; beside it (left) is a tub in which a shoe is being soaked, a hammer, &c. Beneath are etched in two columns twenty lines of verse beginning: 'Behold the Man of Whom 'tis True The Mending Trade, He doth Persue'"--British Museum online catalogue
Description:
Title from British Museum online catalogue., Two columns of verse below image: behold the man of whom tis true ..., and Temporary local subject terms: Trades: cobblers -- Preachers -- Cobbler's tools.
Publisher:
Published May 1, 1791, by S.F. Fores, No. 3 Piccadilly
"A bull (John Bull) in profile to the right sinks, snorting with distress, under the weight of five persons. The foremost, astride the animal s neck, is the Emperor Leopold; he holds the legs of Catherine II, a stout virago, who sits on his shoulders, brandishing her orb and sceptre. She says, "Where's all your boasting now my old Bull! by St George I knew I could bring you upon your knees! ay, and before I have done riding you I'll make you knock under." Behind Leopold sits George III, saying, "Don't mind, don't mind, don't mind [a parody of the King's manner of conversation], he'll soon recover, It's all sham, his stumbling". Frederick William of Prussia sits behind George III, wearing regimentals with jack-boots. Behind him sits a fat Dutchman (Holland) smoking a pipe. Behind, and on the left, is a group of three persons on a smaller scale. Pitt, in profile to the left, seizes by the collar a lean and ragged British citizen (John Bull), saying, "No grumbling, you rascal! You must pay the Piper to be sure. What the devil, surely you couldn't expect the great folks that represent you to contribute a shilling! Besides you are a damn'd saucy fellow, master Bull, and you must be tam'd." Bull answers, "Tam'd: why, good God, Sir, I have scarcely a morsel of bread to eat, and even the Small Beer is Tax'd above my purchase!" On the extreme left a lean man kneels, blowing a trumpet and looking up at Pitt; he is perhaps an ironical representation of Fame."--British Museum online catalogue
Alternative Title:
Who pays the piper?
Description:
Sheet trimmed within plate mark resulting in loss of title, imprint and publisher's advertisement. Title and publication information from British Museum catalogue., Attributed to H.W., i.e., either Henry Wigstead or William Holland, in the British Museum catalogue., and Temporary local subject terms: Allusion to Russian Armament -- Bulls -- Crowns -- Scepters -- Walking staves -- Musicians: pipers -- Musical instruments: pipes -- Smoking pipes -- Holland.
Publisher:
Pubd. May 11, 1791, by Willm Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Great Britain, and Politics and government
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., and Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
"An ass, laden with panniers filled with books, lifts up its head to bray 'Rights of Man' (thrice repeated), while its hind-legs are kicking in the direction of the British Lion (right). From its head hang an ink-bottle and pen. The books are inscribed 'Paines Pampl[et]', 'Paine' (twice), 'Libels on the Constitution', 'Treason', 'Atheistic Trac[ts]', 'Treasonable Essays', 'Seditious Pamphlets'. The head only of the lion, crowned, appears on the right, his mouth is open as if roaring, and he holds open a large book inscribed: (left) 'Reflections on the Revolution in France &c by the Right Honble E Burke', and (right) (a quotation from p. 3,1st ed.): 'the soci[ety] calling itself the Society for Constitutional Information was intended for the Circulation at the Expence of the Members of many Books which few others would be at the Expence of buying and which might lie on thands [sic] of the Booksellers'."--British Museum online catalogue
Alternative Title:
Published by order of the Society for Constitutional Information by D. Adams Secretary
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of quoted text below title: "From all sedition, privy conspiracy and rebellion, from all false doctrine, heresy and schism &c., Good Lord deliver us.", and Temporary local subject terms: Societies: allusion to the Society for Constitutional Information -- Literature -- Crowned British Lion -- Panniers -- Daniel Adams as an ass -- Inkwells.
Publisher:
Published 12th May 1791 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809. and Burke, Edmund, 1729-1797.
Charlie Boy crying for the loss of his political father
Description:
Title etched below image., Printmaker identified as William Dent in the British Museum online catalogue, registration no.: 1990,1109.89., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Debates: Allusion to debate Fox vs. Burke, May 6, 1791, on the French Canadian constitution., Watermark: J Whatman., and Mounted to 37 x 23 cm.
Publisher:
Pubd. by W. Dent
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797.
"Fox stands full face, his arms extended; these arms are the branches of a tree, and his body is its trunk. The two branches fork into the boughs of a weeping-willow, whose foliage forms an arch above Fox's head, and hangs nearly to the ground. Tears fall from his eyes and pour in a stream down the trunk of the tree, forming a pool at its feet."--British Museum online catalogue
Description:
Title etched below image., Satire alluding to the debate Fox versus Burke, May 6, 1791, on the French Canadian constitution., Note in contemporary hand on bottom verso: Fox was said to have shed tears in the House of Commons on Burke's renouncing his political friendship, because he admir'd the French Revolution. 1791., and Watermark: fleur-de-lis on crowned shield with inititals GR below.
Publisher:
Pubd. May 13, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797.
"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue
Description:
Title from text in lower right corner of image., Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., Sheet trimmed leaving thread margins., Temporary local subject terms: Charles Fox as Guy Vaux -- Allusion to George II, King of Great Britain, 1738-1820 -- Plot against House of Lords -- Gunpowder Plot, 1604 -- Dark lantern -- Watchman's rattle -- Burke as watchman -- Watchman's staff -- Denounced coalition -- Quarrel: Fox and Burke, 1791 -- Puns: 'Vaux' for Fox -- Burke's spectacles., and Watermark: Turkey Mills J. Whatman.
Publisher:
Pubd. May 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Sheridan, Richard Brinsley, 1751-1816
Title from caption etched below image., Possibly by Cruikshank., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Mistresses -- Pictures amplifying subject -- Female costume, 1791., and Reference to the description of this event in The bon ton magazine in an unidentified hand on mat below image; matted to 47 x 63 cm.
Edmund Burke kneels holding a crucifix and rosary as protection from the two ghosts of Mirabeau and Price who stand before him drapped in sheets surrounded by clouds. They hold out to him copies of his Reflections on the French Revolution, damning him for the crime of writing such opinions. An old woman on the right holds a chamber-pot under her petticoats and sprinkles Burke, "old Loyola", with the water from a feathered aspergillum asserting that "this holy water' will protect him, an old accusation that he was a cancealed Roman Catholic
Description:
Title etched below image., Possibly by Rowlandson (see Grego, p. 293) or by Henry Wigstead or William Holland (see British Museum catalogue)., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 17, 1791, by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797., Burke, Edmund, 1729-1797, Mirabeau, Honoré-Gabriel de Riqueti, comte de, 1749-1791, and Price, Richard, 1723-1791
Subject (Topic):
Catholics, Public opinion, Anti-Catholicism, Aspergillums, Chamber pots, and Ghosts
Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
Title from item., Attributed in the British Museum catalogue to either Henry Wigstead or William Holland., Publisher's advertisement below title: In Hollands exhibition rooms may be seen the largest collection of caricatures in Europe. Admitce one shilling., Temporary local subject terms: Shakespearian costume -- Literature: quotation from Shakespeare's Two Gentlemen of Verona, ii, 3 -- Dogs -- Allusion to debate Fox vs. Burke, in House of Commons, 6 May, 1791., and Mounted to 35 x 43 cm.
Publisher:
Pubd. May 22, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
Burke, Edmund, 1729-1797 and Fox, Charles James, 1749-1806
A grotesquely caricatured, thin and ragged Tom Paine, dressed as a tailor with huge scissors hanging from his pants, kneels before a gigantic crown; he uses a tape measure to determine its dimensions. He wears a French-style hat with a cockade inscribed "vive la liberty". He ruminates on his task,a satire on the first part of his Rights of man
Alternative Title:
Tommy Paine, the little American taylor, taking the measure of the crown for a new pair of revolution breeches
Description:
Title etched below image., Printmaker from British Museum catalogue., At top of design: Humbly dedicated to the Jacobine clubs of France and England by Common Sense. "These are your gods, O, Israel!", Plate shows signs of reworking; 'the' following 'Tommy Paine' in title etched twice, with the repeated word on the second line of title scored through and mostly burnished from plate., and Mounted to 43 x 29 cm.
Publisher:
Pubd. May 23th [sic], 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797., Paine, Thomas, 1737-1809, and Paine, Thomas, 1737-1809.
Title from item., Attributed to Newton by curator based on other works of this artist in the collection., Sheet trimmed within plate mark., Reduced copy of a print published in London on May 26, 1791, by W. Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: satire on Paine's The Rights of Man -- Reading -- Readers., and Watermark: name (illegible).
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Jenkinson, Charles, 1727-1808
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Pitt dressed in a Elizabethan-style costume, with a large feathered hat on his head, faces the viewer. He gesters with his left hand and holds a stick in his right
Alternative Title:
Honorable Spruce Billy Beau prime minister of Lilliput
Description:
Title etched below image., Possibly by Richard Newton., and Two lines of verse below title: A Tory I am and a very young man ...
Publisher:
Pubd. June 20 1791 by W. Holland, 50 Oxford St.
Subject (Name):
Pitt, William, 1759-1806 and Swift, Jonathan, 1667-1745
Title etched below image., Two lines of verse below title: By shifting about I at last got so wrong ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Reference to the Coalition., Watermark., and Mounted to 42 x 30 cm.
Publisher:
Pubd. June 20, 1791, by W. Holland, No. 50 Oxford St.
Sheet trimmed to plate mark., Above title: The Lilliputian world, plate 5., Two lines of verse below title: through Lilliputian realms my banners are unfurl'd ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Military uniforms -- Trades: editors -- Walking staves., and Watermark: countermark I V.
Fox hides under a four-poster bed hung with curtains, his hand resting on his chin with a speech balloon above his head: "They'll do nothing at last!" A bare-breasted woman [Catherine II of Russia] wearing a nightdress, a crown on her head, and pearls at her throat, holds a dagger in her hand as she addresses Pitt who stands before her: "Which you please, young man. If your instrument entered it would make no impression that I'd care a fig for." Pitt also in a nightdress and holding a dagger, asks, "Shall we or shall we not?"
Description:
Title etched below image., Possibly by Richard Newton. See The Lewis Walpole Library card catalog., The female figure was formerly mis-identified as Britannia (?). For correct identification of Catherine the Great see: Dawson, R. Catherine the Great and the Culture of Celebrity in the Eighteenth Century, page 160., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. For copy after George Moutard Woodward published 15 June 1791, see British Museum Registration number: 1948,0214.468., and Watermark: fleur-de-lis and countermark I V.
Publisher:
Pubd. June 20, 1791, by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Politics and government, Bedrooms, Daggers & swords, Canopy beds, and Sleepwear
Broadside ballad by Charles Dibdin, with an etched headpiece showing the interior of a tavern with a one-legged pensioner holding a beer tankard decorated with an anchor (center), singing the song, while a maid holds a mug to another who has lost both arms (left). On the right two men play a game (draughts?) at a table. On the wall behind them is another broadside 'Poor Jack', also about a sailor with words by Dibdin. On the windows at the entrance of the tavern are postings advertising rum and gin. Several are dressed in the uniform of Greenwich pensioners
Description:
Title from letterpress caption title below image and above verses: " ... written and composed by Dibdin for his entertainment called The oddities.", Lettered with the artist's initials in the one-legged pensioner's hat and with his full name on the edge of the table on the right., Publisher's advertisement at the bottom of sheet: Just published, by Fores, No. 3 Piccadilly, where may be had, price 6d. plain and 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Bachelors' Hall, Let Us All Be Unhappy Together, The Barber's Wedding, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibding and others. In Fores's exhibition may be seen the compleatest collection of caricature prints and drawings in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on top and sides of illustration., and Watermark: fleur-de-lis.
"Louis XVI and Marie Antoinette seated on chairs at Varennes while an armed and ferocious mob invades the room through an open door (left); the approach of an angry crowd is suggested by a sea of heads, above which weapons are raised. The King sits full face, the Queen beside him in profile to the left and on the extreme right. One ruffian presents a blunderbuss at the Queen, another, yelling, threatens the King with a pistol and sabre. A soldier (left) advances with his musket cocked towards the little Dauphin, who has fallen on his back at the King's feet, having apparently been pushed over by the soldier's bayonet. A man wearing only a bonnet rouge and a shirt advances with a dagger in each hand; behind him is a man with a raised hammer in one hand, a broom in the other."--British Museum online catalogue
Alternative Title:
French democrats surprising the royal runaways
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Invasion of Varennes -- Allusion to French Revolution -- French democrats -- Fugitives -- Weapons: sabres -- Guns: blunderbass -- Muskets with bayonettes -- Daggers -- Emblems: bonnet rouge -- French revolutionary cockade -- Brooms -- Hammers.
Publisher:
Pubd. June 27th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
Title from item., Printmaker from British Museum catalogue., Publication date inferred from countermark. Watermark: Strasburg lily with initials R & T below and countermark Ruse & Turner 1806 (countermark partially obscured by design and coloring)., Two images etched on one plate., Reissue of No. 7883 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Flight to Varennes -- Recapture of Louis XVI -- French revolutionaries -- Black-shoe -- Emblems: bonnet rouge -- Emblems: French revolutionary cockade., and Watermark: Strasburg lily with initials R & T below and countermark Ruse & Turner 1806 (countermark partially obscured by design and coloring).
Publisher:
Pubd. June 28, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Barbers, Cooks, Jockeys, People associated with commercial & service activities, Soldiers, French, and Tailors
Title etched in image., Caption below image, quote from Exodus 22d: And it came to pass when he came down from the mount, behold the skin of his face shone., and Temporary local subject terms: Allusion to Mount Coffee House -- Hitching posts -- Allusion to the Carlton House set -- Quizzing glasses -- Expressions of speech: tol de rol de rol -- Male costume, 1791.
Publisher:
Pub. June 28, 1791, by S.W. Fores, N. 3 Piccadilly
Two head-and-shoulder portraits in separate ornamental oval frames of a son of wealthy brewer and an unidentified young woman separated from her husband who later brought a suit against the brewer
Description:
Titles engraved below images., From the "Histories of the téte-à-téte annexed" in the Town and Country Magazine, 1791, page 243., and Mounted to 21 x 28 cm.
Publisher:
Published 1st July 1791 by A. Hamilton Junr., Fleet Street
"Heading to a set of verses printed in two columns, and purporting to be a song made formerly by the boys of Westminster School on an application from 'Mrs Anna Davis' to Dr. Smith (see BMSat 4921, &c.) 'to whip Master Lloyd and some other boys who kept bantam fowls in a yard adjoining her house and disturbed her much . . .'. An ugly old maid in a half-tester bed sits up and frowns angrily at a grinning schoolboy (left) who stands just within the open door holding a cock. On a chair by her bed is a lighted candle, 'Ovid's Art of Love', and a pair of spectacles. Her stays and shoes lie on the floor. The verses are directed 'to Mr Holland' by 'Pedagogue' on the occasion of Mrs. Davis's death: they relate that Mrs. Anna Davis, an elderly prude, had amorous desires towards 'charming Jacky Lloyd'."--British Museum online catalogue
Alternative Title:
To Mr. Holland
Description:
Title from British Museum online catalogue., Illustration to verse To Mr. Holland, printed below the plate and purporting to be a song written by the boys of Westminster school upon the death of Anna Davis., Publisher's advertisement at bottom of sheet: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe, admittance one shilling., and Temporary local subject terms: Interiors: bedroom -- Furniture: beds -- Chairs -- Lighting: candlesticks -- Furnishings: chamber pots -- Women: old maids -- Schoolboys -- Birds: cockrels -- Spectacles -- Images amplifying subject: Ovid's Art of Love -- Female costume: stays.
Publisher:
Pubd. July 7th, 1791, by W. Holland, No. 50 Oxford St.
"Heading to a set of verses printed in two columns, and purporting to be a song made formerly by the boys of Westminster School on an application from 'Mrs Anna Davis' to Dr. Smith (see BMSat 4921, &c.) 'to whip Master Lloyd and some other boys who kept bantam fowls in a yard adjoining her house and disturbed her much . . .'. An ugly old maid in a half-tester bed sits up and frowns angrily at a grinning schoolboy (left) who stands just within the open door holding a cock. On a chair by her bed is a lighted candle, 'Ovid's Art of Love', and a pair of spectacles. Her stays and shoes lie on the floor. The verses are directed 'to Mr Holland' by 'Pedagogue' on the occasion of Mrs. Davis's death: they relate that Mrs. Anna Davis, an elderly prude, had amorous desires towards 'charming Jacky Lloyd'."--British Museum online catalogue
Alternative Title:
To Mr. Holland
Description:
Title devised by cataloger., Sheet trimmed to plate mark (plate mark 18.7 x 23.8 cm.) on top and sides., Imprint etched below image: London, Pubd. July 7, 1791 by W. Holland, No. 50 Oxford St., Letterpress caption title "To Mr. Holland" printed below the plate., Song purported to have been written by the boys of Westminster school upon the death of Anna Davis., Publisher's advertisement at bottom of sheet: ... of whom may be had, lately published, ... [list of print titles]., Variant of no. 8002 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark: countermark I V.
"Five British sailors make a furious attack on six French soldiers, grotesque and terrified creatures, whom the sailors humiliate and insult. Their officer (left), who holds a British flag, is threatened by a sailor with clenched fists, and excretes, terrified. A sailor with a scourge slashes the bared posteriors of a Frenchman who grovels on the ground, saying, "oh le pauvre Commandant"; he says, "Now foutre you'l take 2 Merchants Ships for a fleet of Men of War again". A Frenchman, nearly throttled by an angry sailor, cries "Ca-ira Ca-ira". A sailor pulls the queue of the drummer, to whom he offers a piece of tobacco, saying, "here you B--g--r heres a stale Quid for you Instead of Hartshorn". A sailor on the extreme right pulls the queue of a Frenchman and raises his club to strike; the latter says, "oh Diable we was Make de Dam Mistake Parblue". The sailor answers, "aye aye D------n Your Eyes Ill make you Blue and Black too". In the background (left) are buildings inscribed 'Nantes'."--British Museum online catalogue
Alternative Title:
Vision interpreted
Description:
Title etched below image., A satire about an incident at Nantes, 29 June 1791., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. July 15, 1791, by S. Fores, N. 3 Piccadilly
Subject (Geographic):
Nantes (France), France, Great Britain., Great Britain, and France.
Subject (Topic):
History, Relations, Arms & armament, Defecation, Drums (Musical instruments), Fighting, Flags, British, National emblems, Rifles, Sailors, French, and Whips
"In the foreground (left) is the quarter-deck of a small vessel, on which six French soldiers with ferocious gestures are taking down the British flag; a hump-backed soldier has climbed the flagstaff, and crouches with drawn sword, saying, "oh by Gar I was on de Pinnicle of my Glory". Through his ragged breeches issues the word 'Commandant'. In the lower left corner of the design is the head of an English sailor, saying, "that sweet little Cherub that sits up aloft (cf. BMSat 7677) he will shortly come wap on his Back". Two men bite the flag. Another, very emaciated, says, "aha Monr Angloise we was Men Enough (40.000) to take de whole fleet". Two other soldiers peer over the edge of the vessel. The ship is in harbour, behind her is another (English) vessel whose flag is being removed and sails furled. A British sailor stands in a boat on the extreme right, shouting, "avast Bougres well teach you to take 2 Merchant ships for a fleet of Men of War again". On the horizon are buildings inscribed 'Nantes'. Across the sky is etched 'Rehearsal'."
Alternative Title:
Patriotick attack of the troops national and Patriotic attack of the troops national
Description:
Title from item. and Temporary local subject terms: Reference to an incident at Nantes, 29 June 1791 -- Weapons: muskets -- Flags: Union Jack -- Ships: merchant ships -- Views: allusion to Nantes -- Emblems: French tricolor cockade.
Publisher:
Pub. July 20, 1791, by S. Fores, No. 3 Piccadilly
Subject (Topic):
Daggers & swords, Military uniforms, French, Sailors, and British
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Watermark: Hall & Taplin 1804.
Publisher:
Pubd. July 4th, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., 1 print : etching, hand-colored, on laid paper ; sheet 377 x 469 mm., and Imperfect; sheet trimmed within plate mark on upper and lower edges with some loss of top portion of image. Mounted to 40 x 56 cm.
Publisher:
Pubd. July 4th, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned,) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility. On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance""--British Museum catalogue
Description:
Title inscribed in brown ink below image., Date based on published Gillray print., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7894., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray ... / by Thomas Wright, 1851, no. 58., and A 'counterprint' or transfer in brown ink from another print on verso: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, George III, King of Great Britain, 1738-1820, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lindsey, Theophilus, 1723-1808, and Constitutional Society (London, England)
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark on three edges.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching, hand-colored, on laid paper ; sheet 280 x 496 mm., Sheet trimmed within plate mark on three edges, and two holes have been cut from sheet and repaired., Added in contemporary hand in lower right of sheet: These are the Friends of the Constitution., and Watermark.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Louis XVI sits fatly at a table, carving large pieces from a roast bird, a rolled paper in his pocket inscribed 'Route de Melz'; he turns back to an obsequiously grinning officer wearing a wig and ruffled collar and sleeves, who approaches from an open door to right, bowing and presenting an 'Ordre of la municipalite poor l'Arret de Monsieur Louis de Bourbon', the king saying 'Je me f- de tout cela Laisse moi manger tranqillement'; in the doorway are seen a short man with the fleur-de-lis on his arm and a whip who comments, 'Voila but for his dam guts we had been safe out of their reach', and five heavy-looking soldiers, all with skull-and-crossbone motifs on their bearskin hats. To left, Marie Antoinette stands looking in a mirror, adjusting her neckerchief and saying 'Come my dear Louis havn't you finish'd your two Turkeys & drank your six bottles, you know we shall dine at Mont medy', a fine hat on the chair in front of her. Behind to left, the Dauphin sits grimacing on a water-closet, clutching at himself; his nurse approaches him with a beaker and spoon, saying 'aha! mon Petit Bourbon de shi-ten luck be de good Luck'. On the wall, three frames, the first, titled 'Louis 14', shows a preening figure, nude to the waist with a fistful of thunderbolts, standing on the back of a prostrate figure with several others abject at his feet, a temple to right; the second lacks a picture, but has an upside-down notice stuck in it, reading 'Par le roy'; the third, 'Juillet 14 1789', is the storming of the Bastille."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: ... where may be seen the largest collection of caracatures [sic] in the world, admita[nc]e 1 shilling., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 41 x 56 cm., Watermark., German translation of title in contemporary hand at bottom of sheet., and Numbered in ms. in lower left corner of sheet: 369.
Publisher:
Pub. July 24, 1791, by S.W. Fores, N. 3 Piccadilly ...
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
"Lord Stanhope, stooping in profile to the left, hurries furtively from an open doorway into the street, his right hand raised, his left hand holding his hat behind his back. Rolled documents project from his pocket inscribed 'Toasts'."--British Museum online catalogue
Description:
Title etched below image., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., Series title and number from British Museum catalogue., Sheet trimmed within plate mark, resulting in loss of series title., Plate from: Attic miscellany, v. ii, p. 395., and With a literaturea llusion to Samuel Foote's The Mayor of Garret and referencing the Revolution Society.
"A man seated full face on an upright chair, left leg thrust forward, his arms folded, holding his hat. His head, turned in profile to the left, has a grotesque expression of rage. He is fashionably dressed. An outline sketch."--British Museum online catalogue
Description:
Title in manuscript above plate mark. and Temporary local subject terms: Frenchmen -- Male costume, 1791.
Publisher:
Pub. Augt. 13, 1791, by H. Humphrey, N. 18 Old Bond Street
"An elderly man seated full face in an arm-chair, looking to the right. His broad face is wrinkled and puckered; his feet are gouty, one gouty leg rests on the walking-stick which he holds. He wears an old-fashioned coat buttoned to the neck. An outline sketch."--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Older men -- Walking staves., and Watermark (partial): I Ville...
Publisher:
Pubd. Aug. 15, 1791, by H. Humphrey, N. 18 Old Bond Street
"An elderly man seated full face in an arm-chair, looking to the right. His broad face is wrinkled and puckered; his feet are gouty, one gouty leg rests on the walking-stick which he holds. He wears an old-fashioned coat buttoned to the neck. An outline sketch."--British Museum online catalogue, description of an earlier state
Description:
Title from description of earlier state in the British Museum catalogue., Later state, with original imprint burnished from plate. See no. 7970 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Place and date of publication based on earlier state with the imprint: Pubd. Aug. 15, 1791, by H. Humphrey, N. 18 Old Bond Street., and Watermark.
Title from item., Numbered '146' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Women -- Fashion, 1791 -- Street-cleaners -- Reference to Ways and Means.
Publisher:
Printed for Robert Sayer ..., No. 53 Fleet Street, as the act directs
