"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six women, all with inviting glances or gestures: arranged as in British Museum Satires No. 11143. 'Pigs Pettitoes', an ugly woman with toes turned in. 'Scrag of Mutton', a hideously lean and angular woman, her hands in a muff. 'Leg of Lamb', a comely woman with an umbrella, her petticoats kilted up displaying leg. 'Poloney', an ugly plump woman, rather sausage-shaped. 'Cods Head and Shoulders', a grossly fat and ugly woman. 'Lamb Chop and Mint Sauce', a pretty young woman holding a purse."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; first half of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue., Plate also reissued in 1809; see: Grego, J. Rowlandson the caricaturist, v. 2, page 167., Plate numbered "137" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Female costume, 1808 -- Umbrellas -- Reference to Bond Street., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.6 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 71 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six women, all with inviting glances or gestures: arranged as in British Museum Satires No. 11143. 'Pigs Pettitoes', an ugly woman with toes turned in. 'Scrag of Mutton', a hideously lean and angular woman, her hands in a muff. 'Leg of Lamb', a comely woman with an umbrella, her petticoats kilted up displaying leg. 'Poloney', an ugly plump woman, rather sausage-shaped. 'Cods Head and Shoulders', a grossly fat and ugly woman. 'Lamb Chop and Mint Sauce', a pretty young woman holding a purse."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; first half of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue., Plate also reissued in 1809; see: Grego, J. Rowlandson the caricaturist, v. 2, page 167., Plate numbered "137" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Female costume, 1808 -- Umbrellas -- Reference to Bond Street., and Print numbered in upper margin with ms. note: 33.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Seven women (five isolated figures), probably representing courtesans who paraded in Bond Street, arranged in two rows, each with a caption: 'A La Mode Beef' stout, fashionable, and flamboyant, a small sunshade dangling from her hand. 'Rump of Beef' plainly dressed, fat, and with flexed knees. B'reast of Veal', with projecting breasts much exposed. 'Veal Cutlets', two simpering girls walking arm-in-arm. 'Baron of Beef', a vast woman, walking aggressively, wearing a fur stole, her hands in a muff. 'Pork Sausage', a long thin woman."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. October 25, 1808, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate also reissued in 1809; see: Grego, J. Rowlandson the caricaturist, v. 2, pages 166-7., Plate numbered "188" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90., Temporary local subject terms: Female costume, 1808 -- Reference to Bond Street -- Parasols -- Sunshade -- Fur stole -- Fur muff., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.4 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 1 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Seven women (five isolated figures), probably representing courtesans who paraded in Bond Street, arranged in two rows, each with a caption: 'A La Mode Beef' stout, fashionable, and flamboyant, a small sunshade dangling from her hand. 'Rump of Beef' plainly dressed, fat, and with flexed knees. B'reast of Veal', with projecting breasts much exposed. 'Veal Cutlets', two simpering girls walking arm-in-arm. 'Baron of Beef', a vast woman, walking aggressively, wearing a fur stole, her hands in a muff. 'Pork Sausage', a long thin woman."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. October 25, 1808, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate also reissued in 1809; see: Grego, J. Rowlandson the caricaturist, v. 2, pages 166-7., Plate numbered "188" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90., Temporary local subject terms: Female costume, 1808 -- Reference to Bond Street -- Parasols -- Sunshade -- Fur stole -- Fur muff., and Print numbered in upper margin with ms. note: 34.
Image at the heading to printed verses in five stanzas: A bull rampages among broken crockery in a China Warehouse; John Mug inscribed over the door (right). Mug flies in the air, having been tossed out through the shattered window, and is about to descend in a scavenger's cart (left). From British Museum online catalogue
Description:
Title from text etched below image., Text below title, in letterpress: ... written by Mr. C. Dibdin; composed by Mr. Reeve; and sung by Mr. Grimaldi, with unbounded applause, in the new comic patomime, called "Harlequin highflyer, or Off she goes," at the Aquatic Theatre, Sadlers Wells, Printmaker signature in lower left corner of image., Three columns of verse in letterpress below title: You've heard of a frog in an opera-hat, 'Tis a very old tale of a mouse and a rat; O could sing you anothr as pleasant, may hap, Of a kitten htat wore a fine high caul'd cap ..., and Plate numbered in upper left corner: 496.
Publisher:
Publish'd Sept. 5, 1808 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England and London.
Subject (Topic):
Bulls, Carriages & coaches, City & town life, Disasters, Show windows, Stores & shops, and Tableware
"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Leaf 55 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.8 x 20.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Mr. Crow" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking
"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Watermark: H S & S., and Countermark: 182[?].
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking
"An elderly general rides a high-stepping horse in profile to the left, posed like an equestrian statue. He wears a high cocked hat with cockade and plume; his sword-belt is buckled over his sash, which girds a heavy paunch. In his right hand is a cane. He is Lt.-General Richard England of Lifford, co. Clare, Colonel of the 5th Foot and Lt.-Governor of Plymouth, father of Sir Richard England (b. 1793). He was a veteran of the American War, and had been one of the first colonists of Western Upper Canada."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides, with minimal loss of image from right edge., Leaf 71 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [Ed]meads 1808.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three men sit at a round table over punchbowl, lemons, glasses, decanter, and jar of 'Tobacco'. Above the design is the title of the glee: 'How shall we Mortals spend our Hours'. A handsome young man (left), wearing top-boots, sings with an ecstatic expression: 'In Love!' An old naval officer, wearing a cocked hat, with a wooden leg and a patch over one eye smokes a long pipe, and sings: 'In War'. The third, a gaping dishevelled sot (right), sings 'In Drinking'."--British museum online catalogue
Alternative Title:
How shall we mortals spend our hours?
Description:
Title etched below image., Later state; former plate number "41" has been replaced with a new number, and the place and date of publication have been removed from beginning of imprint statement., Publication date based on earlier state with the complete imprint "London, March 1st, 1808, Pubd. by Thos. Tegg, 111 Cheapside." Cf. Beinecke Library call no.: Auchincloss Rowlandson v. 9., Plate numbered "221" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling cold."--Lower left corner of design., Sheet trimmed within plate mark., and Watermark: Basted Mill.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three men sit at a round table over punchbowl, lemons, glasses, decanter, and jar of 'Tobacco'. Above the design is the title of the glee: 'How shall we Mortals spend our Hours'. A handsome young man (left), wearing top-boots, sings with an ecstatic expression: 'In Love!' An old naval officer, wearing a cocked hat, with a wooden leg and a patch over one eye smokes a long pipe, and sings: 'In War'. The third, a gaping dishevelled sot (right), sings 'In Drinking'."--British museum online catalogue
Alternative Title:
How shall we mortals spend our hours?
Description:
Title etched below image., Later state; former plate number "41" has been replaced with a new number, and the place and date of publication have been removed from beginning of imprint statement., Publication date based on earlier state with the complete imprint "London, March 1st, 1808, Pubd. by Thos. Tegg, 111 Cheapside." Cf. Beinecke Library call no.: Auchincloss Rowlandson v. 9., Plate numbered "221" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling cold."--Lower left corner of design., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 81 in volume 3.
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
"Portrait caricature of George Nugent Grenville when a student at Oxford, whole length, walking in profile to left, wearing academic gown and hat, tight jacket, breeches, glove on his right hand, holding another glove."--British Museum online catalogue
Description:
Title etched below image., Leaf 40 in an album with the spine title: Characatures by Dighton., and Figure identifed as "Ld. G. Grenville" in pencil in lower left corner of sheet.
"A tall imposing man, wearing a clerical wig and bands, mortar-board, gown, and cassock, stands directed slightly to the left, head in profile, one gloved hand on his breast, the right arm hanging by his side."--British Museum online catalogue and "He is William Cleaver (1742-1815), Principal of Brasenose College 1785-1809, who continually lived there, giving it a (temporary) leadership in scholarship and discipline, according to De Quincey. He was Bishop of Chester 1787, Bangor 1800, St. Asaph 1806. ... He was Lord Grenville's tutor, and was active in his election (see British Museum Satires No. 11384)."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 39 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.9 x 20.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Bishop of Bristol" in pencil in lower left corner of sheet.
"A tall imposing man, wearing a clerical wig and bands, mortar-board, gown, and cassock, stands directed slightly to the left, head in profile, one gloved hand on his breast, the right arm hanging by his side."--British Museum online catalogue and "He is William Cleaver (1742-1815), Principal of Brasenose College 1785-1809, who continually lived there, giving it a (temporary) leadership in scholarship and discipline, according to De Quincey. He was Bishop of Chester 1787, Bangor 1800, St. Asaph 1806. ... He was Lord Grenville's tutor, and was active in his election (see British Museum Satires No. 11384)."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
"Dr. Ford walks right to left in profile, looking at the ground, and clutching his gown in his right hand. He wears mortarboard, bands, and cassock. "--British Museum online catalogue and "Henry Ford matriculated 1776, aged 23, at Pembroke, was Lord Almoner's professor of Arabic 1780-1813, D.C.L. Magdalen Hall 1788, Principal 1788-1813. "--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Leaf 42 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.9 x 17.7 cm, on sheet 31.1 x 25.5 cm., Watermark, trimmed: [Ed]meads & Co. 1808., and Figure identified as "Dr. Ford" in pencil in lower left corner of sheet.
"Dr. Ford walks right to left in profile, looking at the ground, and clutching his gown in his right hand. He wears mortarboard, bands, and cassock. "--British Museum online catalogue and "Henry Ford matriculated 1776, aged 23, at Pembroke, was Lord Almoner's professor of Arabic 1780-1813, D.C.L. Magdalen Hall 1788, Principal 1788-1813. "--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Figure identified by multiple ms. notes in lower portion of sheet.
"A tall slim man stands in profile to the left, wearing a long gown over lay dress and holding out a round hat. He is sharp-featured, and wears (?) a wig simulating short natural hair with a curl at the neck."--British Museum online catalogue and "Identified as Samuel Kilner (1732-1815), Fellow of Merton till 1815, Sub-warden in 1814. He appears younger than his age."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 44 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 19.6 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Mr. Kilner" in pencil in lower left corner of sheet.
"A tall slim man stands in profile to the left, wearing a long gown over lay dress and holding out a round hat. He is sharp-featured, and wears (?) a wig simulating short natural hair with a curl at the neck."--British Museum online catalogue and "Identified as Samuel Kilner (1732-1815), Fellow of Merton till 1815, Sub-warden in 1814. He appears younger than his age."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Figure identified by ms. note in contemporary hand in lower right corner of sheet., and Sheet numbered '63' by ms. note in upper right corner.
"A young man in cap and gown over fashionable dress, with short but not cropped hair, walks in profile to the right, his arms by his sides, bending slightly forward. He is Winchcombe Hartley who matriculated 9 Dec. 1806, aged eighteen, and was a Fellow of Merton 1808-13."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 45 in an album with the spine title: Characatures by Dighton., and Figure identified as "Mr. Hartley" in pencil below plate mark.
"Dr. Eveleigh stands in profile to the right, holding to his person his voluminous gown. He wears a clerical wig, mortar-board, and cassock. He is tall and dignified with sharply cut, alert, sensitive features."--British Museum online catalogue and "Eveleigh, Provost of Oriel 1781-1814, was Bampton Lecturer in 1792. He did much to raise the college to its high position in the early nineteenth century, and was a vigorous university reformer."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 49 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.8 x 20.0 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Dr. Eveligh" in pencil in lower left corner of sheet.
"Dr. Eveleigh stands in profile to the right, holding to his person his voluminous gown. He wears a clerical wig, mortar-board, and cassock. He is tall and dignified with sharply cut, alert, sensitive features."--British Museum online catalogue and "Eveleigh, Provost of Oriel 1781-1814, was Bampton Lecturer in 1792. He did much to raise the college to its high position in the early nineteenth century, and was a vigorous university reformer."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
"Representation of Dr Grosvenor in smart attire, walking to the left whilst clutching the glove of his right hand in his left hand. He wears black boots, a blue, double-breasted over-coat, and a black hat, and is accompanied by a white dog."--British Museum online catalogue and "Grosvenor (1742-1823), who became the most noted practical surgeon in Oxford, was admitted to the priviliges of the University in 1768, as 'chirurgus'. On the death of the University Printer in 1795 he became chief proprietor and editor of the Oxford Journal."--British Museum catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Surgeons -- Oxford University -- Oxford Journal., and 1 print : etching, hand-colored ; plate mark 278 x 204 mm.
"Representation of Dr Grosvenor in smart attire, walking to the left whilst clutching the glove of his right hand in his left hand. He wears black boots, a blue, double-breasted over-coat, and a black hat, and is accompanied by a white dog."--British Museum online catalogue and "Grosvenor (1742-1823), who became the most noted practical surgeon in Oxford, was admitted to the priviliges of the University in 1768, as 'chirurgus'. On the death of the University Printer in 1795 he became chief proprietor and editor of the Oxford Journal."--British Museum catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Surgeons -- Oxford University -- Oxford Journal., Leaf 33 in an album with the spine title: Characatures by Dighton., and Figure identified as "Dr. Grovernor" in pencil in lower left corner of sheet.
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
Description:
Title etched below image., Leaf 47 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 20.5 cm, on sheet 31.1 x 25.5 cm.
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A ... sailor, arm-in-arm with a woman, stands in front of the door of a corner-house abutting on a quay. She is gaily dressed, holding a parasol, and slung with gold chains, a miniature (cf. British Museum Satires No. 10894) hangs from one, a watch and seals from the other. Above the door is a board: 'Lodgings for Single Men and Their Wives'. On the door is an inscription with a pointing hand: 'Please to ring the Bell'. The sailor says: "Why Nan-this is the very birth, we have been so long looking for". Against a background of masts and spars a sailor and a woman embrace (left)."--British Museum online catalogue, description of an earlier state
Alternative Title:
Lodgings to let at Portsmouth!!
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. June 30th, 1808, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11139 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "219" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 89., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.8 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 79 in volume 3.
"A (negroid) sailor, arm-in-arm with a woman, stands in front of the door of a corner-house abutting on a quay. She is gaily dressed, holding a parasol, and slung with gold chains, a miniature (cf. No. 10894) hangs from one, a watch and seals from the other. Above the door is a board: 'Lodgings for Single Men and Their Wives'. On the door is an inscription with a pointing hand: 'Please to ring the Bell'. The sailor says: "Why Nan-this is the very birth, we have been so long looking for". Against a background of masts and spars a sailor and a woman embrace (left)."--British Museum online catalogue
Alternative Title:
Lodgings to let at Portsmouth!!
Description:
Title etched below image., Sheet trimmed within plate mark., and Plate numbered in upper right corner: 219.
Publisher:
Pubd. June 30th, 1808, by Thos. Tegg, No. 111 Cheapside
Title from letterpress header to broadside printed below image., Header to broadside continues: By Jacob Quirk, a modern sonnetteer. A soliloquy., Fourteen lines of verse printed on broadside portion of sheet: Hungry and cold, unshelter'd with a cloak, A solitary wretch, these shores I roam ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Ruse & Turners., and Countermark: 1805.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Publisher from that of the volume in which the print appeared., Date from Grego., Plate numbered "7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 7 in volume 1.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bursts out of a terrestrial globe on which a map is freely sketched. One leg is still below the surface; he puts the other on the 'East-Indies' close to 'Bengal'. He is astounded to find himself face to face with John Bull (right) who also emerges from the globe, a half length figure with a huge cudgel in his right. hand. From John's coat-pocket project papers: 'Secret Intelligence'. Napoleon in his dismay drops his sword and a 'Plan of Operations in the Eas [sic] Indies'. He says: "Begar Monsieur Jean Bull again! Vat - you know I was come here!" John answers: "To be sure I did - for all your Humbug deceptions I smoked your intentions and have brought my Oak Twig with me, so now you may go back again." Napoleon wears an enormous feathered bicorne. On the lower part of the design 'France' and 'The Tight Little Island' are shown."--British Museum online catalogue, description of a variant state
Alternative Title:
Unexpected meeting
Description:
Title etched below image., Printmaker from description of variant state in the British Museum catalogue., Plate numbered "283" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant (earlier?) state numbered "48" in upper right corner, see no. 10995 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 93 in volume 4.
Publisher:
Pubd. July 9th, 1808, by Thos. Tegg, 111 Cheapside
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A man in hunting-dress stands on the back of his spirited horse to embrace a young woman who leans from a casement window. An elderly gap-toothed man wearing a night-cap peers from the cottage door with an imbecile gape. The hounds are in full cry beside the horse. A fat parson and a huntsman, much amused, turn in their saddles to watch the embrace. They are passing a village church."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement. Missing text supplied from impression in the British Museum., Window mounted to 36 x 27 cm., and Titled in pencil in a contemporary hand at bottom of mount: Hunting in the tailors preserve.
"Fantastic insects (l.), with human heads assail a hive (r.) standing on a low and very solid wooden stand, the 'Treasury-Bench'; ministerial bees emerge to defend it. The apex of the hive is a royal crown from which sprout ears of straw. In the upper left. corner is the grotesque body of Sidmouth terminating in a clyster-pipe inscribed 'Clysteria Ministeria'; the wings are bottles inscribed 'Emetic' and 'Cathartic' [cf. BMSat 9849]. Above him flies the head of (?) Fitzpatrick between wings inscribed 'Hedge Lane' and 'Chick-lane' (London slums and resorts of prostitutes). An adjacent aquiline profile resembles George Hanger. Below, and to the right., is Lauderdale, his wings patterned with tartan. Above (r.) is Erskine, in barrister's wig and bands, both wings inscribed 'Protest'. Next (r.), Moira is supported on ostrich-feather wings, indicating the Prince of Wales (see, e.g., BMSat 10253). Immediately below him is Grattan, with a barbed tail, his wings inscribed 'Irish Emancipation' [cf. BMSat 10404]. Next, and in the forefront, is Grey, like a dragon-fly (and striped blue and buff), his four wings inscribed 'Vanity'. In the next row below are (l. to r.) Ellenborough with malevolent features framed in a judge's wig; Bedford, his wings inscribed 'Disappointment'; Sheridan, his bloated body patterned like Harlequin (cf. BMSat 9916, &c), his wings inscribed 'Stale Jests' and 'Joe Miller'. The huge Temple has wings made of sheets of paper, inscribed 'Stationary', 'Fools-Cap', 'Gilt Post', and 'Wax', 'Pens', 'Wafers' [see BMSat 10721, &c.]. He spits copiously at the defenders. Next is the age-worn profile of Grafton. In the row below are (l. to r.) Lord Holland, with wings inscribed 'Volponean Rancour' [as nephew and devoted pupil of Fox, cf. BMSat 9892] and 'Kalpinist [Hindu] Subtilty'. Next, Lord Spencer, his wings inscribed 'Cunning Policy', and (behind) the profile of Lord Carlisle. Next, and immediately below his son Temple, is Buckingham, in spectacles and Garter ribbon, directing a blast from his 'broad bottom' against the crown on the hive. His wings are 'Catholic Loyalty' and 'Catholic Gratitude'. Close to him is the distended body of Grenville, marked with an irradiated cross and puffing a curling cloud at the enemy. His wings are 'Envy' and 'Ambition'. The three Grenvilles, 'Broad-Bottoms' (see BMSat 10530) par excellence, are close together, and in the centre front of the attack. ..."--British Museum online catalogue
Description:
Title etched below image., Mounted to 31 x 43 cm., and Pencil notations by Mrs. Annie Burr Lewis identifying most of the caricatured persons on the left.
Publisher:
Publish'd May 2d, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Ellenborough, Edward Law, Baron, 1750-1818, Grattan, Henry, 1746-1820, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, William IV, King of Great Britain, 1765-1837, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Canning, George, 1770-1827, Taylor, Michael Angelo, 1757-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Henry Dundas, Viscount, 1742-1811, and Rose, George, 1744-1818
Title etched below image., Sheet trimmed within plate mark., Plate numbered '35' in upper left corner., Printseller's announcement within design: Price one shilling., For state published in 1813, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Reissue, with date removed from imprint statement. For an earlier state with the date "Jany. 1st, 1808" at end of imprint, see Lewis Walpole Library call no.: 808.01.01.02+., Date of publication from Grego., Plate numbered "272" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 51 in volume 4.
"Heading to printed verses: 'Written by Mr. C. Dibdin; Composed by Mr. Reeve; and sung by Mr. Smith, with unbounded Applause, in the "Magic Minstrel", at the Aquatic Theatre, Sadlers' Wells'. A dun stands before the doorstep of a dignified London house, facing a servant in livery with his hands in his pockets, whose master looks out of the adjacent window."--British Museum online catalogue
Alternative Title:
Call again tomorrow
Description:
Title from text printed in letterpress below image., Three columns of verse in letterpress below title: I'll to court among the nobility, hold up my head with the best ..., and Plate numbered in upper left corner: 499.
Publisher:
Publish'd Nov. 1, 1808 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Sheet trimmed within plate mark., Date conjectured from period of printer's activity., Later, altered version of no. 6153 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Print based on "A journeyman parson going on duty".
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Geographic):
England
Subject (Topic):
Clergy, England, Horseback riding, Taverns (Inns), and Clothing & dress
"Heading to printed verses: 'Written and Sung by Mr. Emery, with unbounded Applause, at the Theatre Royal, Covent Garden'. A handsome young man wearing top-boots and striped waistcoat stands as if singing, in a landscape, outside a rustic inn (left). He relates his experiences first as head-waiter at the Red Cow, then as footman in various places. He has now 'cumm'd up to Lunnon to get a new place'."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Three columns of verse in letterpress below title: Your zarvant, good gentlefolks, how d'ye all do? Dont'ee know me again, that you stare at me so! ..., and Plate numbered in upper left corner: 500.
Publisher:
Publish'd Nov. 14, 1808 by Laurie & Whittle, 53 Fleet Street, London
"An elderly man sits in the middle of a garden seat, taking snuff, and looking delightedly to the left. Behind the seat are plants in pots, including an orange-tree and a rose. Behind these is a large tree; a thrush sings on a branch. There is a background of trees. The seat is constructed for wheeling from place to place (like a modern garden chaise-longue), with wheels at one end in place of legs, and with handles projecting horizontally from the other end."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Seasons: Spring.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, 27 St. James's Street
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Apothecaries., and Probably a later impression from a worn plate, with some areas of aquatint lightly printed.
Publisher:
Published by Reeve & Jones, No. 7 Vere Street
Subject (Topic):
Courtship, Pharmacists, Medical equipment & supplies, and Mortars & pestles
"In the foreground a ragged couple superintend the throwing of sticks at objects poised (or spiked) on pegs. The very fat woman bawls, holding sticks, and extends a greedy palm to a countryman. She wears a hat and cloak, a soldier's tunic, a short tattered skirt, and fragments of boot or gaiter, and has a large pouch slung from the waist. Another yokel advances behind the first, both are eagerly intent. A dog stands beside them. The man, who is thin and rapacious, stands behind his pegs holding out one of a bundle of sticks to the second customer. In the background is the crowded fair: Punch postures on a platform; a flag with a St. Andrew's cross flies from a church tower."--British Museum online catalogue
Alternative Title:
Industrious Yorkshirebites
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1818., 1 print : etching with stipple on wove paper, hand-colored ; sheet 22.3 x 33.5 cm., Imperfect; sheet trimmed within plate mark with loss of title., and Mounted to 27 x 38 cm; title added to mount in a modern hand.
"A fat 'cit' halts on the road beside a milestone on which he has hung his hat, to mop his dripping forehead. In his left hand is his wig. His waistcoat is unbuttoned. Against the stone, inscribed 'One Mile from..', leans his gold-headed cane. He stands on a sandy hill, the focus of rays striking almost vertically down, and is beset by flies. Though only fields are visible culminating in a mound on which stands a windmill, he is evidently on his way to a Sunday Ordinary close to London, a favourite theme, cf. BMSat 8405."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Seasons: Summer., and Mounted to 33 x 25 cm.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, 27 St. James's Street
Title etched below image., Printmaker's name illegible in lower right corner of design: Possibly Stack or Stock., Date of publication from unverified data in local card catalog record., Description based on imperfect impression; imprint statement mostly trimmed from sheet., Probably a copy of a print by Richard Newton that was published by William Holland on 8 May 1797. Cf. British Museum online catalogue, registration no.: 1948,0214.334., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from letterpress broadside poem printed on same sheet., Heading to broadside continued: By Jacob Quirk a modern sonnetteer. A burlesque., Fourteen lines of verse printed on broadside portion of sheet: The castle-clock toll'd one! and all around, above, below, was solemnly serene save when the village watch-dog on the green bay'd to the moon-or the faint brawling sound ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs --- Peg legs -- Woods -- Church ruins., and Watermark: J Whatman, 1806.
"A stout man skates towards the spectator, making curves on very cracked ice. Behind are snow-covered hills. Wild geese fly across the sky."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd Feby. 10th, 1808, by H. Humphrey, 27 St. James's Street
Title from item: a quotation from satirist Thomas Brown's 'Works'., Attribution following title: Vide Tom Brown Works., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Gaming house interior -- Illustrative material -- Literature quotation: Thomas Brown, 1663-1704: Works., Print numbered '28' in ms. above design., and Printmaker's name erased from this impression.
Two men sit opposite a table strewn with papers in the library lined with bookcases. The one leans over the table, paper in hand, speaking passionately to his companion
Description:
Title from text above image., Originally published: August 25, 1808 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark, with loss of publication statement., and Mounted to 10 x 17 cm.
"A young man stands singing on the boards of a theatre; trees form a background. 'Mr Mug', enslaved in Africa by 'a trading blackamoor', became 'his black Mandingo Majesty's white Minister of State'."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Three columns of verse in letterpress below title: By trade I am a Turner, and Mug it is my name; to buy a lot of ivory to Africa I came ..., and Plate numbered in upper left corner: 495.
Publisher:
Publish'd Septr. 1, 1808, by Laurie and Whittle, 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
1808.
Call Number:
808.04.15.02+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below item., Variant of no. 11976 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 9., and Plate marked "42" in upper right corner.
Title from song printed below on the same sheet., Plate numbered '482' in upper left corner., From the Laurie & Whittle series of Drolls., Thirty four lines of verse printed below image: I be come up to London, that whirligig place, To see Mother Goose on an odd wild-goose chase; so I quitted Tadcaster, and took to my heels, in the new flying waggon, that flies on broad wheels ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Feby. 1, 1808, by Laurie & Whittle, 53 Fleet Street, London
Six designs on one plate arranged in two rows, with borders in which the inscriptions are engraved. Johnny is a smartly dressed young man. There is a landscape background in Nos. 1 and 3 (in which Johnny wears a top-hat and top-boots). In Nos. 2, 4, 5 a boarded floor indicates an interior. [1] With folded arms and bowed head he approaches from behind a hideous and grinning negress who holds a tobacco-pipe. Above: Smitten with the charms of Mimbo Wampo a sable Venus, daughter of Wampo Wampo, King of the Silver Sand Hills in Congo. [2] Bare-legged he sits in a chair, his bare foot held by the negress who sits on the ground at his feet. Above: Delicately declaring his Love to the aimable Mimbo Wampo, while she is picking his Cheqoes. "You lub me Massa" eh! eh!? [3] Johnny and an old negro wearing only breeches face each other. Beside the latter is a large jar inscribed Feathers, Grave Dirt, Egg Shells, &c. Above: Consulting Old Mumbo Jumbo the Oby Man, how to get possession of the charming Mimbo Wampo. "Lets me alone for dat Massa." [4] He kneels at the feet of the negress taking her hand; she sits on a stool smoking a pipe. Four comparatively handsome women stand in a row watching, two are black, two are white but negroid. Above: Mr Newcome happy, Mimbo made Queen of the Harem. [5] He embraces Mimbo; two other negresses stand behind her, one holding two pale-skinned black-haired infants, the other with a third infant held on her head in a tray. Two other children stand by their mother. Above: Mr Newcome taking leave of his Ladies & Pickaneenees, previous to his departure from Frying Pan Island to graze a little in his Native land. [6] Portrait heads of the children, numbered I to 9, arranged in three rows. Above: A few of the Hopeful young Newcomes. Below the whole design: J. Lucretia Diana Newcome, a delicate Girl very much like her Mother; only that she has a great antipathy to a pipe, and cannot bear the smell of Rum. 2 Penelope Mimbo Newcome. 3 Quaco Dash Newcome prodigiously like his father. 4 Cuffy Cato Newcome. 5. Caesar Cudjoe Newcome. 6 Helena Quashebah Newcome. 7 Aristides Juba Newcome. 8 Hector Sammy Newcome, a child of great spirit, can already Damnme Liberty and Equality and promises fair to be the Toussaint [see No. 10090] of his country. 9 Hannibal Pompey Wampo Newcome
Description:
Title engraved above image., Companion print: West India luxury!!, and Watermark: J Whatman Turkey Mill. Countermark: 1825.
Publisher:
Published April 1808 by William Holland, Cockspur Street, London
As the result of the Convention of Cintra, French general Junot is shown vomiting, with great effort, a large booty of gold coins, candlesticks, church plate, watches, and other valuables while a Portuguese kneeling in front of him attempts to catch as many items as possible into an already-disgorged silver basin. To Junot's right stands John Bull in sailor's clothes and ill-fitting wig. He is holding the general's head in order to help him rid himself of his plunder. Three French officers on the left watch the above scene with dismay and anger
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. October 17, 1808 by R. Ackermann, N 101 Strand
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813.
Subject (Topic):
John Bull (Symbolic character), Convention of Cintra, Military officers, French, Military uniforms, Vomiting, and War destruction & pillage
"Joseph Bonaparate, the newly crowned King of Spain, stands at centre wearing doublet, slashed breeches, crown, medallion and cloak, and turned in beseeching attitude to left, where four Spaniards are standing; Joseph says, 'For this kind and flattering reception much thanks. behold the Brother of the great Napolean come to reign over you for your goods.' One of the Spanish men, with a long sword, says to another whose hand is on his dagger, 'yes Comrade and for our Chattels too if I guess right.'; behind them, a woman holding a dagger says to another, 'He was bred an Attorney and w'eel soon eject him from Spain'. Behind Joseph at right stand his French supporters, one holding a flag lettered 'Vive le Roi' over Joseph's head, and angrily crying, 'Will no one Huzza - - will no one ring the Bells - if you dont make a noise you shall all fall by the Royal Bayonet.', a cry of 'Vive le Roy Huzza' arising from a pike-carrying crowd behind."--British Museum online catalogue
Description:
Title etched below image., Year of publication precedes publisher's statement in imprint., Plate numbered "53" in upper left corner, with the digit "3" etched backwards., A pair to "King Joes retreat from Madrid, published on the same date with the same plate number. See Curator's comments in the British Museum online catalogue., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Paper damaged with loss to the word "flattering" in King Joe's speech bubble, upper left. Mounted to 28 x 38.1 cm.
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"A man walks along the pavement in profile to the left., stooping from the waist but with head erect. He wears spectacles and carries a stick. He approaches the door (left) of Christies, which is partly visible. On the pillar hangs the usual catalogue: 'Catalogue of 800 Capital Pictures to be Sold by Mr Christie in Pall Mall. Feby 1st 1808'. The wall of the house (No. 125) with a window forms the background. Snow is heaped against the railings, where there is a shovel and broom."--British Museum online catalogue
Description:
Title etched below image. and Mounted to 38 x 30 cm.
Publisher:
Publishd. May 9th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833
"John Bull, corpulent, bald-headed, and stripped to the loins, is beset by leeches with human heads. They climb up his legs and attack his body, arms, and head. He stamps angrily, with clenched fists, saying, "This is Bleeding with A Veangence If I do not Shake off Some of these Leaches I shall not have a drop of Blood Left, why they will never be full & this is the third Set I have had on with in this three years or so. enough to Destroy the best Constitution." The King's profile projects into the design from the left. margin; he holds his spy-glass to his eye (as in British Museum Satires No. 10019, &c), saying, "Hard Work Indeed for poor Johnny How Voraicous I begin to think they will be too many for him I must Order Some of them off I see." Four leeches lie on the ground all inscribed 'Defaulter', followed by various sums: '300-000', '200-000', '400,000', [?] '500,000'. With these is a roll of 'New P . . . [? Pensions]'. On the right are heaped John's hat, waistcoat, coat, shirt, and wig, with a club inscribed 'Oak'."--British Museum online catalogue
Alternative Title:
Bleeding John Bull
Description:
Title etched below image., Year of publication from British Museum catalogue., Sheet trimmed within plate mark., Printseller's announcement within design: Folios of caricatures lent for the evening., and Watermark: John Hall.
Publisher:
Pub. 6th of Feb. by S.W. Fores, 50 Piccadilli [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Worms, Medical procedures & techniques, and Taxes
Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon
Description:
Title etched below image., Quoted text beneath title: "Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage & married life -- Cramps.
Publisher:
Pubd. May 30th, 1808, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Topic):
Marriage, Spouses, Pain, Bedrooms, Canopy beds, and Fireplaces
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Publisher and date of publication from British Museum catalogue., One line of quoted text below image: "During the endless time that you are kept waiting in a carriage while the ladies are shopping having your impatience soothed by the setting of a saw close at your ear.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 61 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Publisher and date of publication from British Museum catalogue., One line of quoted text below image: "During the endless time that you are kept waiting in a carriage while the ladies are shopping having your impatience soothed by the setting of a saw close at your ear.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., and Watermark: Basted Mill.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed man (left) rises from his chair on which is a snarling cat with a kitten. A young woman sitting facing him throws up her arms; both scream. An old man (right) wearing a night-cap looks up from his book in anxious inquiry. A little boy falls on his back. A dog barks."--British Museum online catalogue
Alternative Title:
Squatting plump on an unsuspected cat in your chair
Description:
Title etched above image., One line of quoted text below image: "Squatting plump on an unsuspected cat in your chair!!", Publisher and date of publication from British Museum catalogue., Plate numbered "237" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., and Watermark: Charles Wise.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed man (left) rises from his chair on which is a snarling cat with a kitten. A young woman sitting facing him throws up her arms; both scream. An old man (right) wearing a night-cap looks up from his book in anxious inquiry. A little boy falls on his back. A dog barks."--British Museum online catalogue
Alternative Title:
Squatting plump on an unsuspected cat in your chair
Description:
Title etched above image., One line of quoted text below image: "Squatting plump on an unsuspected cat in your chair!!", Publisher and date of publication from British Museum catalogue., Plate numbered "237" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.7 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 13 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Another version of British Museum Satires No. 10848, with the same quotation below the design. A dinner-table scene. Five people are crowded at a small table; all register disgust as a footman bears in a life-like hare on a dish, at which a dog looks greedily. The cook stands in the doorway (left), much amused."--British Museum online catalogue, description of an earlier state
Alternative Title:
Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare haunch ...
Description:
Title etched above image., Two lines of quoted text below image: "Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare haunch, &c. which you have endeavoured "to keep exactly to the critical moment, but which is no sooner brought in than the whole party with one nose order it to be taken out.", Later state, with plate number added. For earlier state lacking plate number, see no. 11151 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Publisher and date of publication from description of earlier state in the British Museum catalogue., Plate numbered "244" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 22 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Being mounted on a beast who as soon as you have watered him ...
Description:
Title etched above image., Two lines of quoted text below image: "Being mounted on a beast who as soon as you have watered him on the road proceeds very cooly to repose himself in the middle of the pond, "without taking you at all into his counsel, or paying the slightest attention to your vivid remonstrances on the subject.", Publisher from Krumbhaar., Date of publication based on date assigned to a similar print with the same title and signatures. Cf. No. 11150 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "287" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.3 x 34.7 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 62 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Being mounted on a beast who as soon as you have watered him ...
Description:
Title etched above image., Two lines of quoted text below image: "Being mounted on a beast who as soon as you have watered him on the road proceeds very cooly to repose himself in the middle of the pond, "without taking you at all into his counsel, or paying the slightest attention to your vivid remonstrances on the subject.", Publisher from Krumbhaar., Date of publication based on date assigned to a similar print with the same title and signatures. Cf. No. 11150 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "287" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Another version of British Museum Satires No. 10848, with the same quotation below the design. A dinner-table scene. Five people are crowded at a small table; all register disgust as a footman bears in a life-like hare on a dish, at which a dog looks greedily. The cook stands in the doorway (left), much amused."--British Museum online catalogue, description of an earlier state
Alternative Title:
Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare haunch ...
Description:
Title etched above image., Two lines of quoted text below image: "Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare haunch, &c. which you have endeavoured "to keep exactly to the critical moment, but which is no sooner brought in than the whole party with one nose order it to be taken out.", Later state, with plate number added. For earlier state lacking plate number, see no. 11151 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Publisher and date of publication from description of earlier state in the British Museum catalogue., and Plate numbered "244" in upper right corner.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
As you are quietly walking along in the vicinity of Smithfield on market day ...
Description:
Title etched above image., Two lines of quoted text below design: "As you are quietly walking along in the vicinity of Smithfield on market day finding yourself suddenly obliged though your dancing days have "been long over, to lead outsides, cross over, foot it, and a variety of other steps and figures, with mad bulls for your partners., Date of publication from unverified data in local card catalog record., Plate numbered "301" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum., and Watermark: J Whatman 1822.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
As you are quietly walking along in the vicinity of Smithfield on market day ...
Description:
Title etched above image., Two lines of quoted text below design: "As you are quietly walking along in the vicinity of Smithfield on market day finding yourself suddenly obliged though your dancing days have "been long over, to lead outsides, cross over, foot it, and a variety of other steps and figures, with mad bulls for your partners., Date of publication from unverified data in local card catalog record., Plate numbered "301" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.7 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 1 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Being accelerated in your walk by the lively application of a chairmans pole a posteriori ...
Description:
Title etched above image., Three lines of quoted text below design: "Being accelerated in your walk by the lively application of a chairmans "pole a posteriori - his "by your leave, not coming till after he has "taken it., Date of publication from unverified data in local card catalog record., Plate numbered "304" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman. Countermark: 1822.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Being accelerated in your walk by the lively application of a chairmans pole a posteriori ...
Description:
Title etched above image., Three lines of quoted text below design: "Being accelerated in your walk by the lively application of a chairmans "pole a posteriori - his "by your leave, not coming till after he has "taken it., Date of publication from unverified data in local card catalog record., Plate numbered "304" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.8 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 4 in volume 5.
Title etched below image., Sheet trimmed within plate mark., Two lines of text below title: Briskly stooping to pick up a ladys fan at the same moment, when two other gentlemen are doing the same and so making a cannon with your head against both of theirs and without being the happy man after all. Miseries of human life., Printseller's announcement within design: Price one shilling cold., Cf. Later reissued without imprint statement, no. 11107, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 8., Temporary local subject terms: Coxcombs -- Male costume 1808 -- Female costume 1808., and Numbered '3' in ms. near upper edge of sheet.
Publisher:
March 1st, 1808, Pubd. by Thos. Tegg, 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly coxcomb leeringly hands a fan to one of two ladies walking off to the right. Behind (left), the heads of three stooping men collide. On the extreme left is the Prince of Wales, opera-hat under his arm, facing a woman, immodestly décolletée, who ogles him. Two other men and two women stand near them. The scene is the foyer of a theatre."--British Museum online catalogue
Alternative Title:
Miseries of high life
Description:
Title etched below image., Later state; place and date of publication have been burnished from beginning of imprint statement., Date of publication based on earlier state with the complete imprint "London, March 1st, 1808, Pubd. by Thos. Tegg, 111 Cheapside." Cf. Lewis Walpole Library call no.: 808.03.01.01.1+., Two lines of text below title: Briskly stooping to pick up a ladys fan at the same moment, when two other gentlemen are doing the same and so making a cannon with your head against both of theirs, and this without being the happy man after all. Miseries of Human Life., Plate numbered "222" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling could."--Lower left corner of design., and Temporary local subject terms: Coxcombs -- Male costume, 1808 -- Female costume, 1808.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly coxcomb leeringly hands a fan to one of two ladies walking off to the right. Behind (left), the heads of three stooping men collide. On the extreme left is the Prince of Wales, opera-hat under his arm, facing a woman, immodestly décolletée, who ogles him. Two other men and two women stand near them. The scene is the foyer of a theatre."--British Museum online catalogue
Alternative Title:
Miseries of high life
Description:
Title etched below image., Later state; place and date of publication have been burnished from beginning of imprint statement., Date of publication based on earlier state with the complete imprint "London, March 1st, 1808, Pubd. by Thos. Tegg, 111 Cheapside." Cf. Lewis Walpole Library call no.: 808.03.01.01.1+., Two lines of text below title: Briskly stooping to pick up a ladys fan at the same moment, when two other gentlemen are doing the same and so making a cannon with your head against both of theirs, and this without being the happy man after all. Miseries of Human Life., Plate numbered "222" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling could."--Lower left corner of design., Temporary local subject terms: Coxcombs -- Male costume, 1808 -- Female costume, 1808., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.1 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 1 in volume 4.
"A stout and comely lady stands at the door of an ornamentally rustic cottage, shaking a cloth from which tiny officers leap out, holding money-bags. The cloth is inscribed in large letters 'Pin Money instead of Allowance'. She says: "This is a profitable Plan of his and pays me a Devilish deal better than he can, besides the Patronage!!" Five elderly officers of normal size (right) watch their pigmy rivals with consternation. One looks through his glass, saying, "To waste ones health in unwholesome Climates an then fail of promotion because we cannot fee ****** or Army Agents Agents.!!" Another says: "Mother Careys Chickens by - then we shall have a storm indeed!" A third exclaims: "What to spend our lives in the service of our Country, and to be thus degraded by a parcel of Boys!!" He has a wooden leg and a patch over one eye. Another had lost his right arm, and the group seem hardly fit for active service. The 'boys' wear fashionable crescent-shaped cocked hats with plumes, the others old-fashioned hats with cockade, loop, and button. Over the door is inscribed in large letters '... mus Cottage'. It has the ornamental Gothic windows with leaded panes and thatched roof of fashionable rusticity. Beside it is a weeping willow. Below the title: 'NB these Birds have lately been seen hovering about the Horse Guards'. Below the design: 'a Storm Finch, or stormy petterel (the Mother Careys Chickens of the Sailors). Procellaria Pelagica of Linnaeus. is seldom or never seen but in the great Ocean, and then when observed flying near a Ship, is the sure prognostication of a Storm, the analagy [sic] of effect has induced modern Naturalists to class these, with the Pelagica of Linnaeus, tho differing in plumage'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Imprint statement etched within upper portion of image., and Watermark: Ruse & Turners. Small tears along the right edge.
Publisher:
Pubd. Novr. 1808 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Great Britain. Army, and Great Britain. Royal Navy
Subject (Topic):
Officers, Promotions, Recruiting, enlistment, etc, Military officers, British, Amputees, Dwellings, Doors & doorways, Eye patches, Mistresses, Peg legs, and Uniforms
"Heading to printed verses ... A man wearing a short fur-trimmed and frogged coat, with tight breeches and small tricorne, poses mincingly in a landscape with background of river, bridge, and fortified (Russian) town (right)."--British Museum online catalogue
Alternative Title:
River sprat-catcher
Description:
Title from text printed in letterpress below image., Text in letterpress immediately following title: (The music sold by Messrs. Goulding and Co., New Bond Street.)., Three columns of verse in letterpress near lower portion of sheet: Young Lobski said to his ugly wife, "I'm off till to-morrow to fish, my life" ..., and Plate numbered "501" in upper left corner.
Publisher:
Publish'd Novr. 24, 1808, by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Reynolds, Frederick, 1764-1841. and Fawcett, Mr. 1768-1837. (John),
Subject (Topic):
Hats, Rivers, Bridges, Forts & fortifications, Russian, and Theatrical productions
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Fifteen figures arranged in two rows, each with a caption: the words of the speaker etched below the name of his country. (1) A white-robed figure, with hands spread deprecatingly: 'Egypt. His extortions are abominable, I wish he was made a Mummy of!' [cf. British Museum Satires No. 9352, &c.]. (2) A man, wearing a night-cap and a dressing-gown over Spanish dress, yawns and stretches: 'Spain. Bless me what a long time I've been taking & been dreaming about going to Peru.' (3) A man, wearing a bag-wig and old-fashioned dress, bows obsequiously: 'Italy. I bow to him with submissive respect.' (4) A Chinese in trousers stands impassively in profile: 'China Is not this Boonapar a famous robber.' (5) A man with a long pipe and gouty legs: 'Germany [Austria] I mean a great deal when I shake my head.' (6) A military officer puts a finger to his closed lips: 'Prussia. Mum.' (7) A post-boy, wearing jack-boots and heavily shackled, waves a bonnet rouge: 'France. Long live the Emperor - Vive La Liberté'!! (8) A Turk wearing a jewelled turban: 'Turkey. I quake whenever his name is mentioned.' (9) A man wearing fur cap, fur cloak, and fur-trimmed boots folds his arms: 'Russia I curse him one moment and am friends with him the next.' (10) An elderly military officer, wearing a long sword, stands hands on hips: 'Sweeden. Who's afraid!!' (11) 'A fat Dutch burgher, smoking a pipe, scowls reflectively: 'Holland For my part I dont know what to make of him.' (12) A man wearing a short jacket, trousers, and a long pigtail runs to the right.: 'Portugal I'm Off.' (13) A quaker stands full face with folded hands: 'America. Verily the Spirit doth move me to shake hands.' (14) An Oriental, wearing a turban and long trousers, stands full face: 'Assia I beg he may be kept at a distance.' (15) John Bull, a fat 'cit', stands with his hands in his waistcoat pockets, smiling dubiously: 'England I laugh at him, and defy him. but still I dont much like him'."--British Museum online catalogue
Alternative Title:
National opinions on Bonaparte and National opinions on Buonaparte
Description:
Title etched below image., Plate numbered "235" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., "THO" written in open letters in pencil near center of sheet, following the word "Holland.", and Leaf 11 in volume 4.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
"Three sailors sitting on trunks on board a ship, grimacing as they read papers. At centre one points to his paper, saying, 'Did you ever hear such palaver Jack - Just before an Action'; his paper is inscribed, 'nothing opposes the individual esteem entertaind for your excellency by your faithfull servant / J Moore / Cadiz'. At left, a sailor reads a paper inscribed, 'I am your Excellrncys most Humble Servant / Rossily'; his trunk is lettered 'Will bo[...]'. At right the third says, 'Be quiet you lubbers, you dont know how to be polite - one of the Mounseers has ax'd me a little time, before I blow him up, and see what a civil letter I have sent him.'; his trunk is lettered 'Junk' and his paper, 'Mounseer / I had the honor of your this morning, and if you don't surrender by six in the evening, I'll be d-d if I dont blow you up / yours / to command / Jack Junk'. On the floor in the foreground, a tankard of 'Grog', a pipe and broadsides, one of which is headed 'True courage'; a cannon behind at left. Reissue by Fores of a print originally published c. July 1808."--British Museum online catalogue and "In May-July 1808, at the beginning of the Peninsular war, the British fleet helped to defend the Spanish in Cádiz from the French fleet led by Rosily; the British officer John Moore left England for Portugal in July 1808. The imprint indicates a reissue, giving the address line used by Fores in 1818-19."--Curator's comments, British Museum online catalogue
Alternative Title:
British sailors perusing the dispatches from Cadiz
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.697., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Name):
Moore, John, Sir, 1761-1809. and Rosily-Mesros, François de, 1748-1832.
Subject (Topic):
Peninsular War, 1807-1814, Sailors, British, Decks (Ships), Luggage, Newspapers, Cannons, Drinking vessels, and Pipes (Smoking)
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue
Alternative Title:
Will of her own
Description:
Title etched below image., Temporary local Medical Library subject terms: Bonaparte, Napoleon (1761-1821) -- Jaffa., and Probably a later impression from a worn plate, with some areas of aquatint lightly printed.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull (right), an obese 'cit', is addressed by a group of citizens, less obese, but much caricatured. Their spokesman says: "You must know, Mr Bull, we are a Society of Odd Fellows who had a lodge in Downing Street, and were robb'd of our Cash and accounts, notwithstanding we met at the Kings Head and so near the Treasury too! - is not it very hard - however we have left Downing Street intirely!" John, his hands under his coat-tails, answers: "All I have to say my good Friends is this - I am very sorry for you but I must own I am of opinion if some more Odd Fellows in Downing Street were to quit theire situations it would be very much to my advantage!" They stand in 'Bird Cage Walk', the name being on a piece of paper on the ground. Behind are railings in front of trees behind which are the towers of Westminster Abbey. On the right 'Downing Street' is indicated, abutting on the 'Treasury', on the extreme right, with a sentry before the building."--British Museum online catalogue, description of an earlier state
Alternative Title:
Odd Fellows from Downing Street complaining to John Bull
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. June 4, 1808, by Thos. Tegg, N. 111 Cheapside." Cf. No. 10988 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "168" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 88., and Leaf 21 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later reissue, with beginning of imprint statement burnished from plate. For the original issue with the complete imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., Date of publication based on the suggested 1812 date for an intermediate state, which has the year crossed out in an otherwise complete imprint statement. Cf. No. 11974 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "289" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Locket -- Lamp -- Post chaise -- Ladder., 1 print : etching on wove paper, hand-colored ; plate mark 34.9 x 24.5 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 96 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later reissue, with beginning of imprint statement burnished from plate. For the original issue with the complete imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., Date of publication based on the suggested 1812 date for an intermediate state, which has the year crossed out in an otherwise complete imprint statement. Cf. No. 11974 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "289" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Temporary local subject terms: Locket -- Lamp -- Post chaise -- Ladder.
Title from item., Printseller's 'Price' stamp in lower right corner., Printmaker from British Museum catalogue., Temporary local subject terms: Dandies., Watermark: A Stace., and Countermark: 1801.
Publisher:
Pubd. Jany 4th, 1808 by S.W. Fores, No. 50 Piccadilly
Title from text printed in letterpress in lower portion of sheet., Attribution below title: The music by Mr. Kelley., Two columns of verse in letterpress below title: Paddy Shannon high mounted on his trotting little poney, set off in a gallop from Leather-lane to Bow ..., and Plate numbered in upper left corner: 491.
Publisher:
Publish'd June 24, 1808 by Laurie & Whittle, 53 Fleet Street, London
A fire-and-brimstone preacher haranguing an unhappy-looking audience. An assistant holds up a parasol to shelter him
Description:
Title from text below image., Possibly after Thomas Rowlandson. An apparent earlier state of this print, without the title and with a thicker border, is attributed to Rowlandson in the Philiadelphia Museum of Art collection database (Accession Number: 1960-139-85)., Date of publication suggested in dealer's description., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
"Napoleon, John Bull (a 'cit'), a British general wearing a star, and the Duke of Portland sit in conference, each holding a large double paper covered with type or script. Napoleon sits on the left, pointing to the text of his paper and saying to his neighbour, "You see Mr Bull the case is simply this If you do so, I'll do so!" John, much disconcerted, stares at the Emperor, exclaiming "O! O!" The general also looks at Napoleon, perturbed. Portland (right), who sits in an armchair facing the Emperor, with frank dismay says: "If he says O! O! I'm afraid t'is but so! so!"."--British Museum online catalogue
Alternative Title:
Sounding the opinions of John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Later state, with imprint statement burnished from plate. For an earlier state with the imprint "Pubd. March 1808 by Walker & C., No. 7 Cornhill", see no. 10971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., "March 1808" written in brown ink in lower right, over the remnants of the burnished imprint statement. Formerly mounted on a blue sheet, remnants visible on back., and Watermark, partially trimmed: 1811.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Subject (Topic):
Napoleonic Wars, 1800-1815, John Bull (Symbolic character), Generals, British, Sitting, and Meetings
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Ms. notes in pencil along lower edge of sheet.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A countryman (right) in a smock and his wife (left) sit by a table on which is a frothing jug and two full tumblers. She reads the newspaper, and looks up to say: "Why this Bonny-part be making Kings every-day - I should not wonder if thee wast in France, if he made a King of thee John - what wouldst thee do if thee wast a King?" He answers: "Do -! Why I'd swing on a gate and eat fat Bacon all the day long." He is a broad shock-headed fellow, seated with legs astride, a hand on each knee, a smoking pipe in his right. hand. A blazing fire burns in the grate."--British Museum online catalogue
Alternative Title:
Nature will prevail
Description:
Title etched below image., Date has been mostly burnished from imprint, leaving a gap between "... Published 1" and "by Thos. Tegg, Cheapside." Date of publication from Krumbhaar, who seems to describe an earlier state with intact imprint statement. A date of 1807 is suggested in the British Museum catalogue., Plate numbered "130" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Lower right corner of design., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.8 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 67 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A countryman (right) in a smock and his wife (left) sit by a table on which is a frothing jug and two full tumblers. She reads the newspaper, and looks up to say: "Why this Bonny-part be making Kings every-day - I should not wonder if thee wast in France, if he made a King of thee John - what wouldst thee do if thee wast a King?" He answers: "Do -! Why I'd swing on a gate and eat fat Bacon all the day long." He is a broad shock-headed fellow, seated with legs astride, a hand on each knee, a smoking pipe in his right. hand. A blazing fire burns in the grate."--British Museum online catalogue
Alternative Title:
Nature will prevail
Description:
Title etched below image., Date has been mostly burnished from imprint, leaving a gap between "... Published 1" and "by Thos. Tegg, Cheapside." Date of publication from Krumbhaar, who seems to describe an earlier state with intact imprint statement. A date of 1807 is suggested in the British Museum catalogue., Plate numbered "130" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., and "Price one shilling."--Lower right corner of design.
Illustration to printed verses: A man and wife, both in fur hoods, &c, stand outside a small hut in a snow scene. She threatens him with her fists. In the background a reindeer draws a sleigh
Alternative Title:
Lock'd jaw and frost-bitten nose and Locked jaw and frost-bitten nose
Description:
Title from text printed in letterpress below image., Text in letterpress immediately following title: (The Music sold by Messrs. Goulding and Co. New Bond Street.)., Three columns of verse in letterpress near lower portion of sheet: A youth took a wife, for joy or for strife..., and Plate numbered in upper left corner: 502.
Publisher:
Publish'd Dec. 1, 1808 by Laurie & Whittle, 53 Fleet Street, London
"A stout, elderly, well-dressed man walks along a pavement past a ramshackle hovel, holding, reversed, a closed umbrella, which he uses as a walking-stick. He steps on a stone which tilts, splashing his white stockings with filth. From a rotten pipe which runs down the adjacent building a black flood drips and streams across the pavement. From an (invisible) upper window hang ragged garments, dripping down the wall. Broken crockery and refuse lie against the edge of the pavement."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Topic):
Autumn, City & town life, Rain, Streets, and Weather
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
"John Bull, a fat 'cit', is seated beside a writing-table (right) holding up a large book. On the left hand page is inscribed 'Vote of Thanks respecting the Expedition to Copenhagen'; John's pen rests on the last word, but he turns in horror to gaze at the ghosts of (left to right) Fox, Pitt, and Burke. These wear shrouds and stand on clouds; all point a menacing forefinger. Fox says: "Erase those lines from your Journal"; Pitt and Burke say "Erase". Burke wears spectacles and a Jesuit's biretta (cf. British Museum Satires No. 6026), and holds a large book inscribed 'Sublime & Beautiful' [cf., e.g., British Museum Satires No. 6361]. John wears glasses, his hair rises on his head, pushing up his ill-fitting wig. He says: "Why dont you come then and transact the business yourselves? - it is impossible I can please every body. - it is come to such a pitch now that I have no peace either with the living or the dead!!!""--British Museum online catalogue
Alternative Title:
Spectres visiting John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Pubd. Feby. 23, 1808, by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain and Denmark.
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Burke, Edmund, 1729-1797
Subject (Topic):
Napoleonic Wars, 1800-1815, Foreign relations, John Bull (Symbolic character), Ghosts, and Writing materials
Title from caption below image., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Plate numbered "39" in upper right corner., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Plate numbered '82' in ms. along top margin of sheet. Numbering corresponds to plate position within previous collection.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from item., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Concluding digit in the publication year erased from print leaving worn paper., Later reissued with series number. Cf. no. 10966, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Ttilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Mounted to 30 x 43 cm.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 10763, representing Ministerial and Opposition leaders on platforms in front of their booths. On the extreme left. is Sheridan addressing the crowd below: 'Walk in Gentlemen and Ladies - here is no deception. Just going to begin.' He points to his back-cloth which hangs from a flagstaff: under a bottle and glass is the inscription 'Prime Sherry Gratis - The Comedy of A New Way to Pay Old Debts [Massinger] - with the Publicans Friend.' Harlequin, masked, with a blackened face, postures behind him. The flag is inscribed 'In vino Veritas'. On the adjacent booth Castlereagh stands with upraised arms, holding a tali long-bow with two strings. Beside him a pierrot bangs a salt-box. His back-cloth is inscribed 'The Genuine Booth - Two Strings to your Bow [a popular farce by R. Jephson, 1791] and a Trip to Down [see British Museum Satires No. 10715]'. His flag is inscribed 'Down Down Hey Derry Down.' The centre booth has a tattered back-cloth inscribed 'The Old Broad Bottomd Booth rather out of repair But Excellent Entertainment.' Its flag, also tattered, is 'Catholic Emancipation'. On the platform Grenville bows very low, hat in hand. Beside him is a pierrot holding up a steaming bowl and a placard: 'Treasury Soup Hot at all Hours'. The next booth is 'The Only True Constitutional Booth Persevere & Company' the flag is 'No Popery'. On this Perceval, his back to Grenville, bows, saying, "Dont mind what the Broad Bottoms say good people - mine is the only treue constitutional Booth." He has two attendants, one holding 'Magna Charta' besides a man blowing a trumpet to which is attached a banner with the royal arms. On the extreme right., a little apart from Perceval's booth, is that of Canning. The back-cloth is inscribed: 'A Collection of Sky Rockets Just arrived from Denmark very Curious.' Rockets rising from behind the cloth descend in golden streams on the crowd below. Canning is in full armour and holds a tilting-lance; he says: "Don't be afraid they won't hurt you." His pennant is 'Necessity has no Law.' A man in the crowd, looking up at the rockets, says: "To tell you the truth I don't admire Sky." On the ground-level are side-shows under two of the platforms. That of Grenville is the roof of a square stone building; its door is placarded 'Portland Stone moveable Kitchen, a great Curiosity' [cf. British Museum Satires No. 10718]. No ladder ascends to the top, as with all the other booths, so that Grenville can descend only by stepping on to an adjacent platform. Beneath Perceval's platform is inscribed: 'Underneath to be seen the Bed of Roses' [see British Museum Satires No. 10558, &c.]. Among the crowd of gaping spectators are men crying their wares. They hold out broadsides. One (left) shouts: "Who buys my rotten Burrows if I'd as much money as I could tell I never would cry rotten Burrows to sell." A yokel in a smock asks him: "What do you ax Master for a good snug thing in your way." A man cries: "Who wants to buy any New Taxes"; a fat farmer says: "Dang it we have got enough of that Article". A Highlander in a kilt cries "Places and Pensions at half Price". A man offers a similar Highlander: "Snug Sinecures Dirt Cheap." A corpulent parson addresses a stout woman whose arm a much shorter man is holding: "Any more Church livings than you make use of I'll buy them of you." On the extreme right a quack doctor offers money-bags: 'Delicate Consciences effectively cured - no cure no Pay'."--British Museum online catalogue
Alternative Title:
Saint Stephens fair
Description:
Title etched below image., Later state, with former plate number "39" removed and a new number added. See British Museum catalogue., Text following title: O don't you think it a wonderful fair." Holcroft., Companion print to: A political fair., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling colored.", Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: Pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Male costume: Armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume, 1808 -- Physicians -- Quacks., and Leaf 39 in volume 4.
Publisher:
Pubd. Feby. 8th, 1808, by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon sits on a stool or low-backed hair holding the two younger sons of the King of Spain, dressed as infants in long robes, one on each knee. His legs are wide astride, and with his jackboots he rocks two large wicker cradles on the left and right. Both are inscribed 'Imperial Cradle'; on the right sleep the King and Queen, the latter wearing a nieht-cap, and with her back to her husband. The head of the cradle is inscribed 'The Good Old King and his Amiable Consort.' On the left Ferdinand, a burly infant, sleeps in the cradle inscribed 'Prince of Austurias' [sic]. Napoleon wears a large feathered bicorne, and looks down with a twisted cynical expression at the children on his knee, both fast asleep with expressionless faces. A collar is padlocked round each neck, inscribed 'Antonio and Carlos'. He says: "Hush a bye - Hush a bye - you shall have your crowns again - but I dont know when!"."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "245" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 24 in volume 4.
Publisher:
Pubd. July 12th, 1808, by Thos. Tegg, N. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Carlos, Prince of Bourbon, 1788-1855, Ferdinand VII, King of Spain, 1784-1833, Charles IV, King of Spain, 1748-1819, and María Luisa, Queen, consort of Charles IV, King of Spain, 1751-1819
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A spider with the head of Napoleon is the centre of a large irregular web which stretches across the design. He wears his plumed bicorne, and his head is in profile to the left devouring two 'Spanish Flies' which fly into his mouth (Charles IV and Ferdinand). His bloated body is inscribed 'Unbounded Ambition'. The other flies in the web are Austrian Fly (left), with a number of little flies beside it; a swarm of 'Small Flies innumerable' is scattered thickly over the upper part of the web; on the outer circumference (right) the 'Pope Fly', saying, "I am afraid I shall be draggd in." Below: the 'Venetian Fly', a mere corpse; 'Italian Fly'. On the lower part of the web: 'Hamburgh Fly', 'Prussian Fly', 'Hanoverian Fly', 'Etrurion Fly'. The 'Portugeuse Fly', with a bottle (of Port) for a body, is on the circumference of the web. Below the 'Austrian Fly', 'Dutch Fly', with a human head smoking a pipe. Just touching the circumference with its front legs, below the Prussian and Hamburg Flies, is the 'Russian Fly', with the head of the Tsar, wearing a cocked hat; he says: "I declare I was half in the web, before I made the discovery." A large fly flying below the web (left), with a human head wearing a jewelled turban, is the 'Turkish Fly'; he says: "I am afraid it will be my turn next." In the upper left. corner, outside the web, is a solid John Bull, with four wings. He looks down at the spider, saying, "Ay you may look Master Spider but I am not to be caught in your web." Above and below the web are clouds."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Plate numbered "246" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant state lacking plate number, see no. 10999 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 81 in volume 4.
Publisher:
Pubd. July 12th, 1808, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Ferdinand VII, King of Spain, 1784-1833, Charles IV, King of Spain, 1748-1819, and Alexander I, Emperor of Russia, 1777-1825
"Napoleon, 'Corsican Tiger', with the body of a tiger, and wearing his feathered bicorne, puts his fore-paws on a bunch of four yelping and prostrate dogs, one with a collar inscribed 'Royal Greyhound' (the collars of the others being hidden). He turns his head in profile to the left. to glare savagely at a pack of 'Patriotic Greyhounds'. The two foremost bark fiercely at him, their heads close to his, others are streaking down a steep hill (l.) towards him. Narrow water divides the land on which Napoleon stands from three other projecting pieces of land on the r. In the foreground a 'Dutch Frog' sits smoking a pipe and watching the conflict, saying, "It will be my turn to have a slap at him next." On a cliff behind the frog 'Iohn Bull', a 'cit', stands aiming his musket at the tiger; he says: "There was a little Man, And he had a little gun, And his Bullets were made of lead, D------n me but we'll manage him amongst us. "On a more distant plain a bear on its hind legs faces an eagle with three crowned heads: they are 'Russian Bear & Austrian Eagle', and are linked together by a heavy chain attached to collars on the bear and eagle. The eagle says: "Now Brother Bruin is the time to break our chains"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
Pubd. July 8th, 1808, by R. Ackermann, N. 101 Strand
"A gout ridden man seated in right side profile shouting with anger at his Irish footman who carries a sundial under his arm with a fob watch dangling from it. Having been asked to set the watch by the time on the sundial, the footman in an effort to be helpful, has instead transplanted the dial into the parlour for the master to do it himself."--Royal Collection Trust online catalogue, RCIN 810682
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. March 25, 1808, by R. Ackermann, No. 101 Strand
Subject (Topic):
Gout, Ethnic stereotypes, Servants, Sundials, and Clocks & watches
Title from letterpress broadside poem printed below image., "Extracted from no. XII of the Monthly mirror-new series"., From the Laurie & Whittle series of Drolls, plate number in upper right corner: 481., Twenty four lines of verse below image: From Brighton two Paddies walk'd under the cliff ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Ivy Mill, 1809.
Publisher:
Publish'd Jany. 12, 1808 by Laurie & Whittle, 53 Fleet Street, London