"A cavernously dark interior, despite a strong light from a wide doorway and open window in the wall which forms a background. Five Indian servants, of whom two may be women, are employed in various operations; three squat on the floor on mats or low stools, a fourth holding a slab or brick like that in No. 12164, rises in angry controversy with a seated man (left). Their dress ranges from a tunic and trousers with a turban to a loin-cloth. A steward or butler wearing a turban stands in the doorway, holding a bowl. On the right is a large stove on which pots of various sizes are cooking over five small charcoal fires on the surface of the stove. Above, in deep shadow, hang large hams."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on bottom., Date of publication changed to 1803 on print., and Temporary local subject terms: Hams -- Indian servants.
Publisher:
Pub Feby. 1813, by Willm. Holland, No. 11 Cockspur Strt. of whom all the other East India caricatures may be had
Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Text following title: Vide Bath guide., Plate numbered "212" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Temporary local subject terms: Negro., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 26.6 x 37.2 cm., Watermark: C. Wilmott 1819., and Mounted on leaf 44 of volume 12 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Text following title: Vide Bath guide., Plate numbered "212" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., and Temporary local subject terms: Negro.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Text following title: Vide Bath guide., Plate numbered "212" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Temporary local subject terms: Negro., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 69 in volume 3.
"An Eurasian, Portuguese, or English lady, sallow, with black hair, sits on a stool in profile to the right in the centre of a bare room, attended by six Indian women. She dips both hands into a shallow open box held by a woman seated on the floor. Another stands beside her, watching. On the right an ayah nurses a doll-like infant. Another servant stands holding up a bell-shaped implement with a long handle. A fourth (left) sits full-face, apparently on a low stool, using a slab to pulverize something on a board; beside her are a small earthenware pot and a three-legged pot with a lid. A low oblong stool stands on the floor. Behind, a young Indian girl approaches from the left holding a jug and an oval tray or mirror. There is a large door or window (left) closed with persiennes; before this is a table on which are a closed oblong box and a (?) wine-bottle. Another large window-space is open to the sky. The Indians are almost black, except for the strong whites of their eyes, and wear coloured draperies. There are heavy shadows. Apparently a companion plate to No. 11165 by the same artist, probably an amateur. Cf. also No. 11832, &c."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: India.
Publisher:
Pubd. 1813, by Willm. Holland, Cockspur Street, of whom may be had a humorous collection of East & West India caricatures
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The representatives of six of the Allies, the most prominent being John Bull, stand on a bluff (left) tugging at a rope by which they pull a row of seven uniform Dutch men-of-war from the opposite coast. The ships are small, their sails are inflated by a favourable wind; they fly Dutch flags, one inscribed 'Texell Fleet'; John Bull, a stout 'cit', pulls side by side with a Spaniard in slashed tunic, ruff, and feathered hat. Behind this pair a Russian wearing a fur hood steadies the rope. A Prussian Death's Head Hussar hauls at the end of the rope, his back to the sea, but looking over his shoulder. Beside him is an Austrian officer, while a Portuguese or Sicilian waves a feathered cap. On the extreme right, behind the Dutch fleet, are two little figures making frantic gestures: Napoleon waving his sword exclaims: "Oh Brother Joe--I'm all Fire, My Passion eats me up Such unlooked for Storms of ills fall on me It beats down all my cunning, I cannot bear it My ears are fill'd with Noise my Eyes grow dim And feeble shakings seize every Limb." Joseph stands behind, his crown at his feet, saying: "Oh Brother Nap Brother Nap we shant be left with half a Crown apiece [see British Museum Satires No. 12068]." The ships are filled with Dutch sailors; others are on the shore (right) pushing at the stern of the nearest ship in order to launch her. This partly obscures the others, which are in line, diminishing in perspective. A ship's boat rows towards the horizon. A large sun (right), irradiated and inscribed 'Sunset of Tyranny', sinks into the sea. Between it and the coast (left) is a row of five men-of-war at anchor, flying the flags of the Allies, their poops in a line. The ship on the right, nearest Holland, flies a Russian flag, the next, with the highest masts, flies British flags. In the foreground (left), lying at the base of the bluff on which the Allies stand, are two casks inscribed 'Real Hollands Best Double Proof' and 'Genuine Spirit Neat as Imported'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "233" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., Watermark: 1817., Imprint statement in lower right corner is lightly printed, with the ends of both lines of text barely visible., and Leaf 9 in volume 4.
Publisher:
Publishd. by Thos. Tegg, 1813 Novr. 25, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington on the extreme left, seated in profile on his white horse, looks down at three officers who heap trophies at his feet. He says: "Why! here's enough for three nights Illumination!" An officer answers: "Three times Three! My Lord!!" Another, holding two eagles with their tattered tricolour flags, holds out a marshal's baton, saying, "Here's Marshal Jordens Rolling-pin." The third, wearing hussar uniform, and holding an eagle with a flag inscribed 'La Emperu . . .', points behind and to the right, saying, "And here comes their Last Cannon!!" In the middle distance a soldier is dragging after him downhill a cannon by a rope attached to the muzzle; he says, grinning, "By St Patrick I think we have taken all they brought from Parts!"; a drummer bestrides the gun beating his drum and shouting, and a third man stands astride it on the gun-carriage, waving a Union flag and his shako and shouting "Huzza Huzza". Two asses are harnessed tandem to the gun-carriage and are being dragged backwards, one slides on its haunches the other rears; on each is a French soldier wearing a bonnet rouge; one says: "By Gar every ting goes backwards with us." On the hill lies a dead soldier' burlesqued and wearing a bonnet rouge, his legs raised from the ground by his huge spurs; near him is a decapitated body with the detached head still wearing a grenadier's cap. In the foreground (right) are sacks of coin, and a chest inscribed 'Plunder', heaped with church plate."--British Museum online catalogue
Alternative Title:
Scene after the Battle of Vitoria, More trophies for White-hall, and More trophies for Whitehall
Description:
Title from text above and below image., Plate numbered "202" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 57 in volume 3.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A farm-house kitchen. The farmer's wife (left) sits beside a table on which are a tray of tea-things and a tankard. She carves a loaf, holding it on her lap, and asks: "I dont understand what they mean by they Debates, cans't thee tell Robins?" The stout farmer sits full-face, holding a newspaper: 'Liverpool Journal'. He answers: "Why I take it it means this!-- th' men ith Parliament up at Lunnon makes sham quarrels; and then grins at us folk ith country for believen un to be in Arnest!!" The son, a young man wearing a smock, sits in the ingle-nook (right) holding a knife and slice of bread, and eagerly watched by a dog. He says: "Eh Feather! why that be just like Dr Solomon w'th folks that swallow his balm of Gulllad [Gilead]"."--British Museum online catalogue
Alternative Title:
Shrewd guess, or, The farmers definition of parliamentary debates and Farmers definition of parliamentary debates
Description:
Title etched below image., Date of publication from British Museum catalogue., Three lines of quoted text following title: "He laughs at him, in's face too, "O you mistake him; t'was an humble grin. "The fawning joy of courtiers and of dogs. Dryden., Plate numbered "311" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., and Temporary local subject terms: Tea things -- Fireplace.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A farm-house kitchen. The farmer's wife (left) sits beside a table on which are a tray of tea-things and a tankard. She carves a loaf, holding it on her lap, and asks: "I dont understand what they mean by they Debates, cans't thee tell Robins?" The stout farmer sits full-face, holding a newspaper: 'Liverpool Journal'. He answers: "Why I take it it means this!-- th' men ith Parliament up at Lunnon makes sham quarrels; and then grins at us folk ith country for believen un to be in Arnest!!" The son, a young man wearing a smock, sits in the ingle-nook (right) holding a knife and slice of bread, and eagerly watched by a dog. He says: "Eh Feather! why that be just like Dr Solomon w'th folks that swallow his balm of Gulllad [Gilead]"."--British Museum online catalogue
Alternative Title:
Shrewd guess, or, The farmers definition of parliamentary debates and Farmers definition of parliamentary debates
Description:
Title etched below image., Date of publication from British Museum catalogue., Three lines of quoted text following title: "He laughs at him, in's face too, "O you mistake him; t'was an humble grin. "The fawning joy of courtiers and of dogs. Dryden., Plate numbered "311" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Tea things -- Fireplace., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 8 in volume 5.
"The daughter of Count Platoff stands full face, erect, dashing, and alluring, on a snowy mound. Her right hand supports a spear from which floats a banner inscribed: 'I General Count Platoff. promise to give my Daughter in Marriage and 2000 Rubles - to any Cossack, Russian, Prusian, German, Sweede, Turk, John Bull, Sauny Bull Paddy Bull or any other Bull, who shall bring Me the Head of Little Bony dead or a live.' She wears fur-trimmed cap with a long hussar-bag, long high-waisted fur-bordered pelisse, with a cape, fur-trimmed boots, and large ear-rings. The words 'Hih "ho" for a Husband' issue from closed and smiling lips. With her left hand she points behind her to the right and to the little figure of Napoleon on skates, wearing a large plumed bicorne, and brandishing his sabre; he deserts his snow-bound army, saying, "O" ho" bygare I had best be Off." He strides past the heads of soldiers emerging from snow, together with bayonets, and a French flag; behind him the French army marches in close ranks, with one eagle and one flag. On the left is another column of tiny soldiers indicated by heads, bayonets, an eagle, and flags. In the clouds, airborne as in No. 11992 (British Museum catalogue), are two bands of galloping Cossacks, one (right) seems about to swoop down on Napoleon. Heavy clouds frame slanting rays which make a background for Platoff's daughter. At her feet are two money--bags both inscribed '1,000 Rubles', which disgorge coins. Behind them a kneeling Cupid aims his bow towards the 'cloud of Cossacks' on the left."--British Museum catalogue
Alternative Title:
Tit-bit for a Cossack and Platoff prize, for the head of Buonaparte
Description:
Title etched below image., Plate of publication etched following date., Plate numbered in upper right corner: 184., and A satire on Napoleon in Russia.
Publisher:
Pubd. by Thos Tegg, 111 Cheapside
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Platov, Matveĭ Ivanovich, graf, 1751-1818.
Subject (Topic):
Caricatures and cartoons, Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Cupid, Armies, British, Russian, and Women
Title from item., Printmaker suggested by cataloger., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military guards -- Hyde Park -- Reference to Windsor -- Reference to Blackheath -- Headcold, medical.
Publisher:
Pubd. March 1813 by S Knight 3 Sweetings Alley Royal Exchange
Subject (Geographic):
England
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, and George IV, King of Great Britain, 1762-1830
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 12138 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Apr. 28, 1813, by H. Humphrey., Temporary local subject terms: Election balls -- Lighting: Chandeliers., and Numbered in ms. at top of sheet: 67.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Topic):
Ballrooms, Balls (Parties), Chandeliers, Couples, Dance, and Musicians
"A provincial Assembly Room. A musicians' gallery (right) is above a recess which is the entrance from the street. In this a young woman changes pattens for dancing-shoes, supporting herself on the arm of a stout woman with a pin-cushion slung from her arm. A lighted lantern stands on the floor. In the foreground a couple advances from this entry, meeting a younger pair. In the background against the wall couples are dancing, facing each other, the man holding his partner's wrist. An absurd couple on a settee (left) flirt, the lady holding a tumbler, the man fanning her. Behind, two men delightedly inspect a paper headed 'Election 1812'. On the wall is a bill: 'Sir Toby Spendall returns his most grateful thanks to the worthy Freemen for thier kind support during the late Election.' From the pocket of an elderly man near the door hang two papers: 'State of the Pole' and 'To the Worthy Freemen'. In the foreground (right) a pair of half-boots, a cane, and a hat lie together. The room is lit by hanging candelabra and candle-sconces."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Musician's gallery -- Pattens -- Fiddle.
Publisher:
Pubd. April 28th 1813 by H. Humphrey No. 27 St. James's Strt
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, a grotesque mannikin in a strait-waistcoat, sits on a three-legged 'Stool of Repentance' which stands in a large tub of 'Hot Water', whose steaming contents are inscribed 'Sea of Troubles'. The waistcoat is inscribed 'Allied Strait Waist-coat'; it has long sleeves extending far beyond his hands, the ends held by the Tsar (left) and a Cossack (right) so that the captive's arms are horizontally extended. His head is bald and is in profile to the left; he has a beak-like nose and his mouth gapes like a young bird's for a huge bolus inscribed 'Invasion of France' which John Bull, a fat 'cit', puts into his mouth. Alexander, who wears an ill-fitting bag-wig poised on his own hair, holds a knout with knotted lashes, inscribed 'Russia Hemp'; he says: "I have found, a constant application of this Russian Knout to work Wonders!!" John Bull, who stands beside him, says: "Work away my Masters I'll pay you your fees ay ay rave & rant Master Boney but the Devil will Bone you at last." In the centre of the design, high above the other figures, stands a grotesque Dutchman, with a conical hat, a frill round his neck, and grinning features. In his hat is a ribbon inscribed 'Orange' and a pipe. He holds up a short cannon or mortar inscribed 'Dutch Drops' [see British Museum Satires No. 12114], from which pours a flood containing tiny replicas of himself armed with dagger, axe, a blunderbuss or bayonet, who descend upon Napoleon's head; among these are balls (bullets or oranges), the largest inscribed 'Orange Boven'. He says: "We'll try what Dutch Drops will do!" By the tub (right) kneels a Spanish don, wearing slashed tunic and breeches, with cloak and ruff; he applies a plaster to Napoleon's back inscribed 'Spanish Flies' [cantharides or blister-beetles, see British Museum Satires No. 11016], and grins broadly, saying, "Here is a Plaster of Spanish flies for his - ." Behind him stands the Cossack, piercing Napoleon's left arm with his long spear, making a fountain of blood spurt into a bowl, inscribed 'Crown Bowl', held by Bernadotte, the Crown Prince of Sweden. Bernadotte wears an absurd powdered wig with queue perched on his own hair which is in a small pigtail. On the wig is poised a cocked hat. He says: "I think my Crown Razors have shaved his Crown pretty close." From his belt hangs an open razor, the blade inscribed 'Best Crown Steel'. Like Alexander, he wears uniform with jack-boots. The tub stands upon flames inscribed 'Moscow' from which emerge the towers and buildings of the city, see No. 12049. Napoleon frantically flourishes above the water one thin leg in a huge jack-boot with a giant spur. He exclaims: "Hence with your Medecines--they but drive me Mad-- Curse on your Dutch Drops your Leipsic Blister [see British Museum Satires No. 12093, &c.] & your Spanish flies they have fretted me to what I am D--n your Cossack Lancets They have drained my veins and rendered me poor & vulnerable indeed!--Oh! how I am fallen--But I will still struggle--I will still be great--Myriads of Frenchmen still shall uphold the glory of my Name the Granduer [sic] of my Throne & write my disgrace in the hearts of ye--ye Wretched creatures of English Gold!" On the extreme right a Frenchman wearing a bonnet rouge looks in through a window, much perturbed. He says: "By gar de grande Bounaparte get into de hot water at last, he no like his Doctors--by gar he say they be no doctors, but de journeymen of dat great Doctor John Bull." Behind Alexander and on the extreme left is the 'Allied Medecine Chest'. It contains a jar of 'Surgical Instruments' bristling with cutting and slashing weapons, axes, bayonets, sword, &c., with a jagged saw; a pile of 'snow balls' [cf. British Museum Satires No. 11917, &c.], and a jar of 'Cossack Leeches'."--British Museum online catalogue
Alternative Title:
Bleeding and warm water!, or, The allied doctors bringing Boney to his sense's and Allied doctors bringing Boney to his sense's
Description:
Title etched below image., Plate numbered "287" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., and Leaf 63 in volume 4.
Publisher:
Pubd. Decr. 12th, 1813, by T. Tegg, Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, and Charles XIV John, King of Sweden and Norway, 1763-1844
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon stands, colossus-like, legs apart, his head turned in profile to the right, looking down with an expression of despair. He is on a high dais beside his throne (right), and turns his back on the crowded hall. He wears a crown and imperial robe over ragged uniform. A tattered sleeve leaves his right forearm and elbow bare; his legs are naked between tattered remnants of breeches and spurred boots through which his toes project. He weeps, with a handkerchief to his eye, and his right hand touching the star on his breast. Behind him (left) is a sea of heads receding in perspective; these are burlesqued, with expressions registering dismay, cynicism, or sly satisfaction. Among them are three bishops wearing mitres. At the back of the hall is a gallery filled with heads on a tiny scale, feathered head-dresses show them to be ladies. Napoleon's words fill a large label covering the upper part of the design: "I myself entered Russia, the Russian armies could not stand before our armies. The French arms were constantly victorious.---- ------"a swarm of Tartars turned their ---- parricidal hands against the finest provinces of that vast Empire which they had been called to defend.---- "But the excessive and premature rigour of the winter brought down a heavy calamity upon my army---- in a few nights I saw every thing change.---- "the misfortunes produced by rigour of hoar frosts, have been made apparent in all their extent, ---- I experienced great losses--they would have broken my heart, if under such circumstances I could have been accessible to any other sentiments than those of the interest,--the glory,--and the future prosperity of my people.-- "I have signed with the Pope a Concordat, which terminates all the diffirences [sic] that unfortunately had arisen in the Church.--The French dynasty--reigns,-- and will reign in Spain.--I am satisfied with all my allies.--I will abandon none of them.--The Russians shall return into their frightful climate [cf. British Museum Satires Nos. 12022, 12024, 13487]."--British Museum online catalogue
Alternative Title:
Bonaparte addressing the legislative body
Description:
Title etched below image., Plate numbered "189" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Watermark: 1817., and Leaf 95 in volume 3.
Publisher:
Pubd. Febry. 24, 1813, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon mounted on an ass in profile to the right faces a piece of water in which 'Dutch light Horse' (cf. British Museum Satires No. 8478), fat Dutch soldiers, are mounted on huge frogs. All wear bonnets rouges with bulky breeches defining heavy posteriors. All hold drawn sabres and have small kegs (of Hollands) under the left arm; although they are smoking they have a disciplined and martial appearance compared with the Frenchmen. Napoleon wears a huge bicorne with crown and plume, and holds a sabre against his shoulder. His ass brays and urinates violently. A burlesqued and very miscellaneous staff and escort is grouped behind him; they have a tricolour flag and an eagle, while a soldier holding a second eagle struggles painfully out of the water. Immediately behind Napoleon are a drummer beating a drum, and a dwarfish companion blowing a fife. Both wear high conical caps with drooping peaks. A soldier with curved ('cheese-cutter') shins negligently holds a musket, looking mournfully at a fat friar, also with a musket, who drinks from a bottle of 'Friars Balsam'. There is an eighth man with a grotesquely sharp profile. In the background a column of tiny soldiers stretches away in an endless line to the right. Behind them are the roofs and towers of a town."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", and Leaf 40 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Eight designs in two rows, each with lines parodying 'the House that Jack built' etched above each. Some section of the bridge appears in Nos. 1-5. [1] Tiny French soldiers gallop across the bridge; a man punts in the rapidly flowing river. Behind is Leipzig, a walled town backed by hills. Above: "This is the Bridge that was blown into air." [2] Three men, wearing helmets and aprons, excavate a pit beside the bridge, from which a man looks down: "These are the Miners that had the care / Of mining the Bridge . . . [&c.]." [3] A Grenadier corporal holds a long match towards the covered pit; three tiny Grenadiers run across the bridge: "This is the Corporal, stout and strong, / Who fired the Mine with his match so long, / Which was made by the Miners . . . [&c.]." [4] A swaggering officer points at the ground, looking over his shoulder at the corporal, who runs forward with his match, saluting obsequiously: "This is the Colonel of Infantry, Who ordered the Corporal . . . [&c.]." [5] The colonel listens deferentially to an officer who whispers in his ear, pointing downwards: "This is the Marshal of high degree / Who whispered the Colonel.. .[&c.]." [6] Napoleon gallops from the battlefield, indicated by a drum in the foreground and bodies in the background: "This is the Emperor who scampered away, / And left the Marshal . . . [&c.]." [7] Refugees, including women with infants and an old farmer, make gestures of despair. Behind is the blazing town which more fugitives are leaving: "These are the Thousands who cursed the day, / Which made him Emperor ... [&c.]." [8] Four allied sovereigns in a tent consult over a map held between them. Alexander (left) sits on a camp-stool, the others stoop over the map: the King of Prussia is in back view, facing the Emperor of Austria. Bernadotte faces the Tsar: "These are the Monarchs so gen'rous and brave, / Who conquered the Tyrant, and Liberty gave, / To Thousands on Thousands . . . [&c.]"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. coloured.", Watermark, partially trimmed: Basted Mill [...?]., and Leaf 33 in volume 4.
Publisher:
Pubd. Decemr. 1, 1813, by Tho. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, and Charles XIV John, King of Sweden and Norway, 1763-1844
Title from item., Sheet trimmed within plate mark on top and bottom., Printmaker's name suggested by British Museum catalogue., Image appears above a set of verses, signed S W F., Variant state. Cf. No. 12033 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local subject terms: Frostbite -- Crutches -- French military officers., and Written in contemporary ink, at top of print: 167.
Three Cossacks on horseback pretend to flee from French soldiers. See British Museum online catalogue
Description:
Title etched below image., Another version, likely a copy, of a print with the same title that was published 1 January 1813 by S. Knight. See British Museum online catalogue, registration no.: 1985,0119.228., and Not in the Catalogue of prints and drawings in the British Museum.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men drink and smoke together, a jug of 'Stingo' on the table between them. The more proletarian, who wears a small cap on short tousled hair, turns up his eyes to a large louse on his forehead, saying, "Whats that you say Neighbour? You see a Creeper on my Forhead! Come--Come--you Joke!" The other answers: "I tell you what my good Friend if you have any more such Jokes I advise you to crack them as soon as possible"."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; beginning of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "296" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.8 cm, on sheet 25.7 x 36.3 cm., and Mounted on leaf 62 of volume 12 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men drink and smoke together, a jug of 'Stingo' on the table between them. The more proletarian, who wears a small cap on short tousled hair, turns up his eyes to a large louse on his forehead, saying, "Whats that you say Neighbour? You see a Creeper on my Forhead! Come--Come--you Joke!" The other answers: "I tell you what my good Friend if you have any more such Jokes I advise you to crack them as soon as possible"."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; beginning of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "296" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., and Leaf 71 in volume 4.
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Swords., and Contemporary ms. notes indentifying the figures in the image Princess Charlotte. Duke of Devonshire.
Publisher:
Pubd. June 4th, 1813 by W. Holland No 11 Cockspur Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Devonshire, William Spencer Cavendish, Duke of, 1790-1858
Title from item., Sheet trimmed to plate mark on all sides., In upper right corner of design: Plate 25., Copy of no. 11686 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Paternoster Row -- Parson.
Publisher:
Pub Apr. 1, 1813 at R. Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 21., Variant state of no. 11682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Dairies.
Publisher:
Publishd Apr. 1, 1813 at R Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 5., Variant state, Cf. No. 11511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Inn yards -- Landladies.
Publisher:
Pubd. Apr. 1. 1813, at R. Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 16., Variant state of no. 11677 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Lake Windermere -- Fishermen.
Publisher:
Published Apr. 1. 1813 at R Ackermann's Repository of Arts, 101 Strand
"Dr. Syntax, wearing his hat, stands in an inn breakfast-room, his back to the round table which is close to the (empty) grate, facing the window and writing in his note-book. A young man embraces a comely maidservant, and water from her kettle scalds the doctor. A dog seizes a chop from the table. There is an open wall-cupboard (right) containing punch-bowls, glasses, &c. A print of 'Catalani' singing and a picture of a jockey leading a horse are on the wall, and on the chimney-piece a notice headed 'Masonic Society'."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark on three sides., In upper right corner of design: Plate 6., Variant state of no. 11512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material -- Inns -- Breakfast room.
Publisher:
Published Apr. 1. 1813, at R Ackermann's Repository of Arts 101 Strand
Subject (Name):
Catalani, Angelica 1780-1849 and Combe, William, 1742-1823
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a crowded tavern before a large roaring fire, Dr. Syntax sits on a bench smoking his pipe as he engages in debate with three companions. A man leans over the back of the bench and blows a large cloud of smoke into the back of Dr. Syntax's head. The room is filled with military personnel who frolic and flirt with pretty girls; the barmaid stands at the bar pouring wine. Everyone has a full glass at hand. The signs on either side of a large clock read "Real Yorkshie stinco" and "No trust here".
Alternative Title:
Doctor Syntax, in the middle of a smoking hot political squabble, wishes to whet his whistle
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from Grego., Plate numbered "209" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 34.8 cm, on sheet 26 x 36.3 cm., Watermark: 1819., and Mounted on leaf 56 of volume 12 of 14 volumes.
Publisher:
By Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Discussion, Manners and customs, Military personnel, and Taverns (Inns)
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a crowded tavern before a large roaring fire, Dr. Syntax sits on a bench smoking his pipe as he engages in debate with three companions. A man leans over the back of the bench and blows a large cloud of smoke into the back of Dr. Syntax's head. The room is filled with military personnel who frolic and flirt with pretty girls; the barmaid stands at the bar pouring wine. Everyone has a full glass at hand. The signs on either side of a large clock read "Real Yorkshie stinco" and "No trust here".
Alternative Title:
Doctor Syntax, in the middle of a smoking hot political squabble, wishes to whet his whistle
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from Grego., Plate numbered "209" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 66 in volume 3.
Publisher:
By Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Discussion, Manners and customs, Military personnel, and Taverns (Inns)
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a crowded tavern before a large roaring fire, Dr. Syntax sits on a bench smoking his pipe as he engages in debate with three companions. A man leans over the back of the bench and blows a large cloud of smoke into the back of Dr. Syntax's head. The room is filled with military personnel who frolic and flirt with pretty girls; the barmaid stands at the bar pouring wine. Everyone has a full glass at hand. The signs on either side of a large clock read "Real Yorkshie stinco" and "No trust here".
Alternative Title:
Doctor Syntax, in the middle of a smoking hot political squabble, wishes to whet his whistle
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from Grego., Plate numbered "209" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24 x 34 cm., Imperfect; sheet trimmed within plate mark with loss of plate number from upper right., and Mounted to 27 x 38 cm.
Publisher:
By Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Discussion, Manners and customs, Military personnel, and Taverns (Inns)
"Four elderly physicians fight wildly, flourishing their canes, in a room leading to that of the patient (right). One has fallen on his back, two others fight across him, each planting a foot on his chest; he clutches at the coat of one of these, shouting, "I say it is an exfoliation of the Glands, which has fallen on the membranous coats of the Intestines & must be thrown off by an Emetic." In his pocket is a letter: 'To Dr Emetic Upper B . . .' In the pocket of the man he clutches is a letter: 'To Dr Sudorific . . . sell. Squoe.' The latter answers the antagonist who has seized his neckcloth: "I say it is a pleurisie in the Thigh and must be Sweated away!" His adversary, 'Dr Drastic Cloacina Row', answers: "You are a blockhead! I say it is a nervous affection of the Cutis & the patient must immediately loose 18 ounces of blood and then take a powerfull Drastic." The fourth doctor (right) assails Drastic: "What are you quarrelling about! you are all wrong I say it is an inflamation on the os Sacrum, & therefore 14 blisters must be immediately applied to the part affected & the adjacents." His letter of identification is: 'To Dr Blister Cantheartic Pla . . .' Through the open door (right) the amused patient, in dressing-gown and night-cap, watches the fray from beside his bed, having just risen from a commode. He remarks: "I say Dame Nature has relieved me both of the Cause & Effects while these learned disputants are deciding the nature of my complaint-so I'll e'en be off to save both my money and my Life."--British Museum online catalogue
Alternative Title:
Dame nature against the college
Description:
Title etched below image. and Temporary local subject terms: Doctors.
Publisher:
Pubd. March 8th, 1813, by S.W. Fores, 50 Piccadilly
Two men, elderly and grotesque, stand one on each side of a double-bass, playing it simultaneously with great vigour; one (right) is left-handed. Behind the instrument stands a violinist, holding up fiddle and bow in his right hand, giving an agonized scream and stopping his ear with his finger. In the foreground lies a large open music-book: 'Double Bass Hum strum diddle dum'. On the wall is a picture of a little chimneysweep flourishing two brushes like drum-sticks behind the Hottentot Venus (see British Museum satires No. 11577), who capers along, pipe in one hand, staff in the other, her much-exaggerated posterior serving as a drum. A vase of flowers stands on a wall-bracket.'
Description:
Title etched below image.
Publisher:
Pubd. June 21t 1813 by H Humphrey, St. James's Street London
Title from item., Sheet trimmed within plate mark on all sides., In upper right corner of design: Plate 28., Variant state of no. 11688 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Dr. Syntax: illustrative material.
Publisher:
Pubc. Apr 1.1813, at R. Ackermann's Repository of Arts, 101 Strand
"Napoleon lies in bed, with a fat Dutchman seated on his chest, puffing tobacco smoke at his face, and saying "Orange Boven." He grips Napoleon's neck between his legs; the two men face each other in profile, one staring up, terrified, the other looking down. Napoleon's right arm hangs down from the bed, his fist is clenched, his feet (right), with crisped toes, project from under the coverlet. The Dutchman wears a high-crowned hat, with a large (orange) cockade, and bulky breeches; his left hand is in his breeches pocket. The curtains and counterpane are patterned with eagles; the curtains hang from a circular canopy topped by a large crown and a trophy of sword, sceptre, and eagle. They are drawn aside to frame the two figures. On the fringed pelmet eagles alternate with crowns and a papal tiara, emblem of the humiliation of the Papacy. On the right stand two enormous fasces with projecting lictor's axes, the blades turned towards Napoleon. On a stool in front of the bed are the Emperor's bicorne and sword."--British Museum online catalogue
Alternative Title:
Dutch nightmare, or, The fraternal hug returned with a Dutch squeeze and Fraternal hug returned with a Dutch squeeze
Description:
Title etched below image; letter "z" in final word "squeeze" is etched backwards., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 47 of volume 12 of 14 volumes.
Publisher:
Pubd. Novr. 29, 1813, by R. Ackermann, N. 101 Strand
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
"The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile. The fire is under Napoleon; smoke and flames drift towards Guy Faux. Country people cheer the bonfire, with two boys capering hand in hand in the centre foreground. Below the design (an alternative title): 'Bonfire at Thorpe Hall near Louth Lincolnshire on 5th Novr 1813 given by ye Revd W. C. to the boys belonging to the Seminary at Louth in consequence of the arrival of news of the Decisive Defeat of Napoleon Buonaparte by the Allies [see No. 12093] at 11 O Clock P M on ye 4th & Louth Bells Ringing all night.' Below is etched in two columns (left): 'GUY FAUX'S DYING SPEECH I Guy Vaux meditating my Country's ruin by the clandestine and diabolical means of Gunpowder Plot, was most fortunately discovered and brought to condign punishment by Old England and here I bewail my fate.' / 'NAPOLEON BUONAPARTES DYING SPEECH [right]. I Napoleon Buonaparte flattered by all The French Nation that I was invincible, have most cruelly and most childishly attempted the subjugation of the World, I have lost my fleets, I have lost the largest and finest armies ever heard of, and I am now become the indignation of the World, and the scorn and sport of boys. Had I not spurned the firm wisdom of the Right Hon. Wm Pitt I might have secured an honourable Peace. I might have governed the greatest Nation but Alas my ambition had decieved me and Pitts plans have ruined me.'"--British Museum online catalogue
Description:
Title from item., Printmaker's name suggested in British Museum catalogue., Sheet trimmed within plate mark on two sides., Explanatory text engraved below image., Temporary local subject terms: Gibbets., and In contemporary hand in ink at top of print: 130.
Publisher:
Pubd. Novr. 27, 1813, by R. Ackermann, No. 101 Strand
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
Subject (Topic):
Executions, Hangings (Executions), Gallows, Bonfires, and Lanterns
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A ship's boat filled with rollicking prostitutes, is rowed towards a King's ship whose bows are on the extreme left. The two oarsmen and the helmsman, and a marine playing a fiddle are swamped by the women, who hold up decanters and glasses. The helmsman lounges with his arms round two women, one of whom holds the tiller. A negro woman smokes a long pipe (cf. British Museum Satires No. 8793). All are in high spirits. Tied outside the boat are two barrels, both inscribed 'Smugled', one is 'Hollands Gin', the other and larger is 'Coniac Brandy'. Behind (right) is a ship with guns projecting from port-holes; two women climb on board by a rope-ladder from a boat, watched by sailors and an officer, while from a window of the captain's cabin another woman looks out. A ship in full sail (left) makes for the horizon. Cf. British Museum Satires No. 11981."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Febry. 23, 1813, by Thos. Tegg - No. 111 Cheapside, London. Cf. No. 12158 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "188" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower left corner of design., Temporary local subject terms: Prostitutes -- Ship., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 42 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A ship's boat filled with rollicking prostitutes, is rowed towards a King's ship whose bows are on the extreme left. The two oarsmen and the helmsman, and a marine playing a fiddle are swamped by the women, who hold up decanters and glasses. The helmsman lounges with his arms round two women, one of whom holds the tiller. A negro woman smokes a long pipe (cf. British Museum Satires No. 8793). All are in high spirits. Tied outside the boat are two barrels, both inscribed 'Smugled', one is 'Hollands Gin', the other and larger is 'Coniac Brandy'. Behind (right) is a ship with guns projecting from port-holes; two women climb on board by a rope-ladder from a boat, watched by sailors and an officer, while from a window of the captain's cabin another woman looks out. A ship in full sail (left) makes for the horizon. Cf. British Museum Satires No. 11981."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Febry. 23, 1813, by Thos. Tegg - No. 111 Cheapside, London. Cf. No. 12158 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "188" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower left corner of design., and Temporary local subject terms: Prostitutes -- Ship.
"The Powers of Europe toss Napoleon in a blanket. He flies into the air, legs above his head, dropping crown and sceptre, his sword also falls. He exclaims with an agonized expression: "O Misericordé." Three figures hold the front of the sheet, in back view, but with upturned profiles: in the centre is John Bull, a fat 'cit', bald-headed, his hat and wig on the ground. On his left, their hands touching, is a Dutchman smoking, and with a big orange cockade in his hat. On his right is a Spanish don, in feathered hat, ruff, cloak, slashed tunic and breeches. At the extreme ends of the sheet are (left) a Cossack, next the Dutchman, and (right) the fat King of Würtemberg. Seven men hold the farther side of the blanket (left to right): the Pope, wearing his tiara, a man wearing a fur cap with a star, inscribed 'Polar Star', identified in a contemporary hand as Poland, despite the association with Sweden (see British Museum Satires No. 10997). His neighbour is identified as Bernadotte, but resembles Francis I. The next two are identified as Russia and Austria, one is perhaps Bavaria (Russia being represented by the Cossack as England is by John Bull). Next is the hussar who commonly stands for Prussia. A man wearing cocked hat and star is identified as Hanover, but does not resemble the Duke of Cambridge or of Cumberland and is not unlike Bernadotte."--British Museum online catalogue
Alternative Title:
Friends and foes, up he goes : sending the Corsican Munchausen to St. Cloud's
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 51 of volume 12 of 14 volumes.
Publisher:
Pubd. December 12th, 1813, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., and Frederick I, King of Württemberg, 1754-1816
Title from caption below image., Sheet trimmed within plate mark on all sides., Variant state of no. 12140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Mirror -- Bell pull.
"Napoleon, surrounded by the Powers of Europe who puff smoke at him, dances, frantic with rage and fear, upon the head of a large cask of 'Real Hollands Geneva'. The cask-head tilts under his feet, the contents splash out, and he is on the point of disappearing inside it. On the cask are the words: 'The Fly that sips Treacle is lost in the sweet' [Gay, 'Beggar's Opera']. The most prominent smoker, nearest the cask on the left, is a fat Dutchman in bulky breeches, with a big orange cockade in his small hat. He sits on a small barrel inscribed 'Dutch Herrings' and 'Crimp Cod' and leans forward and to the right, puffing upwards a cloud of smoke. In his left hand he holds up his long pipe, his right is on the handle of a jug inscribed 'Success to his Serene Highness'. Beside him are a 'Dutch Cheese' [cf. British Museum Satires No. 9412], a 'Tobacco Pouch', three closely coiled twists of tobacco, and a jug of 'Dutch Drops' [a balsam or popular nostrum, prepared with oil of turpentine, nitric ether, &c. 'O.E.D.'; see British Museum Satires No. 12118]. Almost equally prominent is an obese John Bull, a 'cit' holding a pipe and a frothing tankard of 'Brown Stout', who stands close to the cask in profile to the left, looking up with amused satisfaction, a cloud of smoke rising from his mouth. Next him and on the right, a Prussian hussar sits on a cannon, holding a pipe with a long curved stem, and turning a grotesque profile toward Napoleon. Behind John Bull is a (?) Hanoverian wearing a helmet, puffing steadily. Above them and near the upper margin are four heads: one very close to Napoleon, emerging from cloud, is perhaps a Saxon. A man wearing a high fur-bordered cap is probably a Russian, and a profile smoking a pipe with an ornate bowl may be Swedish. The man on the extreme right smoking a German pipe may represent Bavaria. On the left, standing behind the Dutchman, the bulky King of Würtemberg is conspicuous. His antique dress, with a long flowered and gold-laced waistcoat, is reminiscent of the caricatures of his courtship and marriage, see British Museum Satires No. 9014, &c. He holds a bottle of 'Wirtemberg Drops', and smokes a large curved German pipe. Above him are the heads of two men, an Austrian and a Spanish don, probably the Emperor of Austria and Ferdinand of Spain. Napoleon stands among clouds of smoke, which also form a background to the heads. He storms: "Oh you base Traitors and Deserters. Eleven Hundred Thousand Lads of Paris [cf. British Museum Satires No. 12113, &c.] shall roast every one of you alive, as soon as they can catch you!"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on leaf 49 of volume 12 of 14 volumes.
Publisher:
Pubd. December 6th, 1813, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Frederick I, King of Württemberg, 1754-1816, Ferdinand VII, King of Spain, 1784-1833, and Francis I, Emperor of Austria, 1768-1835
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., Temporary local Medical Library subject terms: Skeleton as Death., 1 print : etching, hand-colored ; sheet 25.5 x 39.5 cm., and Watermark: 1819.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., Temporary local Medical Library subject terms: Skeleton as Death., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 67 in volume 4.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Atlas (right), bearded and muscular, nude except for swirling drapery, kneels on one knee, supporting with both hands a terrestrial globe which he pushes towards Napoleon on whom it is about to fall. The Emperor staggers back, dropping his sword, his left arm and right leg are raised high, to ward off the impact. He looks up, terrified, and says: "France be mine! Holland be mine! Italy be mine! Spain & Poland be mine! Russ, Prussia Turky, de whole World vil be mine!!! Monsr Atlas hold up dont let it fall on me." Atlas, with a menacing frown, answers: "When the Friends of Freedom and Peace have stop'd your shakeing it on my shoulders [and] got their own again, I'll bear it, till then you may carry it yourself Master Boney!" Close behind Napoleon (left) two French marshals or generals flee to the left, looking back at the globe One (left) says: "By Gar tis true tis fall on your Head! votre Serviteur! we no stop to be crush vid you"; the other: "Votre Serviteur Monsr Boney." Napoleon's head is scarcely caricatured, the generals are grotesques in the manner of Gillray, e.g. in British Museum Satires No. 9403, 'French Generals retiring, on account of their Health . . .' The globe is patterned with continents and islands regardless of geography."--British Museum online catalogue
Alternative Title:
Grasp all, lose all, Atlas enraged, and Punishment of unqualified ambition
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text, from Spenser's The faerie queene, following title: "Most wretched wight, whom nothing might suffice, "whose greedy lust, did lack in greatest store ..., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Watermark: 1817., and Leaf 35 in volume 4.
Publisher:
Pubd. Decr. 1st, 1813, by Thos. Tegg, 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 33.1 x 23.1 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 55 of volume 12 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 350 x 248 mm., and Hand-colored.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 89 in volume 4.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mrs. Shevi in a longing condition
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "213" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.8 x 24.9 cm, on sheet 36.9 x 26.2 cm., Watermark: J. Whatman 1818., and Mounted on leaf 43 of volume 12 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mrs. Shevi in a longing condition
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "213" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., Watermark: 1817, Numbers scribbled in ink in a comtemporary hand on both sides of title., and Leaf 70 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, tall and gaunt, his thin legs engulfed in post-boy's boots, addresses John Bull (left), shrugging his shoulders and extending his hands: "by Gar Mr Jean Bull you Var much alter Should not know you var Jean I was as big as you now." John, an elderly cit, still paunchy, but with clothes hanging in wrinkles, turning his head in profile to the left, contemptuously smokes a short pipe, the smoke inscribed 'Puff'. His right hand rests on a cudgel inscribed 'Wellington Oake'. He answers with a fierce scowl: "why look you Mounseer Parley Vou tho I have got Thinner my Self I have a little Sprig of Oake in my hand thats as strong as ever and if you give me any of your Parlerver I'll be D--d if you shant feel the wait of it"."--British Museum online catalogue
Alternative Title:
John Bull come to the bone
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 78 in volume 4.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elaborate sign-post on a pillar, with five arms topped by a fool's cap, stands in the centre of a landscape. The directions are: 'To Love--you are requested not to pluck the Roses till they fall off. To Prison. NB The Courts of Law will shew the way, and take care of your Luggage. To Honour carry Arms with you as you will not get through without a Duel. To Matrimony Caution--Travel this road in boots and wear gloves it being overrun with Nettles. To the Undertakers Observe--the nearest way through the Apothecary Shop.' On the column: 'If you cannot read you must take your Chance.' A well-dressed English traveller (left) addresses a sturdy Irishman (right): "Why Pat! you have a variety of curious Roads here, but hav'nt you any Road to Preferment?" Pat answers: "Arrah my Jewel, but that Road has been removed to England ever since the Union; you pass through it to the Kings Palace and I['m] tould it's the dirtiest Road in Great Britain!"."--British Museum online catalogue
Alternative Title:
Lifes finger post
Description:
Title etched below image., Date of publication from British Museum catalogue., Four lines of quoted text following title: "Howe'er 'tis well, that while mankind "through lifes perverse meanders errs, "some can imagin'd pleasures find, "to combat against real cares. Prior., Plate numbered "313" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 11 in volume 5.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A jovial sailor bestrides a mis-shapen horse with panniers, a foot in each basket. In each basket sits a bedizened prostitute, each holding one of his arms. He grins amorously towards the one on his right who is immensely fat, with a patched face and coarse features. She wears long gloves, holds up a parasol, and a reticule dangles from her arm. The other, who is less repulsive, drinks from a bottle; from her pannier dangles a jar of 'British Spirits'. Both wear feathered hats and low-cut dresses with very short sleeves, necklaces, and ear-rings. They are in a wide cobbled street leading to the Thames, which resembles the sea; behind a corner shop (left), inscribed 'Dealer in Maritime Stores', appears the stern of a ship flying an ensign."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Octor. 29, 1813, by Thos. Tegg, 111 Cheapside, London. Cf. No. 12159 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "216" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 74 in volume 3.
"A jovial sailor bestrides a mis-shapen horse with panniers, a foot in each basket. In each basket sits a bedizened prostitute, each holding one of his arms. He grins amorously towards the one on his right who is immensely fat, with a patched face and coarse features. She wears long gloves, holds up a parasol, and a reticule dangles from her arm. The other, who is less repulsive, drinks from a bottle; from her pannier dangles a jar of 'British Spirits'. Both wear feathered hats and low-cut dresses with very short sleeves, necklaces, and ear-rings. They are in a wide cobbled street leading to the Thames, which resembles the sea; behind a corner shop (left), inscribed 'Dealer in Maritime Stores', appears the stern of a ship flying an ensign."--British Museum online catalogue
Description:
Title from item., Two columns of dialogue below title: Dialogue. Mrs. Bull: "Why bless me, John, be that you yourself? Why, I didn't know you agen! What on airth ha' ye letten your beard grow for, man? ..., and In upper right corner of design: 216.
Publisher:
Pubd. Octor. 29 1813 by Thos. Tegg 111 Cheapside London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground on a hillock above the battlefield are Joseph and Jourdan, starting to run from right to left. The King wears crown and royal robe over Spanish costume with ruff and slashed breeches; his snuff-box lies at his feet. He looks over his left shoulder at Jourdan, saying, "Par Bleu Monsr Marshal we must run! a pretty piece of business we have made of it, if my Brother Nap sends for me to the congress the Divil a clean shirt have they left me! could you not try your skill at a convention again my dear Jourdan! as our friend Junot did in Portugal." Jourdan, in profile to the left, right hand on Joseph's shoulder, answers: "Convention! No ma foi! there is no tricking ce Lord Wellington, we have nothing to trust to but our heels, but I dont think they will save us, you need not be uneasy about a clean shirt for the congress Monsr Joe Allons donc run like de Devil! run like your Brother Nap from Russia!" At his feet lie a telescope, his baton (see British Museum Satires No. 12072), and a sceptre. In the middle distance British infantry put French infantry to flight with the bayonet. In the background (right) on a hill is Wellington with his staff, tiny figures. At the base of the hill British soldiers stand at attention, with Frenchmen kneeling abjectly at their feet. In the distance are tiny baggage wagons. On the left is the town of Vittoria."--British Museum online catalogue
Alternative Title:
Off they go and Peep at the French commanders at the Battle of Vittoria
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price 1/ colored."--Following imprint., and Leaf 60 in volume 3.
Publisher:
Pubd. July 9th, 1813, by Thos. Tegg, 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Joseph Bonaparte, King of Spain, 1768-1844, and Jourdan, Jean-Baptiste, 1762-1833
"An unidentified portrait. A very stout man with small neat features rides a well-bred horse in profile to the right; his obesity forces him to lean backwards. He wears a cylindrical hat, double-breasted coat, frilled shirt, Hessian boots, and holds a hunting-crop."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 39 of volume 12 of 14 volumes.
Publisher:
Pubd. 6 April 1813 by H. Humphries, St. James Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A night scene, broadly burlesqued. Napoleon, in profile to the left, strides in furtive haste towards a massive gate, directing the beam of a dark lantern against it. From between his coat-tails a long white feather (see British Museum Satires No. 12613) floats behind him, emerging from a cluster of shorter ones. He wears an enormous bicorne, with a plume set in an ornament composed of a crown and olive-twigs (as in British Museum Satires No. 11998), a sash and sabre over his long coat, tasselled Hessians with huge spurs. A head wearing a night-cap looks through the bars which form the top of the gate under a stone arch, to say: "Rap--Rap--Ra--Who comes there--what Midnight disturbers are you." An officer (actually Caulaincourt) crouches at the gate holding the knocker which is set in a great lion's mouth, and beckons towards Napoleon, answering, "It's only Count Vincen"--Alias--Little Boney. the Imperial Fugitive--returned from Victory." The gate-keeper: "Alias-- who"--Alias the Divil you mean." In front of Napoleon's foremost foot a large frog leaps forward; behind him a lean fierce cur barks: "A Russian Cur-- Bow--Wow--Wow." A large label floats back from Napoleon's mouth, inscribed: "hist--is that the Croaking of Frogs I hear--I mistake--its' only the Sycophant Lads in Paris--hurra-ing at My unexpected and precipate [sic] return. thank my Luckey Stars--I have got out of the clutches of them Damd Cossack Curs"--or I should have been food for Bears--long before this time." Beside the gate is a sentry-box, in which a sentry completely muffled up and wearing a night-cap, sleeps, seated with folded arms, clasping his musket. A frog looks from behind the box."--British Museum online catalogue
Alternative Title:
Little Boney sneaking into Paris
Description:
Title etched below image., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shillin [sic] coloured.", Watermark: 1817., and Leaf 39 in volume 3.
Publisher:
Pubd. by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Caulaincourt, Armand-Augustin-Louis de, duc de Vicence, 1773-1827
"The Duke of Clarence dances with a tall thin girl (right), holding both her hands; they face each other in profile. He is unrecognizable, a plainly dressed short and obese John Bull. She wears a cross suspended from a long necklace. The room, with boarded floor and small musicians' gallery, suggests an English provincial assembly-room rather than a Russian palace. Two couples stand against the wall (left), a lady and her partner sit on a bergère (right); a man stands near them. Two of the men have moustaches, as an indication that they are foreigners. All are much amused at the ill-matched partners."--British Museum online catalogue
Alternative Title:
Longitude and latitude of St. Petersburgh
Description:
Title from caption below image. and Temporary local subject terms: Dancing -- Sconces -- Russia.
Publisher:
Pub. May 18th 1813 by H Humphrey St James's Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 49 in volume 3.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., and In contemporary hand, in ink at top of print: 151.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
Plate from 'Town Talk', iv. 247. A procession of coaches through 'Cavendish Square', the houses of which form a background, together with a street which recedes in perspective on the left. The foremost coach (right) has a roof shaped like a Chinese pagoda and decorated with bells; on the apex is a seat occupied by an ape, dressed as a man, who rings a handbell and blows a horn. Bells are attached to the springs of the coach. The arms, surmounted by a coronet, are crossed whips, the crest a fool's head. A man seated on the box turns to the driver to say: "No bad scheme of Sr Harry's to get the Amateur [Coates] to perform today! tolerable attendance." The driver wears a conical hat with a vast brim, manifold capes, and a large nosegay, with top-boots. Two servants sit in the rumble; one points to the ape, saying, "What do you think Tom of our new fellow Servant! did Master get him from Bond Street." The other answers: "Oh No! hes not one of the Loungers [see No. 8377, &c.] Master had him from Exeter Change [menagerie] he has been well educated you see." The second equipage is the odd-shaped curricle of 'Romeo' Coates, see No. 11768, &c., drawn by four horses, whose harness, like the curricle, is decorated with cocks. He is dressed as Lothario, see No. 11769, &c., with three huge feathers towering from his hat. He says: "I scorn that odious uniform which would hide the graces of my form and those detestable boots would spoil a most delectable leg!--Bless us! how we draw, out of the theatre as well as in." The following coach is on the extreme left; its roof is a four-sided pinnacle topped with a spike; the driver is dressed like the man on the first coach. He says (of Coates): "I'll back him to spar with Molineaux at St Martins Court for the benefit of Carter." The man beside him answers: "Aye my Lord! or I'll take the chance of the day for my debt, and remove the execution from your carriage and horses." A man on horseback in the background shouts: "your lordship had better take the Opera House, as it will be for a charitable purpose." The road is crowded with spectators many of whom wave their hats. Tiny coaches proceed along the Square from right to left, to join the procession. In the foreground is a row of well-dressed spectators in back view. Shouts rise from the distant crowd: "The Hobbies! The Hobbies"; "Cock a-doodle do"; "The Monologue"; "Bravo Romeo." On the extreme right is the gilt equestrian statue of the Duke of Cumberland, erected in 1770.--British Museum onlne catalogue
Alternative Title:
Hints for a four in hand exhibition
Description:
Title from item., Sheet trimmed within plate mark., Printmaker's name from British Museum catalogue., Temporary local subject terms: Coaches -- Bells -- Horns., and In contemporary hand, in ink at top of print: 257.
Publisher:
Pubd. May 1st 1813 by the Proprietor of Town Talk
Subject (Name):
Coates, Robert, 1772-1848 and Peyton, Henry, Sir, fl. 1813
"Napoleon stands in profile to the right on a low platform at a desk on which he leans, his auctioneer's hammer in his right hand, the left hand extended. The Allies are crowded together on or beside a bench facing a second bench on which are four elderly French officers. One of these, rather younger than the others, identified in Van Stolk as Marshal Berthier, stands holding up a crown above his head. A Spanish don stands extending both arms towards the crown with a gesture of dismissal; he says: "That a CROWN! It's not worth half a Crown." Napoleon, who wears uniform and a cocked hat and is scarcely caricatured, says: "What no bidding for the Crown of Spain Then take the other crowns and lump them into one lot." The two most prominent figures on the front bench, and the nearest to the rostrum, are a fat Dutchman smoking a pipe and turning his head in profile, and a rough British sailor who sprawls behind him, one hand protectingly on the Dutchman's shoulder, the other pointing to Napoleon. John's back is to the other Allies; the obese King of Würtemberg, with a conspicuous flowered waistcoat, cf. British Museum Satires No. 12114, is immediately behind him. The others are a Cossack and a Prussian hussar with the Spanish don. The French officers watch with rage or intense melancholy. Stepping on to Napoleon's little platform is Marie Louise (left), holding in her arms the little King of Rome with the face of a monkey, wearing military uniform with a cocked hat. He says: "I suppose daddy will put us up for sale." The Empress is one of Rowlandson's buxom English girls. Napoleon leans on a large document which is on his desk: 'Speedily will be sold the Thirteen Cantons of Switserland.' In the foreground (left) in front of the rostrum the goods for sale are piled. There are three crowns and a papal tiara, a sheaf of flag-staffs, with a paper: 'Lot 2 Twenty flags the property of the Empress' [see British Museum Satires No. 12111, See.]; a sheaf of Eagles with a paper: 'Lot of Useless Eagles', with other papers inscribed respectively: 'Kingdom of Bavaria', 'Kingdom of Prussia', 'Saxony' [see British Museum Satires No. 12096], 'Kingdom of Westphalia' [see British Museum Satires No. 12549], 'United Provinces'."--British Museum online catalogue
Alternative Title:
Boney selling stolen goods
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 54 of volume 12 of 14 volumes.
Publisher:
Pubd. December 25th, 1813, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Berthier, Louis-Alexandre, 1753-1815, and Frederick I, King of Württemberg, 1754-1816
"A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue
Alternative Title:
Astre brillant, immense, il éclaire, il feconde ...
Description:
Title from text in image., Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.', Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., "Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Sheet trimmed within plate mark., and Mounted on leaf 53 of volume 12 of 14 volumes.
Design in an oval. 'Cits' fish in a small piece of water bordered by a fence with a high railing on the left, beyond which is a road flanked by a high wall. Across the water (right) is a house with a high-pitched roof. Five men, three of whom are smoking, fish in the foreground in close proximity, two others on the farther side; an eighth (left) approaches carrying his rod. This appears to be the extreme north corner of the reservoir, where it is narrowest. Cf. British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark on all sides., Variant state without page number. Cf. No. 8939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted to sheet 25 x 33 cm.
Publisher:
Pub. by Allen & West, 15 Paternoster Row
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Fishing, Pipes (Smoking), and Smoking
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Temporary local subject terms: Hussar., 1 print : etching with stipple on wove paper, hand-colored ; sheet 34.1 x 25 cm., Sheet trimmed within plate mark., and Mounted on leaf 42 of volume 12 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Temporary local subject terms: Hussar., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 76 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., and Temporary local subject terms: Hussar.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat Dutchman (right), with left leg raised high, has kicked Napoleon into the air, towards a large exulting Devil crouching before the flames of Hell (left). Napoleon's bicorne is falling to the ground, his sword flies up, attached to the belt. The Devil grasps Napoleon by the left ankle. He is a naked satyr with hairy legs, barbed tail, fierce talons, as in British Museum Satires No. 6283 by Rowlandson. The Dutchman holds a goblet above his head, in his left hand is a long tobacco-pipe. He wears the usual bulky breeches with short jacket, and has a big (orange) cockade in his high-crowned hat. In the background a second Dutchman lunges forward with a pitchfork pressed against the posterior of Joseph, who runs screaming towards the flames, his crown on the ground behind him. The scene is the sea-shore, with three ships (right) at anchor."--British Museum online catalogue
Alternative Title:
Plump to the devil we boldly kicked both Nap and his partner Joe
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 10 in volume 4.
Publisher:
Pubd. Novr. 30, 1813, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 52 of volume 12 of 14 volumes.
Publisher:
Pubd. December 14, 1813, by R. Ackermann, N. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835., Charles XIV John, King of Sweden and Norway, 1763-1844., Pius VII, Pope, 1742-1823., and Frederick I, King of Württemberg, 1754-1816
Title from two lines of verse inscribed below design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hermits., and Mounted to sheet 27 x 21 cm.
Publisher:
Pubd. Augt. 27, 1813, by R. S. Kirby 11 London house Yard
Title from item., Sheet trimmed within plate mark on all sides., Variant state of no. 11789 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Swinging.
Publisher:
Pubd. October 1st 1813 by T Rowlandson N 1 James Street Adelphi
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue
Alternative Title:
Peep at the mermaids
Description:
Title etched below image., Probably reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "211" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured."--Lower right corner of design., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.4 x 31.7 cm., Imperfect; sheet trimmed within plate mark with loss of plate number and partial loss of printmaker's signature., and Mounted on leaf 40 of volume 12 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue
Alternative Title:
Peep at the mermaids
Description:
Title etched below image., Probably reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "211" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured."--Lower right corner of design., and Leaf 68 in volume 3.
Print shows a hideous old maid standing at right before her chair, supported on a crutched stick, as she addresses a comic doctor at left, who faces her, much disconcerted, with his gold-headed cane pressed to his chin. Her dress is antiquated, with high-heeled shoes; one foot is swollen with "Gout", the other with "Chilblains", and is also distorted with "Corns". Her person and costume are covered with the names of diseases in appropriate places: "Lightness" (on a feather nodding from her head), "Head Ache", "Stupor", "Dizziness", "Palsy", "Ague", "Sore Throat", "St Vit. Dance", "Asthma", . etc. Medicine bottles on a table beside her are labelled "Miss Grunt" and "T- Grunt". A little dog, shaved in the French manner, barks at the doctor. The room is a comfortably furnished parlour, with an iron balcony outside a window reaching to the floor, with a background of trees
Alternative Title:
Walking hospital
Description:
Title from item., From the Laurie & Whittle series of Drolls., Two columns of etched verse beneath title: Im loaded with ev'ry disease, it is true ... You're welcome to all, Sweet Miss's adieu!, and Plate numbered "525" in the lower left corner.
Publisher:
Publish'd July 24, 1813, by Jas. Whittle, & Richd. H. Laurie, Fleet Street, London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mêlée, in which British soldiers put Frenchmen to flight. In the foreground (left) a burly grenadier prods with his bayonet a ragged man from whose head falls a large sirloin and its dish which he had been trying to carry off. The man shouts; "Oh! Jean Bull vill you not let me have one little bit of Beef??!" [A catch-phrase, cf. British Museum Satires No. 5790.] John answers: "No, No, I'll be d--d if you take the Roast Beef with you." At their feet are a sack of coin, baskets of provisions, wine, bread; a large pot of 'soup meagre' is overturned. On the right a Highlander beside a cannon with a gun-carriage inscribed 'N', seizes a French ragamuffin by his long pigtail, and raises his sword, saying, "Stand out O' the way loons whilst I tak your Last Cannon (see British Museum Satires No. 12069)." In the middle distance French soldiers flee (left to right) before a bayonet charge from men wearing shakos. On a hill behind (left), Wellington on a curvetting white charger surveys the scene; a soldier stands beside him holding a Union flag; both wave their hats. A pendant figure on the right is Joseph Bonaparte fleeing to the right on a galloping ass, his crown falling from his head, his hair rising, and his hands together as if in prayer; he looks behind in terror, exclaiming: "O vat de devil vill Brother Nap say?!!" Beside him a signpost points 'To France'. In the centre a man holds up Marshal Jourdan spiked on his bayonet. Jourdan shrieks: "Oh! My Batoon (his baton falls from his hand)." The soldier answers: "it's oh your Bottom I think"."--British Museum online catalogue
Alternative Title:
Battle of Vitoria
Description:
Title etched below image., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 55 in volume 3.
Publisher:
Pud. July 7th, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Joseph Bonaparte, King of Spain, 1768-1844, and Jourdan, Jean-Baptiste, 1762-1833
"A design based on Gillray's 'Maniac Ravings', British Museum Satires No. 9998. Napoleon, scarcely caricatured, but poorly characterized, stands addressing an audience of seated men who listen with varying expressions, the corner of his platform projecting into a sea of heads (left), while on the right a file of soldiers with fixed bayonets or drawn swords is indicated. At his side, the little King of Rome, in officer's uniform, with a plumed bicorne, gapes down at the audience; his over-long sabre trails on the ground, he bestrides a tall military cane; his profile resembles without repeating (as in other prints) that of his father, but remains childish and blank. Napoleon stands in a commanding attitude with his right arm extended, his left hand on the hilt of his sabre, legs apart. He wears military dress with a plumed bicorne in which a tricolour cockade is unusually conspicuous. Behind him (right) his arm-chair, closely copied from the 'Consular Chair' of British Museum Satires No. 9998 and with a similar Medusa head, falls, all its legs in air. Beside it, a damaged terrestrial globe, as in British Museum Satires No. 9998, has fallen, but is directed to the left instead of to the right; it has the inscriptions 'America' and 'Atlantic Ocean'. As before, Napoleon's words radiate from his head as if inscribed on clouds. On the right, reading downward: 'Did I not swear I would destroy Austria? Did I not swear I would destroy Prussia Did I not leave the Russians 1200 pieces of cannon to build a monument of the victory of Moscow Did I not lead 498,000 men to gather fresh Laurels in Russia--Did I not burn Moscow--and leave 400,000 brave soldiers to perish in the snow for the good of the French nation?' On the left: 'Did I not swear I would destroy Sweden Did I not swear "I would have" Colonies & Commerce [see British Museum Satires No. 10439, &c.] Did I not build more ships than you could find Sailors for" Did I not burn all the British produce bought and paid for by my faithful merchants--before their faces, for the good of them and my good people of Paris? Have I not called my troops from Holland--that they might not winter in that foggy climate? [see British Museum Satires No. 12102, &c.] Have I not called my troops from Spain and Portugal to the ruin of the English? Did I not change my religion and turn Turk, for the good of the French Nation [see British Museum Satires No. 9973, &c.]. Have I not blown up [the earliest instance in the 'O.E.D.' of blow up, meaning to scold, is Lytton's 'Pelham', 1827] the Corporal, for blowing up the Bridge [see British Museum Satires No. 12108] Have I not robbed the Churches of twenty flags to send to my Empress, for the loss of my own flags & Eagles? And now for the good of my Empire, Behold! O ye Lads of Paris! I have put the King of Rome in Breeches!!!'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 48 of volume 12 of 14 volumes.
Publisher:
Pubd. December 4, 1813, by R. Ackermann, N. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832
A satire on Napoleon's Russian campaign. A large hound with the head of Napoleon in his bicorne hat with a feather colored red, white and blue, flees in terror towards the right, pursued by a pack of charging bears (Russia). The handle of a kettle with the words "Moskow tin-kettle etched in its side is tied to the hound's tail, its contents spilling out -- Famine, Oppression, Frost, Mortality, Destruction, Death, Horror, Moskow annihilation. The collar around his next reads "From Moskow" and the chain drags along on the ground. In the distance a city in flames
Description:
Title etched below image., Plate numbered in upper right corner: 191., "Price one shilling coloured."--Etched in image., and No. 71 in a volume letter on spine: Napoleonic caricatures.
Publisher:
Pudb. Marh. 7th 1813 by Thos. Tegg. 111 Cheapside, London
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Caricatures and cartoons, Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, and Campaigns
"Napoleon (right) lies on his face under the sharp teeth of a harrow; two ropes are attached to it, at each of which representatives of three nations are tugging. In the foreground a British sailor hauls behind him a Spanish don in slashed tunic and breeches, feathered hat, cloak, and ruff. The third is a man of nondescript appearance wearing a cap with a drooping peak, probably intended to represent Sicily, which the British had held as an outpost against Napoleon. On the other rope the chief figure is a Prussian hussar; next him is (?) a Swede in a fur cap, and on the end of the rope a man wearing a cavalry helmet of French type is probably intended for an Austrian. These six fill the left of the design. Russia is represented by a bearded Cossack who stands on the right, prodding at Napoleon with his long spear. On the harrow sits a fat Dutchman, smoking his pipe with a fiercely preoccupied expression, with his left hand in his breeches pockets. Napoleon, much distressed, cries: "Oh this heavy Dutchman. O had I not enough to bear before!!!" Two birds swoop down from the left; one says: "I smell Carrion"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 46 of volume 12 of 14 volumes.
Publisher:
Pubd. Novr. 27, 1813, by R. Ackermann, N. 101 Strand
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A smiling bearded Cossack strides towards the spectator, spear in hand, with the left hand he places his conical furred cap over a tiny terrified Napoleon. He says: "I'll Extinguish Your little French-- Farthing--Rush light--Master Boney." Napoleon exclaims, trying to run away: "Death and Fury!--how I burn with Rage--those "Frightful--" Contempable [sic] Cossacks has Clouded all my hopes." They are on a plateau: the head of the Cossack's horse is on the extreme left; troops are marching on the plain, where a Cossack is galloping. In the background is the walled town of Leipzig, backed by mountains."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "217" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Annotation in ink in a contemporary hand on verso: Johnston., and Leaf 76 in volume 3.
Publisher:
Pubd. Nover. 10th, 1813, by Thos. Tegg - 111 Cheapside
"Princess Charlotte (left) and the young Duke of Devonshire (right) dance a minuet; they are a handsome pair, not caricatured. She wears a tiny crown on the back of her head as an ornament, her clinging dress has a small train, and she holds up the skirt in her finger-tips. He wears court dress with a sword, and holds his opera-hat by one point in his left hand, the right arm slightly extended. They are side by side, looking towards each other. In the background, left and right, are two groups of much-interested spectators, the ladies are seated, the men stand."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. May 29th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Devonshire, William Spencer Cavendish, Duke of, 1790-1858
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded turbulent scene in the market square, Norwich. In the foreground, on trestles, is the carcass of a bull which two butchers are cutting up. Men struggle or clamour for fragments, or gnaw and fight over bones. On the right a huge cask has been broached; women fill pitchers and pails; one lies senseless. In the background a dense crowd is in procession, backed by the houses of the city; a bonfire burns unattended. The cheering crowd moves from right to Ieft, following banners, one inscribed 'Downfall of the Tyrant', and an effigy of Napoleon raised high on a pole and surrounded by pikes."--British Museum online catalogue
Alternative Title:
Glory and gluttony
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "232" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; sheet 23.8 x 33.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 12 of 14 volumes.
Publisher:
Pubd. November 22, 1813, by Thos. Tegg, No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded turbulent scene in the market square, Norwich. In the foreground, on trestles, is the carcass of a bull which two butchers are cutting up. Men struggle or clamour for fragments, or gnaw and fight over bones. On the right a huge cask has been broached; women fill pitchers and pails; one lies senseless. In the background a dense crowd is in procession, backed by the houses of the city; a bonfire burns unattended. The cheering crowd moves from right to Ieft, following banners, one inscribed 'Downfall of the Tyrant', and an effigy of Napoleon raised high on a pole and surrounded by pikes."--British Museum online catalogue
Alternative Title:
Glory and gluttony
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "232" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., and Leaf 8 in volume 4.
Publisher:
Pubd. November 22, 1813, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sea-monster (left) discharges flames and missiles against a British vessel, represented by a corner of the deck (right), the taffrail inscribed 'British Oak'. On this stands a sailor, clapping his right hand to his posterior; his left holds his sabre, inscribed 'British Steel', with which he steadies himself, the point resting on the deck. He looks over his shoulder at the monster with a contemptuous scowl. In his round hat is a broad blue ribbon inscribed in large letters 'True Blue Dreadnought'. The monster, or torpedo, is barrel-shaped, with fanged and gaping jaws, a huge eye, and smoke, flame, and thunderbolts rising from its nostrils. On its back stands a demon holding the American flag and pointing to a skeleton, Death, which stands, clenching its fists in a pugilistic attitude, in the flames rushing from the torpedo's jaws. The demon says to the skeleton: "Grapple him Citizen and I'll play one of my Infernal capers under his Bottom." The skeleton says to the sailor: "I'll tip you a Yankey Torpedo." The sailor: "Blow up my hull indeed-- you may Kiss my--tafferal--Mr Yankey doodle--"Shiver me--I'll tip you a taste of the Shannon and send you down to old Davy." From the torpedo's jaws, among the flames, come serpents; objects discharged against the ship are a cannon, pistol, powder-barrel, &c., all emitting fire, and also crowbar, scourge, chain-shot, spear, cross-bones, shears, hammer, pincers."--British Museum online catalogue, description of an earlier state
Alternative Title:
Yankee torpedo
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pub. Novr. 1st, 1813, by Thos. Tegg, 111 Cheapside, London. Cf. No. 12090 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "215" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 72 in volume 3.
Title, series, and imprint supplied by cataloger based on other prints in the series and contemporary mss. annotations., Description based on imperfect impression; sheet trimmed to image with loss of all text., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Kitchen equipment -- Fireplace -- Pulley -- Spit., In contemporary hand, in ink above print: Pursuits of literature no. 4., In contemporary hand, ink below print: The Business of the kitchen., and Mounted to 15 x 21 cm.
Sheet trimmed within plate mark on all sides., Date suggested by British Museum catalogue., Variant state of no. 12139 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Fireplace -- Writers -- Poverty -- Families -- Debt - Interiors -- Cradles.
Title from item., In lower left corner of design: Woodward del., Variant state. Cf. No. 11473 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Gout -- Rheumatism.
Publisher:
Publish'd Jan. 27, 1813 by S. W. Fores 41 Piccadilly London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Coates in a pose suggesting Harlequin in a fencing-match (and like that of the clown in British Museum Satires No. 9003), sits on the stage, his trunk almost at right angles to his legs which slant stiffly towards the stage-box (left). He grins at the occupants, pointing his sword towards them and raising his left arm. He wears his jewelled hat with the enormous feathers, cloak, tunic, and sash, as in British Museum Satires No. 11769. He declaims Lothario's speech when he falls dying, after the duel with Altamont, beginning: "Oh Altamont! thy genius is the stronger, thou hast prevail'd . . ." [Rowe, 'Fair Penitent', iv. 1]. He lies on bright green ground, a garden scene with trees and skaters forming a background. Four persons in the box, much burlesqued, applaud, grinning broadly: "Encore--Encore"; "Bravo--bravo--Encore"; "Bravo--Encore"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Marh. 6th, 1813, by Thos. Tegg, No. 111 Cheapside, London. Cf. No. 12128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "190" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Watermark: 1817., and Leaf 44 in volume 3.
Title etched below image., Early state, before plate numbering altered. For a later state numbered "274" in upper right, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Publisher and date of publication from later state described in Grego., Sheet trimmed within plate mark., Numbered "320" in upper right corner of design., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Cruet -- Night cap., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 26.3 x 36.6 cm., Watermark: J. Whatman 1824., and Mounted on leaf 57 of volume 12 of 14 volumes.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject terms: Cruet -- Night cap.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Cruet -- Night cap., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 37 in volume 5.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
Title etched below image., Verses begin: The white man's joy's are not like mine, Tho he look smart and gay ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Negroes -- Coconuts -- Banjos -- Songs.
Publisher:
Published August 1st, 1813, by Wm. Holland, No. 11 Cockspur Street
"Napoleon, a little figure with a big head, stands with legs astride, head turned to the left, hair on end; his arms are extended, fingers spread, mouth open as if shrieking. He has a grotesque profile with corvine nose and wears high jack-boots with large spurs. At his feet lies a broken baton inscribed 'Magic Wand'. Five allies threaten him at point-blank range, and from a circle of cloud an arm emerges holding a conical 'Allied Extinguisher' above his head. On the extreme left Wellington aims a blunderbuss, saying, "Take a good aim at the Head Gentlemen, & we shall soon settle the Business." On Wellington's left stands Francis I, aiming a small pistol; by his head are the words: 'A way Mr Boney the Hand of Justice [see No. 12247] will put your Night Cap on at last.' On the extreme right a fat Dutchman, wearing a conical cap as in No. 12105, stands behind a small cannon holding a lighted match and a cannon-ball inscribed 'Orange Boven'; he says: "I'll deal out my Oranges to him Wholesale." Beside him are piled cannon-balls inscribed 'Orange'. In his hat are orange ribbons inscribed 'Orange Boven' and a tobacco-pipe. Next him the Tsar leans forward, aiming a large pistol; he says: "I'll rattle a few Snow Balls at his Cranium." On Alexander's right stands Bernadotte, aiming a small pistol; he says: "By gar we shall mak de head look like de plomb Pudding." All but the Dutchman wear uniform with cocked hats. A background of smoke or cloud is indicated."--British Museum online catalogue
Description:
Title from caption below image. and Offset from another impression on verso. Inscription from ...
Publisher:
Pud. Decr. 1813 by S. Knight, Sweetings Alley Royl
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Charles XIV John, King of Sweden and Norway, 1763-1844, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
Title from item., Printmaker from British Museum catalogue., and Plate from: The satirist, xiii, 473.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Alexander I, Emperor of Russia, 1777-1825., Francis I, Emperor of Austria, 1768-1835., Frederick William III, King of Prussia, 1770-1840., and Maximilian I Joseph, King of Bavaria, 1756-1825.
Subject (Topic):
Leipzig, Battle of, Leipzig, Germany, 1813, Tigers, Hunting, and Spears
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.8 cm, on sheet 37.1 x 26 cm., Watermark: C. Wilmott 1819., and Mounted on leaf 41 of volume 12 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 67 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., and Temporary local subject terms: Doctor.
