Three Cossacks on horseback pretend to flee from French soldiers. See British Museum online catalogue
Description:
Title etched below image., Another version, likely a copy, of a print with the same title that was published 1 January 1813 by S. Knight. See British Museum online catalogue, registration no.: 1985,0119.228., and Not in the Catalogue of prints and drawings in the British Museum.
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
Title etched below image., Early state, before plate numbering altered. For a later state numbered "274" in upper right, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Publisher and date of publication from later state described in Grego., Sheet trimmed within plate mark., Numbered "320" in upper right corner of design., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 350 x 248 mm., and Hand-colored.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple, hand-colored ; sheet 36.2 x 24.6 cm., and Sheet trimmed within plate mark.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., Temporary local Medical Library subject terms: Skeleton as Death., 1 print : etching, hand-colored ; sheet 25.5 x 39.5 cm., and Watermark: 1819.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
Print shows a hideous old maid standing at right before her chair, supported on a crutched stick, as she addresses a comic doctor at left, who faces her, much disconcerted, with his gold-headed cane pressed to his chin. Her dress is antiquated, with high-heeled shoes; one foot is swollen with "Gout", the other with "Chilblains", and is also distorted with "Corns". Her person and costume are covered with the names of diseases in appropriate places: "Lightness" (on a feather nodding from her head), "Head Ache", "Stupor", "Dizziness", "Palsy", "Ague", "Sore Throat", "St Vit. Dance", "Asthma", . etc. Medicine bottles on a table beside her are labelled "Miss Grunt" and "T- Grunt". A little dog, shaved in the French manner, barks at the doctor. The room is a comfortably furnished parlour, with an iron balcony outside a window reaching to the floor, with a background of trees
Alternative Title:
Walking hospital
Description:
Title from item., From the Laurie & Whittle series of Drolls., Two columns of etched verse beneath title: Im loaded with ev'ry disease, it is true ... You're welcome to all, Sweet Miss's adieu!, and Plate numbered "525" in the lower left corner.
Publisher:
Publish'd July 24, 1813, by Jas. Whittle, & Richd. H. Laurie, Fleet Street, London
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet., and 1 print : etching, hand-colored ; plate mark 245 x 346 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"Napoleon, a little figure with a big head, stands with legs astride, head turned to the left, hair on end; his arms are extended, fingers spread, mouth open as if shrieking. He has a grotesque profile with corvine nose and wears high jack-boots with large spurs. At his feet lies a broken baton inscribed 'Magic Wand'. Five allies threaten him at point-blank range, and from a circle of cloud an arm emerges holding a conical 'Allied Extinguisher' above his head. On the extreme left Wellington aims a blunderbuss, saying, "Take a good aim at the Head Gentlemen, & we shall soon settle the Business." On Wellington's left stands Francis I, aiming a small pistol; by his head are the words: 'A way Mr Boney the Hand of Justice [see No. 12247] will put your Night Cap on at last.' On the extreme right a fat Dutchman, wearing a conical cap as in No. 12105, stands behind a small cannon holding a lighted match and a cannon-ball inscribed 'Orange Boven'; he says: "I'll deal out my Oranges to him Wholesale." Beside him are piled cannon-balls inscribed 'Orange'. In his hat are orange ribbons inscribed 'Orange Boven' and a tobacco-pipe. Next him the Tsar leans forward, aiming a large pistol; he says: "I'll rattle a few Snow Balls at his Cranium." On Alexander's right stands Bernadotte, aiming a small pistol; he says: "By gar we shall mak de head look like de plomb Pudding." All but the Dutchman wear uniform with cocked hats. A background of smoke or cloud is indicated."--British Museum online catalogue
Description:
Title from caption below image. and Offset from another impression on verso. Inscription from ...
Publisher:
Pud. Decr. 1813 by S. Knight, Sweetings Alley Royl
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Charles XIV John, King of Sweden and Norway, 1763-1844, and Wellington, Arthur Wellesley, Duke of, 1769-1852
