Title from caption below image., Date of publication based on watermark., Sheet trimmed within plate mark on lower edge, and statement of responsibility partially burnished., A reduced copy in reverse of half of a Bretherton print after Bunbury, published 1 Mar. 1799 by J. Harris on three plates. Cf. Lewis Walpole Library call no.: Bunbury Drawer 799.03.01.01., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1814., and "Bunbury" written in pencil over erased statement of responsibility in lower left corner of sheet.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hayfield, with small haycocks in the background; girls with pitchforks stand by a large laden wagon. In the foreground two men and two girls romp on the ground, while two other girls prepare to smother them in hay."--British Museum online catalogue
Alternative Title:
Pleasant way of making hay
Description:
Title etched below image., Publisher from British Museum catalogue., Date of publication based on variant state with the imprint "Publish'd June 20th, 1814." See British Museum catalogue., Plate numbered "16" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.1 x 23.4 cm., Sheet trimmed within plate mark., Watermark: Smith & Allnutt 1819., Window mounted to 33.3 x 23.8 cm., and Mounted on leaf 28 of volume 13 of 14 volumes.
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman., and Mounted on leaf 31 of volume 13 of 14 volumes.
Publisher:
Pubd. September 15th, 1814, by Thos. Tegg, No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.2 x 24.9 cm, on sheet 36.5 x 26.2 cm., and Mounted on leaf 26 of volume 13 of 14 volumes.
"Napoleon runs away from Talleyrand, who aims a violent kick at him with the heavy surgical shoe on his right foot, raising his crutched stick to smite the fugitive. Napoleon holds his hat, a bicorne, and looks over his shoulder with a terrified stare to say: "Votre tres humble Serviteur Monsieur Tally." Talleyrand, furiously vindictive, exclaims: "Va ten Cocquin I'll crack your Crown you pitiful Vagabond." He holds a bulky document: 'Abdication or the Last Dying Speech of a Murderer Who is to be difered [sic] into the hands of the Devil the first fair Wind.' Beside Napoleon a gibbet with a dangling noose serves as sign-post, pointing 'To the Isle of Elba'. Across a piece of water on the extreme left is an islet on which is a high gallows from which hang six tiny corpses. In the background a British sailor with a bludgeon is running by the shore; he says: "What let him sneak of without a Mark or a Scratch No No I'll darken his Day Lights for him." Behind Talleyrand maimed French soldiers are running forward as fast as crutches and infirmity allow. Three have fallen; the foremost says: "Bone him my Tight little Tally"."--British Museum online catalogue
Alternative Title:
Kick for kick
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 19 of volume 13 of 14 volumes.
Publisher:
Pubd. 17th April 1814 by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"A copy, probably much enlarged, of a German print, der rheinische courier | 'verliehrt auf der Heimreise von der Leipziger Messe alles' (reproduced Broadley, ii. 117). Napoleon runs in profile to the left, holding in both hands a pole like that of a running footman, but topped by the head of the sceptre of Charlemagne (an emblem of the Empire) inscribed 'Carolus Magnus'. His head and uniform evidently derive from Dähling's engraving of Napoleon in the uniform of the Colonel of the Chasseurs of the Guard (reproduced, Dayot, 'Napoléon', p. 205), on which British Museum Satires No. 12177 is based, but on his back is the hairy knapsack of a private (as in British Museum Satires No. 12308). Its contents fly out as he runs. On the ground are two prints of French soldiers at attention, 'Alte Garde' and 'Junge Garde'; maps fall to the ground: 'Poland', 'Rhein Bund', 'Hanstat [sic] Departement', 'Sewitszerla[nd]' [sic], 'Holland', 'Italy', which has hardly left the knapsack; two rolled maps are about to fall: 'Brabant' and 'Bheisufer' [i.e. Rheinufer or Bouches du Rhin]. He runs diagonally towards a broad river, the Rhine; on the farther side are the buildings of 'Maynz', reflected in the water. Just before him runs a hare. The original, including inscriptions, is closely followed, but the hare (cf. British Museum Satires No. 12564) has been added and a bush removed."--British Museum online catalogue
Alternative Title:
Head runner of runaways, from Leipzig fair
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 9 of volume 13 of 14 volumes.
Publisher:
Pubd. March 2, 1814, by R. Ackermann, No. 101 Strand
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "261" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 39.6 x 26.5 cm., Watermark: J. Whatman Turkey Mills 1819., Probably a late impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on leaf 8 of volume 13 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Household goods are being piled into an open cart, which stands beside a corner house, the door being partly visible on the extreme right. The cart is already stacked high with mattresses, tables, &c. A burly muscular man stands inside it, taking things from a fat and slatternly but comely woman (right). She hands up a child's commode and is laden with bellows, warming-pan, chamber-pots, gridiron, &c. A pretty girl (left) brings a trap containing a mouse and a cage containing a bird. A pretty young woman is in the doorway. In the foreground two burly children play with a monstrous cat, surrounded by goods ready for transport. These are cooking utensils, mop and pail, flat-irons, &c."--British Museum online catalogue, description of an earlier state
Alternative Title:
Clearing the premisses without consulting your landlord and Clearing the premises without consulting your landlord
Description:
Title etched below image., Later state; former plate number "318" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state with the imprint: Pubd. Jany. 30th, 1814. Cf. No. 12399 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "259" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 274., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 37.5 x 25.8 cm., and Mounted on leaf 4 of volume 13 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An obese, elderly sailor stands atop a fortified battlement looking out to sea through a telescope. Beside him a young woman turns to kiss a handsome young military officer as she holds up her wind-swept parasol. In front of him, at his feet, another young woman looks down at a sailor who gazes up at her with admiration. An old man shivers in the wind beside a sentry who stands with his back to the sea, smiling at the scene before him
Alternative Title:
Stolen kisses sweetest
Description:
Title etched below image., Later state; former plate number "313" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 14, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12402 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "279" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 275-6., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.2 x 24.8 cm, on sheet 37.1 x 25.7 cm., and Mounted on leaf 6 of volume 13 of 14 volumes.
"Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble | And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., Sheet trimmed within plate mark., and Mounted on leaf 22 of volume 13 of 14 volumes.
Publisher:
Pubd. May 1, 1814, by R. Ackermann, No. 101 Strand
"Heading to a printed broadside. A copy of British Museum Satires No. 12177, with the same inscriptions, except that 'f' is omitted after the rivers and 'Veichsel' (Vistula) is spelt 'Weichsel R. Ehrefort' ['loss of honour' punningly combined with Erfurt, scene of Napoleon's triumph in 1808, and his headquarters before Leipzig; cf. British Museum Satires No. 12248] is on a red ribbon. The web is larger in proportion to the coat, the spider much larger in proportion to the web. On the collar are waves of the sea, with an inconspicuous ship. On the cuff is 'R' (for Regent), round the wrist 'Honi Soit', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies)."--British Museum online catalogue
Description:
Title from letterpress text below image., Copy of a print by Johann Michael Voltz. See British Museum catalogue., Date of publication from British Museum catalogue., Publisher's and printer's statements in letterpress at bottom of sheet; additional imprint statement "Pubd. by R. Ackermann, 101 Strand, London" is etched below image., Twenty lines of letterpress text below title: The first, and last, by the wrath of Heaven Emperor of the Jacobins, Protector of the Confederation of Rogues, Mediator of the Hellish League ..., Imperfect; sheet trimmed within plate mark on three sides, and sheet trimmed on bottom edge with loss of printer's statement. Missing text supplied from impression in the British Museum., and Mounted on leaf 12 of volume 13 of 14 volumes.
Publisher:
Published at R. Ackermann's, 101 Strand, London and Harrison & Leigh, Printers, 373 Strand
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Publisher and date of publication from Grego., Sheet trimmed within plate mark., For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Mounted on leaf 2 of volume 13 of 14 volumes.
"An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue
Description:
Title from letterpress text below image., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Watermark: J. Whatman., and Mounted on leaf 11 of volume 13 of 14 volumes.
Publisher:
Published by R. Ackermann at his Repository of Arts, 101 Strand, London and Harrison & Leigh, Printers, 373 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Enghien, Louis-Antoine-Henri de Bourbon, duc d', 1772-1804, Pius VII, Pope, 1742-1823, Wright, John Wesley, 1769-1805, and Ferdinand VII, King of Spain, 1784-1833
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "315" in upper right corner., Imperfect; sheet trimmed within plate mark with loss of plate number from upper right. Plate number supplied from impression in the British Museum., Watermark: J. Larking., and Mounted on leaf 7 of volume 13 of 14 volumes.
Publisher:
Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside
"A design in two compartments, separated by a vertical line. [1] Napoleon stands on the dais in front of a chair of state addressing rows of (burlesqued) Senators and Deputies, who listen with hostility and scepticism; some close their eyes, two take snuff. The Devil, a winged monster, clutches the back of Napoleon's chair, and leans towards him like a gargoyle-bird of prey, inspiring the speech. The dais is supported on crowns of varying patterns. The Emperor is in profile to the left, extending both arms in a propitiatory gesture; he wears plain military uniform with boots. His words are in a large label across the design ... This label hides the upper part of two pictures on the wall: a battle-piece (left), and (above Napoleon's head) '20 Flags Presented to the Empress': tiny obsequious figures present the flags, see British Museum Satires No. 12111, &c. [2] Napoleon, in profile to the right, kneels abjectly before the Allies, presenting to them a collection of crowns, including the Pope's tiara, and a sheaf of flags; these are on the ground with his cocked hat and sword; he keeps one crown tucked under his right arm. The Allies stand menacingly on the right. They are (left to right): John Bull, a fat 'cit' pugnaciously clenching his fists; a morose-looking Spaniard; a Cossack, his right hand on his sabre; an (?) Austrian officer, his sword in his left hand, and on the extreme right a Dutchman in bulky breeches, with a long pipe in his mouth. Other heads are indicated behind. Napoleon's words are in a large label ... Behind Napoleon is Talleyrand supported on a crutch; he leans forward obsequiously, saying, "What my Master has said is true So help me G--d Amen"."--British Museum online catalogue
Alternative Title:
Devils imp praying for peace
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on leaf 1 of volume 13 of 14 volumes.
Publisher:
Pubd. Jany. 1st, 1814, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 15 of volume 13 of 14 volumes.
Publisher:
Pubd. April 12, 1814, by R. Ackermann, 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852., Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820., Charles XIV John, King of Sweden and Norway, 1763-1844., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Kutuzov, Mikhail Illarionovich, svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ, 1745-1813.
An anti-Napoleon broadside including an engraved, cartographic bust of Napoleon above two columns of letterpress in Dutch, German, English and French. The face of Napoleon is formed of carcases of war victims: on the collar are waves of the sea; a "hand" is placed as the epaulet while on the cuff is 'R' (for Regent), round the wrist 'Honi Soit ', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies). A drawing the Rhenish Confedracy [sic] under the flimsy symbol of the cobweb: and the "spider" is a symbolic emblem of the vigilance of the Allies
Description:
Title from letterpress caption above text., The name "Napoleon" appears four times below image, above each section in Dutch, English, French, and German. Text in English begins: The first, and last, by the wrath of Heaven Emperor of the Jacobins ..., Engraved image of Napoleon: plate mark 22.7 x 15.9 cm., The satirical Napoleon portrait is a copy of the original by Voltz; Cf. No. 12177 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Place and date of publication based on English-language version of the print published in London by Ackermann in 1814; Cf. No. 12202 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 56. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue
Alternative Title:
Surly saucy Hackney coachman
Description:
Title etched below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1948,0214.797., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., and On leaf 56 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Carriages & coaches, Coach drivers, Light fixtures, and Passengers
Leaf 51. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Irish jaunting car
Description:
Title etched below image., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 282., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 51 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 1st, 1814, by T. Rowlandson, No. 1 James St., Adelphi and Field & Tuer
"Three allied generals (left) hold the long handle of a shovel (peel) on which is a dish containing a tiny Napoleon. This they try to push into a baker's oven, but are hindered by the Austrian emperor, who holds the door of the oven, feigning to be trying to open it, but actually holding it at an angle which prevents the entry of the dish. The leading baker is Blücher, wearing an apron over his uniform, and without a hat; he looks sternly at Francis, saying, "Pull away Frank! you Keep us waiting!" General Mikhail Woronzoff, young and handsome, immediately behind Blücher, pushes hard, saying, "In with it Blücher." On the extreme left is Bernadotte, one hand on Woronzoff's shoulder, saying, "I tell you what, Woronzow, the Hinges want a little Russia Oil." Francis I, who like the others wears uniform with jack-boots, but has (baker's) over-sleeves to the elbow, says with an expression of startled alarm: "This door Sticks! I dont think I shall get it open?!" A weathercock surmounts his cocked hat. Wellington comes up (right), poking him in the back with his baker's tray on which are two pies. He says: "Shove alltogather [sic] Gentlemen! D-me shove door & all in!" His two pies are 'Soult Pie', with two spurred jack-booted legs projecting through the crust, and a pie with spires and other buildings, with a flag inscribed 'Bourdeaux'. He wears an apron and the order of the Golden Fleece as well as the star of the Garter. A fat, grotesque Dutchman sits on a flat cushion gazing up at the oven; he holds, but does not use, a pair of bellows. In his conical hat is a tobacco-pipe. The fire under the oven is filled with broken eagles and fragments of weapons. Among the debris in the recess for ashes is a crown. Above the oven is the inscription 'Allied Oven' surmounted by a crown and cross-bones. In the shadow formed by the half-open door, a skull (Death) waits to receive Napoleon, who lies on his back, kicking violently, and shouting "Murder! Murder!!"; he wears a large plumed bicorne. The stone wall in which the oven is built forms the background."--British Museum online catalogue
Alternative Title:
Corsican toad in the hole
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and Watermark: J. Whatman 1808.
Publisher:
Pubd. April 1st, 1814, by H. Humphrey, St. James St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, Charles XIV John, King of Sweden and Norway, 1763-1844, Blücher, Gebhard Leberecht von, 1742-1819, Francis I, Emperor of Austria, 1768-1835, Soult, Nicolas-Jean de Dieu, 1769-1851, and Voront︠s︡ov, Mikhail Semenovich, kni︠a︡zʹ, 1782-1856
Subject (Topic):
Napoleonic Wars, 1800-1815, Emperors, Ethnic stereotypes, Generals, Kings, Military uniforms, Ovens, and War allies
"A (tricolour) top with the head of Napoleon spins, above the ground, savagely lashed by representatives of the Allies. His arms and his legs have already been severed from his body, now represented only by the madly spinning top. The most violently active is Blücher (left) stripped to the shirt, his coat and hat thrown on a drum on the extreme left, beside which lie his gloves and baton. Facing them is Wellington (right) equally effective, stern, but less savage. Full-face, and immediately behind the top is the Tsar, left hand on hip; his whip is inscribed 'Knout'. Between him and Wellington is Schwarzenberg (or Francis I). Bernadotte stands rather behind, between Blücher and Alexander, both hands on his hips; he holds a whip but is an amused spectator. Behind (right) the future King of Holland, crowned and wearing a star, but dressed in the breeches and jacket of the Dutchman in English caricature, sits under a tree on a cask of 'Hollands'. He watches delightedly, holding up one of Napoleon's legs inscribed 'United Netherlands'. The other leg, the thigh inscribed 'Swisslad, the boot Italy, lies near Blücher. At Wellington's feet is the right arm inscribed Spain & Portugal'; the left arm, inscribed 'Germany', is near Schwarzenberg. Napoleon's orb and (broken) sceptre lie near him, with some of the feathers from the large hat which is still on his head; his horrified and shrieking profile faces Blücher. In the background (left) is a road along which a carriage drives off, drawn by four galloping horses. It contains tiny figures: Marie Louise, crowned and looking behind her, and the little King of Rome also crowned and waving a sceptre. Two soldiers are on the box, two others sit behind. In the air behind Bernadotte a demon flies off to the left, with Joseph Bonaparte clutching his barbed tail. The latter, his crown flying off, looks back horrified, exclaiming "O! My poor Brother Nap oh oh! O!"."--British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and On verso, light impression of offsetting from another print.
Publisher:
Pubd. April 11th, 1814, by H. Humphrey, St. James's Strt
Subject (Geographic):
Great Britain.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825, Napoleon I, Emperor of the French, 1769-1821, Charles XIV John, King of Sweden and Norway, 1763-1844, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Joseph Bonaparte, King of Spain, 1768-1844, Joachim Murat, King of Naples, 1767-1815, and William I, King of the Netherlands, 1772-1843
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Carriages & coaches, Crowns, Demons, Emperors, Kings, Military uniforms, Tops (Toys), Victories, War allies, and Whipping
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
"Lady Perceval sits at an ornate writing-table, pen in hand. A serpent issues from her breast, coils round her arm, and darts its fang at the tip of her pen. She frowns meditatively, saying, "Now then for something strong but not libellous, I hate half measures we must rush upon the enemy--suprise [sic], astound him--and unhorse him by Terror--John Bull have at you! I'll open your eyes--." The table is littered with papers and books; some are docketed: 'For the Star', 'To the Editor of the Star', 'For the News', 'Extracts from the Book', one is 'Copy', a book is 'Politicks', and a large paper is displayed: 'Select Scraps from Shakespeare--with my own comments "Some achieve greatness "some have greatness thrust upon them .... Querie was this not the case with Nunky [Spencer Perceval], why not happen .... Son--.' Other papers and books lie on the floor: newspapers are 'The News' and 'The Star', a paper is headed 'Memorandums Billy Austin [see British Museum Satires No. 12027]--the Will--' Books are 'Life of Lord Nelson', 'A very Woman by Massinger', 'Machiavael', 'Johnson', 'Indiscretion a Novel', 'Don Quixote'. On the left John Mitford, identified by a letter in his coat-pocket 'To John Mit--', stands facing the wall, and hanging one picture over another: he places a view of a country inn, 'The Tigers Head' above one of '[War]burton's Mad House', saying, "Come this is a prettier picture than the other [left] shall catch some fish in this neighbourhood." He is fashionably dressed, wearing Hessian boots. This picture is on the left of a row: a large picture of 'Alecto' (cf. British Museum Satires No. 7721), naked, wreathed in serpents, and brandishing scourge and fire-brand, with a background of flames hangs between three-quarter length portraits of 'Lady Douglas' and 'Lady A Hamilton'. The former covers her face with a tragic gesture; a dagger lies on a table beside her, she seems to contemplate suicide. The latter clasps her hands. Over the chimneypiece (right) is a three-quarter length portrait of 'Lord P . . . . val' concealing his face with his hat; below, and partly hiding the frame, is a statuette of a knight killing a dragon. On the chimney-piece there is also a bottle labelled 'Cephalic' (for diseases of the head). Papers are burning in the grate, one inscribed 'To[o] Libellous'."--British Museum online catalogue
Alternative Title:
Lady Paragraph championizing
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Text following title: - vide Letters., Imperfect; sheet trimmed within plate mark with loss of text following title. Missing text supplied from impression in the British Museum., Temporary local subject terms: Pictures amplify subject., Watermark: C. Ansell 1807., and Formerly mounted with remnants on verso.
Publisher:
Pubd. March 4th, 1814, by S.W. Fores, No. 50 Piccadilly
"A bedroom scene. Joanna Southcott sits in an arm-chair, attended by three women and four doctors. Between her legs is a large tub inscribed 'Living Water', into which water gushes from a tap projecting from under her petticoats. She leans back with extended arms, exclaiming: "Shiloh! let not this groupe dismay thee | Come forth into the World I pray thee!" One doctor, Reece, superintends the flow of water, kneeling in profile to the left on a large volume: '[R]eec's Medical Guide'. In his pocket is a paper: 'Account of Wonderful Pregnancies'. Behind him a second doctor sniffs at a tumbler of water, saying, "This is a very pretty rig! | Nothing but water d .... n my Wig!" Two others talk together on the right, one peers through a microscope into a goblet; the other asks: "What do you see in the water, Doctor!" He answers: "Bubbles Doctr "the earth hath bubbles, as the water hath ['Macbeth' I. iii]". I said it was all my eye." Behind him, on the chimney-piece, are a medicine-bottle and the bust of a lank-haired man wearing clerical bands. Three women stand behind Joanna's chair and in front of the curtains of a bed. One (left) holds out a lace cap, saying, "Doctor here is Shiloh's cap! bless me! why he has got a watery head! The next says: "Pray Doctr take care of the cawl if there is one." The third, offering a steaming bowl, says: "Come my blessed Lady sip some of this heavenly caudle I have made you." In the foreground (left), Tozer, dressed as an artisan, sits on a three-legged stool, corking up bottles of water. He is identified by a paper hanging from his pocket: 'Tozer Preacher to the Virgin Johanna'. In front of him are a basket of corks and a paper: 'Sermon on the Birth of Shiloh', Corked bottles are on the left, uncorked ones on the right."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to on right edge., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 8 (November 1814), before page 321., and Temporary local Medical Library subject terms: Anecdotes -- Religious mania.
Publisher:
Pubd. Novr. 1st, 1814, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
Southcott, Joanna, 1750-1814, Reece, Richard, 1775-1831, and Tozer, William, approximately 1770-1828
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "316" in upper right corner., and Temporary local Medical Library subject terms: Proprietary medicines -- Macassar Oil -- Rowland's Oil.
Publisher:
Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside
"Bonaparte stands in a dispensary opening off a military hospital, conspiratorially giving orders to a slyly grinning doctor who shows him a bottle labelled 'Poison'. The general points to the hospital, separated from the dispensary by a curtain, where men, apparently moribund, lie on bedsteads. In the dispensary are jars, bottles, scales, pestle, and mortar; a small crocodile hangs from the roof (cf. British Museum Satires No. 11057). The most persistent of all 'atrocity' charges; certain plague-stricken French soldiers being given opium on the retreat from Acre in May 1799, see British Museum Satires No. 10063."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., One of thirty plates from: The life of Napoleon, a hudibrastic poem in fifteen cantos. London : Printed for T. Tegg, Wm. Allason ; Edinburgh : J. Dick, 1815., See also: W. Helfand, "The poisoning of the sick at Jaffa", Veröffentlichungen der Internat. Ges. für Geschichte der Pharmazie, neue Folge, volume 42, Wissenschaftl. Verlagsges. Stuttgart, 1975., and See further: Raymond Crawfurd, Plague and pestilence in literature and art, Oxford 1914, pages 200-211.
Publisher:
Published by Thomas Tegg, No. 111 Cheapside
Subject (Geographic):
Israel. and Jaffa (Tel Aviv, Israel)
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Plague, Soldiers, Poisoning, Poisons, Peste, Hospitals, Interiors, Military hospitals, Sick persons, Physicians, Mortars & pestles, Scales, and Crocodiles
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
"The Prince of Orange (left), dressed like a Dutchman in (English) caricature, kneels with arms extended imploringly at the feet of Princess Charlotte (a good portrait). He wears Apollo's wreath, decorated with small oranges, before him is his clumsy flower-pot hat, containing a paper: 'Rules for the game of ye Dutch Pins' (ninepins); beside this is a Jews' harp, a degraded form of Apollo's lyre. His breeches are enormously bulky, and a tobacco-pipe projects from a pocket. He sings: "Lovely Maid, assuage my Anguish! At your feet your true love sighs; Do not let your Dutchman languish, If you frown, alas he dies!" She answers, pointing to his breeches: "From what I feel, and what I see, There's nought about you that bewitches; Unless indeed a charm may be In a Dutchman's great big breeches!!!" She stands beside a table (right) at which she has been sitting. On this are her painting materials, pencil, brushes, cakes of water-colour, porcelain palette, and jar of water, with an open box. Her painting is on a sloping board: a fat Dutchman trudges off, a bundle at his back, in the direction of a sign-post pointing 'To Holland'; he grasps his head despairingly. Behind the Prince a French window with draped curtains gives on to a small balcony. By the window are flowering plants in a jardinière; a sofa stands against the wall; a patterned carpet completes the design."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. June 29, 1814, by Wm. Holland, 11 Cockspur St.
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, William II, King of the Netherlands, 1792-1849, Charlotte Augusta, Princess of Great Britain, 1796-1817., and William II, King of the Netherlands, 1792-1849.
"The Tsar and his sister walking arm-in-arm are stopped by a coarse-looking woman (right) who flings her arms round his neck and kisses him avidly, while a yokel (left) takes the hand of the Grand Duchess. The woman exclaims to a fat friend (right), who watches with a broad grin: "There Sal, I can boast of what none of the Bitches of Billinsgate can, having kissed the Kings Emperor of all the Russian Bears, & he is the sweetest modestest mildest Gentleman I ever Kissed in all my life." The countryman wears a short smock with breeches and wrinkled gaiters, and has the coarse carbuncled features of a John Bull in these prints. He says, grinning: "Dang it when I goes back & tells The folks in our Village of this, Law how they will envy I, ha ha!" The Tsar and his sister smile amiably. Behind (left), another woman runs after a bearded Cossack eager to kiss him. There is a landscape background, probably indicating Hyde Park, cf. British Museum Satires No. 12285."--British Museum online catalogue
Alternative Title:
Blessings of universal peace
Description:
Title etched below image. and With S.W. Fores blind stamp: S.W.F.
Publisher:
Pubd. July 11th, 1814, by S.W. Fores, Piccadilly
Subject (Geographic):
Russia and England.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825 and Katharina, Queen, consort of William I, King of Württemberg, 1788-1819
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hayfield, with small haycocks in the background; girls with pitchforks stand by a large laden wagon. In the foreground two men and two girls romp on the ground, while two other girls prepare to smother them in hay."--British Museum online catalogue
Alternative Title:
Pleasant way of making hay
Description:
Title etched below image., Publisher from British Museum catalogue., Date of publication based on variant state with the imprint "Publish'd June 20th, 1814." See British Museum catalogue., Plate numbered "16" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Watermark: 1817., and Leaf 89 in volume 1.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight scenes, arranged in two rows, each with an inscription below it. [1] The Regent lies in bed under fringed draperies; he supports his head on his hand; the bed-clothes are disordered. ... [2] The Regent lies uneasily asleep, clutching the bed-clothes. The Princess of Wales, with her back to the bed, puts out her arms to ward off a demon who is rising among clouds from the floor; the apparition clutches a serpent, and has hair composed of serpents. ... [3] The Regent, wearing a dressing-gown, sits in an arm-chair facing a tall mirror, surrounded by four foreign valets, three of whom are at work on his hair or wig. He holds an open book: 'Memoirs of modern Lais-Ban'. ... [4] The Regent sits in an arm-chair with a small table at his elbow on which is a tray with coffee-pot, &c.; McMahon (right) holds the back of his chair and looks over his shoulder at a sheet of patterns which he is inspecting. A man points to this sheet, a second stands by with more packets of patterns. ... [5] The Regent, in back view and chapeau-bras, runs on tiptoe towards a door in a garden wall that McMahon furtively holds open. Outside a fat man stands behind the back wheels of a carriage. Beside the Regent run Lord Yarmouth and another courtier. ... [6] The Regent's coach and pair drives at a gallop towards the gateway in the screen of Carlton House, the coachman lashing the horses; two footmen stand behind. In the foreground well-dressed spectators watch with amusement. ... [7] The Regent sits at a writing-table, looking round to the left. On a stool near him is a pair of stays; on a high wig-block (left) is his curled wig (cf. British Museum Satires No. 12184). On the wall is a large mirror, and against the wall stands a sofa. ... [8] The Regent's empty chair (left) stands at a dinner-table on which are decanters and glasses, some overturned or broken. Three guests lie under the table. The Prince, staggering tipsily, is being conducted from the room by McMahon and Yarmouth."--British Museum online catalogue
Alternative Title:
Two journals. Journal II
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 43 in volume 5.
Publisher:
Pubd. July 1814 by Thos. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, McMahon, John, approximately 1754-1817, and Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Household goods are being piled into an open cart, which stands beside a corner house, the door being partly visible on the extreme right. The cart is already stacked high with mattresses, tables, &c. A burly muscular man stands inside it, taking things from a fat and slatternly but comely woman (right). She hands up a child's commode and is laden with bellows, warming-pan, chamber-pots, gridiron, &c. A pretty girl (left) brings a trap containing a mouse and a cage containing a bird. A pretty young woman is in the doorway. In the foreground two burly children play with a monstrous cat, surrounded by goods ready for transport. These are cooking utensils, mop and pail, flat-irons, &c."--British Museum online catalogue, description of an earlier state
Alternative Title:
Clearing the premisses without consulting your landlord and Clearing the premises without consulting your landlord
Description:
Title etched below image., Later state; former plate number "318" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state with the imprint: Pubd. Jany. 30th, 1814. Cf. No. 12399 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "259" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 274., Watermark: 1817., and Leaf 83 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "261" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Watermark: 1817., and Leaf 85 in volume 4.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Napoleon's defeat, abdication and retirement to Elba. in a makeshift-looking room, a huge, hairy devil approaches Napoleon at right, holding a trident and proffering a noose, saying, 'Master Boney the favour of your company is requested -'; Napoleon, at left, hurriedly rising from his 'Camp stool' and pulling on his breeches, replies, 'I'll be with you in a crack'; a skeleton looms up behind him, at the same time holding back Joseph Bonaparte who tries to escape through an open door at left, his crown falling off, the skeleton apprehending him, 'Stop thief'. By the side of Napoleon's throne-like stool, a stoppered bottle labelled 'Composing draught', a glass and a crown, at his feet his hat and sword; on a table beside the devil are other suggested measures for suicide: pistols, a dagger, a smaller demon holding out a cup labelled 'Genuine Jaffa poison', a dish of 'Opium', an axe, a paper lettered 'Perhaps you would prefer drowning'; underneath the table are trunks lettered 'Military chest / Hospital chest / Diamonds'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Plate numbered "327" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Weapons: Pistols -- Hatchet -- Genuine Jaffa poisons -- Composing draught -- Hanging -- Furniture: Glass decanters -- Wine glasses -- Campstools., Temporary local Medical Library subject terms: Jaffa., 1 print : etching with stipple, hand-colored ; sheet 234 x 333 mm., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 16th, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Cossack (right), highly delighted, uses a large pair of snuffers to grip the head of a tiny figure of Napoleon (left), emerging like a candle from a flat candlestick which stands (left) on a three-legged stool. Napoleon's feet are within the socket of the candlestick; he wears uniform, with immense plumes in his bicorne. He stands with fingers outspread, turning his head in profile to the right, his mouth wide open as if shrieking. The Cossack is a large figure, boldly drawn, wearing furred cap with aigrette and a sword. He is in a slightly crouching attitude, right leg extended and resting on the heel, left arm raised, as if dancing (cf. British Museum Satires No. 12046). On the wall above Napoleon is a print of a seated Cossack about to place an extinguisher over a tiny and terrified Napoleon."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: National stereotypes., Watermark: 1817., and Leaf 87 in volume 5.
Publisher:
Pubd. May 1st, 1814, by T. Tegg, No. 111 Cheapside
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a fantastic procession Napoleon, much burlesqued and very thin, is dragged and pushed to the sea-shore, where (right) a boat manned by the Devil waits to take him to Elba. Round his neck is a rope dragged by two dwarfish and ragged Frenchmen (right): one is a ferocious little Jacobin, wearing a bonnet rouge, shouting "à bas le Tyran"; the other is a royalist, waving a hat in which is an olive-branch and ribbons inscribed 'Vivent les Bourbons', and shouting "Vive Louis XVIII." Napoleon weeps; he is assailed by a shower of missiles including cats and rats; a little demon capers on his head playing a fiddle. His hands are tied behind him and his coat is worn back to front; his feet project through his ragged boots, his great spurs are attached to the front of his leg above the instep. In his coat-pocket is a tiny King of Rome waving a rattle topped by a crown and shouting: "By gar Papa I have made von grand manœuvre in your Pocket!!" The chief motive force is the large 'Allied Broom' [according to Broadley, perhaps describing another state, the inscription is not 'Allied Broom' but 'Abdication'], with which Talleyrand, wearing a long gown and a high surgical shoe on his left foot, pushes Napoleon forward, pointing derisively and grinning delightedly; he says: "There he goes!!!" Behind Talleyrand are a small but elderly drummer and a ragged soldier playing a fife. The former wears in his cap a big white favour, and an inscription: 'Vive Louis XVIII'; the latter wears a laurel branch and a favour inscribed 'Vive Louis' in his bonnet rouge; from his mouth float the words: "He was whip'd & he w drum'd, He w [sic] drum'd out of the Regt, If ever he is a Soldier again, The Devil may be his Sergeant." Next, and on the extreme left, are two women flinging missiles at Napoleon, and shouting "a bas le Tyran--Down with the Tyrant--Vive Louis." On the extreme right is a shouting man holding up a tricolour flag, inscribed 'Vivent les Bourbons', its staff topped by a fleur-de-lis. On the ground (left) are Napoleon's epaulets with the scissors by which they have been cut from his coat, his sash and a small crown, perhaps that of the King of Rome. With these is a document: 'Done at Fontainebleau', across which lies a broken sword. On the horizon (right) is a rocky island from which rise large flames; these surround a tall gibbet with one dangling corpse and one empty noose; a ladder leans against it."--British Museum online catalogue
Alternative Title:
Rogues march to the island of Elba
Description:
Title etched below image., Plate numbered "325" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 25 in volume 5.
Publisher:
Pubd. April 13th, 1814, by T. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Elba is represented by a flat-topped rock emerging from the sea only a little above the waves. Napoleon, much burlesqued, sits on a huge chamber-pot inscribed 'Imperial Throne'. He is ragged and bare-legged but wears a large (damaged) feathered bicorne; under his arm is a clyster-pipe. He turns his head in profile towards a demon rising from the sea (left) who holds out a large pistol, saying, "If! you have one Spark of Courage left! take this." Napoleon answers: "Perhaps I may if you'll take the flint out." The demon is nude and emaciated, with a spiky backbone; flame issues from his mouth. Behind Napoleon is the trunk of a decayed tree; on a branch hang (right) a (torn) pair of breeches and two tattered stockings. On the trunk, above Napoleon's head, a crow is spreadeagled to represent the imperial eagle; from its splayed legs hangs a gorget inscribed 'Imperiel Crow'. On the ground by Napoleon's throne are a large jar of 'Brimstone', an open book: 'A Triti [sic]--on the Itch! by Doctor Scratch', a small-tooth comb, a pipkin, and three medicine-bottles. On the right is a cannon made out of a jack-boot as in British Museum Satires No. 12255, and mounted on a gun-carriage. A pole topped by a turnip and two carrots has a little wooden sword tied to it, in imitation of a trophy. At its base lies a syringe."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "331" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 32 in volume 5.
Publisher:
Pubd. May 12th, 1814, by Thos. Tegg, No. 111 Cheapside
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Louis XVIII sits squarely in an arm-chair, head turned slightly to the right, with a satisfied and truculent smile. In his left hand he holds a wine-glass in which kneels a tiny screaming Napoleon, submerged to the waist, with both arms raised above his head. His left foot rests regally upon a cushion, but the slashed shoe indicates that this is on account of gout. He wears dress of ancien régime type, with the ribbon and star of St. Louis. At his side (right) is a cloth-covered table on which stands a bottle of wine."--British Museum online catalogue
Alternative Title:
Pleasant draught for Louis, or, The way to get rid of a troublesome fellow and Way to get rid of a troublesome fellow
Description:
Title etched below image., Questionable attribution to William Heath from the British Museum online catalogue, registration no.: 1882,0610.68., Formerly attributed to John Cawse., Publisher and date of publication from British Museum catalogue., Plate numbered "363" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 94 in volume 5.
Publisher:
Thomas Tegg
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Louis XVIII, King of France, 1755-1824
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, flourishing a birch-rod and clenching his left fist, threatens three ladies who flee before him; he kicks them, one falls on her back. All three scream, the Regent shouts: "Get out! get out! you faggots! get out of the House I say--Zounds I've burst my Stays!-- what! what! you'll let Her see her Mother will you?!! O! you Jades!--but I'll soon put a stop to that, I'll lock the young baggage up, thats what I will & I'll kick you to the Devil & thats what I will so turn out! turn out! Out! Out! Out! & be d--d to you all?!" Through a wide-open door (right) Princess Charlotte, wearing a small coronet, is seen fleeing with raised arms, looking over her shoulder. She screams: "Oh! Mamme! Mamme--Pappe's going to whip me Oh dear oh--." Behind the Regent (left) stands the Bishop of Salisbury, burlesqued, holding a crosier in his right hand, with a mitre perched on his grotesque wig. He registers alarmed astonishment, saying, "Dash my Wig, here's a pretty Kick up!!!" Through an open window (left) a puzzled and uneasy John Bull stares in; he says: "What the Devil is he about now?!!" In the foreground (left) the Prince's hat and gloves lie on the floor beside an open book: 'Turnout A Farce'."--British Museum online catalogue
Alternative Title:
Regent kicking up a row, or, Warwick House in an uproar and Warwick House in an uproar
Description:
Title etched below image., Plate numbered "337" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 46 in volume 5.
Publisher:
Pubd. July 20, 1814, by T. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Fisher, John, 1748-1825
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Admiralty is represented by an open pavilion (right) on the shore, raised above the ground by two steps and having a pediment inscribed 'Adma--y'. Within, the Lords of the Admiralty are fast asleep, while Croker, Secretary to the Admiralty, angrily addresses a deputation of merchants approaching from the left He sits in an arm-chair, legs crossed, holding a paper headed 'List of Ships taken by the Americans'. The two leading petitioners (cf. British Museum Satires No. 12305) hold out respectively the 'Liverpool Petition' and 'Glasgow Petition', saying: "We humbly pray that you will let loose a few of those Bull dogs to protect our property from those American Curs who are Robbing us every day before our faces & as it is you alone who can put a stop to their career & save us from Ruin: we hope our prayers will be attended to." Croker wards them off with outstretched arm, shouting, "What the Devil are you Croaking about?!!! Why they have only taken 840 vessels lately & what is that, to such a great nation as this!" The Lords of the Admiralty, two civilians and two in naval uniform, are grouped round a circular table. A civilian reclines in an arm-chair, his gouty legs supported on a stool; he holds a paper: 'Taken last night 14 vessels this morng 20 vessels by ye Americans'. Beside them are fierce bulldogs, muzzled and heavily chained to staples, representing the Navy. On the wall are four pictures of naval battles: 'Shannon & Chesapeak' (see British Museum Satires No. 12080), 'Glorious 1st of June' (see British Museum Satires No. 8469, &c.), 'Nile' (see British Museum Satires No. 9250, &c.), 'Trafalgar' (see British Museum Satires No. 10442, &c.). From the architrave is festooned drapery inscribed: 'Good Merchants do not weep we are not dead but fast asleep.' Nelson, cloud-borne, looks down at the sleeping men, saying with arm extended, "Awake! Arise! or be for ever fallen." Two of the petitioners (left) talk together; one points angrily to the sea where a line of captured British ships is sailing off to the left ; nearer shore are the mast and spars of a sunken ship. He says: "See what they do! even in the Chaps of the Channel!!! Why! bye & bye they will be coming up the River: & taking all our Wherries & Funnies!!!" The other answers: "Faith if they do that will be Wherry Funny indeed"."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "334" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 40 in volume 5.
Publisher:
Pubd. Septr. 1814 by T. Tegg, No. 111 Cheapside, London
Subject (Name):
Croker, John Wilson, 1780-1857 and Nelson, Horatio Nelson, Viscount, 1758-1805
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene outside Bethlehem Hospital (Bedlam). Joanna Southcott, grotesquely pregnant, bestrides a dog wearing clerical gown and bands, its collar inscribed 'Tozer'. She and the dog advance menacingly towards a preaching boot-maker (left), who rants, standing on a stool. The dog barks savagely: "Bow woo woo"; she flourishes a broom and an open book: 'The Propheci[es] of Johanna Southcote', saying, "Begone Satan, or I shall Lay Thee." She is pushed forward by a dwarfish and hideous artisan, who has a pair of large snuffers thrust through his ragged coat. The bootmaker yells with outspread arms: "I say, your prophecies are d--d lies & Old Touzler the father of 'em I'll expose you I will you Old Brimstone you're a Cheat!--& a faggot! & a bag of Deceit! Out upon you! out upon you! you Blasphemous old Hag." A pair of Hessian boots dangles from his waist; he wears misshapen boots of similar type; a hammer is thrust through the belt of his leather apron, and he wears clerical bands and wide-brimmed hat. A little chimney-sweep cheers on the dog: "Well done Tozer." A grinning bystander shouts "well done Boots! close in upon her." A crowd of grinning spectators is freely sketched. On the extreme right three doctors stand in consultation, alarmed for their professional reputations. One, probably Reece, holding his cane to his face, says: "I'll pledge my reputation on her being so." Another, holding behind his back a bag of obstetrical instruments, says: "I think 'tis a cancer." He is Dr. John Sims, 'an accoucheur of great eminence'. The third asks: "Have you touch'd her Doctor." A fashionably dressed man watches them through an eye-glass, saying, "What crotchet have the Doctors got now!!!?" In the background is the façade of the rebuilt hospital, inscribed 'New Bethlehem 1814'."--British Museum online catalogue
Alternative Title:
Obstetric dispute
Description:
Title etched below image., Printmaker from British Museum catalogue., Text after curly bracket following title: Vide Johanna Southcote and the public disputations., Plate numbered "338" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 47 in volume 5.
Publisher:
Pubd. Septr. 1814 by T. Tegg, 111 Cheapside, London
Subject (Name):
Southcott, Joanna, 1750-1814, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene on the wild and rocky shore of Elba where Napoleon has just landed. He stands on the beach in deep dejection, in profile to the right, looking down, and saying: "Ah Woe is me seeing what I have and seeing what I see" ['Hamlet', III. i]. A dog befouls his boot. He is the centre of attraction to uncouth peasants who surround him, while many more approach through a defile in the mountains. A gross and hideous woman, holding a long tobacco-pipe, puts her hand on his shoulder, saying, "Come cheer up my little Nicky I'll be your Empress." A man beside her points to a ship at anchor; a boat filled with people is rowing out to her. The peasants all grin broadly. Near Napoleon (left) is seated a hideous, barelegged woman suckling an infant and smoking a long pipe. An almost naked child clings to her shoulders, putting out his tongue at Napoleon, as does a man standing just behind him. In the foreground, Napoleon's Mameluke, Ali, sits on the ground, beside a pile of portmanteaux inscribed 'Boneys Baggage'; he averts his head from the humiliating spectacle; his sabre lies beside him. An odd ape-like creature squats on the extreme left. On the extreme right a fisherman, staring over his shoulder at Napoleon, is about to jump ashore or push off in his boat. In the background two boats, one with a furled lateen sail, lie against the rocky coast."--British Museum online catalogue
Alternative Title:
His grand entry in the isle of Elba
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 28 in volume 5.
Publisher:
Pubd. April 25th, 1814, by Thos. Tegg, No. 111 Cheapside
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott and Tozer drive before them a crowd of fat bishops, who flee to the right in wild confusion. She uses a birch-rod, he wields a flail, inscribed 'Revd Roger Towser's Flail'. Joanna holds by the toe the hindmost bishop, who wears a papal tiara. One has fallen to the ground, losing wig and crosier, another escapes over the former's body; two wear mitres. Several turn round to shriek defiance; one kicks out at Tozer, and uses his crosier as a weapon, another brandishes his wig. Joanna is plainly dressed, and wears a cap and spectacles; from her neck hangs a medallion inscribed 'I C' between two stars, with the words 'A Fac Simili of Joannas Seal'. Drapery streams behind her inscribed 'Elijah's Mantle' and 'Mohair'. Demons and serpents fly round the angry pair. She screams: "Lay it on hip and thigh Brave Towzer Smite the unbelievers--I put no more trust in Bishops as men, than I do in their Chariots and Horses, but my trust is in the Lord of Hosts." He shouts: "I'll well Dust their Woolsacks and make them drunk in my fury, I will bring down their strength to the earth." Behind them (left) is a chest (as in British Museum Satires No. 12333) inscribed 'Contents of the Sealing. The Sealed of the Lord--The Elect--To inherit the Tree of Life. To be made Heirs of God and Joint Heirs of [sic] with Jesus Christ--Joanna Southcott.' Beside it lie a goblet and 'Salver'. At her feet is an open book: 'Third Book of Wonders'. A serpent darts from left to right over the bishops."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Know I told thee I should begin at the sanctuary I will cutt them all off, having already cutt off four bishops for refusing to hear her visitation., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 51 in volume 5.
Publisher:
Pubd. Septr. 20th, 1814, by T. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814 and Tozer, William, approximately 1770-1828
Subject (Topic):
Women prophets, Prophets, Bishops, Crosiers, Miters, Medals, Chalices, Boxes, Wigs, Beating, Whipping, Whips, and Demons
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon is being drummed out of France. His right wrist is tied to the left wrist of Joseph Bonaparte; they are led forward, abjectly crouching, by Blücher, who holds the rope attached to the noose round Napoleon's neck. Napoleon has long ass's ears and wears a fool's cap inscribed 'Transported for Life'; his brother's cocked hat is inscribed 'Coward and Thief'. Both are assailed by serpentine monsters, barbed and scaly, which bite their legs, one inscribed 'Execration', the other 'Detestation'. Both wear uniform with the coats without epaulets and cut off at the waist. Blücher carries against his shoulder a long pole on which is a placard: 'Napolean, Late Emperor of the French, King of Italy Protecter of the Confederation of the Rhine, Grand Arbiter of the fate of Nations &c &c &c but now by the permission of the Allied Sovereigns, Exile in the Isle of Elba an Outcast from Society a fugitive a Vagabond. Yet this is the conceited Mortal who said, I have never been seduced by prosperity Adversity will not be able to overcome me--' Behind (left) the sovereigns of Europe gleefully dance in a ring, holding hands, round two flag-staffs from which float two large flags, the Bourbon flag dotted with fleur-de-lis and inscribed 'Rejoice O ye Kings Vive le Roi'; on the other is a flag with the double-headed eagle of Austria or Russia. The monarchs wear crowns; with them is the Pope, wearing his tiara. Next him is the corpulent Louis XVIII, one arm round the Pope's shoulder. Of the others only William of Holland can be identified with certainty; he wears bulky Dutch breeches with an ermine cloak. There are five others, three must be the Tsar, Emperor of Austria, King of Prussia. The others are probably Ferdinand of Spain and Ferdinand of Sicily. They sing: 'Now we are met a Jolly set in spite of Wind or Weather'. The three foreground figures are faced by a row of soldiers beating drums, with an officer raising his sword."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, two on either side of title: From fickle fortune's gamesome lap, what various titles flow, the Emperor of Conj rors, Nap, the King of Beggars Joe!, Plate numbered "321" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 19 in volume 5.
Publisher:
Pubd. April 15, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Blücher, Gebhard Leberecht von, 1742-1819, Pius VII, Pope, 1742-1823, Louis XVIII, King of France, 1755-1824, William I, King of the Netherlands, 1772-1843, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Ferdinand VII, King of Spain, 1784-1833, and Ferdinand I, King of the Two Sicilies, 1751-1825
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "288" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Thrones -- Demons., and Leaf 65 in volume 4.
Publisher:
Pubd. Jany. 16th, 1814, by T. Tegg, 111 Cheapside, London
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, riding on an ass, with Marie Louise seated behind him, approaches the coast, with the 'Island of Elba' on the horizon (right). Just in front of him the King of Rome rides a mastiff inscribed 'Corsican Dog'; the child points with a switch at the island, and looks round at his father registering furious anger. Napoleon stares in agonized dismay, his hands raised in astonished protest. He wears a peaked cap inscribed 'Fools Cap'; the coat of his accustomed uniform, breeches unbuttoned at the knee, and wrinkled stocking showing bare leg. In front of him hangs a small sack: 'Bag of Brown Bread'. Marie Louise (see British Museum Satires No. 12218) is a dishevelled termagant, her left hand resting heavily on Napoleon's shoulder. She turns to thrash the donkey, her open mouth indicating an angry scream; she raises a bludgeon inscribed 'Baton Marechâle' [cf. No. 12088]. The boy wears a single garment over bare legs; a tight childish cap is tied to his head; from his waist hangs a dagger. The dog bays at the sight of the sea. Behind the ass walks an elderly and old-fashioned French post-boy, with heavy boots and whip and wearing a cocked hat. He clenches a fist, and extends a leg as if kicking, and screams: "Be gar you Cocquin now I shall drive my Old Friends and bonne Customers de English Vive Le Roi et le Poste Royale." Beside the ass's head is the upright of a gibbet-shaped sign-post inscribed 'Road to Elba'; from this hangs a noose. Two carrion birds fly past it towards Napoleon, one holding in its beak a paper: 'We Long to pick your Bones.' Over Elba is the customary flight of (carrion) birds. Against the shore lie two small boats, one has a mast; in the other sits a man."--British Museum online catalogue
Alternative Title:
Bloody Boney the carcass butcher left off trade and retiring to Scarecrow Island
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "323" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 23 in volume 5.
Publisher:
Pubd. 12 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Blücher stands on the shore, directed to the left, holding out at arm's length, and by the scruff of the neck, an animal (as much like a fox as a dog) with the head of Napoleon. The Emperor, in profile to the left, wears his petit chapeau, and gauntlet gloves, so that he has human hands. In a heap at Blücher's feet lie Napoleon's discarded uniform, crown, sceptre, sword, and an eagle. Along the shore runs an officer shouting in terror, his arms raised above his head. Near him a small boat with sail and oars lies at the edge of the water; a man climbs in with a sack on his shoulder inscribed '20.000 a year'. On the horizon is a small island, 'Island of Elba', above which fly carrion birds. On the right in the middle distance is another scene; a closely packed group of royalists and allied soldiers, in front of which stands Louis XVIII, with clasped hands, while a man places a crown on his head; Talleyrand, wearing a long gown, and with a surgical shoe on his right foot, obsequiously proffers a paper: 'A List of Ministers for your Majesty's Approbation'. Behind Talleyrand is a bishop with a crosier, and wearing a mitre which suggests a papal tiara. A woman holding up a laurel-wreath stands on the right. Behind these figures appear the heads of mounted soldiers and hands waving hats. The whole group is dominated by large white flags, the most prominent covered with fleur-de-lis and inscribed 'Restoration of Louis XVIII'. There is also an Austrian (or Russian) flag."--British Museum online catalogue
Alternative Title:
Bluche the brave extracting the groan of abdication from the Corsican blood hound
Description:
Title etched below image; the letter "r" in "Blucher" is smaller and etched above the line, inserted with a caret., Printmaker from British Museum catalogue., Plate numbered "322" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 21 in volume 5.
Publisher:
Pubd. 9 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight scenes, arranged in two rows, each with an inscription below it. They represent a day spent by the Tsar while in London. [1] Alexander stands by a combined wash-stand and dressing-table (left) in a simply furnished bedroom. A valet helps him to put on his coat. ... [2] The Tsar walks rapidly (left to right), looking toward his sister the Grand Duchess of Oldenburg who takes his right arm. Her head is concealed by her bonnet. He holds the right hand of a little boy. He wears plain riding dress with cocked hat. Behind are trees and grass, with a low circular railing. ... [3] He stands under a tree writing in a notebook beside his sister who is talking to her son. In the middle distance soldiers are being drilled. ... [4] The Tsar and his sister stand together in a plainly furnished breakfast parlour. She unties her bonnet-strings, he takes off a glove. On a round table is a tray with coffee-pot, &c. ... [5] The pair, dressed as before, except that she holds a (closed) parasol, walk arm-in-arm (right to left) with the stern of a large ship in the dock immediately behind them. The bows of another ship are on the extreme left. They are accompanied or followed by a naval officer and two other men; a third addresses them, hat in hand. ... [6] Well-dressed spectators in the foreground cheer a departing carriage in which is the tiny figure of the Tsar, bowing hat in hand to a cheering crowd. Next him his sister's bonnet appears over the lowered roof of the carriage. Two officers sit on the back seat. There are no footmen. ... [7] The Tsar sits at a plain round table, writing. An open door shows an adjacent room where the Grand Duchess, reading some letter or document, sits beside a round table, laid for a meal. ... [8] The Tsar sits in a plain arm-chair beside a simple curtained bed (left); an attendant wearing a ribbon and holding a lighted candle is about to leave the small room. He wears uniform with ribbon and stars."--British Museum online catalogue
Alternative Title:
Two journals. Journal 1, Two journals. Joul. I, and Two journals. Journal I
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "335" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 42 in volume 5.
Publisher:
Pubd. July 1814 by Thos. Tegg, 111 Cheapside
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825 and Ekaterina Pavlovna, Velikai︠a︡ kni︠a︡gini︠a︡, 1788-1819
