"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
A group of four monkeys perform on musical instruments or sing from a songsheet. All are well-dressed in human clothing
Description:
Title from ms. text added to supporting mount., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 32 cm.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Concerts, Harps, Monkeys, and Violins
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
A young boy wearing a large bicorne hat, leans against a settee, his arms crossed over his chest. On the table beside his is a sword and on the floor to the right, a toy horse
Description:
Title from manuscript caption below image., Date of publication from unverified data in local card catalog record., and Sheet trimmed within plate mark.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Title etched below image., Later state; former plate number "No. 339" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. September 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. Royal Collection Trust, RCIN 810936., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., 1 print : etching on wove paper, hand-colored ; plate mark 25.6 x 36.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 36 in volume 4.
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman., and Mounted on leaf 31 of volume 13 of 14 volumes.
Publisher:
Pubd. September 15th, 1814, by Thos. Tegg, No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Title etched below image., Later state; former plate number "No. 339" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. September 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. Royal Collection Trust, RCIN 810936., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., and Watermark: J. Whatman 1822.
"Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble | And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., Sheet trimmed within plate mark., and Mounted on leaf 22 of volume 13 of 14 volumes.
Publisher:
Pubd. May 1, 1814, by R. Ackermann, No. 101 Strand
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight scenes, arranged in two rows, each with an inscription below it. [1] The Regent lies in bed under fringed draperies; he supports his head on his hand; the bed-clothes are disordered. ... [2] The Regent lies uneasily asleep, clutching the bed-clothes. The Princess of Wales, with her back to the bed, puts out her arms to ward off a demon who is rising among clouds from the floor; the apparition clutches a serpent, and has hair composed of serpents. ... [3] The Regent, wearing a dressing-gown, sits in an arm-chair facing a tall mirror, surrounded by four foreign valets, three of whom are at work on his hair or wig. He holds an open book: 'Memoirs of modern Lais-Ban'. ... [4] The Regent sits in an arm-chair with a small table at his elbow on which is a tray with coffee-pot, &c.; McMahon (right) holds the back of his chair and looks over his shoulder at a sheet of patterns which he is inspecting. A man points to this sheet, a second stands by with more packets of patterns. ... [5] The Regent, in back view and chapeau-bras, runs on tiptoe towards a door in a garden wall that McMahon furtively holds open. Outside a fat man stands behind the back wheels of a carriage. Beside the Regent run Lord Yarmouth and another courtier. ... [6] The Regent's coach and pair drives at a gallop towards the gateway in the screen of Carlton House, the coachman lashing the horses; two footmen stand behind. In the foreground well-dressed spectators watch with amusement. ... [7] The Regent sits at a writing-table, looking round to the left. On a stool near him is a pair of stays; on a high wig-block (left) is his curled wig (cf. British Museum Satires No. 12184). On the wall is a large mirror, and against the wall stands a sofa. ... [8] The Regent's empty chair (left) stands at a dinner-table on which are decanters and glasses, some overturned or broken. Three guests lie under the table. The Prince, staggering tipsily, is being conducted from the room by McMahon and Yarmouth."--British Museum online catalogue
Alternative Title:
Two journals. Journal II
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 43 in volume 5.
Publisher:
Pubd. July 1814 by Thos. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, McMahon, John, approximately 1754-1817, and Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842
