"Portrait of Algernon Percy, Earl of Northumberland, bust in profile to left but looking at the viewer, wearing armour and sash; in an ornamental oval on a pedestal with a small scene showing a seascape; a putto seated next to an anchor and baton below"--British Museum online catalogue
Alternative Title:
Algernon Percy Earl of Northumberland
Description:
Title from text within image. and Text below image: "In the Collection of the Rt. Hon. the Earl of Essex."
"Portrait, standing, three-quarter length, directed to left, facing and looking to front, his right hand on belt, wearing cloak and cap."--British Museum online catalogue
Description:
Arutin George was an Armenian merchant who came to England during the reign of Queen Anne. See British Museum catalogue., Title engraved below image., and Annotation in ink in a contemporary hand on verso: 2 Anne.
Publisher:
Sold by I. Faber at the Golden Head in Bloomsbury Square
"Portrait of Ben Jonson, bust seen in profile to left but looking at the viewer, wearing a draped coat; in an ornamental oval decorated with roses and laurel; below a young satyr holding a sceptre with a fool's head; books and a theatrical mask in lower right; state with publisher's address."--British Museum online catalogue
Alternative Title:
Ben Jonson
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Dr. Mead"--Below image. The note refers to the miniature by Oliver from which this engraving was made., Window mounted to 51 x 36 cm., and Mounted opposite page 28 (leaf numbered '86' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Jonson, Ben, 1573?-1637,, Jonson, Ben, 1573?-1637., and Mead, Richard, 1673-1754
Title from text in image., Text below image: "In the possesion of Mr. Kingsley.", and Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751].
"Portrait of Charles Mordaunt, Earl of Peterborough, bust directed to right but looking at the viewer, wearing a long wig and armour; in an architectural oval on a pedestal showing a battle-field; ... after Godfrey Kneller."--British Museum online catalogue
Description:
Title from text in image., Publication information from the British Museum online catalogue, registration no.: 1977,U.1259., and Text below image: "In the possesion [sic] of John Conduit Esqr."
Scotin, Gérard Jean Baptiste, 1698-approximately 1755, printmaker
Published / Created:
publish'd Nov. 27, 1738, according to the late act.
Call Number:
738.11.27.01+
Image Count:
1
Resource Type:
still image
Abstract:
A chimpanzee holding a bowl stands in a landscape, a decorated frame surrounding the image. In the background left, a man shoots an arrow at chimpanzees climbing a palm tree, and on the right three chimpanzees play on the ground, one standing upright holding a stick
Description:
Title engraved below image., Six lines of text below title: This creature was brought over by Capt. Henry Flower in the ship Speaker from Angola, on the coast of Guinea, in August 1738. It is of the female kind, & is two feet four inches high, walks erect ..., Dedication engraved at bottom of plate: To Sr. Hans Sloane Bart., President of the Royal Society, this plate is humbly inscribed., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Sloane, Hans, Sir, 1660-1753.
Subject (Topic):
Animals in human situations, Chimpanzees, and Hunting
"Portrait of Daniel Finch, Earl of Nottingham, bust directed to right but looking at the viewer, wearing a long wig and ermine cape; in an ornamental oval on a pedestal decorated with coat of arms ... after Godfrey Kneller."--British Museum online catalogue
Description:
Title from text in image. and Date and place of publication from the British Museum online catalogue, registration no.: K,67.330.
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., "Vol. I. p. 129"--Below image, lower left., and On page 88 in volume 1. Trimmed to plate mark: 242 x 184 mm.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., and "Vol. I. p. 129"--Below image, lower left.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper, hand colored ; plate mark 488 x 404 mm, on sheet 522 x 422 mm., and Stain in upper right corner; smaller stain in lower right corner.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., and Found loose in Heath volume.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image. and "Price 5 shillings"--Following printmaker's name.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.8 x 40.3 cm, on sheet 59 x 46 cm., and Plate 24 in the album: Queen Charlotte's collection of Hogarth works.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.9 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 24 in: Album of William Hogarth prints.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., and The print has been touched in red ink by Hogarth(?).
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., This impression, face and chest of woman is printed in reddish ink; the man's hands printed in blue., and On page 92 in volume 1. Sheet 488 x 393 mm.
"Portrait of John Fisher, bust-length, in an oval lettered with the title and surmounted by the papal tiara and crossed keys, dressed in a fur-trimmed chimere over his rochet with a Canterbury cap on his head, his decapitated head, a mitre and a child carrying a galero below to the foreground."--British Museum online catalogue
Description:
Title from text in image., Publisher from that of the volume for which the plate was engraved., Date range for publication from the British Museum online catalogue, registration no.: K,68.90., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Mr. Richardson"--Below image., Mounted on page 99 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving on laid paper ; sheet 36.3 x 22.6 cm., and Sheet trimmed within plate mark.
Publisher:
John and Paul Knapton
Subject (Name):
Fisher, John, Saint, 1469-1535, and Richardson, Jonathan, 1665-1745
"Portrait of John Fisher, bust-length, in an oval lettered with the title and surmounted by the papal tiara and crossed keys, dressed in a fur-trimmed chimere over his rochet with a Canterbury cap on his head, his decapitated head, a mitre and a child carrying a galero below to the foreground."--British Museum online catalogue
Description:
Title from text in image., Publisher from that of the volume for which the plate was engraved., Date range for publication from the British Museum online catalogue, registration no.: K,68.90., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., and "In the collection of Mr. Richardson"--Below image.
Publisher:
John and Paul Knapton
Subject (Name):
Fisher, John, Saint, 1469-1535, and Richardson, Jonathan, 1665-1745
"Portrait of John Pym, bust directed to left but looking at the viewer, wearing gown and white collar; in an ornamental oval decorated with flowers; a swan and a putto holding a thunderbolt below, a caduceus lying at his feet."--British Museum online catalogue
Description:
Title from text in image., Text below image: "In the possession of Thomas Hales Esqr.", and Artist's name from catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, v. 3, p. 525.
Title from item., Publisher identified from address in imprint., Three columns of dialogue in colloquial jargon below image: Harry. To pay, Moll, for I must hike. Moll. Did you call me, master? ..., and Temporary local subject terms: Trades: innkeeper -- Tom King's Coffee House -- Wine glasses -- Pitchers -- Moll King, d. 1747.
Publisher:
Sold at [the] picture shop in May's Buildings, Covent Garden
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 396 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49.2 x 39.9 cm, on sheet 56 x 45 cm., and Leaf 22 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print: ”See Nichols's book, 3d edit. p. 248.", and On page 90 in volume 1. Plate mark 488 x 395 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49 x 40.3 cm, on sheet 59 x 46 cm., and Plate 25 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.7 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 25 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., and On page 94 in volume 1. Sheet 480 x 385 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Portrait of Robert Devereux, Earl of Essex, bust directed to right but looking at the viewer, with square beard, wearing a ruff and lace collar, a column beyond; in an architectural oval with pedestal and urn below; a putto holding a torch and weeping over the sitter's decapitated head which lies next to an axe."--British Museum online catalogue
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Sr. Robert Worsley Bart."--Below image., Engraved after the minature later acquired by Horace Walpole and kept in the rosewood cabinet in the Tribune at Strawberry Hill., Mounted on page 133 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 36.7 x 23 cm., and Sheet trimmed to plate mark.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Essex, Robert Devereux, Earl of, 1565-1601, and Strawberry Hill (Twickenham, London, England)
"Portrait of Robert Devereux, Earl of Essex, bust directed to right but looking at the viewer, with square beard, wearing a ruff and lace collar, a column beyond; in an architectural oval with pedestal and urn below; a putto holding a torch and weeping over the sitter's decapitated head which lies next to an axe."--British Museum online catalogue
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Sr. Robert Worsley Bart."--Below image., and Engraved after the minature later acquired by Horace Walpole and kept in the rosewood cabinet in the Tribune at Strawberry Hill.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Essex, Robert Devereux, Earl of, 1565-1601, and Strawberry Hill (Twickenham, London, England)
"Portrait of Robert Walpole, Earl of Orford, bust directed to right but looking at the viewer, wearing sash and star of the Order of the Garter; in an ornamental oval with laurel branches beyond; a crown and collar of the Order of the Garter below; published state; after Arthur Pond.''--British Museum online catalogue
Description:
Title from text within image., Plate to: Birch's Illustrious heads., Sheet trimmed to plate mark., and Mounted to: 478 x 319 mm.
"Portrait of Sidney Godolphin, bust in profile to left but looking at the viewer, wearing long wig; in an architectural oval on an elaborate pedestal; below scales and pouches with coins"--British Museum online catalogue
Description:
Title from text within image., Publisher name from Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, volume 2, pages 343., Date of publication from the British Museum online catalogue, registration numbers: K,67.184., and The following text appears below the portrait: In the collection of his Grace the Duke of Newcastle.
"Portrait of Sidney Godolphin, bust in profile to left but looking at the viewer, wearing long wig; in an architectural oval on an elaborate pedestal; below scales and pouches with coins"--British Museum online catalogue
Description:
Title from text within image., Publisher name from Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, volume 2, pages 343., Date of publication from the British Museum online catalogue, registration numbers: K,67.184., The following text appears below the portrait: In the collection of his Grace the Duke of Newcastle., and Plate mark 369 x 238 mm, on sheet 533 x 334 mm.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., Mounted on page 107 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving with etching on laid paper ; sheet 37.6 x 23.8 cm., and Sheet trimmed to plate mark.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., and Plate mark 37.5 x 23.7 on sheet 52.5 x 32.8 cm.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., and Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., Mounted on page 138 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : engraving with etching on wove paper ; sheet 37 x 22.9 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
