"Portrait of Algernon Percy, Earl of Northumberland, bust in profile to left but looking at the viewer, wearing armour and sash; in an ornamental oval on a pedestal with a small scene showing a seascape; a putto seated next to an anchor and baton below"--British Museum online catalogue
Alternative Title:
Algernon Percy Earl of Northumberland
Description:
Title from text within image. and Text below image: "In the Collection of the Rt. Hon. the Earl of Essex."
"Portrait, standing, three-quarter length, directed to left, facing and looking to front, his right hand on belt, wearing cloak and cap."--British Museum online catalogue
Description:
Arutin George was an Armenian merchant who came to England during the reign of Queen Anne. See British Museum catalogue., Title engraved below image., and Annotation in ink in a contemporary hand on verso: 2 Anne.
Publisher:
Sold by I. Faber at the Golden Head in Bloomsbury Square
"Portrait of Ben Jonson, bust seen in profile to left but looking at the viewer, wearing a draped coat; in an ornamental oval decorated with roses and laurel; below a young satyr holding a sceptre with a fool's head; books and a theatrical mask in lower right; state with publisher's address."--British Museum online catalogue
Alternative Title:
Ben Jonson
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Dr. Mead"--Below image. The note refers to the miniature by Oliver from which this engraving was made., Window mounted to 51 x 36 cm., and Mounted opposite page 28 (leaf numbered '86' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Jonson, Ben, 1573?-1637,, Jonson, Ben, 1573?-1637., and Mead, Richard, 1673-1754
Title from text in image., Text below image: "In the possesion of Mr. Kingsley.", and Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751].
"Portrait of Charles Mordaunt, Earl of Peterborough, bust directed to right but looking at the viewer, wearing a long wig and armour; in an architectural oval on a pedestal showing a battle-field; ... after Godfrey Kneller."--British Museum online catalogue
Description:
Title from text in image., Publication information from the British Museum online catalogue, registration no.: 1977,U.1259., and Text below image: "In the possesion [sic] of John Conduit Esqr."
Scotin, Gérard Jean Baptiste, 1698-approximately 1755, printmaker
Published / Created:
publish'd Nov. 27, 1738, according to the late act.
Call Number:
738.11.27.01+
Image Count:
1
Resource Type:
still image
Abstract:
A chimpanzee holding a bowl stands in a landscape, a decorated frame surrounding the image. In the background left, a man shoots an arrow at chimpanzees climbing a palm tree, and on the right three chimpanzees play on the ground, one standing upright holding a stick
Description:
Title engraved below image., Six lines of text below title: This creature was brought over by Capt. Henry Flower in the ship Speaker from Angola, on the coast of Guinea, in August 1738. It is of the female kind, & is two feet four inches high, walks erect ..., Dedication engraved at bottom of plate: To Sr. Hans Sloane Bart., President of the Royal Society, this plate is humbly inscribed., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Sloane, Hans, Sir, 1660-1753.
Subject (Topic):
Animals in human situations, Chimpanzees, and Hunting
"Portrait of Daniel Finch, Earl of Nottingham, bust directed to right but looking at the viewer, wearing a long wig and ermine cape; in an ornamental oval on a pedestal decorated with coat of arms ... after Godfrey Kneller."--British Museum online catalogue
Description:
Title from text in image. and Date and place of publication from the British Museum online catalogue, registration no.: K,67.330.
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., "Vol. I. p. 129"--Below image, lower left., and On page 88 in volume 1. Trimmed to plate mark: 242 x 184 mm.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., and "Vol. I. p. 129"--Below image, lower left.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper, hand colored ; plate mark 488 x 404 mm, on sheet 522 x 422 mm., and Stain in upper right corner; smaller stain in lower right corner.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., and Found loose in Heath volume.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image. and "Price 5 shillings"--Following printmaker's name.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.8 x 40.3 cm, on sheet 59 x 46 cm., and Plate 24 in the album: Queen Charlotte's collection of Hogarth works.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.9 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 24 in: Album of William Hogarth prints.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., and The print has been touched in red ink by Hogarth(?).
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., This impression, face and chest of woman is printed in reddish ink; the man's hands printed in blue., and On page 92 in volume 1. Sheet 488 x 393 mm.
"Portrait of John Fisher, bust-length, in an oval lettered with the title and surmounted by the papal tiara and crossed keys, dressed in a fur-trimmed chimere over his rochet with a Canterbury cap on his head, his decapitated head, a mitre and a child carrying a galero below to the foreground."--British Museum online catalogue
Description:
Title from text in image., Publisher from that of the volume for which the plate was engraved., Date range for publication from the British Museum online catalogue, registration no.: K,68.90., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., and "In the collection of Mr. Richardson"--Below image.
Publisher:
John and Paul Knapton
Subject (Name):
Fisher, John, Saint, 1469-1535, and Richardson, Jonathan, 1665-1745
"Portrait of John Fisher, bust-length, in an oval lettered with the title and surmounted by the papal tiara and crossed keys, dressed in a fur-trimmed chimere over his rochet with a Canterbury cap on his head, his decapitated head, a mitre and a child carrying a galero below to the foreground."--British Museum online catalogue
Description:
Title from text in image., Publisher from that of the volume for which the plate was engraved., Date range for publication from the British Museum online catalogue, registration no.: K,68.90., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Mr. Richardson"--Below image., Mounted on page 99 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving on laid paper ; sheet 36.3 x 22.6 cm., and Sheet trimmed within plate mark.
Publisher:
John and Paul Knapton
Subject (Name):
Fisher, John, Saint, 1469-1535, and Richardson, Jonathan, 1665-1745
"Portrait of John Pym, bust directed to left but looking at the viewer, wearing gown and white collar; in an ornamental oval decorated with flowers; a swan and a putto holding a thunderbolt below, a caduceus lying at his feet."--British Museum online catalogue
Description:
Title from text in image., Text below image: "In the possession of Thomas Hales Esqr.", and Artist's name from catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, v. 3, p. 525.
Title from item., Publisher identified from address in imprint., Three columns of dialogue in colloquial jargon below image: Harry. To pay, Moll, for I must hike. Moll. Did you call me, master? ..., and Temporary local subject terms: Trades: innkeeper -- Tom King's Coffee House -- Wine glasses -- Pitchers -- Moll King, d. 1747.
Publisher:
Sold at [the] picture shop in May's Buildings, Covent Garden
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 396 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49.2 x 39.9 cm, on sheet 56 x 45 cm., and Leaf 22 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State and series from Paulson. First plate in the series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print: ”See Nichols's book, 3d edit. p. 248.", and On page 90 in volume 1. Plate mark 488 x 395 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49 x 40.3 cm, on sheet 59 x 46 cm., and Plate 25 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.7 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 25 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., and On page 94 in volume 1. Sheet 480 x 385 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Portrait of Robert Devereux, Earl of Essex, bust directed to right but looking at the viewer, with square beard, wearing a ruff and lace collar, a column beyond; in an architectural oval with pedestal and urn below; a putto holding a torch and weeping over the sitter's decapitated head which lies next to an axe."--British Museum online catalogue
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Sr. Robert Worsley Bart."--Below image., Engraved after the minature later acquired by Horace Walpole and kept in the rosewood cabinet in the Tribune at Strawberry Hill., Mounted on page 133 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 36.7 x 23 cm., and Sheet trimmed to plate mark.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Essex, Robert Devereux, Earl of, 1565-1601, and Strawberry Hill (Twickenham, London, England)
"Portrait of Robert Devereux, Earl of Essex, bust directed to right but looking at the viewer, with square beard, wearing a ruff and lace collar, a column beyond; in an architectural oval with pedestal and urn below; a putto holding a torch and weeping over the sitter's decapitated head which lies next to an axe."--British Museum online catalogue
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Sr. Robert Worsley Bart."--Below image., and Engraved after the minature later acquired by Horace Walpole and kept in the rosewood cabinet in the Tribune at Strawberry Hill.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Essex, Robert Devereux, Earl of, 1565-1601, and Strawberry Hill (Twickenham, London, England)
"Portrait of Robert Walpole, Earl of Orford, bust directed to right but looking at the viewer, wearing sash and star of the Order of the Garter; in an ornamental oval with laurel branches beyond; a crown and collar of the Order of the Garter below; published state; after Arthur Pond.''--British Museum online catalogue
Description:
Title from text within image., Plate to: Birch's Illustrious heads., Sheet trimmed to plate mark., and Mounted to: 478 x 319 mm.
"Portrait of Sidney Godolphin, bust in profile to left but looking at the viewer, wearing long wig; in an architectural oval on an elaborate pedestal; below scales and pouches with coins"--British Museum online catalogue
Description:
Title from text within image., Publisher name from Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, volume 2, pages 343., Date of publication from the British Museum online catalogue, registration numbers: K,67.184., The following text appears below the portrait: In the collection of his Grace the Duke of Newcastle., and Plate mark 369 x 238 mm, on sheet 533 x 334 mm.
"Portrait of Sidney Godolphin, bust in profile to left but looking at the viewer, wearing long wig; in an architectural oval on an elaborate pedestal; below scales and pouches with coins"--British Museum online catalogue
Description:
Title from text within image., Publisher name from Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, volume 2, pages 343., Date of publication from the British Museum online catalogue, registration numbers: K,67.184., and The following text appears below the portrait: In the collection of his Grace the Duke of Newcastle.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., Mounted on page 107 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving with etching on laid paper ; sheet 37.6 x 23.8 cm., and Sheet trimmed to plate mark.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., and Plate mark 37.5 x 23.7 on sheet 52.5 x 32.8 cm.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., and Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill.
Portrait of Francis Walsingham, bust directed to left but looking at the viewer, wearing a ruff and brocaded jacket; in an ornamental oval decorated with an owl, a book, a snake and envelopes; a cartouche below showing a woman seated in a chair accompanied by two other women being shown a painting of a group of men by the artist and his assistants
Description:
Title from text in image., "In the collection of the Right Honorable Sr. Robert Walpole"--Below image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Engraved after the portrait painting, formerly thought to be of Sir Francis Walsingham, that later came into the collection of Horace Walpole at Strawberry Hill., Mounted on page 138 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : engraving with etching on wove paper ; sheet 37 x 22.9 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Title from item., Publication date from British Museum online catalogue., Four columns of quotation below image and on either side of title: This fortress built by Nature for her self, against infection and the hand of War ... Shakespears [sic] K. Richard 2d., Temporary local subject terms: Spanish flag -- English flag -- British lion -- Ploughs -- English merchants as slaves -- Male costume: Spanish captain -- Whips -- Spanish War of 1738 -- Pirates: Guarda Costas -- Robert Jenkins, fl. 1731-1738 -- Captain Fandino, fl. 1738 (cut off Jenkins's ear)., and Watermark: Strasburg lily with initials L V G below.
"Portrait of Lord Chancellor Francis Bacon, bust directed to left but looking at the viewer, wearing a tall hat and ruff; in an ornamental oval with curtain beyond; below a putto holding a sceptre; books and scrolls in lower left; lettered state."--British Museum online catalogue
Alternative Title:
Sir Francis Bacon Viscount St. Albans Lord Chancellor
Description:
Title from text in image., Engraved after a painting by John Vanderbank. See British Museum online catalogue, registration no.: 1927,1126.1.7.5., Sheet trimmed within plate mark., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the Possession of Martin Foulkes Esqr."--Below image., Window mounted to 51 x 36 cm., and Mounted opposite page 375 (leaf numbered '192' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Name):
Bacon, Francis, 1561-1626,
Subject (Topic):
Philosophers, Statesmen, British, Putti, and Scepters
"Portrait of Sir Isaac Newton, bust directed to right but looking at the viewer, wearing long wig; in an architectural oval on a pedestal with allegorical scene in a roundel; below scientific instruments and a scroll."--British Museum online catalogue
Alternative Title:
Sir Isaac Newton
Description:
Title from text in image., Publisher from that of the volume for which the plate was engraved., Date range for publication from the British Museum online catalogue, registration no.: P,8.223., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., Sheet trimmed within plate mark., "In the possession of John Conduit Esqr."--Below image., Window mounted to 51 x 36 cm., and Mounted opposite page 714 (leaf numbered '167' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
John and Paul Knapton
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Newton, Isaac, 1642-1727, and Newton, Isaac, 1642-1727.
"Portrait of William Temple, bust in profile to left but looking at the viewer, wearing a draped coat; in an ornamental oval; two cartouches below showing allegorical scenes; a peace dove below; with publisher's address; after Peter Lely."--British Museum online catalogue
Alternative Title:
Sir William Temple
Description:
Title from text in image., Text below image: "In the Collection of John Temple Esqr.", and Plate from : Birch's Heads.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd November the 26th 1738 according to the late act.
Call Number:
738.11.26.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
European race heat second anno domini 1738
Description:
Title from item., Sheet trimmed to plate mark., One line of quotation from the Bible below title: Let us hear the conclusion of the whole matter ... Ecclesiastes the 12th, verse the 13th., and Watermark: J Whatman.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, Sep. 4, 1738.
Call Number:
738.09.04.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Attributed to C. Moseley from another state. See Stephens., State without printmaker's name, the figure of Pope in the image, and with the later publication date. See Stephens., Sheet trimmed to plate mark., Four lines of quotation from Bible below title: [I return]ed and saw under the Sun, that the race is not to the swift nor the battle to the strong ... Ecclesiastes the 9th, verse the 11th., Bowditch's ms. annotations on the mounting sheet., and Mounted, mounted again to 34 x 48 cm.
"Portrait after a self-portrait, three-quarter length, seated three-quarter to left, in an armchair, left hand on the arm, right hand on the edge of a table, wearing clerical robes with a high sheen and a soft cap, smiling towards the viewer."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 150 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Interior scene with the two men in disquise, one looking in the mirror; a wallshelf with plates, antlers and escutcheon decorate the walls; a heap of clothes on the floor lower left. Through the open door to the outside can be seen a man drinking from a jug seated on a stool at a table under a tree
Alternative Title:
Curate and barber disguising themselves to convey Don Quixote home
Description:
Title etched below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 13th.", "Vol. I. p. 166"--Lower left, below image., and On page 87 in volume 1. Trimmed to plate mark 260 x 175 mm.
Interior scene with the two men in disquise, one looking in the mirror; a wallshelf with plates, antlers and escutcheon decorate the walls; a heap of clothes on the floor lower left. Through the open door to the outside can be seen a man drinking from a jug seated on a stool at a table under a tree
Alternative Title:
Curate and barber disguising themselves to convey Don Quixote home
Description:
Title etched below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 13th.", and "Vol. I. p. 166"--Lower left, below image.
An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title etched below image., Added titles, state, publisher, and date from Paulson., "Vol. I, p. 71"--Lower left, below image., Sheet trimmed within plate mark., and On page 86 in volume 1. Plate mark 157 x 123 mm.
An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title etched below image., Added titles, state, publisher, and date from Paulson., "Vol. I, p. 71"--Lower left, below image., and Sheet trimmed within plate mark.
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Alternative Title:
Innkeeper's wife and daughter taking care of the don after being beaten and bruised and Quixote being cared for by the innkeeper's wife and daughter
Description:
Title etched below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Book 3rd. Ch: 2nd"--Following title., "Vol. I. p. 80."--Below image, lower left., and On page 86 in volume 1. Plate trimmed to: 246 x 183 mm.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Alternative Title:
Innkeeper's wife and daughter taking care of the don after being beaten and bruised and Quixote being cared for by the innkeeper's wife and daughter
Description:
Title etched below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Book 3rd. Ch: 2nd"--Following title., and "Vol. I. p. 80."--Below image, lower left.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
Title from item., Publication date inferred from dated edtion described in British Museum catalogue., Three columns of verse below title: A lyon once to love inclin'd, thus to a farmer broke his mind ..., State without imprint. Cf. No. 2347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Dismemberment of British Empire -- Literature: allusion to Aesop's fables -- Don Thomas Geraldino., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Fleury, André Hercule de, 1653-1743
Title from item., Publication date inferred from dated edtion described in British Museum catalogue., Three columns of verse below title: A lyon once to love inclin'd, thus to a farmer broke his mind ..., State without imprint. Cf. No. 2347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Dismemberment of British Empire -- Literature: allusion to Aesop's fables -- Don Thomas Geraldino., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Fleury, André Hercule de, 1653-1743
Quixote and Sancho meet the goatherder and his goat on a path under a large rock formation
Alternative Title:
Don Quixote and the knight of the rock
Description:
Title engraved below image., Title from Paulson: Don Quixote and the knight of the rock., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Book 3rd, Ch: 9th"--Below title., "Vol. I. p. 140"--Below image, lower left., and On page 87 in volume 1. Trimmed to plate mark: 245 x 183 mm.
Quixote and Sancho meet the goatherder and his goat on a path under a large rock formation
Alternative Title:
Don Quixote and the knight of the rock
Description:
Title engraved below image., Title from Paulson: Don Quixote and the knight of the rock., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Book 3rd, Ch: 9th"--Below title., and "Vol. I. p. 140"--Below image, lower left.
"Portrait of Thomas Fairfax, bust directed to left but looking at the viewer, wearing armour; in an architectural oval with flag at left; a cartouche below showing a battle scene; a sword and hat below; published state; after Samuel Cooper. 1738"--British Museum online catalogue
Description:
Title from text within image., Text printed below image: "In the Collection of Bryan Fairfax Esqr.", and Plate mark 368 x 227 mm on sheet 532 x 326 mm.
Publisher:
Impensis J. & P. Knapton Londini
Subject (Geographic):
Great Britian. and Great Britain.
Subject (Name):
Fairfax, Thomas Fairfax, Baron, 1612-1671,
Subject (Topic):
Generals, British, Nobility, Peerage, and Politicians
"Portrait of Thomas Fairfax, bust directed to left but looking at the viewer, wearing armour; in an architectural oval with flag at left; a cartouche below showing a battle scene; a sword and hat below; published state; after Samuel Cooper. 1738"--British Museum online catalogue
Description:
Title from text within image. and Text printed below image: "In the Collection of Bryan Fairfax Esqr."
Publisher:
Impensis J. & P. Knapton Londini
Subject (Geographic):
Great Britian. and Great Britain.
Subject (Name):
Fairfax, Thomas Fairfax, Baron, 1612-1671,
Subject (Topic):
Generals, British, Nobility, Peerage, and Politicians
"Portrait of James Ussher, half-length to right, with head turned to look to front; wearing a cap, ruff, and loose robe; in an oval frame with documents with seals on top left, and curtain on right; below on right, pedestal with an open book lying on a closed book; coat of arms in centre, and indoor scene with two seated women and a child holding up a sheet of paper lettered with letters of the alphabet "A.B.C.D F.G.H."; illustration to Tindal's 'The continuation of Mr. Rapin's History of England' (London)."--British Museum online catalogue
Alternative Title:
Ussher Archbishop of Armagh
Description:
Title from text in image. and Text below image: In the possesion of General Tyrrel at Shotover in Oxfordshire.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.
"Satirical ballad on the unwillingness of the British government to go to war with Spain with a woodcut illustration derived from British Museum Satires No. 2355 showing Robert Walpole holding the tail of the British Lion which holds a staff topped by a crown. The lion is apparently attempting to lunge at a Spaniard holding a whip who has harnessed three English sailors to a cart."--British Museum catalogue
Alternative Title:
Negotiators, or, Don Diego brought to reason and Don Diego brought to reason
Description:
Title and publication information from British Museum catalogue., Mounted on leaf 73. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
R. Thompson
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Walpole, Horatio Walpole, Baron, 1678-1757
Subject (Topic):
Whips, Carts & wagons, Lions, Sailors, and Staffs (Sticks)
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., "Vol. I. p. 80."--Below image, lower left., and Mounted on page 86, volume 1.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Sheet trimmed within plate mark., and Leaf 38 in: Album of William Hogarth prints.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson. and Sheet trimmed to plate mark: 441 x 552 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Ms. note pencil in Steevens hand above print: Second Impression., and On page 97 in volume 1. Sheet 450 x 550 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Ms. pencil note in Steevens's hand above print: First Impression., Ms. pencil note in Steevens's hand below print: See Nichols's book, 3d edit. p. 261., and On page 96 in volume 1. Sheet 445 x 455 mm.
Interior scene with the two men in disquise, one looking in the mirror; a wallshelf with plates, antlers and escutcheon decorate the walls; a heap of clothes on the floor lower left. Through the open door to the outside can be seen a man drinking from a jug seated on a stool at a table under a tree
Alternative Title:
Curate and barber disguising themselves to convey Don Quixote home
Description:
Title etched below image., Sheet trimmed to plate mark., "Page 319. Don Quixote. Pl. 8."--Above image., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 99., and On page 87 in volume 1.
An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title from Paulson., Title, state, publisher, and date from Paulson., "Vol. I, p. 71."--Lower left, below image., Sheet trimmed within plate mark., and On page 86 in volume 1.
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Bowditch's ms. annotations on the mounting sheet below image; mounted to 32 x 40 cm.
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., With the title written above the image in Steevens's hand: Three spurrious., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., Formerly cataloged with the title: The half-starved boy., and On page 89 in volume 1. Trimmed to plate mark 215 x 511 mm.
Quixote and Sancho meet the goatherder and his goat on a path under a large rock formation
Alternative Title:
Don Quixote and the knight of the rock
Description:
Title from state 3., Title from Paulson: Don Quixote and the knight of the rock., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Vol. I. p. 140."--Below image, lower left., and On page 87 in volume 1. Plate mark trimmed to: 244 x 183 mm.
