"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., 1 print : etching on wove paper, hand-colored ; plate mark 26.3 x 18.3 cm, on sheet 34.2 x 24.0 cm., and Mounted on leaf 69 of volume 9 of 12.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., 1 print : etching on wove paper, hand-colored ; plate mark 36.6 x 25.9 cm, on sheet 40.3 x 28.9 cm., and Mounted on leaf 76 of volume 4 of 12.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., Watermark: 1794 J Whatman., and Subject identified in contemporary hand below title.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Temporary local subject terms: Musical instruments: pianoforte -- Songs: Would you hurt a harmless maid -- Sheet music -- Obesity -- Reference to Kegworth, Leicestershire., 1 print : etching on wove paper, hand-colored ; sheet 22.1 x 22.1 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 66 of volume 9 of 12.
Publisher:
Pubd. July 12th, 1798, by H. Humphrey, St. Jamess' [sic] Street
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Temporary local subject terms: Musical instruments: pianoforte -- Songs: Would you hurt a harmless maid -- Sheet music -- Obesity -- Reference to Kegworth, Leicestershire.
Publisher:
Pubd. July 12th, 1798, by H. Humphrey, St. Jamess' [sic] Street
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print : etching on wove paper, hand-colored ; plate mark 19.3 x 26.1 cm, on sheet 22.6 x 29.5 cm., and Mounted on leaf 74 of volume 4 of 12.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"A lady (left) sits at a piano, in back view, playing and singing. Beside her is a man playing the cello. Both sing: "Beviamo tutti tie" [sic]. Two men sit side by side, in profile to the left, one playing the violin, the other the flute. A little girl lying on the floor tilts dangerously the chair of the violinist, who watches intently the couple at the piano. A loutish youth in top-boots (right) plays with a dog whose collar is inscribed 'Anne Jon'."--British Museum online catalogue
Alternative Title:
Evenings entertainment in Sussex
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Musical instruments: piano -- Cello -- Violin -- Flute -- Furniture: ladderback chairs -- Lighting: candlesticks -- Songs: Beviamo tutti tie -- Children -- Pranks., 1 print : etching on wove paper ; plate mark 26.2 x 36.4 cm, on sheet 28.8 x 39.7 cm., Watermark: 1794., and Mounted on leaf 67 of volume 9 of 12.
Publisher:
Pubd. Septr. 1st, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Augustus Frederick, Prince, Duke of Sussex, 1773-1843. and Billington, Elizabeth, 1765-1818
"A lady (left) sits at a piano, in back view, playing and singing. Beside her is a man playing the cello. Both sing: "Beviamo tutti tie" [sic]. Two men sit side by side, in profile to the left, one playing the violin, the other the flute. A little girl lying on the floor tilts dangerously the chair of the violinist, who watches intently the couple at the piano. A loutish youth in top-boots (right) plays with a dog whose collar is inscribed 'Anne Jon'."--British Museum online catalogue
Alternative Title:
Evenings entertainment in Sussex
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Musical instruments: piano -- Cello -- Violin -- Flute -- Furniture: ladderback chairs -- Lighting: candlesticks -- Songs: Beviamo tutti tie -- Children -- Pranks.
Publisher:
Pubd. Septr. 1st, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Augustus Frederick, Prince, Duke of Sussex, 1773-1843. and Billington, Elizabeth, 1765-1818
A man with a gouty foot sits at a table on which a caraffe and decanter sit with a glass. The figure of the devil sits in an upholsered armchair grinning at the man as he pours a glass of liquid on his head. To their right a skeleton on a three-legged stool is engaged in conversation with a clergy man, both holding glasses of wine. Between the pairs above their heads is written, "A fig for sack & sherry, Our cans we'll clink. Our liquor we'll drink, And we'll be wonderous merry."
Description:
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Skeleton as death -- Demons & devils., 1 print : etching on wove paper, hand-colored ; sheet 23.7 x 36 cm., and Imperfect; sheet trimmed within plate mark and mutilated in lower left and lower right corners, with partial loss of artist's signature and complete loss of printmaker's signature.
Publisher:
Pubd. by S.W. Fores, 50 Piccadilly
Subject (Topic):
Death (Personification), Gout, Alcoholic beverages, Devil, Physicians, Pitchers, Sick persons, Skeletons, Stools, and Undertakers
A man with a gouty foot sits at a table on which a caraffe and decanter sit with a glass. The figure of the devil sits in an upholsered armchair grinning at the man as he pours a glass of liquid on his head. To their right a skeleton on a three-legged stool is engaged in conversation with a clergy man, both holding glasses of wine. Between the pairs above their heads is written, "A fig for sack & sherry, Our cans we'll clink. Our liquor we'll drink, And we'll be wonderous merry."
Description:
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Skeleton as death -- Demons & devils.
Publisher:
Pubd. by S.W. Fores, 50 Piccadilly
Subject (Topic):
Death (Personification), Gout, Alcoholic beverages, Devil, Physicians, Pitchers, Sick persons, Skeletons, Stools, and Undertakers
Title from item., Printmaker suggested by cataloger based on his other works in the collection., Sheet trimmed within plate mark on left., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Father Thames (river god) -- Atlas (Mythological character) -- Sun -- Globes.
"Eight scenes arranged in two rows. An elderly man riding Pegasus pursues Fame, who beckons to him; he despairs of overtaking her, even "if my Pegasus was as fleet as the wind". Two cronies concur in "hunting the bottle". An old military officer pursues a pretty young woman. Two bailiff's men with bludgeons pursue a debtor. A solitary man has been fruitlessly "hunting after money the whole day". A young and handsome fortune-hunter kneels to an elderly harridan. A hunter after company invites himself to crack a bottle with another man. A fat parson, eyes closed, at a table with punch-bowl, glasses, &c, the second chair being empty, says: "My worthy friend the Vicar and myself have just killed old care and I am very happy Doctor, to welcome you in at the death". Perhaps belongs to a set, see BMSat 8541, &c. c.1800"--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the evening., Design consists of seven scenes arranged in two rows, with lines of dialogue etched above the figures in the scenes., and Watermark: E & P 1794.
Publisher:
Pub. March 8th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
"'Truth', fully draped, her name on her belt, hurries forward, holding up an irradiated torch which directs darts of lightning at creatures in the mouth of a cave (left). This is formed by an arch of rocks, from which 'The Lethean Stream' emerges. Jacobinism, a creature with scaly legs and long serpent-like tail (like 'Sin' in BMSat 8105), naked except for bonnet-rouge and a belt inscribed 'Egalit[é]' in which is a dagger, kneels terror-struck, shrinking from the darts of Truth; he drops his pen and a mask falls from his face. His ink-bottle, inscribed 'Gall', is overturned. Beside him is a heap of pamphlets, which the lightning from Truth's torch has set on fire. They are 'Libels', 'Defamation', 'Sedition', 'Ignorance', 'Anarchy', 'Atheism', 'Abuse'. Toads crawl from under them and drop into the adjacent 'Lethean Stream'. Owls and bats fly off into the recesses of the cave. On Truth's forehead is an irradiated star; she points up with her left hand at an open book resting upon clouds: 'Anti-Jacobin Review & Mag[azine]'. Above her head fly two winged infants holding up between them a crown; one holds the cross of Religion, the other the scales of Justice."--British Museum online catalogue
Description:
Title etched below image., Text following title: "Magna est veritas et praevalebit.", Frontispiece from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. v. 1: 1798. London, 1798., Sheet trimmed within plate mark., and Temporary local subject terms: Caves -- Jacobinism: figure of Jacobinism -- Serpents -- French as frogs -- Cupids -- Emblems: scales of Justice -- Cross -- Royal crown -- Torches -- Figure of Truth -- Mythology: Lethean Stream -- Masks.
Publisher:
Pubd. Septr. 1st, 1798, by J. Wright, 169 Piccadilly, for the Anti Jacobin review
"'Truth', fully draped, her name on her belt, hurries forward, holding up an irradiated torch which directs darts of lightning at creatures in the mouth of a cave (left). This is formed by an arch of rocks, from which 'The Lethean Stream' emerges. Jacobinism, a creature with scaly legs and long serpent-like tail (like 'Sin' in BMSat 8105), naked except for bonnet-rouge and a belt inscribed 'Egalit[é]' in which is a dagger, kneels terror-struck, shrinking from the darts of Truth; he drops his pen and a mask falls from his face. His ink-bottle, inscribed 'Gall', is overturned. Beside him is a heap of pamphlets, which the lightning from Truth's torch has set on fire. They are 'Libels', 'Defamation', 'Sedition', 'Ignorance', 'Anarchy', 'Atheism', 'Abuse'. Toads crawl from under them and drop into the adjacent 'Lethean Stream'. Owls and bats fly off into the recesses of the cave. On Truth's forehead is an irradiated star; she points up with her left hand at an open book resting upon clouds: 'Anti-Jacobin Review & Mag[azine]'. Above her head fly two winged infants holding up between them a crown; one holds the cross of Religion, the other the scales of Justice."--British Museum online catalogue
Description:
Title etched below image., Text following title: "Magna est veritas et praevalebit.", Frontispiece from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. v. 1: 1798. London, 1798., Sheet trimmed within plate mark., Temporary local subject terms: Caves -- Jacobinism: figure of Jacobinism -- Serpents -- French as frogs -- Cupids -- Emblems: scales of Justice -- Cross -- Royal crown -- Torches -- Figure of Truth -- Mythology: Lethean Stream -- Masks., 1 print : etching on wove paper, hand-colored ; plate mark 19.5 x 26.4 cm, on sheet 22.6 x 28.9 cm., and Mounted on leaf 64 of volume 4 of 12.
Publisher:
Pubd. Septr. 1st, 1798, by J. Wright, 169 Piccadilly, for the Anti Jacobin review
Title from item., Printmaker from an unverified card catalog record., Temporary local subject terms: Taxes -- Physicians -- Diseases: hypochondria., and Mounted, matted to 47 x 55 cm.
Publisher:
Pubd. by W. Holland, N 50 Oxford St.
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
"Twelve figures arranged in two rows, each representing Dundas (not caricatured) in one of his capacities, title and words etched above each. [1] 'A Governor of the Charter House'. He walks (left to right), looking down at a document in his left hand and saying: "How I venerate Charters". [2] 'Joint Keeper of the Signet in Scotland'. He holds out his left hand looking admiringly at a signet ring: "a vera pretty Seal ring worth £2000 a Year". [3] 'Chancellor of the University of St Andrew'. He sits directed to the left in a high-backed arm-chair wearing academic cap and long gown: "There is great weight and Dignity in a gown and Square Cap." [4] 'Patent Printer of the Bible in Scotland'. He sits in dressing-gown, cap, and slippers at a printing-press of the Caxton type, saying: "This printing and composing is vera tedious, but as it brings in about £6000 per Annum I must noe loose sight of it." [5] 'Custos Rotulorum for Middlesex'. He sits pompously in a high-backed chair wearing an old-fashioned cocked hat and laced coat, saying: "A little Consequence is very necessary in a custos Rotulorum". [6] 'A Treasurer of the Navy'. He sits at a table on which are money-bags and piles of coin, which he is counting: "Ah! this is pretty neat employment I love to count over the Siller." [7] 'A Governor of Greenwich Hospital'. He stands, wearing cocked hat and uniform, in profile to the right, right hand on his hip, left hand on the hilt of a sword: "a naval uniform is vera becoming." [8] 'A Commissioner of Chelsea Hospital'. He stands with arms folded, wearing cocked hat with military uniform: "As is also that of the Miliatory in due season." [9] 'A Commissioner for India Affairs'. He stands with his back to a group of barrels and chests, turning to the right: "What are ye aboot ye lazy loons, why are not these goods shipp'd off for India d'ye mean to do nothing at aw' for your money." [10] 'Governor of the Bank of Scotland'. He stands in profile to the left, 'chapeau-bras', one hand thrust under his waistcoat and wearing an old-fashioned wig: "This is what I call snug - vera little trouble." [11] 'A Secretary'. He writes busily in profile to the right at a davenport desk: "By my Sawl I care not how many Trades they make me sae that the Siller comes alang with them catch aw things is the rule in Scotland." [12] 'An Elder Brother of the Trinity House'. He stands in profile to the left, wearing a gown, bowing, cap in hand: "This concludes for the present my small portion of the Candle ends, and cheese parings" [cf. British Museum Satires No. 9038]."--British Museum online catalogue
Description:
Title etched below image., Signed in image with printmaker Isaac Cruikshank's initials in lower right corner., and Publisher's advertisement following imprint: Folio's caracatures lent out for the evening.
Publisher:
Published Feby. 5, 1798, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Government officials, College administrators, Documents, Academic costumes, Printing presses, Coins, Barrels, Writing materials, Desks, and Military uniforms
Title from item., Attribution to Newton from an unverified card catalog record., Publication date in the British Museum catalog: December 13th., Possibly earlier state of No. 9280 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Taxes: allusion to income tax -- Devil -- Demons.
Title from item., Plate numbered '83' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Bowles and Carver, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
Barrels, Drinking vessels, Intoxication, and Toasting
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue
Description:
Title etched below image., Variant state, with two additional stanzas of the song added on each side of the chorus lines. Cf. No. 9256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., 1 print : etching on wove paper, hand-colored ; sheet 29.5 x 34.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 78 of volume 4 of 14 volumes.
Publisher:
Pub. Octr. 20, 1798, at Ackermann's Gallery, No. 101 Strand
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue
Description:
Title etched below image., Variant state, with two additional stanzas of the song added on each side of the chorus lines. Cf. No. 9256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., and Mounted to 49 x 62 cm.
Publisher:
Pub. Octr. 20, 1798, at Ackermann's Gallery, No. 101 Strand
Plate [16] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Afred the Great sitting enthroned to right under an awning spread over tree branches, surrounded by knights, gesturing with clemency at Hastings' wife and children as he frees them, while a man in chains kneels in the right foreground, hiding his face; illustration to Bowyer's edition of Hume's 'History of England'."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on right and left sides., and Plate [16] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Titles from item, Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Sheet trimmed within plate mark at top., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Lewis Walpole prints 798.04.07.01: Publication date erased from the print and supplied in contemporary hand as "Apl. 7, 1798."
Publisher:
Pub. Apl. 7, 1798, by S.W. Fores, Piccadilly, corner of Sachville [sic] St.
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: prisons -- Leg irons -- Containers: jug -- Furniture: three-legged stool -- Bonnet rouge., and Watermark: Strasburg lily with date 1797 below.
Publisher:
Pubd. Octr. 4th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and O'Connor, Arthur, 1763-1852
BEIN BrSides 2019 323: On sheet 36.7 x 26.4 cm. Forms part of the Benjamin Franklin Collection., BEIN BrSides 2019 324: On sheet 35.4 x 24.8 cm. Forms part of the Benjamin Franklin Collection., Title from item., Sheet trimmed to plate mark at bottom., Companion prints : An emblem of England and An emblem of Wales, both published by Haines & Son in 1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 46 x 36 cm.
Publisher:
Published 4th Septr. 1798, by John Fairburn, 146 Minories, London
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 98.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 21.1 x 27.5 cm, on sheet 23.2 x 28.6 cm., and Mounted on leaf 79 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Troops, crowded in carts, &c, approach Portsmouth, where distant ships are at anchor. In the foreground are country carts drawn by soldiers at a gallop. Other soldiers are in and on a coach, the 'Portsmouth Fly'; a drum and fife are being played on the roof; large flags float from the windows. This is followed by officers in a perch phaeton. Young women take leave of soldiers. A drummer gallops on a donkey with a young bandsman in each pannier. In the middle distance, besides other vehicles, are two of the new four-horsed conveyances for soldiers, who sit as in an Irish jaunting-car, see BMSat 9238. In the foreground (right) is the corner of a small thatched ale-house, 'The Jolly Soldier'. An old soldier with a wooden leg sits fiddling at the door, while the host and his family wave farewell."--British Museum online catalogue
Alternative Title:
Instance of unexampled speed used by a body of guards
Description:
Title etched below image., Two lines of text below title: ... consisting of 1920 rank & file, besides officers, who on the 10th of June, 1798, left London ..., Sheet trimmed within plate mark., and Mounted on leaf 76 of volume 4 of 14 volumes.
Publisher:
Pubd. July 12, 1798 at Ackermann's Gallery, 101 Strand
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures lent for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Shopkeepers -- Male dress: Shopkeeper's dress -- Pets: Performing dogs., and Watermark: J. Whatman 1794.
Publisher:
Pubd. June 5th 1798 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Military uniforms, British, and Dogs
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Drunkards., and Watermark: J Taylor.
Portrait of Ann Countess Temple; as an older woman; half length face almost in profile to left; wearing frilled fichu and matching cap with a dark scarf around chin
Description:
Title etched below image., Engraved after a drawing by Hugh Douglas Hamilton, now in the National Portrait Gallery, London (NPG 246), that was kept by Horace Walpole in the Green Closet at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 75 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
Published by T. Kirgate
Subject (Name):
Chamber, Anna, Countess Temple, 1709-1777, and Strawberry Hill (Twickenham, London, England)
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
Plate [184] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; portrait medallions of Selden, Spelman, Cotton and Leland along a tomb, with one of Ashmole leaning at right, before a ruined arch and surrounding buildings, a mountain in the background, a pick and jug spilling gold in the foreground."--British Museum online catalogue
Alternative Title:
Antiquaries
Description:
Title from text within image., Sheet trimmed within plate mark., and Plate [184] in a volume bound to 50 cm.
Publisher:
Published 25 Feby. 1798, by R. Bowyer, Historic Gallery
Title from caption below image., Publisher's advertisement below title: Folio's of caracatures [sic] lent out for the evening., Design consists of thirteen figures in two rows, each with lines of text etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Purl -- Teapot.
Publisher:
Pubd. May 1, 1798, by S.W. Fores, No. 50, Piccadilly, corner of Sackville Street
Satire on the seditious toast given by the Duke of Norfolk at the birthday dinner in honor of Charles James Fox, January 24, 1798. See British Museum catalogue no. 9168
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Whigs -- Celebrations: birthdays -- Furniture: chairs -- Emblems: cap of liberty as bonnet rouge -- Pictures amplifying subject: portrait of William III -- Wine glasses -- Food: Norfolk dumplings -- Bible: quotation from Daniel, 5 -- Devil., Watermark: E & P 1794., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Feb. 12, 1798, by S.W. Fores, Corner of Sackville St., Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, and William III, King of England, 1650-1702
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Duels: Pitt & Tierney, May 27, 1798 -- Putney Heath -- Buildings: telegraphs -- British Lion -- Weapons: pistols -- Gibbets -- Allusion to execution of Abershaw, the highwayman., and Watermark: E & C T Russell 1797.
Publisher:
Pubd. May 26, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Tierney, George, 1761-1830, Melville, Henry Dundas, Viscount, 1742-1811, and Walpole, George, 1761-1830
Title etched below image., Printmaker from Grego., Seventh plate of 24 from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., Sheet trimmed within plate mark., and Mounted on leaf 14 of volume 5 of 14 volumes.
Publisher:
Published as the act directs, September 1, 1798, by H. Angelo, Curzon Steet, May Fair
"Bonaparte, burlesqued, stands, swaggering, with legs astride, head in profile to the left. In his right hand is a sabre, dripping blood, inscribed 'Egalité'; he holds out the scabbard (chained to his waist) in his left hand. Under his right foot is a torn paper headed 'Nelsons Victory over the Fleet of the Republic'. He wears an enormous cocked hat decorated with feathers, aigrette, tricolour cockade, and crescent. The skirts of his double-breasted military coat fly back, reaching to the ground behind; round his waist is a voluminous fringed sash, in which are thrust a pistol and a jewelled dagger. He declaims, the words in a large label which floats up to the upper margin: ""What? our Fleet captur'd & destroy'd by the Slaves of Britain? \ - "by my Sword & by holy Mahomet I swear eternal Vengeance! - yes, \ - "when I have subjected Egypt, subdued the Arabs, the Druses & the Maronites; \ "become master of Syria, - turn'd the great River Euphrates, & saild upon it through \ "the sandy Desarts; compel'd to my assitance [sic], the Bedouins, Tuscomans [sic], Kurds, \ "Armenians, & Persians; form'd a Million of Cavalry, & pass'd them upon Rafts \ "six or Seven Hundred Miles over the Bosphorus, I shall enter Constantinople - \ - "Now I enter the Theatre of Europe, I establish the Republic of Greece, \ "I raise Poland from its ruins, I make Prussia bend ye knee to France; - \ "I chain up the Russian Bear, I cut the Head from ye Imperial Eagle; \ "I drive the ferocious English from the Archipelago - I hunt them \ "from the Mediterranean, - & blot them out from the catalogue of \ "Nations! - Then shall the conquer'd Earth sue for Peace, \ "& an Obelisk be erected at Constantinople, inscribed \ "To Buanoparte [sic] Conqueror of the World, \ & extirpater of the \ English Nation."" A French dispatch rider, dismounted from a camel whose head is on the left, stands full-face, gaping at the general, hat in hand and with a bundle, 'les Dépéches, under his arm. Behind Bonaparte (right) is part of a tent, of oriental type but decorated with tricolour."--British Museum online catalogue
Description:
Title etched below image., One line of text below title: See Buonaparte's speech to the French Army at Cairo, publish'd by authority of the Directory in Volney's letters., Sheet trimmed within plate mark., and Temporary local subject terms: Victories: Reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Speeches: reference to Napoleon's speech at Cairo, 1798 -- Military: tents decorated with tricolors -- Camels -- French dispatch riders -- Literature: reference to Constantin François Chasseboeuf, Comte de Volney's (1757-1820) Letters.
Publisher:
Pubd. Decr. 8th, 1798, by H. Humphrey, 27 St. James Street
"Bonaparte, burlesqued, stands, swaggering, with legs astride, head in profile to the left. In his right hand is a sabre, dripping blood, inscribed 'Egalité'; he holds out the scabbard (chained to his waist) in his left hand. Under his right foot is a torn paper headed 'Nelsons Victory over the Fleet of the Republic'. He wears an enormous cocked hat decorated with feathers, aigrette, tricolour cockade, and crescent. The skirts of his double-breasted military coat fly back, reaching to the ground behind; round his waist is a voluminous fringed sash, in which are thrust a pistol and a jewelled dagger. He declaims, the words in a large label which floats up to the upper margin: ""What? our Fleet captur'd & destroy'd by the Slaves of Britain? \ - "by my Sword & by holy Mahomet I swear eternal Vengeance! - yes, \ - "when I have subjected Egypt, subdued the Arabs, the Druses & the Maronites; \ "become master of Syria, - turn'd the great River Euphrates, & saild upon it through \ "the sandy Desarts; compel'd to my assitance [sic], the Bedouins, Tuscomans [sic], Kurds, \ "Armenians, & Persians; form'd a Million of Cavalry, & pass'd them upon Rafts \ "six or Seven Hundred Miles over the Bosphorus, I shall enter Constantinople - \ - "Now I enter the Theatre of Europe, I establish the Republic of Greece, \ "I raise Poland from its ruins, I make Prussia bend ye knee to France; - \ "I chain up the Russian Bear, I cut the Head from ye Imperial Eagle; \ "I drive the ferocious English from the Archipelago - I hunt them \ "from the Mediterranean, - & blot them out from the catalogue of \ "Nations! - Then shall the conquer'd Earth sue for Peace, \ "& an Obelisk be erected at Constantinople, inscribed \ "To Buanoparte [sic] Conqueror of the World, \ & extirpater of the \ English Nation."" A French dispatch rider, dismounted from a camel whose head is on the left, stands full-face, gaping at the general, hat in hand and with a bundle, 'les Dépéches, under his arm. Behind Bonaparte (right) is part of a tent, of oriental type but decorated with tricolour."--British Museum online catalogue
Description:
Title etched below image., One line of text below title: See Buonaparte's speech to the French Army at Cairo, publish'd by authority of the Directory in Volney's letters., Sheet trimmed within plate mark., Temporary local subject terms: Victories: Reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Speeches: reference to Napoleon's speech at Cairo, 1798 -- Military: tents decorated with tricolors -- Camels -- French dispatch riders -- Literature: reference to Constantin François Chasseboeuf, Comte de Volney's (1757-1820) Letters., 1 print : etching on wove paper, hand-colored ; plate mark 35.1 x 26.1 cm, on sheet 40.0 x 28.7 cm., and Mounted on leaf 77 of volume 4 of 12.
Publisher:
Pubd. Decr. 8th, 1798, by H. Humphrey, 27 St. James Street
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Description:
Title etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Copy., and On page 107 in volume 2.
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Three columns of verse below title: Did you ever hear of Captain Wattle, / He was all for love and a little for the bottle ..., Plate numbered '214' in lower left corner., Temporary local subject terms: Furniture: chairs -- Maps: wall-map of England -- Naval uniforms: officer's uniform., and Watermark: 1811.
Publisher:
Published 4th April 1798 by Laurie & Whittle, 53 Fleet Street, London
Title in letterpress, with engraved borders., Admission ticket for a benefit performance held for the dramatist James Cawdell who retired after a fall during a performance in 1797., and Possibly by Thomas Bewick.
Title from item., Attributed to Ansell in British Museum catalogue., Sheet trimmed within plate mark., Two lines of verse below title: Poor pilgrims blithe and jolly, in penance for past folly., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: -- Vagabonds -- Trades: rope making -- Scourges -- Leg irons -- Bonnets rouges -- Tools: mallets., and Watermark: Strasburg bend with initials E & P below.
Publisher:
Pubd. Novr. 20th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Norfolk, Charles Howard, Duke of, 1746-1815
A view of the chimney piece in the Round Room at Strawberry Hill, Twickenham, shown with vases on the mantel and andirons
Description:
Title etched below image., Numbered in upper right corner: "Vol. II. P. 468"., First state of the plate, without volume and page numbering, engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., and Plate from: The works of Horatio Walpole, Earl of Orford. London: Printed for G.G. and J. Robinson, 1798, vol. ii.
Publisher:
G.G. and J. Robinson
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Andirons, Chimneypieces, Mantels, Urns, and Vases
"A consultation of doctors in a gouty patient's bedroom. Three doctors inspect the patient, two others in the background take refreshment attended by a servant. The nurse sleeps in a chair."--British Museum online catalogue
Description:
Title etched below image., First plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local Medical Library subject terms: Consultation.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Pulse, Physicians, Servants, Eating & drinking, and Obesity
Title etched below image., Eleventh plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Health resorts, Dinners and dining, Gout, Wheelchairs, and Eating & drinking
"Gouty persons falling down or toiling up a steep, rough hill below the Crescent."--British Museum online catalogue
Description:
Title etched below image., Twelfth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Accidents, Hills, Falling, Crutches, Dogs, and Carriages & coaches
Title etched below image., Third plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Hydrotherapy, Gout, Health resorts, Interiors, Water pumps, Drinking vessels, Wheelchairs, and Crutches
Title etched below image., Fifth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Horseback riding, Carriages & coaches, Crutches, Military uniforms, and British
Title etched below image., Sixth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Painters (Artists), Artists' materials, Courtship, Couples, Kissing, Military uniforms, and British
Title etched below image., Eighth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Interiors, Games, Card games, Wheelchairs, Crutches, Military uniforms, British, Bowing, and Courtship
Title etched below image., Attributed to Rowlandson by Grego., Second plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local Medical Library subject terms: Health spas.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Health resorts, Music, Concerts, Audiences, Musicians, Singers, Obesity, and Sleeping
"A fish-stall; the gouty patient, in a Bath chair, makes purchases."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Fourth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Wheelchairs, and Fishmongers
"In the bath; men and women fully dressed and half immersed."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Seventh plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Hot springs, Gout, Health resorts, Hydrotherapy, Springs, and Bathing
"Gouty gourmands at dinner."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Ninth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Wheelchairs, Crutches, Dining tables, and Eating & drinking
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue
Alternative Title:
We explain de rights of man to de noblesse. Scene, the House of Lords
Description:
Title from text etched above and below image., "Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., Temporary local subject terms: Threat of French invasion -- Interior of House of Lords -- Allusion to Spanish Armada -- Cap of Liberty -- Strangling Turkish bowstrings -- Bayoneted guns with screws -- Military: French soldiers -- French navy officers -- French naval uniforms -- French military uniforms -- Mute Turks -- Theft of maces -- Ships: Galleons -- Ladders -- Thrones -- Tapestries -- Pikes -- Busts -- Guillotines -- Propaganda -- Swords -- Pictures amplifying subject -- Torches., 1 print : etching with engraving on wove paper, hand-colored ; plate mark 35.0 x 40.5 cm, on sheet 38.0 x 42.6 cm., Price has been completely erased from sheet., On the verso is another impression in red ink of the same print., and Mounted on leaf 36 of volume 4 of 12.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Felton, John, 1595?-1628., Damiens, Robert François, 1715-1757., and Ravaillac, François, 1578-1610.
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue
Alternative Title:
We explain de rights of man to de noblesse. Scene, the House of Lords
Description:
Title from text etched above and below image., "Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., Temporary local subject terms: Threat of French invasion -- Interior of House of Lords -- Allusion to Spanish Armada -- Cap of Liberty -- Strangling Turkish bowstrings -- Bayoneted guns with screws -- Military: French soldiers -- French navy officers -- French naval uniforms -- French military uniforms -- Mute Turks -- Theft of maces -- Ships: Galleons -- Ladders -- Thrones -- Tapestries -- Pikes -- Busts -- Guillotines -- Propaganda -- Swords -- Pictures amplifying subject -- Torches., 1 print on wove paper : etching with engraving in red ink ; sheet 35.1 x 40.5 cm., Imperfect; sheet trimmed to plate mark., Numbered in ms. in right margin: 248., and Partial watermark.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Felton, John, 1595?-1628., Damiens, Robert François, 1715-1757., and Ravaillac, François, 1578-1610.
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue
Alternative Title:
We explain de rights of man to de noblesse. Scene, the House of Lords
Description:
Title from text etched above and below image., "Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., Temporary local subject terms: Threat of French invasion -- Interior of House of Lords -- Allusion to Spanish Armada -- Cap of Liberty -- Strangling Turkish bowstrings -- Bayoneted guns with screws -- Military: French soldiers -- French navy officers -- French naval uniforms -- French military uniforms -- Mute Turks -- Theft of maces -- Ships: Galleons -- Ladders -- Thrones -- Tapestries -- Pikes -- Busts -- Guillotines -- Propaganda -- Swords -- Pictures amplifying subject -- Torches., and Watermark: 1794 J. Whatman.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Felton, John, 1595?-1628., Damiens, Robert François, 1715-1757., and Ravaillac, François, 1578-1610.
"Under the title, and from a separate plate, is etched in three columns: 'Description. - One French Soldier putting Hand-cuffs, and another Fetters on the Speaker, whose Mouth is gagged with a Drumstick. The rest of the Members [left], two & two, tied together by the Arms with cords, (Mr Pitt & Mr Dundas by the Leg with an Iron Chain, which has three Padlocks, but the Key-holes spiked up). They are all, dressed in the Uniform of the Convicts of Botany-Bay, to wit, Coats of two Colours, long Breeches [i.e. trousers], no Stockings, & their Heads close shaved; French Guards opposite to the Members, with their Hats on; one of whom carries an Axe, & a Blazon of a Death's Head on his Breast. Two Clerks near him with their Pens in their Ears, hanging their Heads [tied back to back]. Republicans in the Galleries waving their Hats, in which are triple-colour'd Cockades, & clapping their Hands. An English Blacksmith [right], in his Waistcoat & Cap of Liberty, breaking ye Mace in pieces with a fore Hammer, the Statutes tumbled on the Floor, the Cap of Liberty [inscribed 'Egalité'] raised high behind the Speaker's Chair, below which is painted in Capital Letters, " This House adjourned to Botany Bay - sine die." The Chaffers and burning Charcoal continuing to stand in their present places in the House, but filled with red-hot Irons, to sear One Cheek of the Members before they set off; & the Other, if they shall be found Guilty, by the Verdict of a French Jury, of returning to their own Country without Leave of the French Directory in Writing. An English Cobler in the Cap of Liberty, blowing with a Bellows one of the Chaffers the Fuel, the Journals of the House.' [Dalrymple, op. cit. inf., pp. 1-2.] The Speaker holds in his mouth a drum-stick, at each end of which is a bow of parti-coloured ribbon, adding a touch of burlesque. The table lies on its side on the ground and on the heavy cloth lie papers, ink-stand, books: 'Journals of the House' (torn), 'Declaration of Rights', 'Hanover Succession', 'Claim of Rights', 'Magna Charta'. The chained members are on the Ministerial side of the House only, the Opposition side is filled with fierce-looking French soldiers, cavalry (wearing plumed helmets) with drawn sabres, infantry (wearing cocked hats) with fixed bayonets. All have daggers in their belts, except their officer, apparently Bonaparte, who has two pistols in his sash, his hand resting on the hilt of his sword. Pitt and Dundas, chained back to back, stand slightly apart from the other members, guarded by a ruffian with axe and 'blazon' of skull and cross-bones. Three members are chained together by the front bench (left to right): Wilberforce, [?] Lord Mulgrave, Windham. The cobbler and the blacksmith are Fox and Sheridan, much caricatured and scarcely recognizable. [See Dalrymple's prospectus: 'Consequences of the French Invasion', p. vi. He charged Gillray 'not to introduce a single Caricature, or indulge a single sally that could give pain to a British Subject. I had little Occasion to repeat the Advice, for he is a Man of Genius; and, like all such Men, is fair and human'. Dalrymple wrote to Gillray: 'I beg you will not impute what I am going to mention to any Breach of my promise not to interfere in any of the prints. But I confess I wish that the Gag was out of the Speaker's Mouth. It may hurt his feelings as a Gentleman . . .' (n.d.). B.M. Add. 27337, fo. 20. The gag was Dalrymple's idea.]."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. I, plate 1st and "We come to recover your long lost liberties." Scene, the House of Commons
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price, 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. One French soldier putting hand-cuffs, and another fetters on the Speaker, whose mouth is gagged ..., Temporary local subject terms: Literature: Allusion to Consequences of the French invasion, by Sir John Dalrymple -- Uniforms: Convicts of Botany Bay -- Musical instruments: Drumstick as a gag -- Interior of House of Commons -- Threat of French invasion -- Propaganda -- Declaration of rights -- Hanover succession -- Journals of the House -- Blazons: Death's head -- Branding irons -- Allusion to Botany Bay -- Clerks -- Cap of Liberty -- Blacksmiths -- Bellows -- Chafers -- Maces -- Magna Charta -- Fore hammers -- Statutes -- Cobblers -- French Republicans -- Speaker of the House -- Military: French soldiers., With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., 2 prints on 1 sheet : etching with engraving on wove paper, hand-colored ; plate mark 26.3 x 36.4 cm and plate mark 5.8 x 36.3 cm, on sheet 36.1 x 40.5 cm., Price has been completely erased from sheet., On the verso is an impression in red ink of an earlier state of the same print., and Mounted on leaf 35 of volume 4 of 12.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Napoleon I, Emperor of the French, 1769-1821, Wilberforce, William, 1759-1833, Mulgrave, Henry Phipps, Earl of, 1755-1831, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Under the title, and from a separate plate, is etched in three columns: 'Description. - One French Soldier putting Hand-cuffs, and another Fetters on the Speaker, whose Mouth is gagged with a Drumstick. The rest of the Members [left], two & two, tied together by the Arms with cords, (Mr Pitt & Mr Dundas by the Leg with an Iron Chain, which has three Padlocks, but the Key-holes spiked up). They are all, dressed in the Uniform of the Convicts of Botany-Bay, to wit, Coats of two Colours, long Breeches [i.e. trousers], no Stockings, & their Heads close shaved; French Guards opposite to the Members, with their Hats on; one of whom carries an Axe, & a Blazon of a Death's Head on his Breast. Two Clerks near him with their Pens in their Ears, hanging their Heads [tied back to back]. Republicans in the Galleries waving their Hats, in which are triple-colour'd Cockades, & clapping their Hands. An English Blacksmith [right], in his Waistcoat & Cap of Liberty, breaking ye Mace in pieces with a fore Hammer, the Statutes tumbled on the Floor, the Cap of Liberty [inscribed 'Egalité'] raised high behind the Speaker's Chair, below which is painted in Capital Letters, " This House adjourned to Botany Bay - sine die." The Chaffers and burning Charcoal continuing to stand in their present places in the House, but filled with red-hot Irons, to sear One Cheek of the Members before they set off; & the Other, if they shall be found Guilty, by the Verdict of a French Jury, of returning to their own Country without Leave of the French Directory in Writing. An English Cobler in the Cap of Liberty, blowing with a Bellows one of the Chaffers the Fuel, the Journals of the House.' [Dalrymple, op. cit. inf., pp. 1-2.] The Speaker holds in his mouth a drum-stick, at each end of which is a bow of parti-coloured ribbon, adding a touch of burlesque. The table lies on its side on the ground and on the heavy cloth lie papers, ink-stand, books: 'Journals of the House' (torn), 'Declaration of Rights', 'Hanover Succession', 'Claim of Rights', 'Magna Charta'. The chained members are on the Ministerial side of the House only, the Opposition side is filled with fierce-looking French soldiers, cavalry (wearing plumed helmets) with drawn sabres, infantry (wearing cocked hats) with fixed bayonets. All have daggers in their belts, except their officer, apparently Bonaparte, who has two pistols in his sash, his hand resting on the hilt of his sword. Pitt and Dundas, chained back to back, stand slightly apart from the other members, guarded by a ruffian with axe and 'blazon' of skull and cross-bones. Three members are chained together by the front bench (left to right): Wilberforce, [?] Lord Mulgrave, Windham. The cobbler and the blacksmith are Fox and Sheridan, much caricatured and scarcely recognizable. [See Dalrymple's prospectus: 'Consequences of the French Invasion', p. vi. He charged Gillray 'not to introduce a single Caricature, or indulge a single sally that could give pain to a British Subject. I had little Occasion to repeat the Advice, for he is a Man of Genius; and, like all such Men, is fair and human'. Dalrymple wrote to Gillray: 'I beg you will not impute what I am going to mention to any Breach of my promise not to interfere in any of the prints. But I confess I wish that the Gag was out of the Speaker's Mouth. It may hurt his feelings as a Gentleman . . .' (n.d.). B.M. Add. 27337, fo. 20. The gag was Dalrymple's idea.]."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. I, plate 1st and "We come to recover your long lost liberties." Scene, the House of Commons
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price, 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. One French soldier putting hand-cuffs, and another fetters on the Speaker, whose mouth is gagged ..., Temporary local subject terms: Literature: Allusion to Consequences of the French invasion, by Sir John Dalrymple -- Uniforms: Convicts of Botany Bay -- Musical instruments: Drumstick as a gag -- Interior of House of Commons -- Threat of French invasion -- Propaganda -- Declaration of rights -- Hanover succession -- Journals of the House -- Blazons: Death's head -- Branding irons -- Allusion to Botany Bay -- Clerks -- Cap of Liberty -- Blacksmiths -- Bellows -- Chafers -- Maces -- Magna Charta -- Fore hammers -- Statutes -- Cobblers -- French Republicans -- Speaker of the House -- Military: French soldiers., With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Napoleon I, Emperor of the French, 1769-1821, Wilberforce, William, 1759-1833, Mulgrave, Henry Phipps, Earl of, 1755-1831, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Beneath the title: 'Description. A Priest driven out of his Chapel, A French Soldier trampling on Crucifixes & Mitres, another kicking the Priest, a Gracefull Old Man; & a third stabbing him with a Dagger behind: A "Membre de la haute Cour de Justice" (in English a Member of the high Court of Justice, in his habit of Office, who has learnt to speak the English Language well, by going much to the Play-House, (having been long a Player himself,) says in the words of Othello - "Good, \ "very Good, the Justice, of it pleases, even on the \ "Stage of his own Imposition," - and it is \ "thus, that, the Gratitude of the French Republic "always pays Three Favours for One." - ' [Dalrymple, op. cit., p. 37.] Two ferocious soldiers wearing jack-boots pull and push the priest (in lace-trimmed cotta) from the door of a gothic church (right). A third jumps on a Bible and crucifix, part of a pile of crosier, mitre, chalice, censer (still burning), &c. On the cross which surmounts the door is a Phrygian cap of 'Liberté'. From a niche inscribed 'Ecce Homo' a crucifix has been torn, leaving only a crown of thorns and a skull and cross-bones. In the corresponding niche is a headless figure of 'Santè Marie', clasping a headless infant, burlesqued (in Gillray's manner when dealing with emblems of 'Popery', cf. BMSat 6026). On the left the 'Member of the high-court' walks past with folded arms, looking sideways with a sinister glare at the outrage. He wears the draperies and cap of BMSat 9209."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. VI, plate 1st and We fly on the wings of the wind to save the Irish Catholics from persecution. Scene, the front of a popish chapel
Description:
Title from text etched above and below image., "Price 6 d. Colourd. 1 sh. / 8 d.", Three columns of text below image: Description. A priest driven out of his chapel, a French soldier trampling on crucifixes & mitres ..., Temporary local subject terms: Threatened persecution of Irish Catholics -- French government: Member of the high court of justice -- Literature: Quotation from Consequences of the French invasion, by Sir John Dalrymple, p. 37 -- Altered quotation from Shakespeare's Othello, IV, 1. 222 -- Burlesqued, headless St. Mary -- Clergy: Irish Roman Catholic priest -- Pillaged Irish Catholic church -- Bayoneted guns -- French iconoclasts -- Gothic church -- Irish catholics -- Phyrgian Cap of Liberty -- Crucifixes -- Military: French soldiers -- Bible -- Censers -- Mitres -- Crosiers -- Cups: Chalice -- Threat of French invasion., With: Gillray, J. Consequences of a successfull French invasion. No. I, plate 1st: "We come to recover your long lost liberties." Scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., 1 print : etching with engraving on wove paper, hand-colored ; sheet 34.6 x 43.2 cm., Sheet trimmed within plate mark on top and bottom edges., Price has been completely erased from sheet., Impression in red ink of a different print on verso: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Mounted on leaf 38 of volume 4 of 12.
Publisher:
Pubd. March 6th, 1798, by Js. Gillray, 27 St. James's Street
"Beneath the title: 'Description. A Priest driven out of his Chapel, A French Soldier trampling on Crucifixes & Mitres, another kicking the Priest, a Gracefull Old Man; & a third stabbing him with a Dagger behind: A "Membre de la haute Cour de Justice" (in English a Member of the high Court of Justice, in his habit of Office, who has learnt to speak the English Language well, by going much to the Play-House, (having been long a Player himself,) says in the words of Othello - "Good, \ "very Good, the Justice, of it pleases, even on the \ "Stage of his own Imposition," - and it is \ "thus, that, the Gratitude of the French Republic "always pays Three Favours for One." - ' [Dalrymple, op. cit., p. 37.] Two ferocious soldiers wearing jack-boots pull and push the priest (in lace-trimmed cotta) from the door of a gothic church (right). A third jumps on a Bible and crucifix, part of a pile of crosier, mitre, chalice, censer (still burning), &c. On the cross which surmounts the door is a Phrygian cap of 'Liberté'. From a niche inscribed 'Ecce Homo' a crucifix has been torn, leaving only a crown of thorns and a skull and cross-bones. In the corresponding niche is a headless figure of 'Santè Marie', clasping a headless infant, burlesqued (in Gillray's manner when dealing with emblems of 'Popery', cf. BMSat 6026). On the left the 'Member of the high-court' walks past with folded arms, looking sideways with a sinister glare at the outrage. He wears the draperies and cap of BMSat 9209."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. VI, plate 1st and We fly on the wings of the wind to save the Irish Catholics from persecution. Scene, the front of a popish chapel
Description:
Title from text etched above and below image., "Price 6 d. Colourd. 1 sh. / 8 d.", Three columns of text below image: Description. A priest driven out of his chapel, a French soldier trampling on crucifixes & mitres ..., Temporary local subject terms: Threatened persecution of Irish Catholics -- French government: Member of the high court of justice -- Literature: Quotation from Consequences of the French invasion, by Sir John Dalrymple, p. 37 -- Altered quotation from Shakespeare's Othello, IV, 1. 222 -- Burlesqued, headless St. Mary -- Clergy: Irish Roman Catholic priest -- Pillaged Irish Catholic church -- Bayoneted guns -- French iconoclasts -- Gothic church -- Irish catholics -- Phyrgian Cap of Liberty -- Crucifixes -- Military: French soldiers -- Bible -- Censers -- Mitres -- Crosiers -- Cups: Chalice -- Threat of French invasion., With: Gillray, J. Consequences of a successfull French invasion. No. I, plate 1st: "We come to recover your long lost liberties." Scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794 J. Whatman.
Publisher:
Pubd. March 6th, 1798, by Js. Gillray, 27 St. James's Street
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue
Alternative Title:
Consequences of a successfull Frenh invasion, Consequences of a successfull French invasion, Consequences of a successful Frenh invasion, Consequences of a successful French invasion, and Me teach de English republicans to work. Scene, a ploughed field
Description:
Title from text etched above and below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. A row of English people in tatters and wooden shoes, hoeing a field of garlic ..., Sheet trimmed to plate mark on upper edge., Temporary local subject terms: Allusion to Duncan, Adam, viscount, 1731-1804 -- Allusion to St. Vincent, John Jervis, 1st earl, 1734-1823 -- Allusion to Watson, Richard, 1737-1816 -- Farming equipment: Plough -- Hoes -- French costume: Hoe driver -- French uniforms: Messenger of State -- Threat of French invasion -- Songs: 'Oh, England, England!' -- Literature: Allusion to Address to the people of Great Britain, by Richard Watson -- Frenchmen -- Farms -- Soup maigre -- Goads -- Caldrons -- Navy: Sailors -- French hoe drivers -- John Bull -- Wooden shoes -- Propaganda -- Husbandmen -- Clergy: Curate -- Hoers -- Whips: Postilion -- Food: Garlic -- Turnips., With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., 2 prints on 1 sheet : etching with engraving on wove paper, hand-colored ; plate mark 30.6 x 39.7 cm and plate mark 10.7 and 39.9 cm, on sheet 43.0 x 42.5 cm., Price has been completely erased from sheet., On the verso is an impression in red ink of an earlier state of the same print., and Mounted on leaf 37 of volume 4 of 12.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue
Alternative Title:
Consequences of a successfull Frenh invasion, Consequences of a successfull French invasion, Consequences of a successful Frenh invasion, Consequences of a successful French invasion, and Me teach de English republicans to work. Scene, a ploughed field
Description:
Title from text etched above and below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. A row of English people in tatters and wooden shoes, hoeing a field of garlic ..., Sheet trimmed to plate mark on upper edge., Temporary local subject terms: Allusion to Duncan, Adam, viscount, 1731-1804 -- Allusion to St. Vincent, John Jervis, 1st earl, 1734-1823 -- Allusion to Watson, Richard, 1737-1816 -- Farming equipment: Plough -- Hoes -- French costume: Hoe driver -- French uniforms: Messenger of State -- Threat of French invasion -- Songs: 'Oh, England, England!' -- Literature: Allusion to Address to the people of Great Britain, by Richard Watson -- Frenchmen -- Farms -- Soup maigre -- Goads -- Caldrons -- Navy: Sailors -- French hoe drivers -- John Bull -- Wooden shoes -- Propaganda -- Husbandmen -- Clergy: Curate -- Hoers -- Whips: Postilion -- Food: Garlic -- Turnips., With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794 J. Whatman.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
Title from item., Four lines of text below title: Ah, how do neighbour? -- Why, not very well, I've been married since I saw you last. -- Married! Thats [sic] good news indeed. ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Men -- Walking staves -- Conversations.
"Satire on William Kent's altarpiece at St Clement Danes; a group of five angels playing musical instruments; the dove of the Holy Ghost above, surrounded by seven heads of putti. Keyed A-K in image with text below."--British Museum online catalogue
Alternative Title:
Copy of Kent's altarpiece and This print is exactly engraved after the celebrated altar-piece
Description:
Title from text above image., Caption below image: "This Print is exactly engraved after the celebrated Altar-piece in St. Clements Church which has been taken down by Order of the Lord Bishop of London (as 'tis thought) to prevent disputes, & laying of wagers, among the Parishioners about the Artists meaning in it ... 2 Smaller Angels as appears by the wings.", Numbered at the top right: Page 18., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 63., On page 23 in volume 1., and Ms. note in Steevens's hand above print: Copy: From John Ireland's Hogarth Illustrated.
Erskine stands directed to the left, gazing straight before him; in his right hand is a sheet covered with repetitions of 'i' and 'me', and ending 'iiiiii me me me'. He wears counsellor's wig and gown, and bands. Above his head is a cap of Liberty with tricolour cockade. There is a background of low clouds
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v. 1, page 355., Sheet trimmed within plate mark., 1 print : etching & stipple engraving on wove paper, hand-colored ; plate mark 19.2 x 12.6 cm, on sheet 21.4 x 14.4 cm., and Mounted on leaf 68 of volume 9 of 12.
Publisher:
Publishd. Octr. 1st, 1798, by J. Wright, No. 169 Piccadilly, London
Erskine stands directed to the left, gazing straight before him; in his right hand is a sheet covered with repetitions of 'i' and 'me', and ending 'iiiiii me me me'. He wears counsellor's wig and gown, and bands. Above his head is a cap of Liberty with tricolour cockade. There is a background of low clouds
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v. 1, page 355., and Sheet trimmed within plate mark.
Publisher:
Publishd. Octr. 1st, 1798, by J. Wright, No. 169 Piccadilly, London
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming."--British Museum online catalogue
Description:
Title engraved below image., Quote below title: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch. 4. V. 1"., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2896., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.2.
Publisher:
Published by G.G. & J. Robinsons Pater-noster Row
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
Copy of Hogarth print: The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming
Description:
Title etched below image., Text above image: Present state of the plate in the possession of Messrs. Boydell., "Page 233"--Upper right corner., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 232., Quotation below title: Believe not every spirit but try the spirits whether they are of God because many false prophets are gone out into the world. 1 John Ch. 4. V.1., Sheet trimmed to plate mark., Reduced copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1787, Reduced copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210, and On page 191 in volume 2.
Title etched below image., Fourteenth plate of 24 from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., and Mounted on leaf 21 of volume 5 of 14 volumes.
Publisher:
Publish'd Septr. 1, 1798, by H. Angelo, Curzon Street, May Fair
Title etched below image., Publication information based on other plates in the same series., Twelfth plate of 24 from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., Sheet trimmed within plate mark with possible loss of imprint., and Mounted on leaf 19 of volume 5 of 14 volumes.
Title etched below image., Publication information based on similar plate in the same series., Seventeenth of 24 plates from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., Sheet trimmed to within plate mark with possible loss of imprint., and Mounted on leaf 24 of volume 5 of 14 volumes.
Title etched below image., Publication information based on similar plates in the same series., Fifteenth of 24 plates from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., Sheet trimmed within plate mark with possible loss of imprint., and Mounted on leaf 22 of volume 5 of 14 volumes.
Title etched below image., Thirteenth plate of 24 from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., and Mounted on leaf 20 of volume 5 of 14 volumes.
Publisher:
Publish'd Septr. 1, 1798, by H. Angelo, Curzon Street, May Fair
Title etched below image., Publication information based on similar plates in the same series., Sixteenth of 24 plates from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., Sheet trimmed within plate mark with possible loss of imprint., and Mounted on leaf 23 of volume 5 of 14 volumes.
"The Colossus, emblem of French revolutionary bloodshed and aggression (and perhaps intended for Bonaparte), strides from Egypt (right), where the left foot rests on Pyramids, to 'France', where the right foot tramples on the 'Holy Bible' and a cross. Beneath the Bible lie the dismantled scales of justice. Above, an arm and the shield of Britannia emerge from dark clouds; in the hand is a sheaf of thunderbolts which smites the Colossus, striking off its head, a skull in which serpents twine; from this drops a bonnet-rouge in the form of a fool's cap. The arms and legs of the Colossus have also been broken, so that the figure is on the point of collapse. The severed right hand rests on a guillotine, inscribed 'Fraternité'. The decollated head of Louis XVI [see BMSat 8297, &c] hangs by the hair from the figure's neck. From the left hand drops an open book: 'Religion de la Nature [cf. BMSats 8350, 9240] Injustice Oppression Murder Destruction'. The figure wears only a tricolour sash and belt in which are a pistol and a bloody dagger. Its hands and feet are dyed with blood above the wrists and ankles. Tricolour flags inscribed with names decorate the landscape, showing the extent of French depredations: 'Malta' in the channel immediately under the Colossus; 'Spain' (left) behind 'France'; 'Holland', with windmills; 'Switzerland' backed by rocky mountains; 'Rome' with the dome of St. Peter's. ..."--British Museum online catalogue
Alternative Title:
Destruction of the French colossus
Description:
Title etched below image., Two lines of quoted text below title: "Shall the works of a wicked nation remain? Shall the monuments of oppression not be destroyed? ...", Sheet trimmed within plate mark., and Temporary local subject terms: Victories: Reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Colossus -- France -- Holland -- Spain -- Rome -- Egypt -- Guillotine -- Thunderbolts.
Publisher:
Pubd. Novr. 1st, 1798, by H. Humphrey, 27 St. Jamess [sic] Street, London
"The Colossus, emblem of French revolutionary bloodshed and aggression (and perhaps intended for Bonaparte), strides from Egypt (right), where the left foot rests on Pyramids, to 'France', where the right foot tramples on the 'Holy Bible' and a cross. Beneath the Bible lie the dismantled scales of justice. Above, an arm and the shield of Britannia emerge from dark clouds; in the hand is a sheaf of thunderbolts which smites the Colossus, striking off its head, a skull in which serpents twine; from this drops a bonnet-rouge in the form of a fool's cap. The arms and legs of the Colossus have also been broken, so that the figure is on the point of collapse. The severed right hand rests on a guillotine, inscribed 'Fraternité'. The decollated head of Louis XVI [see BMSat 8297, &c] hangs by the hair from the figure's neck. From the left hand drops an open book: 'Religion de la Nature [cf. BMSats 8350, 9240] Injustice Oppression Murder Destruction'. The figure wears only a tricolour sash and belt in which are a pistol and a bloody dagger. Its hands and feet are dyed with blood above the wrists and ankles. Tricolour flags inscribed with names decorate the landscape, showing the extent of French depredations: 'Malta' in the channel immediately under the Colossus; 'Spain' (left) behind 'France'; 'Holland', with windmills; 'Switzerland' backed by rocky mountains; 'Rome' with the dome of St. Peter's. ..."--British Museum online catalogue
Alternative Title:
Destruction of the French colossus
Description:
Title etched below image., Two lines of quoted text below title: "Shall the works of a wicked nation remain? Shall the monuments of oppression not be destroyed? ...", Sheet trimmed within plate mark., Temporary local subject terms: Victories: Reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Colossus -- France -- Holland -- Spain -- Rome -- Egypt -- Guillotine -- Thunderbolts., 1 print : etching on wove paper, hand-colored ; plate mark 36.0 x 25.9 cm, on sheet 40.7 x 31.8 cm., Watermark: 1794., and Mounted on leaf 70 of volume 4 of 12.
Publisher:
Pubd. Novr. 1st, 1798, by H. Humphrey, 27 St. Jamess [sic] Street, London
Title etched below image., Sheet trimmed to and within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Bath: Master of the Ceremonies -- Benefit balls.
Title from item., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Unaccompanied melody., and Song in six stanzas, printed below title. The first stanza printed with music, the following five without music in three columns below.
Publisher:
Published 4th October 1798 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '48' in lower right corner., Song in six stanzas, printed below title. The first stanza printed with music, the following five without music in three columns below., and Temporary local subject terms: Skulls -- Taxidermy -- Hour-glasses -- Puns.
Publisher:
Published 4th October 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Musical notation, Pregnancy, Shoemakers, Shoemaking, Stores & shops, and Wigs
Title from letterpress text below image., Questionable attribution to R. Newton from unverified data in local card catalog record., Imprint etched on plate, within image: [...?] W. Holland, No. 50 Oxford St., Novbr. 20th, 1798., Publisher's advertisement below letterpress imprint: Of whom may be had Jacky Lloyd and Anna Davis., Seventeen stanzas of verse in letterpress below image: A doctor so prim, and a sempstress so tight, hob-a-nobb'd in some right marosquin ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Physicians -- Wedding feasts -- Lighting: Candles -- Dining rooms -- Tankards -- Literature: 'Alonzo the brave and the fair Imogine,' by Matthew Gregory Lewis -- Furniture: China -- Pictures -- Medicine: Bottles -- Animals: Cats., and Watermark: E & P 1794.
Publisher:
Published by William Holland, No. 50, Oxford-Street
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., and Temporary local subject terms: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., Temporary local subject terms: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys., and 1 print on wove paper : mixed method ; sheet 26 x 36 cm., mounted to 31 x 41 cm.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., Temporary local subject terms: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys., 1 print : mixed method on wove paper ; plate mark 26.3 x 36.1 cm, on sheet 30.0 x 42.8 cm., Watermark, partially trimmed: 1794 J. Whatman., and Mounted on leaf 71 of volume 4 of 12.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '224' in lower left corner., Two columns of the first stanza of the song printed below title: Drink to me only with thine eyes, And I will pledge with mine ..., From Laurie and Whittle series of drolls., and Temporary local subject terms: Glass: decanters -- Female dress: fans -- Pictures amplifying subject: Cupid -- Furniture: slip-covered chairs -- Furnishings: carpet -- Literature: To Celia, by Ben Johnson (1572-1637).
Publisher:
Published 4th Jany. 1799 by Laurie & Whittle, 53 Fleet Street, London
"The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, Pitt, beating a drum, the other (? Windham) playing a fife. On his back is a placard: 'Washington \ 2000 Men \ make the \ Application. \ Champion of \ Liberty. \ Sovereign \ Majesty. \ People & &.' In front of him Dundas marches stiffly, holding a pike; he wears tartan with a plaid and feathered hat, with advocate's wig and bands. In the background (left) are two spectators: Fox, full-face, his handkerchief to his eye, and Sheridan, turning towards him with a monitory forefinger. From a window on the extreme right looks the King, a telescope to his eye, saying: "Drum away, Billy!! I wish they were all drummd out!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Grenadiers' uniform -- Spying glasses -- Drummers -- Signs: placards.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Engraved title page with vignette from: The poetical works of John Dryden . London : Printed for C. Cooke, and sold by all the booksellers in Great-Britain and Ireland, [1798]., Below image: vide Cock and Fox, vol. III, page 154, line 579., and Temporary local subject terms: Literature: Cock and Fox by John Dryden -- Buildings: cottages.
Plate [167] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vice-Admiral the Earl of Sandwich, seated with sword in hand, refusing to abandon ship; smoke obscuring falling mast behind him."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [167] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
"View of the Gothic mansion with pinnacles on the battlemented roof and pointed arched windows, seen across the lawn to the right, surrounded by trees, with others to the left and two men in the left foreground, one sweeping the lawn, the other guiding a horse which draws a roller."--British Museum online catalogue
Description:
Title etched below image., Printmaker unidentified; after a drawing by Paul Sandby., Later state of the plate, with volume and page numbering added in upper right corner. Plate originally engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Plate from: The Works of Horatio Walpole, Earl of Orford. London : Printed for G.G and J. Robinson, 1798, v. 2., Numbered in the upper right: Vol. II. Pl. II. P. 512., and Two creases through the image.
Publisher:
G.G. and J. Robinson
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Estates
"View of the Gothic mansion with pinnacles on the battlemented roof and pointed arched windows, seen across the lawn to the right, surrounded by trees, with others to the left and two men in the left foreground, one sweeping the lawn, the other guiding a horse which draws a roller."--British Museum online catalogue
Description:
Title etched below image., Printmaker unidentified; after a drawing by Paul Sandby., Later state of the plate, with volume and page numbering added in upper right corner. Plate originally engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Plate from: The Works of Horatio Walpole, Earl of Orford. London : Printed for G.G and J. Robinson, 1798, v. 2., Numbered in the upper right: Vol. II. Pl. II. P. 512., and Single crease through the center of the image.
Publisher:
G.G. and J. Robinson
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Estates
Godfrey, Richard Bernard, approximately 1728- printmaker
Published / Created:
[approximately 1784] and [printing after 1798]
Call Number:
SH Views P266 no. 1 Impression 1 Box 115
Image Count:
1
Resource Type:
still image
Abstract:
A view of the cottage on the grounds of Horace Walpole's villa Strawberry Hill, as seen through a grove of trees
Alternative Title:
East view of the cottage-garden at Strawberry Hill
Description:
Title engraved below image., In the upper right corner, above image: "Vol.II.P.509.", Plate from: The works of Horatio Walpole, Earl of Orford. London: Printed for G.G. and J. Robinson, 1798-1825, vol. ii., and First state of the plate, without volume and page numbering, engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784.
Publisher:
G.G. and J. Robinson
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Walpole, Horace, 1717-1797
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Clergy: bishops -- Dancers --Female dress: petticoats -- Female dress: stays -- Tools: measuring stick.
Publisher:
Pubd. March 19th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Barrington, Shute, Bishop of Durham, 1734-1826 and Porteus, Beilby, 1731-1809
Title etched below image., Attributed to Richard Newton on unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Lewis Walpole prints 798.03.14.01: Sheet trimmed within plate mark at bottom resulting in loss of part of title. Remainder of title transcribed from the Library of Congress record (cf. LC PC 3 - 1798).
