"Inscription in the upper right. corner: 'A Serio Comic Scene that befel the Grocers Wife at Norwich Or Mrs Figgs bottom exposed owing to the bottom of Mr Figgs Whiskey breaking through.' The two-wheeled gig has stopped at the door of an old-fashioned grocer's shop. A plump woman stands on the ground behind the shafts, naked between waist and stockings, the hole in the floor of the gig having scraped up her petticoats. A scene of violent action: one man holds the head of the restive horse. Men (l.) rush to look at the unfortunate woman who screams with upraised arms, as does her husband who stands with his back to his shop. A woman furiously clutches the hair of a too-eager spectator (r.); a barking dog leaps towards Mrs. Figg. Over the shop-door hangs a conical sign: 'Old Sugar loaf.' A board over the door is inscribed 'Grocery Sweetmeats Hams Tongues Starch Plumbs Figs Vermicelli Tripe Barley Pickles Mustard Soap Hogs Puddings &c Sold here by Peter Figg.' In a bow window are many jars, &c, two inscribed 'Mustard' and 'Virgin Honey'. Above it are two large pot-plants. An agitated woman screams from a casement window over the door. On the house is a placard: 'Cattle Life Insurance Cow Lane Smithfield.'."--British Museum online catalogue
Alternative Title:
Bottom of Mr. Figg's old whiskey broke through
Description:
Title etched below image., Printmaker and date from Grego., and Mounted on leaf 76 of volume 8 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, City & town life, Dogs, Grocers, Spectators, Spouses, Stores & shops, and Window displays
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
publish'd according to act of Parliament, April 1757.
Call Number:
Portraits L886 no. 1+
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of Loum Kiqua shown standing whole-length holding a long pipe in left hand and wearing Chinese dress and hat with a purse hanging from his waist. He stands in a room with a chequered floor and to the right a balcony overlooking ships on the water and the walls of a city complex
Description:
Title etched below image., A biographic sketch etched below title reads: "The Chineese [sic], came to Lisbon in 1755, was there at the Time of the Earthquake, and providentially escap'd with Life; after many hardships & ill treatments from the Portuguese, he came over to England, in 1756, where he met with different usage, having had the Honour to be seen by his Majesty, and the rest of the Royal Family, most of the Nobility &c. by whom he was much caress'd, having made application to the Honble. the East India Company for his passage home, he was kindly receiv'd and generously accomodated on Board one of their Ships to carry him to Canton, his Native Country.", The biographic sketch is preceded by Chinese characters., and For further information, consult library staff.
Title from caption below image., Title from item., Printmaker from companion prints in same set., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of seven groups of figures in two rows, with lines of text etched above each group., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 1, pl. 13., For other prints in the set, see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8925, Temporary local subject terms: Parsons -- Marriage., and Later printing. Watermark: C. Ansell 1807.
Publisher:
Pubd. Jany. 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from caption below images., Later printing. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caricatures lent., Two designs on one plate, each depicting two figures holding an individually-titled print: A shooting party; A fishing party., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fishing -- Hunting., and Watermark: C. Ansell 1807.
Caricatural portrait of John Wilkes sitting on a chair holding stick topped by a cap of Liberty. On the table beside him are two issues of the newspaper North Briton, nos. 17 and 45 as well as a box with a feather pen in an inkwell
Alternative Title:
John Wilkes Esquire
Description:
Title engraved below image., Sheet trimmed within plate mark on left side., Copy of no. 4050 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 482 x 305 mm. With Bowdich's notes on recto of mount.
Title from caption etched below image., Sheet trimmed within plate mark., Imprint from first state scored through: London : Pubd. by Roberts Middle Row, Holborn, [June 1803?]., Publication year from Tegg's first printing scored through: 1806?, Temporary local subject terms: Holland -- Spain -- Hanover -- Dutchmen -- Spainards -- Military: German Soldier -- Broken Pipe -- John Bull., and Mss. note in contemporary hand added to upper margin of print: 246.
"A pair of breeches, formerly belonging to Fox, much inflated and forming two merging and transparent globes with projecting legs, is poised (at the seat) on three ostrich feathers, erect in a round bed of (ministerial) roses (see BMSat 10558, &c). Within these globes members of the Ministry sit at a round table, devouring loaves and fishes. The nearest ones are in back view, and have the heavy posteriors characteristic of the Grenvilles (cf. BMSat 10530). Lord Grenville, a fish in each hand, with Lord Ellenborough on his right, Buckingham on his left., and, next the latter, Lord Temple. They sit on a cushioned bench like those of Parliament, which follows the curve of the breeches. The others, left to right from Temple, are Spencer, Windham, Erskine, Petty, Lord Holland, [Identified by his own note.] Moira, who sits full face opposite Grenville, Lauderdale, Sheridan, Howick; Sidmouth on Ellenborough's right completes the circle. All are gormandizing on fish in different degrees, except Spencer and Holland who eat normally. Before Grenville is a dish containing two large fish: 'Treasury' and 'Exchequer', see BMSat 10543, &c. A dog, its collar inscribed 'Tierney', puts its forefeet on the bench, yapping at Grenville's back (cf. BMSats 10128, &c., 10603). On the ground beside him are three cats eating fish in a dish inscribed 'Tabbeys'; their collars are inscribed 'Bet Fox', 'Fitz', and 'Jordan'. Rats surround a dish inscribed 'Scribblers' [ministerial journalists and pamphleteers]. Larger rats in the Ministerial rose-bed gnaw at the feathers which support the breeches. ..."--British Museum online catalogue
Alternative Title:
Political mathematicians shaking the broad bottomed hemispheres
Description:
Title etched below image., Two lines of quoted text following title, preceded by a curly bracket: "Mr. Paull is fixed upon a rock, and be assured he will prove the fulcrum by means of which the present Broadbottomites will be overset." Sir F. Burdett's speech., and Two lines of text near top margin of image: To that last hope of the country, "the New Opposition," this representation of "Charley's Old Breeches in Danger" is respectfuly [sic] submited [sic].
Publisher:
Publish'd Jany. 9th, 1807, by H. Humphrey, 27 St. James's Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Holland, Henry Richard Vassall, Baron, 1773-1840, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Burdett, Francis, 1770-1844, Paull, James, 1770-1808, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Canning, George, 1770-1827, Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "127" in the upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 25.5 x 36.3 cm., and Sheet trimmed within plate mark on top and bottom edges.
Illustration to Gay's 'A Beggar's Opera' from 'Inchbald's British Theatre'. An interior scene with a Peachum and Polly administering a drink to Mrs. Peachum, who is lying back with her eyes closed in a chair, having had a fit at learning about the marriage of Polly and Macheath; a fireplace with a fire screen and mantel with jars seen in the background at the right
Description:
Title engraved above image., Caption below image: "Polly- Give her another glass, sir. Act 1. Scene 1.", Publication date from proof in the British Museum online catalogue, registration no.: 1854,0513.487., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd by Longman & Co.
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Couples, Fireplaces, Interiors, and Loss of consciousness
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Questionable printmaker attribution to Charles Williams from local card catalog record., Possibly a later state; end of imprint statement seems to have been burnished from plate., Date of publication from unverified data in local card catalog record., Plate numbered "129" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling"--Lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper ; sheet 23.2 x 33.6 cm., and Imperfect; sheet trimmed within plate mark with almost complete loss of plate number from upper right.
A jovial countryman leans on a rustic railing next to a tree, to address a fat elderly parson on horseback (riding to the left). He asks, "Ha! Ha, the knaust Doctor I be a rum fellow, Canst thee tell me why a parsons horse be like a king?" The parson answers with a grin, "Why you rogue, because it is guided by a minister." He is red-faced and freckled and prosperous looking, with a round belly; he carries a sermon in his pocket whose title is "Sermon to be prea[ched] ..."
Alternative Title:
Dignity of a parsons horse
Description:
Plate numbered '136' in upper right corner., Printmaker from British Museum catalogue., Cf. No. 10904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with altered imprint statement., Sheet trimmed within plate mark., and Watermark: Edmeads & Co.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:
Title from text at top of image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Figures within image numbered 1 to 13 in a contemporary hand.
Publisher:
Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A tall fashionably dressed portrait painter, holding his crescent-shaped hat under his arm, stands between his subject (right) and the whole length painting of her which leans against the wall (left). The lady is fantastically fat, with huge lips. She wears a short-waisted décollétee dress (though her waist is undiscernible), and holds in both hands a small parasol. On the canvas she is transformed into Juno pouring out a libation for Jove, an eagle clutching thunderbolts; she wears quasi-classical dress, with breast and arms bare; one sandalled foot rests on a cloud. Her bulk is scarcely modified; the likeness remains, though the contour of face and lips is improved. Two half length portraits also lean against the wall. The Irish painter declaims: "A famous hand Madam!!! Your Eyes indeed are featured there, but where's the sparkling moisture, shineing fluid in which they swim? the Picture indeed has your dimples, but wheres the swarm of hilling Cupids that should ambush there? the lips to are figured out, but where's [the] dew, the pouting ripeness that tempts the taste in the original; your breasts too!! What paint Heaven!!! presumtuos Man!" She says, with eyes coyly dropped: "Oh Mr Flanegan You flatter me!!"."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Four lines of verse following title: Pray don't the lover let me ask, hid by fascine battery, steal hearts away and whats his mask, to be sure it is not flattery. Dibdin., Plate numbered "107" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Sheet trimmed within plate mark., Temporary local subject terms: Irish painter -- Parasol -- Female costume: 1807., 1 print : etching with stipple on wove paper, hand-colored ; sheet 25.2 x 37 cm., and Sheet trimmed within plate mark on top edge.
"The tall Dean of Christ Church [Cyril Jackson] and James Webber (B.D. 1807), both in academic dress, walk, right to left, and slightly towards the spectator, heads in profile. Webber expounds with extended hand, the Dean listens with grave intensity. The Dean wears a clerical wig, a cassock with sash, and high-quartered buckled shoes. The younger and smaller man has short hair, double-breasted coat, fashionable jabot, and knee-breeches, with tied shoes."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Robert Dighton
Subject (Name):
Jackson, Cyril, 1746-1819 and Webber, James, 1772-1847
"Representation of Mr William Elias Taunton in smart attire, leaning on a walking stick with his right hand, with his left hand tucked in the pocket of his breeches. He wears black boots, a brown, double-breasted over-coat and a black hat, and leans forward with his head and body turned to the left. He also sports a small ponytail."--British Museum online catalogue and "Taunton (1773-1835), son of the Town Clerk of Oxford, Justice of the King's Bench 1830, was made Recorder of Oxford in 1806."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., 'Tim Quiz' is a pseudonym for Robert Dighton; see British Museum catalogue., and Publisher and place of publication from British Museum online catalogue, registration no.: 1935,0522.17.43.
Publisher:
Robert Dighton
Subject (Geographic):
Oxford (England)
Subject (Name):
Taunton, William Elias, Sir, 1773-1835
Subject (Topic):
builings, structures, etc and Government officials
"A fashionably dressed man stands directed to the left, erect and debonair, a cane under his left arm. He takes a pinch of snuff, holding, besides the snuff-box, his top-hat. He has whiskers and small pigtail. From his coat-pocket projects a bottle labelled 'Two Spoonsfull to be taken at Bed time'. On the ground is a pill-box on its side, spilling its contents. He wears two thistles in the breast of his coat; a thistle-plant grows near his feet."--British Museum online catalogue
Alternative Title:
Trip from Oxford to the land of cakes
Description:
Title etched below image. and Temporary local subject terms: Prescriptions -- Thorn stick canes -- Scotland -- Male costume: 1809 -- Snuff boxes.
Publisher:
Robert Dighton
Subject (Name):
Ireland, John, 1745-1839
Subject (Topic):
Physicians, Medicines, Pills, Staffs (Sticks), Snuff, and Thistles
"A tall slim man, in academic dress with mortar-board, stands in profile to the left, his arms akimbo, his gown forensically gathered up. He has whiskers, short hair, and a fashionable neck with clerical bands. He is Henry ('Horse') Kett (1761-1825), Fellow of Trinity, Bampton Lecturer 1790, Select Preacher 1801-2; he drowned himself."--British Museum online catalogue
Title etched below image., Printmaker and questionable date of publication from Grego., Plate also published in: Caricatures. [London] : [publisher not identified], [1836?], page 76., Design incorporates image elements of nos. 5916, 5917, and 7238 and is titled the same as no. 5914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., 1 print : etching on wove paper, hand-colored ; sheet 17.9 x 14.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 47 of volume 5 of 14 volumes.
"Two designs on one plate, divided by the title. [1] A hussar officer riding in front of his men mismanages his mount, so that it rears slightly, and he is about to slide off. He shouts "March, Trot, Canter, Charge, halt, halt, halt, I mean." He has dropped a trumpet from which issues a blast: "Oh what a Ninny I was to throw Myself off, they're laughing at me avarice Vanity False friendship, Ingratitude, Double dealing, absurdity, Hippocracy, Malice, Cut down Countenance." His sabre lies on the ground, and five riding-switches which have been rolled up in the cloak fastened to the saddle fall from it. On the ground is a paper: 'hints to bad horsemen'. The men (right) gallop up in perfect order holding their sabres erect. One says: "Our Young Whip is not an Old Jockey". In the background (left) is a church or cathedral (perhaps intended for Salisbury), with trees and houses. [2] The rider has just picked himself up (right); the horse, still rearing, looks over its shoulder to say: "You seem more frightened than hurt, You have been taught the Value of Whips more than the use of them." A soldier, holding the trumpet, has ridden up and halts between horse and rider; he says: "I hope your Honor is not hurt." The officer answers: "I am not hurt upon My honour." The men galloping (right) say: "Why our Captain needn't a fallen.""--British Museum online catalogue
Description:
Title etched between the two images., Printmaker from British Museum catalogue., Jiles (or Giles) Grinagain is a pseudonym., 1 print : etching on wove paper ; plate mark 37 x 27 cm, on sheet 39.3 x 28.6 cm., and Mounted on leaf 43 of volume 8 of 14 volumes.
Publisher:
Pubd. Feby. 3, 1807, by Jiles Grinagain, No. 7 Attilery [sic] Street, London
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 14 x 19.2 cm., Imperfect, top design only., and Mounted at the top of leaf 44 of volume 8 of 14 volumes.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 14.2 x 19 cm., Imperfect, lower half of design only., and Mounted at the bottom leaf 44 of volume 8 of 14 volumes.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., 1 print : etching on wove paper, hand-colored ; sheet 34.7 x 24.2 cm., and Mounted on leaf 46 of volume 8 of 14 volumes.
"On the left: An old sailor with a long pigtail, and wearing an old-fashioned blue coat with gold lace, points with a pointer at a large decoration by Thornhill. He leans against an iron railing, standing on raised stone flags. A corner of the decoration is shown, swirling allegorical figures, nude and partly draped. On the right: The lower left corner of a large heavily framed picture with a man in Roman draperies, and a woman in longer draperies. Two sightseers and a small boy gaze at the wall, the man yawning cavernously. Three lines of text in lower right corner of design: "Here is Prince George of Denmark, and in & the Prospective a View of St Pauls London, Sr James Thornhill in the Wig &&&'"--British Museum online catalogue
Alternative Title:
John Rosedale, mariner
Description:
Title etched below image., Sheet trimmed within plate mark., In lower left corner of design: J.N. Esqr. 1807., 1 print : etching on wove paper, hand-colored ; sheet 24 x 17 cm., and Mounted on leaf 47 of volume 8 of 14 volumes.
Publisher:
Etched & pub. by T. Rowlandson, April 26, 1807, No. 1 James St., Adelphi
Subject (Name):
George, Prince, consort of Anne, Queen of Great Britain, 1653-1708, Thornhill, James, Sir, 1675 or 1676-1734., and Rosedale, John (Mariner)
"A yokel puts his head through a trap-door (left), holding up a lantern and pitchfork. He gapes in horror at the sight before him. Two witches (right) sit over a fire burning in a bowl; one holding a broom gazes grimly towards the creatures they have called up: two bodies, one old, the other young, both winged, one having wings of flame, terminate together in the crouching hind-legs of a beast of prey; with these are the head and neck of a monstrous bird. Two grotesque goblins emerge from clouds (left), and a serpent hisses at the women."--British Museum online catalogue
Description:
Title etched below image., Plate numbered '18' in upper right corner., Later state issued around 1813. Cf. No. 12150, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9 for description with different plate number., 1 print : etching on wove paper, hand-colored ; sheet 22.7 x 32.2 cm., Sheet trimmed within plate mark with probable loss of plate number., and Mounted on leaf 48 of volume 8 of 14 volumes.
Publisher:
Published April 29, 1807, by Thos. Tegg, No. 111 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two pilgrims meet, one (left) debonair and jaunty, the other in a crouching position, and with an anguished expression. Both wear hats turned up with cockle shells, and necklaces hung with shells, long belted gowns with rosaries. Each holds a staff surmounted by a cross. The verses, by 'Peter Pindar' (Wolcot) (abridged), relate the pilgrimage of 'a brace of Sinners' to the shrine at 'Loretta', fifty miles, with peas in their shoes, by order of their priest. The returning pilgrim explains his rapid progress:'"To walk a little more at ease,"I took the liberty to boil my peas'."--British Museum online catalogue
Description:
Title etched below image., Thirty-one lines of verse below title: A brace of sinners for no good, were order'd to the Virgin Mary's shrine, who at Loretta dwelt in wax, stone, wood, and in a curld white wig, lookd wond'rous fine ..., Plate numbered "P. 2" in upper left corner and "1" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 27 x 20.5 cm, on sheet 37.1 x 26 cm., Watermark: 1818., and Mounted on leaf 49 of volume 8 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two fat friars gormandize in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. On the ground beside them are a chest of 'Relicks', bottles of 'Tokay' and 'Lackrymy Christi', church plate, with a 'Consecrated Cup' and a paper: 'Absolu[tion] Confess[ion] of Miss Wagtail.' On the wall is pinned a large print, 'Food for the Convent' [see British Museum Satire No. 3777]: a friar walking to the convent door with a large sheaf of corn on his back, from which project the head and feet of a girl. On a window recess are a skull, hour-glass, and cross ..."--Description of an alternate state in British Museum online catalogue
Description:
Title etched below image., "Sir E. Bunbury" may refer to the artist H.W. Bunbury. See British Museum catalogue., Two columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., Verses are a parody of Thomas Percy's Reliques of ancient English poetry. See British Museum catalogue., Grego identifies a companion print: Monastic fare., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., For state numbered "Q. 2", see no. 10924, in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Mounted on leaf 50 of volume 8 of 14 volumes.
Title, printmaker, and imprint from Grego., Six lines of quoted verse below design: "After supper of heaven I dream, but that is fatt pullets & clouted cream ..., Companion print to: The holy friar., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 22.6 x 17.1 cm., Sheet trimmed within plate mark with probably loss of plate number in upper right corner., and Mounted on leaf 51 of volume 8 of 14 volumes.
"The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman tries to stop him, clutching his hair and arm, and attempting to trip him up. From the sack, inscribed 'Hemp Seed', project the terrified head and hands of the woman's lover; his queue indicates a military officer, along it scampers a tiny rat. Other sacks are 'Mustard Seed', 'Rape Seed', 'Turnip Seed'; a measure lies against them inscribed 'Measure for Measure'. The head and shoulders of an aged man, much amused, appear on a ladder projecting through a trap-door. A paper lies on the ground: 'I smell a Rat dead for a ducat'; others are nailed to the wall: 'Rats Pole Cats and all sorts of Vermin effectively destroyed'; and 'To be run for a Holland smock also jumping in Sacks - Grinning Match - Smoaking - '. A white owl flies under the rafters."--British Museum online catalogue
Alternative Title:
Rogue in grain
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on leaf 52 of volume 8 of 14 volumes.
Publisher:
Pubd. May 16, 1807, by R. Ackermann, No., 101 Strand
"The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman tries to stop him, clutching his hair and arm, and attempting to trip him up. From the sack, inscribed 'Hemp Seed', project the terrified head and hands of the woman's lover; his queue indicates a military officer, along it scampers a tiny rat. Other sacks are 'Mustard Seed', 'Rape Seed', 'Turnip Seed'; a measure lies against them inscribed 'Measure for Measure'. The head and shoulders of an aged man, much amused, appear on a ladder projecting through a trap-door. A paper lies on the ground: 'I smell a Rat dead for a ducat'; others are nailed to the wall: 'Rats Pole Cats and all sorts of Vermin effectively destroyed'; and 'To be run for a Holland smock also jumping in Sacks - Grinning Match - Smoaking - '. A white owl flies under the rafters."--British Museum online catalogue
Alternative Title:
Rogue in grain
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 24.9 x 34.8 cm, on sheet 25.7 x 36.2 cm., and Mounted on leaf 53 of volume 8 of 14 volumes.
Publisher:
Pubd. May 16, 1807, by R. Ackermann, No., 101 Strand
An angry, bare-breasted young woman in a night dress and cap enters the door of a sitting room from a bedroom (seen through the open door on the right). She scowls at the white-haired man relaxed in an armchair in front of a fire; he smokes a pipe and holds a goblet of wine in his left hand as he leans back in the chair, his feet resting on the grate of the roaring fire; at his elbow a table with a lit candle, carafe, jug, spoon, and book "Miseries of Human Life". One dog sleeps near a gun propped up against the mantel piece; a hunting cap hangs on back wall. Another dog looks at the woman from under the table at the man's side and barks. A large cat that has come in with the woman hisses back at him. A book on the mantel is titled "Rule a wife and have a wife"; the painting above the mantel "Mr. Pantons grey mare ranter out of doll tearsheet." In front of the and to the right are a bootjack and discarded boots pants; a clock hangs on the wall above a tiered table
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 54 of volume 8 of 14 volumes.
Publisher:
Pubd. May 25, 1806, by R. Ackermann, N. 101 Strand
"Two designs on one pl. Above, two rows of burlesqued yokels (with two comely women, and an ugly old one), seated behind the orchestra and backed by a rough brick wall, register intense amusement. A fiddler stands up to snuff a single wall-candle. Below, three members of the orchestra play, grotesquely weeping; behind them are the pittites, also burlesqued, except for a good-looking young couple. A woman tries to revive a fat and fainting man with a smelling-bottle. Above their heads is a gallery, with two footmen in livery, two ladies, and an elderly parson. All shed tears, or otherwise express their grief."--Description of alternate state in the British Museum online catalogue
Alternative Title:
Tragedy in London
Description:
Titles etched below each design., Sheet trimmed within plate mark., Two designs on one plate, titled separately., Variant state with plate numbered '20' instead of '172' and date added. Cf. No. 10910 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of state with plate altered to '172' and no year in imprint statement., 1 print : etching on wove paper, hand-colored ; sheet 16 x 23.5 cm, and 17.5 x 23.5., Sheet cut into two designs, and trimmed within plate mark with probable loss of plate number., and Mounted on leaf 55 of volume 8 of 14 volumes.
Publisher:
Pubd. May 29th, 1807, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Manners & customs, City & town life, and Theater audiences
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two designs on one plate. Above, two rows of burlesqued yokels (with two comely women, and an ugly old one), seated behind the orchestra and backed by a rough brick wall, register intense amusement. A fiddler stands up to snuff a single wall-candle. Below, three members of the orchestra play, grotesquely weeping; behind them are the pittites, also burlesqued, except for a good-looking young couple. A woman tries to revive a fat and fainting man with a smelling-bottle. Above their heads is a gallery, with two footmen in livery, two ladies, and an elderly parson. All shed tears, or otherwise express their grief."--British Museum online catalogue
Description:
Titles etched below images., Later state; former plate number "20" has been replaced with a new number, and the year of publication has been burnished from imprint statement, leaving a gap between "Pub'd May 29th" and "by Thos. Tegg ...", Date of publication based on complete imprint on earlier state: Pubd. May 29th, 1807, by Thos. Tegg, No. 111 Cheapside. Cf. Lewis Walpole Library call no.: 807.05.29.01.1., Plate numbered "172" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "One shilling colour'd."--Following imprint., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.5 cm., Sheet trimmed within plate mark on left and right edges., and Mounted on leaf 56 of volume 8 of 14 volumes.
Publisher:
Pubd. May 29th by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Manners & customs, City & town life, and Theater audiences
Title etched below image., Sheet trimmed within plate mark., Four lines of text below title: After dinner when the ladies retire with you from a party of very pleasant men, having to entertain as you can half a score of empty or formal females then after a decent time has elapsed ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 27 x 37.1 cm, on sheet 27.8 x 38.7 cm., Watermark: J. Whatman., and Mounted on leaf 57 of volume 8 of 14 volumes.
Publisher:
Pubd. June 12, 1807 by R. Ackermann, No. 101 Strand
"Melville, in Highland dress (left), stoops, holding open a sack from which issues an endless procession of pigmy Scots, receding in perspective to disappear under a high Gothic doorway, inscribed 'Saint Stephens'. The little Scots march out of the bag like an army of occupation, with an eager, hungry air. Some wear plain, others feathered, bonnets; one has bagpipes under his arm, another a broad-sword. John Bull (right), a yokel in shirt and breeches, holding a cudgel, looks down at them, saying, "Dang it, what a swarm of them there be - enough to cause a famine in any christian country." Melville says: "There ye are my bonny Lads - mak the best o' your way the door is open - and leave a Scotsman alaine to stick in a place gin he once gains an entrance!" Saint Stephens, the House of Commons, is between a high crenellated wall (right) and the façade of a neo-Gothic building with crenellated roof, oriel windows above an arcade, and turrets."--British Museum online catalogue, description of alternate state
Alternative Title:
Johnny Maccree, opening his new budget
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., For variant state with price and plate number, see no. 10746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Line of text written in contemporary hand above imprint: (Lord Melville - 1st Lord of the admirals)., and Mounted on leaf 58 of volume 8 of 14 volumes.
Publisher:
Pubd. 1st July, 1807, by Thos. Tegg, N. 111 Cheapside
Subject (Geographic):
Scotland.
Subject (Name):
Saint Stephens (ed. and Dundas, Henry, 1742-1811
Subject (Topic):
John Bull (Symbolic character) and Clothing & dress
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of an apothecary's room: jars on shelves; a counter with drawers, pestle and mortar, flasks, &c. A bust of Galen stands on the lintel of the door (right). An alarmed undergraduate in cap and gown stands clasping his stomach. The doctor faces him triumphantly, with raised arms and holding a pill-box. His man, who wears an apron, walks off with a large box inscribed 'Anti-Fibbibus'. The (prose) inscription below the title relates that a 'College Wag' called on a 'travelling Empiric' and asked to be cured of a bad memory, and a habit of lying. He is cured by the 'gilded pill called - Pillula Memoria - Anti Fibbibus!!' The youth complains that he is poisoned with Asafœtida, the doctor answers that he speaks the truth and will never forget the medicine, so is cured."--British Museum online catalogue
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Eighteen lines of description etched below image: A travelling empiric being in the neighbourhood of one of the universities, gain'd great credit for his skill in medicine ..., Plate numbered "F 3" in upper left corner and "5" in upper right corner., "Price one shillg. colour'd.", Temporary local Medical Library subject terms: Pharmacy, interior., 1 print : etching with stipple on wove paper, hand-colored ; sheet 26.8 x 21 cm., Sheet trimmed within plate mark with loss of imprint., and Mounted on leaf 59 of volume 8 of 14 volumes.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Name):
Galen
Subject (Topic):
Statues, Medicine, Medical equipment & supplies, Mortars & pestles, Pharmacists, Physicians, Students, Interiors, and Drugstores
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue
Alternative Title:
New cure for love
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Plate numbered "E 3" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; sheet 20.1 x 26.2 cm., Sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 60 of volume 8 of 14 volumes.
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 24.7 x 33.8 cm., Sheet trimmed within plate mark., and Mounted on leaf 61 of volume 8 of 14 volumes.
Publisher:
Pubd. July 14, 1807, by T. Rowlandson, No. 1 James S[t]., Adelphi
A couple dance in the middle of the floor of a tavern
Description:
Title etched below image., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publisher's stamp in lower right corner of plate: RA., and Mounted on leaf 62 of volume 8 of 14 volumes.
Publisher:
Published by R. Ackermann, Repository of Arts, 101 Strand
Subject (Topic):
Couples, Dance, Dogs, Eating& drinking, and Taverns (Inns)
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on wove paper, hand-colored ; sheet 24.9 x 33.7 cm., Sheet trimmed within plate mark., Watermark: George Taylor., and Mounted on leaf 63 of volume 8 of 14 volumes.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)
"Domestic scene based on Beresford's 'Miseries of Human Life' (1806), illustrating lines which follow the title: 'Getting up early in a cold gloomy morning, and on running down into the breakfast room for warmth and comfort, finding chairs, table, shovel, tongues, poker and fender huddled into the middle of the room. Carpet tossed backward. - floor newly washed, windows wide open. - bees wax brush and ru]bber in one corner - brooms, mops and pails in another - and a dingy Drab on her knees before an empty grate -'. A man arrested at the door of a room disarrayed by cleaning, wearing a dressing gown and with a gouty slippered foot, his hands held out warily in front of him, his teeth clenched together and his nose dripping; at left, kneeling in front of the grate, a stout and grotesque maid scrubbing the floor; a bust portrait of a man above the mantelpiece, looking disapprovingly down on the maid; cat and caged bird at far right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered '28' in upper right corner., "Price one shilling cold."--Following imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 24 x 31.9 cm., Sheet trimmed within plate mark with probable loss of plate number., and Mounted on leaf 64 of volume 8 of 14 volumes.
Publisher:
Pubd. October 9th, 1807, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Anger, Birdcages, Cats, Domestic life, Housework, Interiors, Sweeping & dusting, and Women domestics
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker
Published / Created:
[October 1807]
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Resource Type:
still image
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 65 of volume 8 of 14 volumes.
Publisher:
Published October 1807, by R. Ackermann, Respository of Arts, 101 Strand
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker
Published / Created:
October 1807.
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Resource Type:
still image
Abstract:
"Domestic scene based on Beresford's 'Miseries of Human Life': three tailors (or his apprentices) at work disturbed by woman carrying a tray of cucumbers on her head
Description:
Title etched below image., Two lines of text below title: While deep in study and lost in thought in the complicated profession of a taylor and all on a sudden disturbed by the shrieks of a woman crying cucumbers., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper ; sheet 32.1 x 23.1 cm., Sheet trimmed within plate mark., and Mounted on leaf 66 of volume 8 of 14 volumes.
Publisher:
Published by R. Ackermann Repository of Arts, 101 Strand
"Portrait caricature of the murderer Thomas Simmons, a young man in shackles; whole length, standing in prison yard in profile to right, hand in pocket of coat; five prisoners standing, sitting and conversing in front of cells behind; after a drawing by Angelo."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 22.3 x 15.4 cm., and Mounted on leaf 67 of volume 8 of 14 volumes.
Publisher:
T. Rowlandson
Subject (Geographic):
Great Britain.
Subject (Name):
Simmons, Thomas, -1808 and Newgate (Prison : London, England)
Subject (Topic):
Prisons, Murder, Criminals, Prisoners, and Shackles
"Below the title: 'The Woman who shews General Guise collection of Pictures at Oxford'. She stands directed to the left., holding a pointer with which she slyly points to a picture of Suzanna and the Elders. She is old and grotesquely ugly, wearing a hat over a frilled cap, an apron, and bunched-up skirt. Her left hand is on her hip, a large key dangling from the fourth finger. A corner of the room is shown, the pictures fitted closely together; three rows are depicted, hung above a dado; a fourth is indicated. The pictures are very freely drawn, and one at least is burlesqued."--British Museum online catalogue, description of alternate state
Description:
Title etched below image., Attributed to Rowlandson by Grego., Initials burnished from plate: JN (John Nixon)., Sheet trimmed within plate mark with probable loss of imprint., and Mounted on leaf 68 of volume 8 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his Ieft hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (right) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (left). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue
Alternative Title:
Directions to footman
Description:
Title etched below image., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., Printmaker from British Museum catalogue., Reissue, with date burnished from plate. For the original issue with date "10th Novr. 1807" at end of imprint, see no. 10918 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling cold.", Plate numbered '273' in upper right corner., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 24.5 cm, on sheet 35.9 x 25.6 cm., and Mounted on leaf 69 of volume 8 of 14 volumes.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Topic):
Dinners and dining, Accidents, Eating & drinking, Servants, Women domestics, Birdcages, Cats, and Dogs
"A domestic scene; a grotesque elderly woman sits at her toilette, pointing to a mirror on which a mobcap hangs, and looking upwards as a wig decorated with ribbons and a feather is about to be placed on her head by a young maid standing at right, who is momentarily distracted by the embraces of a footman; at left, an elderly man standing and looking inside a cupboard full of shelves of pottery; a cat and dog in front of a fire at left, a dog on a chair opposite the old woman."--British Museum online catalogue
Alternative Title:
My aunt and my uncle and Couple of antiques
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 70 of volume 8 of 14 volumes.
Publisher:
Pubd. Novr. 20, 1807, by R. Ackermann, No. 101 Strand
Subject (Topic):
Cats, Dogs, Mirrors, Older people, Servants, Spouses, and Wigs
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene at a conjurer's. A man covered with a shaggy skin, with bull's horns, stands in a circle, impersonating the Devil. A butcher cheers on his dog who is worrying the pseudo-Devil, while the conjurer (left), wearing robes and a fur cap, stands behind, in angry alarm. A stuffed crocodile, celestial globe, &c, decorate the room. An inscription relates at length that the butcher has gone to consult the conjurer about some lost sheep, when his dog springs at the 'Devil', thinking it is a bull; he detects the cheat and refuses to call off his dog. The prose narrative ends: 'so Dog against Devil, for what sum you please!'."--British Museum online catalogue
Alternative Title:
Dog and the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Twelve lines of text below title: A butcher once had lost some sheep, & to discover the thief, went to a reputed conjurer ..., Plate numbered "Z 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling.", 1 print : etching on wove paper, hand-colored ; plate mark 27.5 x 21.4 cm, on sheet 38.6 x 27.3 cm., and Mounted on leaf 71 of volume 8 of 14 volumes.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Topic):
Butchers, Crocodiles, Devil, Dogs, Globes, and Magicians
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue, description of a later state
Alternative Title:
Magistrates mistake
Description:
Title etched below image., "Price one shilling coloud.", Sheet trimmed within plate mark., Plate numbered "33" in upper left., For a reissue with date burnished from end of imprint statement and plate number changed, see no. 11971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 236., and Mounted on leaf 72 of volume 8 of 14 volumes.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Criminals, Ethnic stereotypes, Judges, and Spouses
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four designs on one plate. All have punning titles. [1] A young calf, led by a butcher, runs off, throwing the man to the ground. A dog barks, an amused woman watches from a casement window. Scrawled on the cottage wall is 'H Soak for ever.' 'Pluck', a butcher's term for edible offal, was then pugilistic slang (from c. 1785). [2] A fat market woman on a shaggy pony has a turkey tied by the legs to the back of her saddle. Unknown to her a dog drags at its neck. An amused man watches from behind a tree. [3] A pig is being driven with a three-cornered yoke over its head. A man rides beside it; the horse puts a hind-leg over the animal's back so that the pastern is caught under the yoke. [4] A boy drags forward a bad-tempered pig by a cord tied to its hind-leg. A youth plies a whip, a dog barks. Beside them is a signpost: 'To Rumford'. 'Rusty', a slang term for ill-tempered."--British Museum online catalogue
Description:
Titles etched below images., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "30" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark on top and bottom edges., 1 print : etching on wove paper ; on sheet 13.1 x 37.1 cm., Sheet trimmed with loss of upper two designs., and Mounted on leaf 73 of volume 8 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
4
Resource Type:
still image
Abstract:
"Four designs on one plate. All have punning titles. [1] A young calf, led by a butcher, runs off, throwing the man to the ground. A dog barks, an amused woman watches from a casement window. Scrawled on the cottage wall is 'H Soak for ever.' 'Pluck', a butcher's term for edible offal, was then pugilistic slang (from c. 1785). [2] A fat market woman on a shaggy pony has a turkey tied by the legs to the back of her saddle. Unknown to her a dog drags at its neck. An amused man watches from behind a tree. [3] A pig is being driven with a three-cornered yoke over its head. A man rides beside it; the horse puts a hind-leg over the animal's back so that the pastern is caught under the yoke. [4] A boy drags forward a bad-tempered pig by a cord tied to its hind-leg. A youth plies a whip, a dog barks. Beside them is a signpost: 'To Rumford'. 'Rusty', a slang term for ill-tempered."--British Museum online catalogue
Description:
Titles etched below images., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "30" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark on top and bottom edges., 1 print : etching on wove paper, hand-colored ; sheets trimmed between 11.1 x 17 cm to 12.5 x 17 cm., Trimmed to images with the four images mounted separately., and Mounted on leaf 73 of volume 8 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The comet has the profile head of Napoleon wearing a plumed bicorne; it rushes up from the left towards the sun, the profile head of George III, much irradiated. John Bull, a carbuncled 'cit', stoops low to look through a telescope on a tripod pointing towards the comet. Napoleon looks up at the King, who gazes fixedly above his head. He has ascended from a small piece of land rising from the narrow Channel separating it from John's wider fragment. Up this a frog clambers. On the open sea ships are strung out along the horizon. John says: "Aye - Aye - Master Comet - you may attempt your Periheliums - or your Devil heliums for what I care but take the word of an Old Man you'll never reach the Sun depend upon it"."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull making observations on the comet
Description:
Title etched below image., Later state; former plate number "29" has been replaced with a new number, and date has been removed from end of imprint statement., Date of publication based on complete imprint on earlier state: London, Printed for Thos. Tegg, 111 Cheapside, 10th Novr. 1807. Cf. No. 10769 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "274" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling coloured.", and Mounted on leaf 75 of volume 8 of 14 volumes.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
"A bedroom interior. An elderly man kneels beside a chest, trying to shut the lid. A very fat woman stands on it, supporting herself against the end of the curtained bed, another sits on it. An untidy servant, gaping and grinning, stands holding a broken candle, pouring grease over his master. On a table is a tray of coffee-things, with a cat lapping from a bowl; a dog sits on a chair; a pair of top-boots stands ready."--British Museum online catalogue
Alternative Title:
On packing up your clothes for your journey, because your servant is a fool ...
Description:
Title etched below image., Text below title: On packing up your clothes for your journey, because your servant is a fool, the burning fever into which you are thrown when after all your standing, stamping, kneeling, tugging and kicking, the lid of your trunk refuses to approach within a yard of the lock., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: J. Whatman Turkey Mills 1818., and Mounted on verso of leaf 31 in volume 9 of 14 volumes.
At an inn, after pulling off your boots, the option of going barefoot the rest of the evening ...
Description:
Title etched below image., Five lines of descriptive text below title: At an inn, after pulling off your boots, the option of going barefoot the rest of the evening or expatiating in a pair of boundless slippers ..., Date of publication based on similar prints with the same title and likely from the same series. Cf. Nos. 10836 and 10837 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Probably one of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; sheet 16.1 x 13.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 9 of 14 volumes.
Seeing a little rascally bright eyed mouse enter your chamber ...
Description:
Title etched below image., Three lines of text below title: Seeing a little rascally bright eyed mouse enter your chamber, which you have cursed through many a sleepless night ..., Probably one of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 32 of volume 9 of 14 volumes.
"In a cottage room a sick man lies in a ramshackle uncurtained bed, on the foot of which sits a woman. Four children stand beside her, two younger ones are by the fire, at which a woman is cooking. Another woman stands at a wash-tub. Sheets hang on a line. A dog puts his paws on the bed. Over the fireplace are plates and a gun; a bird is in a wicker cage. The man's coat and top-boots are on a chair beside him."--British Museum online catalogue
Alternative Title:
Introductory dialogue and Sickness befriends temperance, by the simplicity of diet which it introduces ...
Description:
Title etched below image., Two lines of quoted text below title: "Sickness befriends temperance, by the simplicity of diet which it introduces - it wards off the varied injuries of the open air by requiring the party to inhale a thousand times over, the cherishing equable and safely treasured atmosphere of a chamber.", Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with loss of page number from upper right. Missing numbering supplied from impression in the British Museum., "Page 10"--Upper right corner., and Mounted on leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A skating scene. A man with legs widely spread poised on the back of his skates, throws up his arms and is about to crash backwards; his hat flies in the air. Beside him (left) a man falls through the ice. A young man pushing a woman in a chair, absorbed in the falling man, is about propel her into the hole. A stout man staggers wildly on one heel, kicked by a military officer (right) skating rapidly to the right A little boy with a broom grins at the disasters. In the background (left), under a bare wind-swept tree a man sits to have his skates adjusted. Two women look on."--British Museum online catalogue
Alternative Title:
In skaiting, slipping in such a manner that your legs start off in this unaccomodating posture ...
Description:
Title etched below image., Text below title: In skaiting, slipping in such a manner that your legs start off in this unaccomodating posture, from which, however, you are soon relieved by tumbling forwards on your nose, or backwards on your skull ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with loss of page number from upper right. Missing numbering supplied from impression in the British Museum., "Page 43"--Upper right corner., Watermark, mostly trimmed: J. Wha[tman] 18[...?]., and Mounted on leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A country barber's shop, a ramshackle room with a raftered roof. The barber stands by his seated and infuriated client, holding up his razor, and stamping with anger; others are amused: a young woman (left), who combs an angry client's hair, looks round to laugh; the barber's assistant who is combing a wig on a wig-block, and a country youth who stands beside him. A dog barks. Wigs hang up in the window (right), two busts displaying wigs stand on a bench. On the wall are prints, wig-boxes on a shelf, and a roller-towel above a wash-basin."--British Museum online catalogue
Alternative Title:
Having so flaccid a cheek that the parish barber who shaves you
Description:
Title etched above image; page number etched above upper right corner of image., Two lines of text below image: Having so flaccid a cheek that the parish barber who shaves you is obliged to introduce his thumb into your mouth to give it a proper projection, cutting his thumb in this position with the razor., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., 1 print : etching on wove paper, hand-colored ; plate mark 11 x 17.5 cm, on sheet 15.5 x 24.6 cm., Watermark: J. Whatman Turkey Mills., and Mounted on verso of leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"Men and women are grouped irregularly at a table laid with dessert. A young military officer presses with his foot the toe of a vis-à-vis, making an elderly woman scream, while the young woman next her looks consciously unconscious. A gouty old man has been trampled on, he tilts back his chair, raising a swathed leg. Two elderly women (left) sitting together watch the incident with indignation. A fat man is placidly amused, a thin one looks sour. A tiny clipped poodle barks."--British Museum online catalogue
Alternative Title:
Endeavouring to make violent love under the table, and pressing the wrong foot
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Endeavouring to make violent love under the table, and pressing the wrong foot., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A long narrow Assembly Room. Three couples, stiff and grotesque, face each other in the foreground; behind, three other couples dance holding both hands. The musicians (right) are a black man playing tambourine and fife, and an old fiddler. A fat man stands by the door (right) holding his wig and scratching his head. Next him, a very fat woman sits drinking from a punch-bowl which a man helps her to support. Above their heads is a placard headed: 'Ball - Suppe[r] ...'. Hats and scarves hang from a row of pegs."--British Museum online catalogue
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Being overpersuaded to stand up in a country dance when you know, or what is equally bad, conceive that a bear would eclipse you in grace & agility., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A scene in the Strand, showing Ackermann's shop. In the foreground a man and dog chase a hat, followed by a small butcher's boy (left). Two fat women with baskets on their heads watch from the right. On the pavement is an amused muffin-man, ringing his bell. A woman helps herself to a muffin. A young woman stands on the pavement, her hands in a large muff, her feathered hat sailing upwards. In the middle distance the road is blocked by a scavenger's cart, from which a dense cloud rises, and men with shovels and broom. Ackermann's is a house with four first-floor windows. The (glass) door is inscribed 'Caricatures' and 'N 101 Strand'; above it is a tilted board: 'Ackermanns Repository of Arts'. On the left. of the door is an ale-house window from which two grinning men look out."--British Museum online catalogue
Alternative Title:
Chasing your hat (just blown off in a high wind) through a muddy street ...
Description:
Title etched below image., Text below title: Chasing your hat (just blown off in a high wind) through a muddy street, a fresh gust always whisking it away at the moment of seizing it ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with complete loss of page number and partial loss of printmaker's signature. Missing text supplied from impression in the British Museum., "Page 71"--Upper right corner., Watermark, mostly trimmed: [J. What]man., and Mounted on leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository Arts, 101 Strand
"A crowd outside the lamp-lit theatre door (right) set in a colonnade; slanting rain streams towards them. A stout man and woman stand together, looking round in distress, while a ragged link-boy shouts at them. Younger ladies stand behind. A prostitute accosts a fop. A sedan chair rests on the ground, held by one chairman only. Two carriages drive in opposite directions, the coachmen violently flogging the horses."--British Museum online catalogue
Alternative Title:
After the play, on a raw wet night, with a party of ladies, fretting and freezing ...
Description:
Title etched below image., Text below title: After the play, on a raw wet night, with a party of ladies, fretting and freezing in the outter [sic] lobbies, and at the street doors of the theatre, among chairmen, barrow-women, yelling little boys, and other human refuse ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., "Page 85"--Upper right corner., and Mounted on leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A man enters a room where three men and two ladies stand at a dinner-table, waiting for him, all frankly amused at his appearance. He wears a great-coat many sizes too large and knee-breeches which hang to the ankle. His large obese host laughs, holding his sides. A grinning and loutish footman holds the chair which he is to take; another servant, also grinning, enters behind the unfortunate guest. Whole length portraits fill the spaces between pseudo-Gothic windows."--British Museum online catalogue
Alternative Title:
Starting for a long ride, on a dinner engagement without a great coat ...
Description:
Title etched below image., Text below title: Starting for a long ride, on a dinner engagement without a great coat, in a mist, a mizzle, a drizzle, a rain, a torrent ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., "Page 101"--Upper right corner., and Mounted on leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A parson in front of a house-door, rides facing the tail, which he holds. His wig is back to front and his hat flies off. A barking dog leaps at the horse. Four men are grouped by and on the steps: a fat man holds out a lantern and a pipe, another waves a punch-bowl. All are amused. A fifth man, apparently a parson, turns his back. The house is old-fashioned with mullioned window and arched doorway."--British Museum online catalogue
Alternative Title:
In the country, going to a party to dinner, getting very tipsy ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: In the country, going to a party to dinner, getting very tipsy, quitting the house in a dark night, and getting upon your horse with your face towards the tail ..., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"An ox pins a fat 'cit' to a door-step (right), its horns enclosing the man's neck. Men with bludgeons chase the ox, filling the broad street. Two dogs leap savagely at it, one against the body of an old woman who falls violently to the ground. Other passers-by flee across the street. They include a fat woman with a (falling) basket on her head, a Jew with a sack on his back, and a man on crutches. The ox is beside the curved shop-window of a 'Chemist'; across the road is a 'China Warehouse', A coach with outside passengers turns down a side street (left). In the middle of the street is an obelisk supporting three lamps."--British Museum online catalogue
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Being pinned up to a door, round the neck, by the horns of an enraged over-driven ox., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A scene on a circular drive surrounding a grass plot. A fat man sits in a child's four-wheeled chaise, drawn hilariously by a man and woman. A boy stands behind. Another man rides a rocking-horse, tilting it violently; a little boy stands in front. The host (right) stands watching with gloomy apprehension, while the hostess stands in the distance in front of the house, shouting without restraint. The house (right) is a two-storied rustic building with a quasi-Chinese roof and pseudo-Gothic windows. In the grounds, among trees, is a Chinese pagoda, typical of the cit's country box, cf. British Museum Satires no. 8208."--British Museum online catalogue
Alternative Title:
Having made a newly-rolled gravel walk, finding some friends ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Having made a newly-rolled gravel walk, finding some friends whom you had asked to dine with you, amusing themselves before dinner by drawing each other in your childs chaise ..., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 34 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"Fox-hunters, tipsily hilarious, at the dinner-table, with bottles, glasses, and punch-bowl. One stands on a chair giving a toast (left), another straddles the backs of two chairs, as if riding; he shouts, flourishing a whip. They wear or wave hunting-caps and wear top-boots, except for one elderly man who turns from the table in disgust. Three dogs add to the noise. On the wall are antlers and a hunting-piece."--British Museum online catalogue
Alternative Title:
Dining, and passing the whole evening with a party of foxhunters ...
Description:
Title etched below image., Text below title: Dining, and passing the whole evening with a party of foxhunters, after they have had what they call "glorious sport" ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with partial loss of page number from upper right. Missing numbering supplied from impression in the British Museum., "Page 159"--Upper right corner., and Mounted on leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A woman stands at a wash-tub, turning to scream at her husband who sits in glum silence plying the bellows at a fire emitting smoke which obscures much of the room. An infant in a cradle (right) yells, as does another seated on the ground and brandishing a rattle. A cat miaows. Linen hangs on a line, and in the background a second woman stands at a wash-tub."--British Museum online catalogue
Alternative Title:
Sitting for hours before a smoky chimney, like a hottentot in a craal ...
Description:
Title etched below image., Text below title: Sitting for hours before a smoky chimney, like a hottentot in a craal, then just as your sufferings seem at last to be at an end ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A young woman sleeps in her chair, in a handsome library, her hand, holding a pen, resting on a sheet of paper. An elderly man holding an eye-glass to his eye leans over the back of her chair to inspect a paper inscribed 'My dear'. Two lighted candles have broken in half. One leaf of tin large folding door (right) is open; a woman stands outside it."--British Museum online catalogue
Alternative Title:
As you are writing drowsily by the fire, on rousing and recollecting yourself ...
Description:
Title etched below image., Text below title: As you are writing drowsily by the fire, on rousing and recollecting yourself, find your guardian in possession of your secret thoughts, which he never ceases to upbraid you of., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"An ugly man staggers back, his finger in the beak of a parrot which stands on the open door of its cage which is about to fall from a toppling table. A cat claws at his leg. Two ladies, excited and pleased, watch the calamity, as do a military officer and a woman standing by the door (left). The room is a handsome one with pilastered door, and a large window (right) giving on a garden."--British Museum online catalogue
Alternative Title:
Being persuaded to put your finger into the cage of a parrot ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below title: Being persuaded to put your finger into the cage of a parrot and to rub his pole, upon an assurance from its doating mistress that it is the most gentle bird in the universe, suddenly feeling the sanguinary effects of its beak., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. April 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A man in bed kicks wildly, clutching a bed-post, as a chambermaid tries to pull out his wooden leg. A second chamber-maid flourishes a lighted candle."--British Museum online catalogue
Alternative Title:
At an inn, going into a bed too short with a wooden leg ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: At an inn, going into a bed too short with a wooden leg which you were too fatigued to unstrap, drawing up the living one, going to sleep with the other sticking out at the bottom ..., Sheet trimmed within plate mark., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., 1 print : etching on wove paper, hand-colored ; plate mark 11.3 x 17 cm, on sheet 16.8 x 24.6 cm., Watermark: E & Co. 1809., and Mounted on verso of leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A dinner-table scene. A man (left) falls on his back and on his broken chair. The other diners, four men and three ladies, rise, all registering concern, except for an old woman who grins. A footman laughs and drops a wine-glass from a salver, and is kicked behind by one of the diners. A servant entering with a tureen pours its contents over the fallen man. The room or hall is an exaggerated example of neo-Gothic: walls, alcoves, and door being covered with carvings."--British Museum online catalogue
Alternative Title:
Sitting on a chair which a servant has fractured and put together the preceding morning ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Sitting on a chair which a servant has fractured and put together the preceding morning, and upon attempting to lean back falling to the ground before a large party; a country servant bursting into a roar of laughter., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 35 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"Four men and two ladies are seated at dinner, a small child on each side of the host (left). A footman (right) brings in a steaming haunch of venison, followed by a fat maid-servant with a second dish. All the diners register extreme disgust."--British Museum online catalogue
Alternative Title:
Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare ...
Description:
Title etched below image., Text below title: Inviting a friend (whom you know to be particularly fond of the dish) to partake of a fine hare, haunch, &c. which you have endeavoured to keep exactly to the critical moment, but which is no sooner brought in than the whole party, with one nose, order it to be taken out., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Sheet trimmed within plate mark., "Page 194"--Upper right corner., and Mounted on leaf 36 of volume 9 of 14 volumes.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A man, hat in hand, sits on a cat, which was on a low chair beside the fire. His hostess, a lean and ugly old maid, tugs angrily at a bell-rope; another cat sits on the back of her armchair; a dog barks. An ugly (?) maid-servant of similar type enters the room. Before the fire is a round table with work-basket, &c. Against the wall hangs a bird in a cage."--British Museum online catalogue
Alternative Title:
Squatting plump on an unsuspected cat in your chair
Description:
Title etched below image., Text below title: Squatting plump on an unsuspected cat in your chair., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Sheet trimmed within plate mark., "Page 214"--Upper right corner., Watermark, partially trimmed: J. Wha[tman] 18[...?]., and Mounted on leaf 36 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A fat gouty invalid sits full face in a high-backed armchair beside his bedroom fire (left). He registers anguish as a young naval officer seizes his left hand, and tramples on his left. foot. An old nurse, followed by a man (right), pursue the officer into the room, much dismayed. A barking dog runs in front of them. Medicine bottles are ranged on the chimney-piece, a kettle stands on the fire, a high trivet with a dish is by the fender. At the invalid's right hand are a crutch and a round table with bowl and medicine bottle. A bird is in a cage."--British Museum online catalogue
Alternative Title:
When in the gout - receiving the ruinous salutation of a muscular friend ...
Description:
Title etched below image., Text below title: When in the gout - receiving the ruinous salutation of a muscular friend (a sea captain) who, seizing your hand in the first transports of a sudden meeting, affectionately crumbles your chalky knuckles with the gripe of a grappling iron ..., Attributed to Rowlandson by Grego., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with loss of page number from upper right. Missing numbering supplied from impression in the British Museum., "Page 270"--Upper right corner., 1 print : etching on wove paper, hand-colored ; sheet 10.5 x 15.6 cm., Imperfect; sheet trimmed within plate mark with loss of page number from upper right., and Mounted on leaf 36 of volume 9 of 14 volumes.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository of the Arts, 101 Strand
"Guests are grouped in a semicircle in a handsome reception room with an Adam frieze and Doric pilasters. A carpet has a bold circular design in the Aubusson manner. A two-beaked lamp of Roman pattern hangs from the roof. In the foreground a handsome young man bends to kiss a hideous and eager woman. The other guests are engaged in flirting, usually one woman with two men, or two women with one man."--British Museum online catalogue
Alternative Title:
Being obliged to kiss a remarkably plain woman at forfeits ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Being obliged to kiss a remarkably plain woman at forfeits, when you are engaged in the pastime only with the hope of being enabled to salute a lovely young lady, to whom you are particularly attached., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: John Hall 1805., and Mounted on verso of leaf 36 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A scene on the shore. A fat woman is in the water, her skirts floating round her. A man tries to pull her up, a young woman tugs at his coat-tails, both in the water. Beside them is a boat (right) from which a man has fallen head first; a boatman clutches his foot, another uses a boat-hook; a man with a sunshade and a girl scream and gesticulate. A dog swims. Behind is the sea or a tidal estuary, with smaller figures in the background (left)."--British Museum online catalogue
Alternative Title:
Stepping out of a boat at low water on a slippery causeway ...
Description:
Title etched in bottom part of image., Text below image: Stepping out of a boat at low water on a slippery causeway, upon a stone which slides under you and you descend in the mud up to the chin., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 36 of volume 9 of 14 volumes.
"Two ladies, fashionable and pretty, stand by the door of a neo-Gothic lodge or gate-house. One addresses a gardener who tugs at his hair; two elderly men (left) walk off to the left."--British Museum online catalogue
Alternative Title:
Necessity of sending a verbal message of the utmost consequence ...
Description:
Title etched below image., Text below title: The necessity of sending a verbal message of the utmost consequence, by an ass, who, you plainly perceive, will forget (or rather has already forgotten) every word you have been saying., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., "Page 287"--Upper right corner., and Mounted on leaf 37 of volume 9 of 14 volumes.
Publisher:
Pub. Jan. 1, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A court scene. In the foreground is an oval table round which Counsel are seated. One stands, leaning forward and shouting at a trembling witness who stands chapeau-bras beside the table. Two judges are seated on the left under a Gothic canopy. The jury are in a box stretching across the court, and in front of three Gothic windows. On the right are two tiers of spectators, closely packed."--British Museum online catalogue
Alternative Title:
Being nervous and cross examined by Mr. Garrow
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Being nervous and cross examined by Mr. Garrow., Attributed to Rowlandson by Grego., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on leaf 37 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A narrow lane with high steep banks is blocked by a haycart (right); a man lies on his back on the hay, asleep. A well-dressed man on a spirited horse rides just behind the cart, clenching his fists with impatience. Behind him (left) rides his groom; two dogs run beside the horses. On the right is a board: 'No Thoroughfare'."--British Museum online catalogue
Alternative Title:
Following on horse back a slow cart through an endless narrow lane ...
Description:
Title etched in bottom part of image., Text below image: Following on horse back a slow cart through an endless narrow lane at sunset, when you are already too late, and want all the help of your own eyes, as well as your horses feet to carry you safe through the rest of your unknown way., Attributed to Rowlandson by Grego., Publisher and date of publication from the British Museum online catalogue., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 37 of volume 9 of 14 volumes.
"A duellist and his second stand together, both trembling, in a sandy space among trees. In the middle distance (right) his antagonist marches up aggressively, arm-in-arm with an obese, truculent second. On the left a fat surgeon waits, holding a basket of instruments. In the background is a waiting coach (right)."--British Museum online catalogue
Alternative Title:
Sending a challenge, requesting a timid friend to attend you to the field ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: Sending a challenge, requesting a timid friend to attend you to the field, who you think will not fail to acquaint the magistrate of it, going with honor to the appointed spot ..., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on leaf 38 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"An oafish footman (left), tilting forward a chair, shows in a party of country visitors to a fashionable young couple. The room is in Strawberry Hill Gothic with a high French window wide open and giving on a garden. Portfolios lie against a Gothic cabinet on which is a sloping stand for prints. The hostess receives her visitors, extending her left hand; her husband makes a gesture of annoyance. An old crone with a young woman, two children, and two loutish men advance from the door (left)."--British Museum online catalogue
Alternative Title:
While deeply, delightfully, and as you hope safely engaged at home in the morning ...
Description:
Title etched below image., Text below title: While deeply, delightfully, and as you hope safely engaged at home in the morning, after peremptory orders of denial to all comers whomsoever, to be suddenly surprized through the treachery or folly of your servant by an inroad from a party ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on leaf 38 of volume 9 of 14 volumes.
"Two men wearing overcoats stand facing each other in a driving wind. In the background a man and woman are driven before the blast."--British Museum online catalogue
Alternative Title:
Walking in a wind that cuts to the bone, with a narrative companion ...
Description:
Title etched below image., Text below title: Walking in a wind that cuts to the bone, with a narrative companion whose mind and body cannot move at the same time, or in other words who as he gets on with his stories, thinks it necessary, at every other sentence, to stand stock still, face about, and make you do the same ..., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., and Mounted on verso of leaf 38 of volume 9 of 14 volumes.
"The dignified houses of Pall Mall, receding in perspective from right to left, form a background to a crowd of carriages and pedestrians all fashionably dressed except for a woman carrying a basket."--British Museum online catalogue
Description:
Title etched below image., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Two lines of quoted verse on either side of title: "O bear me to the paths of fair Pall Mall, safe are thy pavemts., grateful is thy smell ..., and Mounted on verso of leaf 40 of volume 9 of 14 volumes.
"Eight authors, lean and elderly, dine at an oval table in a handsome book-lined room. A plump man sits at the head of the table (left), reading and gesticulating. The others drink wine, or eat dessert; one helps himself from a punch-bowl. Below the design: "People think that we often dine with Democritus, and there they are mistaken. There is not one of my fraternity, not even excepting the makers of Almanacks who is not welcome to some good table - As for my own part, there are two families where I am received with pleasure. I have two covers laid for me every day one at the house of a fat director of the farms to whom I have dedicated a romance, and the other at the house of a rich Citizen who has the desease of being thought to entertain wits ever) day at his table, luckily he is not very delicate in his choice and the city furnishes him with great plenty"."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue., One of a group of prints that were collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: J. Whatman Turkey Mills 1818., and Mounted on verso of leaf 41 of volume 9 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Blood and Co. setting fire to the tower and stealing the crown and Blood and Company setting fire to the tower and stealing the crown
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 7354 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Watermark: Smith & Allnutt 1816., and Mounted on leaf 45a (i.e. verso of leaf 44) of volume 2 of 12.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, and Townshend, John, Lord.
"A pair of breeches, formerly belonging to Fox, much inflated and forming two merging and transparent globes with projecting legs, is poised (at the seat) on three ostrich feathers, erect in a round bed of (ministerial) roses (see BMSat 10558, &c). Within these globes members of the Ministry sit at a round table, devouring loaves and fishes. The nearest ones are in back view, and have the heavy posteriors characteristic of the Grenvilles (cf. BMSat 10530). Lord Grenville, a fish in each hand, with Lord Ellenborough on his right, Buckingham on his left., and, next the latter, Lord Temple. They sit on a cushioned bench like those of Parliament, which follows the curve of the breeches. The others, left to right from Temple, are Spencer, Windham, Erskine, Petty, Lord Holland, [Identified by his own note.] Moira, who sits full face opposite Grenville, Lauderdale, Sheridan, Howick; Sidmouth on Ellenborough's right completes the circle. All are gormandizing on fish in different degrees, except Spencer and Holland who eat normally. Before Grenville is a dish containing two large fish: 'Treasury' and 'Exchequer', see BMSat 10543, &c. A dog, its collar inscribed 'Tierney', puts its forefeet on the bench, yapping at Grenville's back (cf. BMSats 10128, &c., 10603). On the ground beside him are three cats eating fish in a dish inscribed 'Tabbeys'; their collars are inscribed 'Bet Fox', 'Fitz', and 'Jordan'. Rats surround a dish inscribed 'Scribblers' [ministerial journalists and pamphleteers]. Larger rats in the Ministerial rose-bed gnaw at the feathers which support the breeches. ..."--British Museum online catalogue
Alternative Title:
Political mathematicians shaking the broad bottomed hemispheres
Description:
Title etched below image., Two lines of quoted text following title, preceded by a curly bracket: "Mr. Paull is fixed upon a rock, and be assured he will prove the fulcrum by means of which the present Broadbottomites will be overset." Sir F. Burdett's speech., Two lines of text near top margin of image: To that last hope of the country, "the New Opposition," this representation of "Charley's Old Breeches in Danger" is respectfuly [sic] submited [sic]., 1 print : etching on wove paper, hand-colored ; plate mark 31.8 x 42.5 cm, on sheet 35.4 x 46.7 cm., and Mounted on leaf 37 of volume 6 of 12.
Publisher:
Publish'd Jany. 9th, 1807, by H. Humphrey, 27 St. James's Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Holland, Henry Richard Vassall, Baron, 1773-1840, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Burdett, Francis, 1770-1844, Paull, James, 1770-1808, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Canning, George, 1770-1827, Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
"John Bull crouches on hands and knees on a flat-topped rock: 'Rock of Broad-Bottom'd Security' [cf. BMSats 10530]. On his back is an enormous money-bag: 'The Sinking-Fund - i.e - Taxations of 42 Millions pr Annum'. Petty stands astride on the guineas in the gaping mouth of the bag, shovelling a cascade of coins to greedy ministerialists who stand below, outside the stone gateway of the 'Treasury', whose wall is on the left John, a yokel, out-at-elbows, looks up to say mournfully: " - Toss away! Toss away! my good Boy! toss away!!! - oh how kind it is, to ease me of this Terrible Load!" Petty, looking down, answers: "Patience, Johnny! - ar'nt I tossing-away as fast as I can? ar'nt I reducing of your Taxes to sh/17 & 6d in the Pound? - why you ought to think yourself quite comfortable & Easy, Johnny!" Those nearest the rock are Windham and the fat Lord Temple, with his back to it, catching the coins that overflow from a great heap in the peer's robe which his uncle, Grenville, holds up. Between Grenville and Windham the Marquis of Buckingham has a brimming hat-full. Behind Buckingham' Howick holds up a large hat high above his head. Sidmouth, bending obsequiously, catches some of the overflow from Grenville's store; between him and Temple, a dog, its collar inscribed 'Vansit[tart]' gapes for the small droppings from his master's receptacle (he was Secretary of the Treasury). Behind Grenville, Ellenborough receives a heavy shower on his head. Sheridan, as Harlequin (cf. BMSat 9916), his wooden sword held behind his back, holds out with a servile gesture a (full) bonnet rouge shaped like a fool's cap. Behind him, Lauderdale, in Highland dress, holds out a Scots cap. Towering above Sheridan, Moira holds up an enormous cocked hat, trimmed with the Prince's feathers, and receives, after Grenville, the largest harvest of coin. In his right. hand are papers: 'Price of Stocks'. Between him and Ellenborough, the Duke of Clarence holds up a chamber-pot, inscribed 'Royal Jordan' [see BMSat 7909, &c.]. Behind him is the head of the Duke of York. Erskine, on the left, holds out the Purse of the Great Seal. Next him are Spencer, holding up a cocked hat, and Norfolk, holding up a punch-bowl, inscribed 'Majesty of the People', the toast given by him, which, inter alia, led to his rightemoval from the Privy Council (see BMSat 9168, &c). An aquiline profile, next Norfolk, suggests George Hanger. A youthful face on the extreme left. may indicate Lord Holland. Within the shadow of the Treasury gate other hats are held out, suggesting many more within. ..."--British Museum online catalogue
Description:
Title etched at top of image., The 'r' in 'pretty' in subtitle is etched above the line, inserted into the word 'petty' using a caret., The '3' in '23th' in imprint statement seems to be etched over a '0.' See British Museum catalogue., and Mounted on leaf 38 of volume 6 of 12.
Publisher:
Pubd. Feby. 23th [sic], 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Canning, George, 1770-1827, and Perceval, Spencer, 1762-1812
"A scene in the House of Commons. In the foreground is the space outside the bar, filled with burlesqued supporters of Paull's petition against Sheridan's return for Westminster (see BMSat 10619, &c). These are struck by darts of fire, lightning, and smoke from the Speaker (Abbot), a diminutive figure, almost entirely composed of a huge wig. There are two main blasts, the larger (l.) directed against Paull, the other (r.) against Bosville, Horne Tooke, and Cobbett. In the former is the fiery face of Sheridan, glaring at his enemy, with flames from mouth and nostril. Paull has been thrown violently on to his back, having slipped from the back of a goose with the head of Burdett, on which he has ridden into the House. The goose waddles off to the right., with outstretched neck, following Tooke, the toe of one of Paull's boots still in a stirrup. From Burdett's profile projects the beak of a goose; his long neck is labelled 'Green-Goose from Brentford'. Burdett and his friends seem anxious to slink off without association with the calamity that has befallen Paull. The latter has dropped a long document, which is blazing; this is headed: 'Petition - Humble Petition against Rd Brin[sley] Sheridan for Bribery Corruption . . .' Other papers on which he has fallen are headed 'Scr[utiny]' and 'Impeachment Marquiss Wellesley' [see BMSat 10561, &c.]. A bonnet rouge falls from his head; he has dropped his yard-stick, shears, a cabbage, cucumbers (cf. BMSat 10608, &c). Behind him (l.) is his Counsel, Henry Clifford, in wig and gown, with a drink-blotched face, dropping a sheaf of papers: 'Brief - Paul versus Sheridan.' He heads a crowd of disreputable witnesses, characteristic of Gillray's denizens of the underworld (cf. BMSat 9202); some wear favours in their hats inscribed 'Paul'. All fall backwards under the impact of the Speaker's blast. One man, the palm of his hand branded 'R T' (signifying that he has returned from transportation), grasps a paper inscribed 'Perjury'; a noseless old woman holds a 'Forged Letter of Richd Br Sherridan.' One man holds up a marrow-bone, another a cleaver inscribed 'No Bastille, to show that they belonged to Burdett's election mob, see BMSat 9878, &c. (though he dropped that cry in 1804). Other papers on the ground are: 'Bribery'; 'List of False Votes - J. Powell'; 'Witnesses - Conkey Bean, Bill Soanes, Drake, Hart ye Informer - .' ..."--British Museum online catalogue
Alternative Title:
Little taylor done over and Little tailor done over
Description:
Title etched below image., Text following title: Vide, the terrible effects of provoking a red-hot-shot from the broad-bottom'd-Whig-battery., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 39 of volume 6 of 12.
Publisher:
Publish'd March 13th, 1807, by H. Humphrey, S. James's Street
Subject (Name):
Abbot, Charles, Baron Colchester, 1757-1829, Paull, James, 1770-1808, Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Clifford, Henry, 1768-1813, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Grey, Charles Grey, Earl, 1764-1845
"George III (l.), just risen from the throne, kicks Grenville from the presence, holding him by the pigtail, and raising the sceptre to smite. Other members of the Ministry flee in confusion, their gestures showing that they also have been kicked. The Kings head, as a sign of respect, is hidden by a pillar in heavy shadow which supports the voluminous canopy over the throne, itself in full light. A large label floats from the King: " - what! - what! - bring in the Papists! - O you cunning Jesuits, you! - what you thought I was like little-Boney & would turn Turk, or any thing? - but if You have no Faith or Conscience - I have!! - ay, & a little Old Protestant Spunk too! - So Out with you all!! - out! - with all your Broad-bottom'd- Popish Plots!!! - Out with you - out! - out! - out!" Grenville wears peer's robes, which fly back, exposing his heavy posteriors (cf. BMSat 10530) to the King's toe. He drops a long scroll: 'Catholic Bill - for bringing the Papists into Power & supporting the Broad bottom Jesuits in their Places for securing the Papists in commanding of the Army & Navy & all the Public offices - .' This tears as it floats over the shoulder of Howick, the mover of the Bill. Grenville is propelled against the massive Ellenborough, who hurries forward with a savage backward glare. The spectacled Buckingham looks up at his brother in dismay. Temple, huge and globular, waddles off, feeling his damaged back. In front of him, Sheridan, as Harlequin (cf. BMSat 9916), slinks off stooping low. In the foreground Petty and Erskine lie on their backs, legs in the air, both in their gowns, Erskine having dropped the Purse of the Great Seal. Behind the nearer figures are (l. to r.): Windham, Moira with both arms raised, and Lauderdale, looking to the left.; next, Sidmouth in full flight, and on the extreme right. a head identified by Miss Banks as Fitzpatrick, but resembling Gillray's Adair. On the back of the throne within a wreath: 'G 3d/ R.' On its r., and on the extreme left., is a stool which supports a cushion on which rest a large 'Bible' and a crown. Behind the throne are the Royal Arms."--British Museum online catalogue
Alternative Title:
Emancipation of "all the talents, &c."
Description:
Title etched below image., Text following title: Vide, the fate of [the] Catholic bill., and Mounted on leaf 40 of volume 6 of 12.
Publisher:
Pubd. March 23d, 1807, by H. Humphrey, St. Jamess [sic] Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Windham, William, 1750-1810, and Lauderdale, James Maitland, Earl of, 1759-1839
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:
Title from text at top of image., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 23.5 x 62.7 cm, on sheet 26.4 x 67.6 cm., and Mounted on leaf 41 of volume 6 of 12.
Publisher:
Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
"A sequel to BMSat 10540. George III, as a farmer in a smock, drives his pigs, now very plump, out of his farmyard and down a cliff into a turbulent sea. They have burst through a rotten paling; the foremost are struggling in huge waves, the last, the reluctant Sheridan, is propelled by the farmer's boot. The King says: "O you cursed ungrateful Grunters! - what, after devouring more in a twelve-month, than the good old Litter did in twelve years, you turn round to kick and bite your old Master! but if the Devil or the Pope has got possession of you all - pray get out of my Farm yard! - out with you all - no hangers behind! - you're all of a cursed bad-breed; so out with you altogether!!!" Behind him is the old sow in front of a thatched hovel, backed by trees. Among pigs who have already reached the sea is Howick, on his back on a billowing wave; beside him floats a paper: 'Repeal of the Test Act'. Behind him the head of Lord Holland looks up wistfully. Lord Grenville is carried downwards, one forefoot on a paper: 'Emancipation of the Catholic Army and Navy', while the (torn) 'Catholic Bill' floats before him. His body is covered with a distended skin of guineas, in reference to his two highly paid offices, see BMSat 10543, &c. Next, the hind-legs and vast rump of Lord Temple project from the water; beside him is a paper: 'Last Stake of the Broad Bottom Family', see BMSat 10721. Beside him is an almost submerged barrel of 'Whitbread's Entire' [see BMSat 10421], from which project the hind-legs of the drowning Whitbread. Next behind these, and about to plunge into the waves, are Lord St. Vincent, wearing a naval coat, Buckingham in spectacles and Garter ribbon, Bedford (Lord-Lieutenant of Ireland), from whose neck falls a ribbon inscribed 'Erin-Go-Bragh'. Just behind St. Vincent and Buckingham are Windham, Fitzpatrick (on his back), and Petty; next above these: the Duke of Norfolk, Erskine wearing his Chancellor's wig, Lauderdale, his body covered with tartan, and Spencer, with Moira close behind Bedford. The latest pigs to leave the ground are Ellenborough in his wig, Courtenay, Sidmouth, Derby, Carlisle, and Tierney; a little apart from the others Sheridan (cf. BMSat 10697), his body covered with Harlequin's chequered coat (cf. BMSat 9916), still has his hind-legs on the edge of the cliff. Portions of six other pigs appear in the mélée. A rosary floats on a swirling wave in the foreground."--British Museum online catalogue
Alternative Title:
Broad bottom'd litter running headlong into [the] sea of perdition
Description:
Title etched below image., Text below title, in lower right: A supplement to More pigs than teats, 1806., and Mounted on leaf 42 of volume 6 of 12.
Publisher:
Pubd. April 18th, 1807, by H. Humphrey, 27 St. James Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grey, Charles Grey, Earl, 1764-1845, Holland, Henry Richard Vassall, Baron, 1773-1840, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Whitbread, Samuel, 1764-1815, St. Vincent, John Jervis, Viscount, 1735-1823, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Bedford, John Russell, Duke of, 1766-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Fitzpatrick, Richard, 1747-1813, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Courtenay, John, 1738-1816, and Ellenborough, Edward Law, Baron, 1750-1818
"Lord Temple, naked, wtth large feathered wings bound to his upraised arms, attempts to fly after his father, Buckingham, who is soaring upwards. But his wings are disintegrating; feathers, which are quill pens, fall from them, and he is about to descend heavily on to a viciously pointed stake which is planted in the cobbles of the roadway. His wings are splashed with red, i.e. with sealing-wax. The stake is inscribed 'Stake out of Public-Hedge!' Buckingham (as Daedalus), whom distance makes much smaller than his bulky nephew, is borne up on intact, outspread wings inscribed 'Tellership of \ the Exchequer'. His naked posteriors are grotesquely large. Both are lit by broad slanting beams from a sun in the upper right. corner of the design containing the heal of George III looking down with surprised severity at Temple. On the opposite side of the wide roadway is a handsome detached house, representing the Paymaster's house in Whitehall. A negro servant in livery stands at the door handing up a package to a man in a cart inscribed 'Stationary Office', which is piled with similar packages and bundles of pens. Clouds of black smoke rise from the chimneys but are deflected by the sun."--British Museum online catalogue
Description:
Title etched below image., The questionable digit '8' in 'April 28' in imprint statement seems to have been etched over a different digit., Four stanzas of verse, in two columns, etched below title: In former days the poet sings, an artist skill'd and rare ..., and Mounted on leaf 43 of volume 6 of 12.
Publisher:
Pubd. April 28[?], 1807, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and George III, King of Great Britain, 1738-1820
"A duel between a goose (l.) with the head of Burdett (as in BMSat 10708, &c.) and Paull dressed as a tailor, except for his top-boots; both fire their pistols, each hitting the other on the leg. Beside each lies a second pistol. Burdett fires with his left hand which emerges from the tip of his wing. Paull staggers backwards, gesticulating; his bonnet rouge flies off. He wears an enormous pair of scissors suspended from the waist; a tape-measure is round his neck, and a yard-stick on the ground. Long labels issue from the mouths of the duellists: "What must I be out! - & a Taylor get In, to Parliament! - You're a Liar! - I never said, that I would sit as Chairman on your Shop-board!!!" Paull retorts: "a Liar! - Sir, I'm a Taylor & a Gentleman! - and I must have Satisfaction! - " Burdett's second is a plump man, with a bunch of pistols under each arm; he watches composedly. That of Paull, with a pair of pistols under each arm, watches with gaping mouth and flexed knees, registering alarm. A third man watches from the fork of an oak tree; he seems to be the driver of the coach which stands on the extreme right. with four wretched horses. Between the duellists lie two papers: 'Sir Frans Goose's Letter to the Electors at the Crown & Anchor' and 'Mr Pauls Advertisements'. In the foreground near Paull lies a (green) bag disgorging a bundle of papers inscribed 'Westminster Election Paul'; beside it are a cabbage and cucumbers, with two papers: 'Dangers of indulging Political Envy by Sir F . . . Goose' and 'Cobbetts Character of Paul the Taylor May 2d 1807'. In the background are trees with a signpost pointing (l.) 'To Wimbleton'."--British Museum online catalogue
Alternative Title:
Exact representation of the celebrated rencontre which took place at Combe Wood on May 2d, 1807 ...
Description:
Title etched below image., Watermark, partially trimmed: W. Turner 1807., and Mounted on leaf 44 of volume 6 of 12.
Publisher:
Pubd. May 4th, 1807, by H. Humphrey, 27 St. James Stre
Subject (Name):
Paull, James, 1770-1808 and Burdett, Francis, 1770-1844
"The rival candidates swarm up a pole, inscribed 'Westminster Election', in front of the hustings in Covent Garden. At the top is Burdett with the body and beak of a goose ... He is precariously poised on one webbed foot, the right leg. hanging down, dripping blood from a wound in the thigh (from Paull's bullet), but he is supported by a pitchfork held against his rightump by Horne Tooke, or the Devil, who stands astride the roof of the hustings. Tooke has webbed wings inscribed 'Deceit' and 'Sedition', cloven hoof and barbed tail, with round hat, coat, and clerical bands. Burdett's wings are 'Conceit' and 'Vanity'; his neck is stretched out towards an irradiated sun in the upper right. corner of the design, at which he is hissing, 'ssss [&c]' issuing from his beak. On the disk is a crown on a cushion; it is encircled by the words: 'The Sun of the Constitution'. Just below the goose is Cochrane, wearing the cocked hat and coat of a naval officer with striped seaman's trousers. He is active and agile, one hand on the pole, and one leg round it. In his right. hand he holds up a bludgeon: 'Reform', shouting fiercely to the mob below; his right. foot rests on the cask which encloses the paunchy body of the man below (Elliot), who is falling backwards. From his pocket issues a paper: 'Charges against St Vincent.' Below him legs and arms wildly outflung emerge from the cask which is inscribed 'Quassia' ... The head of the falling cask, inscribed 'Elliots Home Br[ewed], drops off, and its foaming contents pour down. Elliot drops a paper: 'Sixpenny Jack's Address'. Below Elliot, Sheridan, in his Harlequin suit (see BMSat 9916), enormously fat, grasps the pole with arms and legs, making no progress. Below him Paull falls head foremost and in back view to the ground; he is dressed as in BMSat 10725 and his (wounded) left leg breaks above the top-boot. He drops his shears and a cabbage. ..."--British Museum online catalogue
Alternative Title:
Republican-goose at the top of the polle and Republican-goose at the top of the pole
Description:
Title etched below image., The second 'l' in 'polle' in alternative title is etched above the line, inserted into the word 'pole' using a caret., Text following title: Vide Mr. Paul's letter, article: Horne Tooke., Four lines of text below title: Also, an exact representation of Sawney McCockran flourishing the cudgel of naval reform ..., and Mounted on leaf 45 of volume 6 of 12.
Publisher:
Pubd. May 20th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Geographic):
England and London.
Subject (Name):
Paull, James, 1770-1808, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Dundonald, Thomas Cochrane, Earl of, 1775-1860, and Great Britain. Parliament
"Napoleon and Talleyrand plant the genealogical tree of Lord Moira, inscribed 'Royal Pippin'. On the r. Grenville, Howick, and Buckingham ply their axes on the trunk of a huge oak-tree: 'The Royal-Oak'. In the background are rows of other 'Royal Pippins', just grafted on old stocks. Talleyrand digs the hole, placing his deformed foot on his spade. Napoleon, in profile to the right., is about to plant the pippin, whose root is a coroneted apple inscribed 'William the Norman Robber'; on its branches are other coroneted or crowned pippins. The main stem culminates in the whiskered face of Moira, wearing a royal crown. This is reached through a 'Plantagenet beheaded in 1415', and 'Henry de la Pole beheaded in 1538'. Collateral branches are 'Duchess of Clarence put to death in 1453', 'Hungerford Beheaded 1406', 'Crookback Richard killd at Bosworth', 'Edmund 4th Son of Henry 3d Beheaded', 'Countess Salisbury Beheaded in 1505.' Napoleon wears his large plumed bicorne, the peak on his neck, jack-boots, and a gardeners apron over his uniform. His long sabre is inscribed 'Corsican Grafting Knife.' Talleyrand wears a laced coat and cocked hat of the ancien régime, with bag-wig, sword, clerical bands, and rosary. From his pocket hangs a paper: 'Projet pour Agrandisser les Jardins Imperial'. In the foreground (l.) are three grafts ready to be joined to stocks; they lie against a basket labelled 'Grafts of King-Pippins for Brentford, Wimbleton, & Botley'. The centre and longest has the head of Cobbett, the others have the heads of Burdett and Horne Tooke. All wear royal crowns; Tooke has clerical bands. The 'Royal-Oak' (r.), an aged but still magnificent tree, whose trunk is gashed by the axes of the late Ministers, has a large royal crown in the centre of its branches, flanked by four giant acorns: 'Protestant Faith' (near a withered branch), 'Integrity of the Lords', 'Independence of the Commons', 'Liberty of the Press'. All the wood-cutters are in their shirt-sleeves. Grenville is back-to-back with Talleyrand; a cross dangling from a rosary hangs against his massive posterior, his waistcoat is striped in tricolour, his axe is a 'Catholic Cleaver'. Behind him the spectacled Buckingham raises a 'Broad-Bottom Hatchet' [see BMSat 10530]. Howick (r.), very thin and aggressive, plies a 'Whig Cleaver'. Funguses grow round the tree and on the lower part of the trunk. In the background is the Imperial nursery garden: rows of newly joined grafts the point of junction with the stock being an egg-shaped lump of 'Corsican Clay'. Crowned heads sprout from green leaves; they are (l. to r.): 'Eutrurian [sic] Pippin', 'Wirtemburg Pippin' [the face that of a plump woman, nd probably intended for the Queen, see BMSat 10440], 'Saxon Pippin', 'Holland Pippin', 'Itaian [sic] Pippin'. Many others, less defined, recede in perspective."--British Museum online catalogue
Alternative Title:
Little Corsican gardiner planting a royal-pippin-tree and Little Corsican gardener planting a royal-pippin-tree
Description:
Title etched below image., Text below title: Vide, the Berlin Telegraph of May 21st, 1807, article: the Genealogy of the Royal Race of the King of Ballynahinch. See Morg. Post, June 17th., and Mounted on leaf 46 of volume 6 of 12.
Publisher:
Pubd. June 25th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Cobbett, William, 1763-1835
"The 'Broad-Bottom Packet' sails through the mouth of a cave towards the distant shore, where the spirits of the departed stand waving a welcome. Its occupants, the defeated Ministers, are all naked. The torn sail is inscribed 'Catholic Emancipation'. To the top of the mast a cross, inscribed 'Ich dien', is bound with tricolour lashings, and is surmounted by the Prince's feathers, tied on with a tricolour ribbon inscribed 'Fitz[herbert]'. Moira stands with one hand on the mast, putting a cross to his lips; his eyes are fixed on the feathers (cf. BMSat 10253, &c.). In the stern (r.) sits St. Vincent, holding the tiller and shouting: "Avast - ! Trim ye Boat! or these damn'd Broad bottom'd Lubbers will overset us all." The boat is low on the port side where are the three vast Grenvilles, with the massive Sheridan beside them. Granule, waving a Cardinal's hat, holds a chalice, and addresses the posterior of his brother, all that appears, as he grovels at the bottom of the boat; this is marked with a cross and inscribed 'Ballast from Stow'. He says: "Courage Brother! - take Extreme Unction! & don't despair." Temple sits on the edge of the boat holding a paper: 'Stationary - Paymasr Office' [see BMSat 10721, &c]; his other papers trail in the water: 'Places', 'Pensions', 'Sinecures'; a bunch of pens floats away, as does a copy of the 'Morning Chronicle', the Whig newspaper. Next him, Erskine leans over the side vomiting 'Catholic Emetic'. In the water an open wig-box is floating inscribed 'Lord Double Bottoms his Wig Kings Bench': Lord Ellenborough's wig, inscribed on one side 'Loyalty', on the other 'Opposition', is falling into the water. Behind Erskine is the tall Howick standing with one foot on the gunwale and using a massive 'Whig Club' as a punt-pole. A cloak is attached to his shoulders by a tricolour ribbon. He says fiercely: "Better to Reign in Hell! - than Serve in Heaven!" In the bows stands little Lord Henry Petty, one simian foot on the gunwale, playing a dancing-master's fiddle or kit; under his foot is a paper, 'Dance Go to the Devil & shake Yourselves' [see BMSat 10589]. Below Howick is his brother-in-law, Whitbread, singing from a book of 'Wesleys Hyms', a frothing tankard of 'Whitbreads Entire' [cf. 10421] in his left hand. Sheridan vomits, his hand to his forehead. Behind him is the austere Windham, pen in hand; he holds a paper: 'Scheme for Drilling Imps in Hell' [see BMSat 10596, &c.]. ..."--British Museum online catalogue
Alternative Title:
Ghost's of "all the talents" taking their last voyage
Description:
Title etched below image., Text following title: From the Pope's gallery at Rome., and Mounted on leaf 48 of volume 6 of 12.
Publisher:
Publish'd July 16th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
St. Vincent, John Jervis, Viscount, 1735-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grey, Charles Grey, Earl, 1764-1845, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, Lauderdale, James Maitland, Earl of, 1759-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Pretyman, George, 1750-1827, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Fox, Charles James, 1749-1806, Canning, George, 1770-1827, Cromwell, Oliver, 1599-1658, and Robespierre, Maximilien, 1758-1794
"Two sailors, Hawkesbury and Castlereagh, seated side by side, row a small ship's boat or dinghy, 'the Billy Pitt', towing the ships of the Danish fleet. Canning, in the stern, holds the ropes attached to the ships. He looks alert and roguish, the others are grave. They are going through rough water caused by 'Leviathan' (l.), a porpoise-like monster with three heads and a forked tail. The heads spout water at the boat, particularly at Canning. They are (r. to left.) Grenville, who spouts "Opposition Clamour"; Howick (whom Canning had replaced as Foreign Secretary), spouting "Detraction"; and St. Vincent, spouting "Envy". The boat nears the shore, indicated by a rock projecting into the sea (r.); on this is an anchor leaning against a pile of cannon-balls stacked against the wall of a small thatched inn. On the stock of the anchor sits John Bull, a stout countryman, holding a frothing tankard, and waving his hat. He shouts "Rule Britannia! - Britannia Rules the Waves!!" On the inn is a placard: 'Sheerness Harbour'; it has a sign hanging over the water: a profile bust portrait of George III: 'The Good Old Royal George'. Above it waves the Union Jack. On the horizon countries of Europe are indicated by low-lying coastlines backed by tiny buildings, all on fire, the flames and smoke covering the sky. These are, l. to r.: 'Poland', 'Russia', 'Germany', 'Prussia', 'Italy', 'Holland'. In the smoke Napoleon capers in impotent rage, sword in hand, his feathered bicorne flying upwards from his head. In his dismay he drops a paper: 'Projet pour Sub-juger [sic] la Mer' [cf. BMSat 10599, &c.]. On the extreme left., behind the Danish ships and isolated from Poland, is Copenhagen, its buildings on a larger scale, with a fortress flying a British flag. The buildings behind the fortress are on fire."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 49 of volume 6 of 12.
Publisher:
Publish'd Octr. 1st, 1807, by H. Humphrey, 27 St. James's Street
Subject (Name):
St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Napoleon I, Emperor of the French, 1769-1821, and George III, King of Great Britain, 1738-1820
"A grotesquely hideous man, lean and elderly, sits in an armchair addressing a comely young woman who stands demurely (l.), her pose accentuating her pregnancy. Behind them is an empty fireplace; on the chimney-piece is a Venus pudica flanked by cupids, one with a bow and arrow, the other with a torch. On the wall are two pictures; (l.) a cock and hen facing each other like fighting-cocks, and (r.) a horse in the last stage of decrepitude, assailed by carrion birds."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 49 of volume 11 of 12.
Publisher:
Publish'd Feby. 2d, 1807, by H. Humphrey, 27 St. James's Street
"An old woman stands on a pavement in in profile to the left., holding a basket containing nosegays on her right. arm. She has sharp features and is very neatly dressed in a plain figured gown gathered at the waist by a string. She wears a flat hat of antique pattern over a white cap, a red cloak, mittens, and buckled shoes."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Mounted on leaf 50 of volume 11 of 12.
Publisher:
Publish'd May 12th, 1807, by H. Humphrey, 27 St. James's Street
"A very obese man with very short legs stands on a mound in profile to the right. He has short jagged hair, wears a round hat and a coat, which though not long in cut reaches to his boots He has an expression of concentrated calculation; he holds a pencil and a card inscribed '2/I on Th . . . '. In the distance four horses are racing, followed by a crowd of spectators on horseback and on foot with one coach and pair."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Mounted on leaf 51 of volume 11 of 12.
Publisher:
Publish'd June 9th, 1807, by H. Humphrey, 27 St. James's Street
