"Inscription in the upper right. corner: 'A Serio Comic Scene that befel the Grocers Wife at Norwich Or Mrs Figgs bottom exposed owing to the bottom of Mr Figgs Whiskey breaking through.' The two-wheeled gig has stopped at the door of an old-fashioned grocer's shop. A plump woman stands on the ground behind the shafts, naked between waist and stockings, the hole in the floor of the gig having scraped up her petticoats. A scene of violent action: one man holds the head of the restive horse. Men (l.) rush to look at the unfortunate woman who screams with upraised arms, as does her husband who stands with his back to his shop. A woman furiously clutches the hair of a too-eager spectator (r.); a barking dog leaps towards Mrs. Figg. Over the shop-door hangs a conical sign: 'Old Sugar loaf.' A board over the door is inscribed 'Grocery Sweetmeats Hams Tongues Starch Plumbs Figs Vermicelli Tripe Barley Pickles Mustard Soap Hogs Puddings &c Sold here by Peter Figg.' In a bow window are many jars, &c, two inscribed 'Mustard' and 'Virgin Honey'. Above it are two large pot-plants. An agitated woman screams from a casement window over the door. On the house is a placard: 'Cattle Life Insurance Cow Lane Smithfield.'."--British Museum online catalogue
Alternative Title:
Bottom of Mr. Figg's old whiskey broke through
Description:
Title etched below image., Printmaker and date from Grego., and Mounted on leaf 76 of volume 8 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, City & town life, Dogs, Grocers, Spectators, Spouses, Stores & shops, and Window displays
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
publish'd according to act of Parliament, April 1757.
Call Number:
Portraits L886 no. 1+
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of Loum Kiqua shown standing whole-length holding a long pipe in left hand and wearing Chinese dress and hat with a purse hanging from his waist. He stands in a room with a chequered floor and to the right a balcony overlooking ships on the water and the walls of a city complex
Description:
Title etched below image., A biographic sketch etched below title reads: "The Chineese [sic], came to Lisbon in 1755, was there at the Time of the Earthquake, and providentially escap'd with Life; after many hardships & ill treatments from the Portuguese, he came over to England, in 1756, where he met with different usage, having had the Honour to be seen by his Majesty, and the rest of the Royal Family, most of the Nobility &c. by whom he was much caress'd, having made application to the Honble. the East India Company for his passage home, he was kindly receiv'd and generously accomodated on Board one of their Ships to carry him to Canton, his Native Country.", The biographic sketch is preceded by Chinese characters., and For further information, consult library staff.
Title from caption below image., Title from item., Printmaker from companion prints in same set., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of seven groups of figures in two rows, with lines of text etched above each group., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 1, pl. 13., For other prints in the set, see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8925, Temporary local subject terms: Parsons -- Marriage., and Later printing. Watermark: C. Ansell 1807.
Publisher:
Pubd. Jany. 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from caption below images., Later printing. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caricatures lent., Two designs on one plate, each depicting two figures holding an individually-titled print: A shooting party; A fishing party., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fishing -- Hunting., and Watermark: C. Ansell 1807.
Caricatural portrait of John Wilkes sitting on a chair holding stick topped by a cap of Liberty. On the table beside him are two issues of the newspaper North Briton, nos. 17 and 45 as well as a box with a feather pen in an inkwell
Alternative Title:
John Wilkes Esquire
Description:
Title engraved below image., Sheet trimmed within plate mark on left side., Copy of no. 4050 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 482 x 305 mm. With Bowdich's notes on recto of mount.
Title from caption etched below image., Sheet trimmed within plate mark., Imprint from first state scored through: London : Pubd. by Roberts Middle Row, Holborn, [June 1803?]., Publication year from Tegg's first printing scored through: 1806?, Temporary local subject terms: Holland -- Spain -- Hanover -- Dutchmen -- Spainards -- Military: German Soldier -- Broken Pipe -- John Bull., and Mss. note in contemporary hand added to upper margin of print: 246.
"A pair of breeches, formerly belonging to Fox, much inflated and forming two merging and transparent globes with projecting legs, is poised (at the seat) on three ostrich feathers, erect in a round bed of (ministerial) roses (see BMSat 10558, &c). Within these globes members of the Ministry sit at a round table, devouring loaves and fishes. The nearest ones are in back view, and have the heavy posteriors characteristic of the Grenvilles (cf. BMSat 10530). Lord Grenville, a fish in each hand, with Lord Ellenborough on his right, Buckingham on his left., and, next the latter, Lord Temple. They sit on a cushioned bench like those of Parliament, which follows the curve of the breeches. The others, left to right from Temple, are Spencer, Windham, Erskine, Petty, Lord Holland, [Identified by his own note.] Moira, who sits full face opposite Grenville, Lauderdale, Sheridan, Howick; Sidmouth on Ellenborough's right completes the circle. All are gormandizing on fish in different degrees, except Spencer and Holland who eat normally. Before Grenville is a dish containing two large fish: 'Treasury' and 'Exchequer', see BMSat 10543, &c. A dog, its collar inscribed 'Tierney', puts its forefeet on the bench, yapping at Grenville's back (cf. BMSats 10128, &c., 10603). On the ground beside him are three cats eating fish in a dish inscribed 'Tabbeys'; their collars are inscribed 'Bet Fox', 'Fitz', and 'Jordan'. Rats surround a dish inscribed 'Scribblers' [ministerial journalists and pamphleteers]. Larger rats in the Ministerial rose-bed gnaw at the feathers which support the breeches. ..."--British Museum online catalogue
Alternative Title:
Political mathematicians shaking the broad bottomed hemispheres
Description:
Title etched below image., Two lines of quoted text following title, preceded by a curly bracket: "Mr. Paull is fixed upon a rock, and be assured he will prove the fulcrum by means of which the present Broadbottomites will be overset." Sir F. Burdett's speech., and Two lines of text near top margin of image: To that last hope of the country, "the New Opposition," this representation of "Charley's Old Breeches in Danger" is respectfuly [sic] submited [sic].
Publisher:
Publish'd Jany. 9th, 1807, by H. Humphrey, 27 St. James's Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Holland, Henry Richard Vassall, Baron, 1773-1840, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Burdett, Francis, 1770-1844, Paull, James, 1770-1808, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Canning, George, 1770-1827, Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "127" in the upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 25.5 x 36.3 cm., and Sheet trimmed within plate mark on top and bottom edges.
Illustration to Gay's 'A Beggar's Opera' from 'Inchbald's British Theatre'. An interior scene with a Peachum and Polly administering a drink to Mrs. Peachum, who is lying back with her eyes closed in a chair, having had a fit at learning about the marriage of Polly and Macheath; a fireplace with a fire screen and mantel with jars seen in the background at the right
Description:
Title engraved above image., Caption below image: "Polly- Give her another glass, sir. Act 1. Scene 1.", Publication date from proof in the British Museum online catalogue, registration no.: 1854,0513.487., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd by Longman & Co.
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Couples, Fireplaces, Interiors, and Loss of consciousness
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Questionable printmaker attribution to Charles Williams from local card catalog record., Possibly a later state; end of imprint statement seems to have been burnished from plate., Date of publication from unverified data in local card catalog record., Plate numbered "129" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling"--Lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper ; sheet 23.2 x 33.6 cm., and Imperfect; sheet trimmed within plate mark with almost complete loss of plate number from upper right.
A jovial countryman leans on a rustic railing next to a tree, to address a fat elderly parson on horseback (riding to the left). He asks, "Ha! Ha, the knaust Doctor I be a rum fellow, Canst thee tell me why a parsons horse be like a king?" The parson answers with a grin, "Why you rogue, because it is guided by a minister." He is red-faced and freckled and prosperous looking, with a round belly; he carries a sermon in his pocket whose title is "Sermon to be prea[ched] ..."
Alternative Title:
Dignity of a parsons horse
Description:
Plate numbered '136' in upper right corner., Printmaker from British Museum catalogue., Cf. No. 10904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with altered imprint statement., Sheet trimmed within plate mark., and Watermark: Edmeads & Co.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:
Title from text at top of image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Figures within image numbered 1 to 13 in a contemporary hand.
Publisher:
Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A tall fashionably dressed portrait painter, holding his crescent-shaped hat under his arm, stands between his subject (right) and the whole length painting of her which leans against the wall (left). The lady is fantastically fat, with huge lips. She wears a short-waisted décollétee dress (though her waist is undiscernible), and holds in both hands a small parasol. On the canvas she is transformed into Juno pouring out a libation for Jove, an eagle clutching thunderbolts; she wears quasi-classical dress, with breast and arms bare; one sandalled foot rests on a cloud. Her bulk is scarcely modified; the likeness remains, though the contour of face and lips is improved. Two half length portraits also lean against the wall. The Irish painter declaims: "A famous hand Madam!!! Your Eyes indeed are featured there, but where's the sparkling moisture, shineing fluid in which they swim? the Picture indeed has your dimples, but wheres the swarm of hilling Cupids that should ambush there? the lips to are figured out, but where's [the] dew, the pouting ripeness that tempts the taste in the original; your breasts too!! What paint Heaven!!! presumtuos Man!" She says, with eyes coyly dropped: "Oh Mr Flanegan You flatter me!!"."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Four lines of verse following title: Pray don't the lover let me ask, hid by fascine battery, steal hearts away and whats his mask, to be sure it is not flattery. Dibdin., Plate numbered "107" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Sheet trimmed within plate mark., Temporary local subject terms: Irish painter -- Parasol -- Female costume: 1807., 1 print : etching with stipple on wove paper, hand-colored ; sheet 25.2 x 37 cm., and Sheet trimmed within plate mark on top edge.
"The tall Dean of Christ Church [Cyril Jackson] and James Webber (B.D. 1807), both in academic dress, walk, right to left, and slightly towards the spectator, heads in profile. Webber expounds with extended hand, the Dean listens with grave intensity. The Dean wears a clerical wig, a cassock with sash, and high-quartered buckled shoes. The younger and smaller man has short hair, double-breasted coat, fashionable jabot, and knee-breeches, with tied shoes."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Robert Dighton
Subject (Name):
Jackson, Cyril, 1746-1819 and Webber, James, 1772-1847
"Representation of Mr William Elias Taunton in smart attire, leaning on a walking stick with his right hand, with his left hand tucked in the pocket of his breeches. He wears black boots, a brown, double-breasted over-coat and a black hat, and leans forward with his head and body turned to the left. He also sports a small ponytail."--British Museum online catalogue and "Taunton (1773-1835), son of the Town Clerk of Oxford, Justice of the King's Bench 1830, was made Recorder of Oxford in 1806."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., 'Tim Quiz' is a pseudonym for Robert Dighton; see British Museum catalogue., and Publisher and place of publication from British Museum online catalogue, registration no.: 1935,0522.17.43.
Publisher:
Robert Dighton
Subject (Geographic):
Oxford (England)
Subject (Name):
Taunton, William Elias, Sir, 1773-1835
Subject (Topic):
builings, structures, etc and Government officials
"A fashionably dressed man stands directed to the left, erect and debonair, a cane under his left arm. He takes a pinch of snuff, holding, besides the snuff-box, his top-hat. He has whiskers and small pigtail. From his coat-pocket projects a bottle labelled 'Two Spoonsfull to be taken at Bed time'. On the ground is a pill-box on its side, spilling its contents. He wears two thistles in the breast of his coat; a thistle-plant grows near his feet."--British Museum online catalogue
Alternative Title:
Trip from Oxford to the land of cakes
Description:
Title etched below image. and Temporary local subject terms: Prescriptions -- Thorn stick canes -- Scotland -- Male costume: 1809 -- Snuff boxes.
Publisher:
Robert Dighton
Subject (Name):
Ireland, John, 1745-1839
Subject (Topic):
Physicians, Medicines, Pills, Staffs (Sticks), Snuff, and Thistles
"A tall slim man, in academic dress with mortar-board, stands in profile to the left, his arms akimbo, his gown forensically gathered up. He has whiskers, short hair, and a fashionable neck with clerical bands. He is Henry ('Horse') Kett (1761-1825), Fellow of Trinity, Bampton Lecturer 1790, Select Preacher 1801-2; he drowned himself."--British Museum online catalogue
Title etched below image., Printmaker and questionable date of publication from Grego., Plate also published in: Caricatures. [London] : [publisher not identified], [1836?], page 76., Design incorporates image elements of nos. 5916, 5917, and 7238 and is titled the same as no. 5914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., 1 print : etching on wove paper, hand-colored ; sheet 17.9 x 14.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 47 of volume 5 of 14 volumes.
"Two designs on one plate, divided by the title. [1] A hussar officer riding in front of his men mismanages his mount, so that it rears slightly, and he is about to slide off. He shouts "March, Trot, Canter, Charge, halt, halt, halt, I mean." He has dropped a trumpet from which issues a blast: "Oh what a Ninny I was to throw Myself off, they're laughing at me avarice Vanity False friendship, Ingratitude, Double dealing, absurdity, Hippocracy, Malice, Cut down Countenance." His sabre lies on the ground, and five riding-switches which have been rolled up in the cloak fastened to the saddle fall from it. On the ground is a paper: 'hints to bad horsemen'. The men (right) gallop up in perfect order holding their sabres erect. One says: "Our Young Whip is not an Old Jockey". In the background (left) is a church or cathedral (perhaps intended for Salisbury), with trees and houses. [2] The rider has just picked himself up (right); the horse, still rearing, looks over its shoulder to say: "You seem more frightened than hurt, You have been taught the Value of Whips more than the use of them." A soldier, holding the trumpet, has ridden up and halts between horse and rider; he says: "I hope your Honor is not hurt." The officer answers: "I am not hurt upon My honour." The men galloping (right) say: "Why our Captain needn't a fallen.""--British Museum online catalogue
Description:
Title etched between the two images., Printmaker from British Museum catalogue., Jiles (or Giles) Grinagain is a pseudonym., 1 print : etching on wove paper ; plate mark 37 x 27 cm, on sheet 39.3 x 28.6 cm., and Mounted on leaf 43 of volume 8 of 14 volumes.
Publisher:
Pubd. Feby. 3, 1807, by Jiles Grinagain, No. 7 Attilery [sic] Street, London
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 14 x 19.2 cm., Imperfect, top design only., and Mounted at the top of leaf 44 of volume 8 of 14 volumes.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
