A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Two dandies from 1519 and 1819 stand full length in profile, contrasting the fashions of their respective time periods
Alternative Title:
Dandies
Description:
Title etched below image., Sometimes attributed to William Heath., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 29 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Two dandies from 1519 and 1819 stand full length in profile, contrasting the fashions of their respective time periods
Alternative Title:
Dandies
Description:
Title etched below image., Sometimes attributed to William Heath., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Publication date from unverified data in local card catalog record., Two lines of text following title: This silly innovation which they've borrow'd from the Turks ..., For a reversed version of this design published in Dublin, see British Museum online catalogue, registration no.: 1948,0214.872., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: 1816 -- Picture: Bazaar in Baghdad, enslaved persons., and Watermark: Basted Mill.
Publisher:
Pubd. by J. Sidebotham, 96 Strand
Subject (Topic):
Chimney sweeps, Dandies, Markets, Slave trade, Staffs (Sticks), and Umbrellas
"A fat ugly man stands in a dilapidated wash-house, one foot on a rough stool, the other trampling on his wig; he gazes up at a noose hanging from a beam, saying, "Oh! my hard Fate!" / Why did I trust her ever?" / What story is not full of Womans Falsehood?" At his feet is a letter: 'You old Fool if you ever [? trouble] me again with your Stupid epistles I will expose you in the public Papers Peggy Perkins.' Below the title: 'No Cure no Pay.' Below the design are eight lines of verse, beginning and ending: 'The one end of a Rope fasten over a beam And make a slip noose at the other extreme, . . . The cricket [stool] kick'd down let him take a fair swing And leave all the rest of the work to the string."--British Museum online catalogue
Alternative Title:
Cure for love
Description:
Title from caption below image., Traces of an earlier imprint following statement of responsibility., "London" mostly burnished from plate following imprint., and Eight lines of verse below image: The one end of a rope, fasten over a beam and make a slip noose at the other extreme ...
Publisher:
Pub. Jan. 9, 1819 by S.W. Fores 50 Piccadilly & 312 Oxford St.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in old-fashioned (gold-laced) dress rides a velocipede in front of which on the pole is a seat with arms, for a passenger, occupied by an elderly woman with a cat on her knee. Behind her sits a monkey who stretches backwards to clutch the man by the nose, while a second monkey perched on the back of the machine tugs at his pigtail, and waves his victim's laced cocked hat. From the front of the pole, under the woman's seat, hangs a cage containing a parrot. A lap-dog tied to the back of the machine is dragged along in the dust. There is a landscape background. The woman is the typical old maid of caricature. The rider is probably her footman or coachman."--British Museum online catalogue
Alternative Title:
Family party taking an airing
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "334" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 39 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in old-fashioned (gold-laced) dress rides a velocipede in front of which on the pole is a seat with arms, for a passenger, occupied by an elderly woman with a cat on her knee. Behind her sits a monkey who stretches backwards to clutch the man by the nose, while a second monkey perched on the back of the machine tugs at his pigtail, and waves his victim's laced cocked hat. From the front of the pole, under the woman's seat, hangs a cage containing a parrot. A lap-dog tied to the back of the machine is dragged along in the dust. There is a landscape background. The woman is the typical old maid of caricature. The rider is probably her footman or coachman."--British Museum online catalogue
Alternative Title:
Family party taking an airing
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "334" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on top edge., and Watermark: Charles Wise.
Title from caption below image., Printmaker and publication date from British Museum catalogue., Printmaker's signature has been burnished from lower left corner., Sheet trimmed to plate mark., Temporary local subject terms: Waterloo Place -- Carlton House -- Male costume: top-hat, 1819 -- Coronets -- Female costume: 1819., and Manuscript "141" in upper center of plate.
Publisher:
Pubd. by M. Clincl [i.e. Clinch] No. 20 Princes Street Soho
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Gordon, Charlotte
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Ruse & Turners.
"Two sailors ride (right to left) a velocipede (see No. 13399) with two saddles on the elongated bar. At the back is a seat for two passengers in which are two gaily dressed women. The first sailor says over his shoulder: "D--n it Jack this is rare sailing without a wind!" The front wheel collides with a dandy (left), who has dropped his steering-bar (which has dropped to the ground) and is about to fall off. Jack answers: "A very pretty invention Tom! D--n it we shall run down the Dandy!" The dandy (cf. No. 13029) shouts: "Curse you you tarpaulins Wy don't you mind how you steer." One of the women holds a bottle and glass; she looks back saying: "Vy Poll this beats the Dilly [diligence]!! Vy Poll it' s capsized!!" Poll sits back with folded arms, one leg resting on the second sailor's shoulder. She answers: "And we have capsized a Dandy!!" In the background (right) a mail-coach lies on its side; men, women, and luggage from the outside are on the ground; an inside passenger tries to climb from the window."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Date supplied in contempory hand., and Sheet trimmed leaving thread margins.
Publisher:
Pub. by J. Johnston, 98 Cheapside
Subject (Topic):
Accidents, Bicycles & tricycles, Dandies, British, Mail wagons, and Sailors
"A giant mushroom reaches the upper margin of the design; in its summit a cask is embedded. The butler stands on a ladder (left) holding out the spigot, and saying to Banks who stands below (right): "here's a pretty "Tale of a tub, all the Wine's gone!!" Sir Joseph stands in back view, capering delightedly; he holds up both arms, a stick in the left hand, and says with head thrown back: "It is a most Glorious discovery cut it down & send it to the Museum had the Wine been Bottled, it wod not have been half so Interesting." Against the wall of the cellar are wine-bins, stacked with bottles, four inscribed respectively 'Curious Tinta'; 'Cypress'; 'Very Curious'; 'Wine drank by the Grt Mogul'. Flasks on the top of the bins are 'Nile Water' and 'Water from Tombuctoo'. On the ground (left) is a two-handled covered vase: 'A small portion of the Sabine left by Horace at his death contained in this Vase preserved for dinners of the R S.'."--British Museum online catalogue and "Below the title: '--Dedicated to the worthy President--Sir Joseph Banks having a Cask of Wine rather too sweet for use, he directed that it shod be placed in a Cellar that the Saccharine matter it contain'd might be more perfectly decomposed by age--At the end of three years he directed his Butler to ascertain the state of the Wine, when on attempting to open the Cellar door he was prevented by some powerful obstacle--the Door was therefore cut down & the Cellar was found to be completely fill'd with a firm fungus vegetable production--the Cask was Empty & carried up to the deling where it was supported by the surface of the Fungus.--(vide Monthly Magazine).'"--British Museum online catalogue
Alternative Title:
View of a fungus lately grown on their own banks
Description:
Title etched below image. and Sheet trimmed to plate mark on lower edge.
Publisher:
Pub. by J. Sidebotham, 287 Strand & sold also at No. 20 Princes St.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Mushrooms, Barrels, Ladders, Butlers, Staffs (Sticks), Bottles, and Vases
A satire of a Gretna Green marriage, taking place in front of smithy's shop. Erskine, disguised in woman's dress with a huge feathered bonnet over a barrister's wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: 'Breach of Promise'. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, "I shall make a good thing of this Piece at last." Erskine says: "I have bother'd the Courts in London many times, I'll now try my hand at the Scotch Bar--as to Miss C-- she may do her worst since I have got my Letters back." The woman says: "Now who dare say, Blacks the White of my Eye." In the background (right) a young woman rushes down a slope towards the smithy, shouting, "Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters--" Beside her is a sign-post pointing 'To Gretna Green'. A little boy with Erskine's features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine's profile. Another boy with a toy horse on a string stands in back view watching 'Miss C'. Behind the smith is the furnace; on the wall hang many rings: 'Rings to fit all Hands.'
Alternative Title:
More legitimates
Description:
Title etched below image. and Printed on paper watermarked "1818".
Publisher:
Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Geographic):
Scotland, Gretna Green, Gretna Green (Scotland), and Gretna Green.
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Erskine, Sarah Buck, Baroness, -1825, and Erskine, Thomas Erskine, Baron, 1750-1823.
Subject (Topic):
Elopement, Breach of promise, Elopements, Ethnic stereotypes, Forge shops, Metalworking, Furnaces, Anvils, and Hammers
Title from caption below image., Date of publication from British Museum catalogue., Variant state with altered title. Cf. no. 13420 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, vol. 9., and Watermark.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Burdett, young and handsome, stands between two contrasted men. He takes the left hand of a stout good-looking fellow: 'The Genius of Honour and Integrity', and points with a gesture of dismissal to 'The Monster of Corruption', a hideous and grotesque old man who departs to the right, clutching money-bags. Above Burdett's head: 'Look here upon this picture, and on this, And then Judge for Yourselves'. He wears a ribbon like a Garter ribbon inscribed 'MAGNA CHARTA Bill of Rights'. Against the head of 'The Genius of Honour' are inscriptions: 'A sound Mind'; 'An Eye ever watchful to the Welfare of his fellow Citizens.'; 'A Tongue that never belied a good Heart'. On his shoulder: 'A Shoulder that never shrinks in trouble'. A placard across his chest: 'An Upright Breast and an Honest Heart'. On his paunch: 'A Lover of Peace and Plenty A Plain Liver'. His pocket: 'Pocket ever open to the Necessities of his Fellow Creatures'. Knee: 'A Knee to Religion'. Leg: 'Legs ever steady in his Country Cause'. In his right hand, inscribed 'Hand of Justice', he holds a paper: 'A Staunch Supporter of the Bill of Rights An Advocate for a Fair Representation of the People An Enemy to Bribery and Corruption'. 'The Monster' has a large grotesque head; his bald scalp is inscribed 'Professions and Promises'; the eye-socket is covered with a white disk: 'An Eye to Interest'; his projecting nose: 'A Scent for Interest'; his projecting toothless jaw: 'A Mouth of Guile'. He wears a 'Collar of Corruption'. The arm: 'Arms of Power'; hand: 'Hands of Extortion', holding a bag: 'Pensions Reversions Perquisites of Office'. In the left hand: 'Bag of Bribery'. On his chest: 'A Cringinge Soul'. On his paunch: 'Pampered Appetite'. His coat-pocket bulges with 'Secret Service Mony'. His right leg: 'Legs of Luxury'; his left thigh: 'A Rotten Borough'; shoe: 'Feet of Connivance'."--British Museum online catalogue
Alternative Title:
Rough sketch of the times as deleniated by Sir Francis Burdett and Rough sketch of the times as delineated by Sir Francis Burdett
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with publication year "1810" altered to "1819" in imprint statement. See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling couloured [sic].", and Leaf 15 in volume 1.
Publisher:
Pubd. May 9th, 1819, by Thos. Tegg, No. 111 Cheapside
Title from caption below image., Publication date from British Museum catalogue., "Price 1 s.", Temporary local subject terms: Augusta, of Hesse-Cassel, Duchess of Cambridge, 1797-1889 -- Adolphus Frederick, Duke of Cambridge, 1774-1850 -- Frederica of Mecklenburg-Strelitz (Princess of Solms-Braunfels), Duchess of Cumberland, fl. 1819., and Manuscript "79" above plate.
Publisher:
Pubd. 1819 by S.W. Fores 50 Piccadilly
Subject (Name):
Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, William IV, King of Great Britain, 1765-1837, Edward Augustus, Duke of Kent, 1767-1820, Victoria Mary Louisa, Duchess of Kent, 1786-1861, Ernest Augustus, King of Hanover, 1771-1851, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
"A burlesqued tailor with a huge paunch and small legs stands in profile to the left, facing a gale and rain, encumbered with a little girl clinging to his neck, and by large roll of cloth under the right arm; he tries to open his umbrella, having placed his cane between his legs; tied to the handle in a handkerchief are books of patterns, which are blowing away, like his wig, hat, and the child's bonnet; his coat, with tape-measure, streams behind him ..." (Source: George)
Alternative Title:
Embarras des richesses
Description:
Title from caption below image., Anchor symbol is the artist's mark of Frederick Marryat., Artist from British Museum catalogue., Below title: Drawn from the life on the Cliff Brighton., Five lines of verse from Byron's Bride of Abydos inscribed below title: Through rising gale and breaking foam and shrieking sea birds warned him home ..., and For further information, consult library staff.
"Below the title: '(i e) Being dragg'd through mud & Mire by your Cockney friend, (who has lately taken-- a -- seat in the Country) to show the improvements! & his ignorance in Farming.' The fat 'cit', wearing top-boots, stands deep in mire, his hand resting on a heap of straw and dung (left); he turns to a file of agonized visitors who are picking their way on stones, saying, "Here's a charming lot of dung for you -- Now tho' you would not think it I made every bit of this dung myself since I came here! & you know that's not long!" A little boy, standing on the heap with a pitchfork, points to a pool, saying, "Yes & that pond was'nt there when papa first came; Papa made all that water too, all himself!" The foremost visitor registers astonishment; the other three are concerned only with the mud. A frightened boy watches the procession. On the right a woman tries to help her husband, a dandy, from mire that is sucking off his boot, and who holds by the hand (but disregards) a small child who has fallen deep in the muck, terrified at the onset of a menacing duck followed by ducklings. The fat hostess, standing before an unmistakable garden-latrine (right), takes his shoulder, saying, "Never mind my husbands nasty dung--come this way Mr B, & I'll show you my Grotto & Waterfall!" She points to water gushing into a pool from a tiny artificial cave on which stands a Venus pudica. This is flanked by little arbours (each surmounted by a flower-pot which indicates the scale) and each containing a seat. A dove-cot is surmounted by the figure of Harlequin or Mercury holding a purse. Behind are small trees, a haystack, and the roof of the house."--British Museum online catalogue
Description:
Title from caption below image., An anchor is the symbol of artist Captain Frederick Marryat., Sheet trimmed within plate mark., Lines of text below title: (ie) being dragg'd through mud & mire ..., and Temporary local subject terms: Chickens -- Farms -- Obesity.
Publisher:
Pubd. May 25th, 1819 by G. Humphrey 27 St. James's Strt
In a tavern, a group of men, several of them with very large bellies, sit around a table with a large punch bowl in the center; they are smoking pipes, some laughing at their companion who has just been struck with a stick by a large woman; others look up in alarm while still others continue to read. In preparing for another strike she accidentally hits the innkeeper wearing an apron behind her as he brings in another punch bowl, which spills as raises his arms. Above the fireplace is picture of a man racing a horse; another print of a horse hangs above the door. Their hats hang on pegs on the walls around the room
Alternative Title:
Special messenger!
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1819.
Publisher:
Pub. April 16, 1794, by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Anger, Bowls (Tableware), Pipes (Smoking), Taverns (Inns), Waiters, and Wigs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "327" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject tersm: Mirrors -- Dandies -- Serums -- Rugs., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25.1 cm, on sheet 41.8 x 25.6 cm., and Leaf 90 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "327" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject tersm: Mirrors -- Dandies -- Serums -- Rugs.
Title from caption below image., An anchor is the symbol of artist Capt. E.J. Marryat., Traces of artist's name spelled out and former publication line visible., Later state with different publication line. Cf. No. 13044 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Black servants -- Ships -- Accidents -- Dining -- Sailors -- Passengers -- Familes with children.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene on a high-road passing through a village. Those who see their livelihood threatened by mechanical transport (cf. British Museum Satires No. 13427) attack the riders of velocipedes (see British Museum Satires No. 13399). In the foreground a dismounted dandy lies on his back, while a fat veterinary surgeon stands with one foot on his chest, squirting a syringe into his mouth. A stalwart blacksmith is breaking the machine into small pieces. The dandy, who is very thin, with a wasp waist, exclaims: "I swear by my stays [cf. British Museum Satires No. 13394], I never will mount a Hobby again! don't now you'll take all the stiffening out of my collar and frill." The man answers: "I'll only give you a dose to make you remember! and if ever I catch you again you shall swallow all the contents of my shop!" The smith says: "That's right Doctor! if we don't exterminate these Hobbies, you'll never have to bleed or drench or I to shoe." Behind him (left) are houses bordering a village street. The mistress and maid of an inn, with 'Man and Horse taken in' over the gate, watch delightedly. Next door is a smithy: 'Anvil Smith and Farrier &c.', adjoining the thatched and gabled cottage of 'Drench Veterinary Surgeon Cows Asses & Dogs cured'. In the middle distance an ostler prises a dandy out of his seat with a pitchfork; he shouts: "D-n you but I'll spoil your sitting! if the Doctor can't get horses to dose he shall have asses to plaster! D-n me! I shall never have an opportunity of cheating a horse of his corn any more if these Hobbies come in Use." The road curves to the left and recedes in perspective, a sign-post pointing 'To Coventry'. A man eggs on a dog to attack a retreating hobby-rider; and a tiny fugitive in the distance shouts: "Dick! steer clear of the Blacksmiths in the next village and put up your Hobby where there is no stabling."--British Museum online catalogue
Alternative Title:
Velocipede cavalry unhobby'd
Description:
Title etched below image., Printmaker from British Museum catalogue., Five lines of quoted text following title: "Then beware hobby horsemen, beware of yr. fate, "dismount from your hobbies before t'is too late ..., Plate numbered "353" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 66 in volume 5.
Publisher:
Pubd. 1819 by T. Tegg, 111 Cheapside
Subject (Topic):
Bicycles & tricycles, Blacksmiths, Dandies, and Veterinary medicine
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene on a high-road passing through a village. Those who see their livelihood threatened by mechanical transport (cf. British Museum Satires No. 13427) attack the riders of velocipedes (see British Museum Satires No. 13399). In the foreground a dismounted dandy lies on his back, while a fat veterinary surgeon stands with one foot on his chest, squirting a syringe into his mouth. A stalwart blacksmith is breaking the machine into small pieces. The dandy, who is very thin, with a wasp waist, exclaims: "I swear by my stays [cf. British Museum Satires No. 13394], I never will mount a Hobby again! don't now you'll take all the stiffening out of my collar and frill." The man answers: "I'll only give you a dose to make you remember! and if ever I catch you again you shall swallow all the contents of my shop!" The smith says: "That's right Doctor! if we don't exterminate these Hobbies, you'll never have to bleed or drench or I to shoe." Behind him (left) are houses bordering a village street. The mistress and maid of an inn, with 'Man and Horse taken in' over the gate, watch delightedly. Next door is a smithy: 'Anvil Smith and Farrier &c.', adjoining the thatched and gabled cottage of 'Drench Veterinary Surgeon Cows Asses & Dogs cured'. In the middle distance an ostler prises a dandy out of his seat with a pitchfork; he shouts: "D-n you but I'll spoil your sitting! if the Doctor can't get horses to dose he shall have asses to plaster! D-n me! I shall never have an opportunity of cheating a horse of his corn any more if these Hobbies come in Use." The road curves to the left and recedes in perspective, a sign-post pointing 'To Coventry'. A man eggs on a dog to attack a retreating hobby-rider; and a tiny fugitive in the distance shouts: "Dick! steer clear of the Blacksmiths in the next village and put up your Hobby where there is no stabling."--British Museum online catalogue
Alternative Title:
Velocipede cavalry unhobby'd
Description:
Title etched below image., Printmaker from British Museum catalogue., Five lines of quoted text following title: "Then beware hobby horsemen, beware of yr. fate, "dismount from your hobbies before t'is too late ..., Plate numbered "353" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., and Sheet trimmed to plate mark.
Publisher:
Pubd. 1819 by T. Tegg, 111 Cheapside
Subject (Topic):
Bicycles & tricycles, Blacksmiths, Dandies, and Veterinary medicine
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene on a high-road passing through a village. Those who see their livelihood threatened by mechanical transport (cf. British Museum Satires No. 13427) attack the riders of velocipedes (see British Museum Satires No. 13399). In the foreground a dismounted dandy lies on his back, while a fat veterinary surgeon stands with one foot on his chest, squirting a syringe into his mouth. A stalwart blacksmith is breaking the machine into small pieces. The dandy, who is very thin, with a wasp waist, exclaims: "I swear by my stays [cf. British Museum Satires No. 13394], I never will mount a Hobby again! don't now you'll take all the stiffening out of my collar and frill." The man answers: "I'll only give you a dose to make you remember! and if ever I catch you again you shall swallow all the contents of my shop!" The smith says: "That's right Doctor! if we don't exterminate these Hobbies, you'll never have to bleed or drench or I to shoe." Behind him (left) are houses bordering a village street. The mistress and maid of an inn, with 'Man and Horse taken in' over the gate, watch delightedly. Next door is a smithy: 'Anvil Smith and Farrier &c.', adjoining the thatched and gabled cottage of 'Drench Veterinary Surgeon Cows Asses & Dogs cured'. In the middle distance an ostler prises a dandy out of his seat with a pitchfork; he shouts: "D-n you but I'll spoil your sitting! if the Doctor can't get horses to dose he shall have asses to plaster! D-n me! I shall never have an opportunity of cheating a horse of his corn any more if these Hobbies come in Use." The road curves to the left and recedes in perspective, a sign-post pointing 'To Coventry'. A man eggs on a dog to attack a retreating hobby-rider; and a tiny fugitive in the distance shouts: "Dick! steer clear of the Blacksmiths in the next village and put up your Hobby where there is no stabling."--British Museum online catalogue
Alternative Title:
Velocipede cavalry unhobby'd
Description:
Title etched below image., Printmaker from British Museum catalogue., Five lines of quoted text following title: "Then beware hobby horsemen, beware of yr. fate, "dismount from your hobbies before t'is too late ..., Plate numbered "353" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark., and 1 print : etching, hand-colored ; plate mark 246 x 348 mm.
Publisher:
Pubd. 1819 by T. Tegg, 111 Cheapside
Subject (Topic):
Bicycles & tricycles, Blacksmiths, Dandies, and Veterinary medicine
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, very tipsy, one leg on the supper-table, leans back in his chair, putting a hand under the chin of each of two very fat maidservants who stand one on each side. One (left) stands with her back to the fire where a large steak is grilling; she holds a pair of steak-tongs and a glass of wine. He says to her: "Dolly I admire your Chops and now for your Rump I shall find out the beauties of the Kremline in time! Dolly I have a great mind to make you a Dutchess you'll make a nice fat Dutchess, and Cis here shall be a Countess. Should you like to be a Dutchess Dolly?" She answers: "Any thing your Hiness chuses to make me!" General Bloomfield has risen from his chair (right) to hand a glass of wine to the other, saying, "Come Cis take a glass of Claret my girl Countesses [sic] a countess should drink nothing but Claret." Men cooks and soldiers crowd in a doorway (right) to watch. One (? Carême) says: "Got tam! vat he go do Dolly? My Dolly!" Another says to him: "Ah ha! I think you are done with Monr Fricasee." On the table are decanters, &c., and two candelabra. See British Museum Satires No. 13208, &c. The Pavilion, with its onion domes, was called the little Kremlin."--British Museum online catalogue
Alternative Title:
Beauties of grease, or, Luxuries of the Kremlin and Luxuries of the Kremlin
Description:
Title etched below image; the letters "as" in "grease" have been scored through and the letters "ec" etched above, forming the word "Greece.", Printmaker and date of publication from British Museum catalogue., Plate numbered "335" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 41 in volume 5.
Publisher:
Pubd. by T. Tegg, No. 111 Cheapside, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
Title from caption below image., Publication date from unverified data in local card catalog record., Sheet trimmed to plate mark on left side leaving thread margins., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three fat Englishwomen, wearing feathered bonnets, are dressing the fair Circassian, see British Museum Satires No. 13391, &c. One laces a corset-bodice, which covers her breasts and reaches almost to the knee. The victim throws up her arms, exclaiming, "Ah! Ah! me no bear dot; too tight; nasty tiff ting Me no eat no drink no do noting at all in dat." The other says: "Poh! Poh Child You will soon be used to them, and we'll shew you what You can do in them." A second woman (left), much more décolletée than the Circassian, holds a collar with vandyked edging. She says: "And then she'll like the nasty tiff ting, as well as we do they keep us in shape! Pray what would the Dandys do without them [see British Museum Satires No. 13394]." On the right are two bearded Persians wearing scimitars and pistols, the so-called eunuchs. One stoops to touch the stiff corset, saying to his companion: "Very good ting Muley No want us guarde now!" The other answers: "Ah! den we go drink de brown tout Hamet!" A woman stands behind them holding out a gown; she says over her shoulder: "Aye and you must drink a rare quantity before it will make men of ye!!" The Circassian's oriental dress and jewelled turban lie on the ground. From a band-box (left) projects an enormous bonnet vulgarly trimmed with feathers and flowers. Behind it is a dressing-table."--British Museum online catalogue
Alternative Title:
British graces attiring the Circassian Venus in the English costume
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "357" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Female costume, 1819 -- Corset-bodice -- Male costume: Persian eunuchs -- Guns: Pistols -- Weapons: Scimitars -- Dill Arum (Circassian), fl. 1819., Watermark: 1817., and Leaf 69 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire: an old woman with bald head in her night-dress handed a candle by her maid."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a plate originally published ca. 1803 by Piercy Roberts; Roberts's imprint is still present below title. Tegg's imprint, which was added above title, is partially burnished from the plate, suggesting that this is a later reissue. Cf. British Museum online catalogue, registration no.: 1948,0214.672., Date of publication based on watermark., Plate numbered "298" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: Ladies' maid -- Lighting: Candlestick., and Watermark: A 1819.
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn and By T. Tegg, 111 Cheapside, London
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire: an old woman with bald head in her night-dress handed a candle by her maid."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a plate originally published ca. 1803 by Piercy Roberts; Roberts's imprint is still present below title. Tegg's imprint, which was added above title, is partially burnished from the plate, suggesting that this is a later reissue. Cf. British Museum online catalogue, registration no.: 1948,0214.672., Date of publication based on watermark., Plate numbered "298" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: Ladies' maid -- Lighting: Candlestick., 1 print : etching on wove paper, hand-colored ; sheet 41.8 x 25.6 cm., Sheet trimmed within plate mark on right and left edges., and Leaf 80 in volume 5.
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn and By T. Tegg, 111 Cheapside, London
Title from text above first row of images., Artist from British Museum catalogue., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folio's of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., One of a set of eight plates, each composed of three bordered horizontal strips, that were evidently intended to be cut up to form a border., Temporary local subject terms: Lillipution figures -- Newspapers -- Eyeglasses -- Pigmies., Watermark: J. Whatman 1819., and Embossed stamp of publisher in lower right of sheet: S.W.F.
Publisher:
Pub. Jany. 1, 1801, by S.W. Fores, No. 50, Piccadilly
On a bridge with Oxford in the background, male students riding bicyles with female companions collide, toppling another student and a master who drops a book opened to a page with the title "Tutors assistant".
Alternative Title:
Brazen Nose Hobbies
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Smith & Allnutt 1816., and Printseller's stamp.
"A one-masted naval vessel flying an Ensign flag, sails (left to right) along a country road on six wheels. Sailors man the yards and haul at the sails, an officer shouts through a speaking-trumpet. In the background are three similar but smaller vessels on four wheels."--British Museum online catalogue
Alternative Title:
Going to hobby-horse fair
Description:
Title from caption below image.
Publisher:
Pub. Sept. 10th, 1819 by G. Humphrey, 27 St. James's Street
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "337" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 45 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "337" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on bottom edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sometimes attributed to William Heath., Plate numbered "329" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 31 in volume 5.
Title from caption below image., Sheet trimmed to plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Basted Mill.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a cake shop, with two ladies taking their departure after eating from two dandies, both of whom declare themselves unable to pay the bill."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1867,0713.418., Plate numbered "331" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Cf. No. 13448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on two sides., Temporary local subject terms: Female costume, 1819., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 33 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a cake shop, with two ladies taking their departure after eating from two dandies, both of whom declare themselves unable to pay the bill."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1867,0713.418., Plate numbered "331" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Cf. No. 13448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on two sides., Temporary local subject terms: Female costume, 1819., and Watermark: 1819.
Title etched below image., Imprint from book in which this plate was included., Plate from: Caulfield, J. Portraits, memoirs, and characters, of remarkable persons, from the revolution in 1688 to the end of the reign of George II, v. 1., Temporary local subject terms: Clergy: dissenters -- Churches: interior., Bowditch's ms. annotations on the mounting sheet., On wove paper, trimmed within plate mark, window mounted to 19 x 10 cm., mounted to 31 x 31 cm., and 1 print : etching ; sheet 18 x 10 cm.
Title etched below image., Imprint from book in which this plate was included., Plate from: Caulfield, J. Portraits, memoirs, and characters, of remarkable persons, from the revolution in 1688 to the end of the reign of George II, v. 1., and Temporary local subject terms: Clergy: dissenters -- Churches: interior.
Dickinson is half-standing with his feet turned outwards and his left hand resting on his chest; a monkey stands on a ledge at the base of a large column; a book and an inkwell lie on the table
Description:
Title etched below image., Publication information from that of the volume for which this plate was made., and Plate from: Caulfield, J. Portraits, memoirs, and characters, of remarkable persons ... London : H.R. Young and T.H. Whitely, 1819, v. 2, opposite page 59.
In the center two black eunuchs stand on either side of a door which stands open to reveal the Circassian with a raised veil, eager to receive her visitors. From the left a pair of dandies, Lord Yarmouth and Lord Petersham dressed in wide trousers and wearing spurs, walk towards the door as the Regent, with a gouty leg, and Marquis of Worcester approach from the right. Petersham is shown with a moustache and beard and holds an eyeglass
Alternative Title:
Vain attempt to get a peep at the fair Circassian
Description:
Title etched below image., Publication date from British Museum catalogue., "Price 1 s.", Watermark: John Hall., and Manuscript "138" in upper center of plate.
Publisher:
Pubd. by Fores, 50 Piccadilly
Subject (Name):
Hertford, Francis Seymour-Conway, 3rd Marquis of, 1777-1842, Harrington, Charles Stanhope, Earl of, 1780-1851, Beaufort, Henry Charles Somerset, Duke of, 1792-1853, and George IV, King of Great Britain, 1762-1830
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Dismal dandies, or, General Mourning and Crape, General Mourning & Crape, and General Mourning and Crape
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniform: Colonel -- General -- Swords in scabards., 1 print : etching with engraving on wove paper, hand-colored ; plate mark 35.1 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 89 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Dismal dandies, or, General Mourning and Crape, General Mourning & Crape, and General Mourning and Crape
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniform: Colonel -- General -- Swords in scabards., and Watermark: J. Whatman Turkey Mill.
