Title from caption below image., Publication date from local card catalog record., and Temporary local subject terms: Servants -- Couples -- Tea tables -- Cats.
"Extravagantly dressed pedestrians promenade beside (?) the Serpentine. Almost all are arm-in-arm, an exception being an ugly and complacent woman whose face is covered by a long transparent lace veil. The women walk leaning back, as in BM Satires 14438; they point their toes as if at a dancing class, drawing up their skirts, but these are less long. A fashion for stripes for women's dresses and for trousers is apparent, and for patterned materials with scalloped flounces, furbelows, ribbons, and over-trimmed hats. Curled hair frames the face and rests on the shoulders. Waists are still wasp-like for both sexes. Men wear checked neck-cloths with high collars. Much play is made with eye-glasses and canes. Hessian and top-boots are corrugated, spurs are oddly absent. The women wear very flat slippers, tied at the ankle. Beyond the water are trees."--British Museum online catalogue
Description:
Title from caption below image., Numbers "3" and "5" in "1835" in imprint have been overwritten with "24" in ms., and Reissue of no. 14725 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10; originally published July 8, 1824, by G. Humphrey.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Title from caption below image., Publication date from local card catalog record., and Temporary local subject terms: Older man suitor of young woman -- Peeking.
Title from caption below image., Publication date from local card catalog record., and Temporary local subject terms: Woman in veil -- Reading -- Dog -- Suitors.
Title from caption below image., Publication date from local card catalog record., and Caption continues: ... La Miss she can't mean Mr. Hopkins cos he's a very little one!
Title from caption below image., Publication date from local card catalog record., and Caption continues: " ... Laws ha' mercy upon us" "No, sure its not nothing at all o' the sort, ve ought to know, seeing as how they calls us clergymen."
Title from caption below image., Publication date from local card catalog record., and Text below title: If it is really a genuine piece of antiquity, it is worth five hundred pounds, but if modern, not more than five pounds.
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 13069 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Dec. 11, 1818, by G. Humphrey., and Numbered in ms. at top of sheet: 38.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Dandies, English, Fans (Accessories), Loss of consciousness, and Opera singers
Title from heading above central image., Numerous images on sheet, some individually captioned., Caption below central image: The artist who gives his time to drawing in albums is like a mishipman upon half pay who gets nothing a day & finds himself ..., and Sheet trimmed within plate mark.
A French man stands in profile to the right in front of his upturned chair, his hand on his protruding belly as if in pain, as an older woman sits at the table refilling his tea cup. A young woman stands behind the woman at the table, smiling behind a fan as she looks at the visitor. An older man sits at the table amused at the French man's distress. A dog drinks from a saucer under the table. The party is in evening dress, the curtains drawn, and a chandelier of four gas lamps hangs over the square tea-table laid with the tea service and tray
Alternative Title:
English manners and French politeness
Description:
Title etched above image. and Below image, five lines of text: A Frenchman not aware of the custom, constantly returned his cup without the spoon in it, which being immediately replenished by thelady of the house, he thought it a point of politeness to drink the contents which he continued to do, to the great surprise of the company until he perceived the lady pouring out the 14th cup, when he rose in great agony and cried, Ah! Madame excuse me I can take no more.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England.
Subject (Topic):
Eating & drinking, Etiquette, Foreign visitors, French, Manners and customs, and Tea parties
Title from heading above image., Caption below image: Ah you beauty! I say my dear do you think your husband will be out late to night?, Sheet trimmed with some loss of imprint., and Sheet trimmed within design.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Ducôté & Steven's lithogy., 70 St. Martins Lane
Two men restrain a well-dressed Black man with a carictured face as a group of men and one woman look on, the men mostly smiling but the woman with a look of horror on her face
Description:
Title from caption below image. and Publication date from local card catalog record.
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 12138 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Apr. 28, 1813, by H. Humphrey., Temporary local subject terms: Election balls -- Lighting: Chandeliers., and Numbered in ms. at top of sheet: 67.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Topic):
Ballrooms, Balls (Parties), Chandeliers, Couples, Dance, and Musicians
Title from caption below image., Publication date erased from sheet. Date from local card catalog record., and Temporary local subject terms: A provincial ball -- Musicians -- Dancing.
Two newly arrived Frenchmen meet on the pavement outside the door of the White Bear (Piccadilly). Their speech and appearance amuse two girls who have just passed (left), and a stable-boy and coachman (right) and the fact that a dog is urinating on the boot of the tall man on the left who is unaware of this action. They wear supposedly English dress: breeches and boots, top-hats with small high crowns, reversing the shape of the prevailing bell-shaped topper (cf. BM Satires 14438). One (right) wears a multi-caped coat (carrick, see BM Satires 12375) and carries its skirts looped over his arm; against his shoulder he holds a huge (furled) umbrella. Their words are below the title: "Gode a Morning Sare, did it rain tow Marrow?--"Yase it vas"--. Above the door is a carved polar bear. In the window (left) above a green blind appear a tureen, bottle, &c.; placards hang against the panes offering Hashed Tongue, Soup Meagre, Hotch Potch, and Mock [Turtle]. On the right of the door is the entrance to the coach-office: The Original White Bear Inn. Coach & Waggon Office--The Original Paris Coach Office. Advertisements and place-names flank the doorway: (left) Expeditio--French English Made Easy; P[aris] & Dover Dilligence & Jumbling Ease, (right) Deal, Dover, Brighton, Paris, Calis. On the right is the entrance to the inn-yard in which stands a coach. -- From the British Museum online catalogue with additional comments., Title from caption below image., Lines of dialogue below title: "Gode a morning sare, did it rain towmorrow? "Yase it vas.", Sheet trimmed within plate mark., Companion print to: Anglo-Parisian salutations, or, Practice par excellence!, Reissue of no. 14440 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 6, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 113.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
City & town life, Dogs, Umbrellas, Stores & shops, Taverns (Inns), and Urination
Title from caption below image., Lines of dialogue below title: "Commong porty wous munseer? O Oui, il est un tres belle jour"!, Sheet trimmed within plate mark., Companion print to: Anglo-Gallic salutations in London, or, Practice makes perfect., Reissue of no. 14441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 10, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 115.
"Reissue of a print published by Humphrey, 25 June 1819. An enormously tall pole projects from a rocky mound seen against a background of sea and icebergs. A sailor with a Union flag has climbed nearly to the top; at the base is a little group of sailors, waving their hats, who have just scaled the mound. One, a stout officer, is Ross; climbing up the rock is a black servant. See No. 13194, &c."--British Museum online catalogue
Numerous small designs, many of them individually titled
Description:
Title from heading above design., Publication date from local card catalog record., A.C. or A. Crowquill, for a time the joint pseudonym of Charles Robert Forrester and Alfred Henry Forrester; later used by Alfred Henry Forrester alone., Number 5 in a series of at least seven prints published by Smith, Elder, & Co., and Temporary local subject terms: Beards -- Animals in human situations.
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15189 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., and Temporary local subject terms: Holidays.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26, Haymarket
"Scene in a school-room, pupils performing for admiring relations and friends. Eight little girls in party frocks do dance-steps while an agitated dancing-master leans angrily towards them, playing his fiddle. Other little girls watch from a bench (right). Boys sit in two tiers on an improvised platform from which they have stuck pens in the wig of an aged schoolmaster who is greeting a visitor. A dressed-up old woman hands a tray of refreshments to caricatured guests seated on the left, while four dandified men stand on the right. An ugly old woman snuffs a candle while she menaces the group of boys. On the wall are a sampler and drawings perpetrated by the pupils. There is a hanging gas chandelier."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 15187 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Dec. 12, 1826, by S. Knights., and Mounted to 25 x 33 cm.
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
Title from heading above image. and Caption below image: "Oh you'r [sic] the young woman that wants a situtation eh? And I've no doubt you'll do for me!!!"
Title from caption below image. and Temporary local subject terms: Christmas -- Christmas greetings -- Broadsides and posters on wall -- Musical Fesitval -- Choral Fund -- Illustrated broadsheets -- Beggers.
Title from caption below image., Publication date from local card catalog record., Caption continues: ... I wish he could see us now -eh., and Temporary local subject terms: Ethnic stereotypes -- Black servants -- Racist images -- Drinking -- Card playing -- Room screens -- Portrait paintings -- Pictures amplify subject.
Title from text above and below image., Print signed with artist's device below artist's initials: A spur., Reissue of no. 14319 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
A visual pun on the legal profession: The conveyancer is depicted as a pickpocket, the solicitor as a prostitute, and bar practice as a bartender
Description:
Title from text below image., Publication date from unverified data in local card catalog record., and Print numbered in ms. near upper edge of sheet: 264.
Publisher:
Published for the propietor by James Bulcock, 17 Park Place, Chelsea
Title from heading above image., Imprint statement inscribed upside down and reversed on print., Caption below image: "You wish for a son Madam." Dear me how did you know that?, and Temporary local subject terms: Pregant women -- Scholars -- Books -- Scientific specimens -- Heaters -- Studies.
Title from caption below image., Printmaker from unverified data in local card catalog record., Date of publication based on that of the volume in which the plate was published., Sheet trimmed within plate mark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?: s.n., 1836?], p. 76., A reduced copy in reverse of a print by J. Bretherton after Bunbury published 1 Apr. 1774. See British Museum online cataglogue, registration no.: J,6.5., and Imperfect; artist's signature erased from lower left corner of sheet, with the area of erasure shaded over in pencil.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
Oct. 22nd, 1835.
Call Number:
836.00.00.10
Image Count:
1
Resource Type:
still image
Alternative Title:
Almanac for the hat or bonnet
Description:
Title from heading above image., Publication statement continues: Now publishing the original Comic almanac, price 3d also Every body's album. The political reflector ..., and Text within image: The hat or bonnet almanac 1836.
Publisher:
Printed & pubd. by T. Dawson, No. 11 Paternoster Row and Tate, 54 Leicester Sqre
A red-nosed 'Cit' sits on a rock along a small waterfall on a stream outside a cottage, fishing. He grins as he holds up a fish that he has caught, the caption below conveying his thought: "Do you call that nothing?" The joke is that his bucket of fish that hangs off a tree branch next to him has been overturned and all the rest of the fish he has caught spill back into the stream
Visual puns on doctors and medical terminology: Cure for a hair lip, A real quack, A strong asperient ...
Description:
Title from heading above design., Publication date from local card catalog record., Printmaker extrapolated from other prints in the series. Cf. Beards., A.C. or A. Crowquill, for a time the joint pseudonym of Charles Robert Forrester and Alfred Henry Forrester; later used by Alfred Henry Forrester alone., Numerous small designs, many of them individually titled., No. 7 in a series of at least seven prints published by Smith, Elder & Co., and Temporary local subject terms: Doctors -- Medicines -- Puns.
Title from text alongside an image of a dustman in lower margin. and Reissue of no. 14728 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Mar. 23, 1824, by G. Humphrey.
Title from text above and below image., Print signed with artist's device below artist's initials: A spur., Reissue of no. 14318 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
"Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife's arm through his. A fat and hideous negress, awkwardly asleep. The deck is level."--British Museum online catalogue
Description:
Title from caption below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Reissue, with new imprint statement. For the earlier state published 5 June 1824 by G. Humphrey, see no. 14718 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Watermark: 1834.
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer
Published / Created:
[1835?]
Call Number:
835.00.00.206
Image Count:
1
Resource Type:
still image
Description:
Title from heading above design., Publication date from local card catalog record., Lithographer extrapolated from similar prints. Cf. Frontispiece to the Sporting magazine., Numerous small designs, many of them individually titled., and The Lewis Walpole Library impression: Sheet trimmed with loss of imprint and artist and printmaker signatures and some loss to design.
A series of small designs, many of them individually titled, showing satirical images commenting on British social and political issues, many with visual puns, and images of stereotypes, both ethnic and social: dustman, Hottentotts, pickpockets, bishops, hunters
Description:
Title from heading above design., Publication date from local card catalog record., and Mounted to 34 x 26 cm.
Publisher:
publisher not identified and Printed by S. Sirakel [illegible text]
A copy of a print (British Museum satires no. 12392) published by Humphrey in 6 March 1814. The players are the same, but one (right) has become gouty and sits in a winged arm-chair. The spectators are altered, but are perhaps intended to be the same persons, transformed by dress and pose. One (right) is a dandy who leans against the chimney-piece warming his coat-tails, and watching with a contemptuous smile. There is a picture of skittle-players, as in no. 12392; in place of the horse (left) a left-handed cricketer is depicted
Description:
Title from caption below image.
Publisher:
Pubd. August 1st, 1819 by G. Humphrey, 27 St. James's Street
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print., and Manuscript "Aug 1835" added after imprint.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Floor coverings, Hand lenses, and Pictures
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair, the one on the right with a quizzing glass. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", and See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Hand lenses, and Pictures
Titles from captions above images., Publication date from local card catalog record., Sheet trimmed with loss of imprint and printmaker signature., and Sheet trimmed within design.
"A box-like room is suspended in the sea by ropes on pulleys, a shaft ascending from its roof. There is no front wall, enabling sea-monsters to attack the occupants, who are four terrified little men, naked except for breeches. In each of the three walls is a barred window; through one (right) a large fish has pushed its head to seize the head of a man in its jaws, while water gushes in."--British Museum online catalogue, description of an earlier state
Description:
Title from text above image., P.F.L.B. is a pseudonym of James Gillray., Reissue with altered imprint; originally published July 19, 1801, by H. Humphrey., Sheet trimmed within plate mark., and Temporary local subject terms: Fishing spears -- Fishing rakes -- Fishing hooks -- Diving-machines -- Pastimes: Diving.
Four topographical plates (2 colored), stitched as issued in original pale yellow printed wrappers
Description:
Cover title., Date from dealer's description., Series number added in pencil., Rear wrapper lists 16 parts to the series, with no. 7 listed as "Buildings - Carlton Palace &c.", "Two pence.", Lewis Walpole Library copy: The number '7' in the title is supplied in pencil., and For further information, consult library staff.
Publisher:
10, Cloth Fair, West Smithfield
Subject (Geographic):
Malmesbury (England), England, London., England., and Malmesbury.
Subject (Name):
Carlton House (London, England) and Eltham Palace (London, England)
Subject (Topic):
Buildings, structures, etc, Abbeys, Castles & palaces, and Market crosses
Title from caption below image., Publication date from local card catalog record., Caption continues: ... Why lovely, I was so surprised at your sudden return my duckey., and Temporary local subject terms: Tea tables -- Couples -- Servants.
"The mother sits beside an open work-table, receiving the children whom a black footman ushers in, looking round the door and grinning broadly. The eldest girl has rushed into her mother's arms; a little boy stands beside her, gleefully welcoming a younger girl who is running forward. The eldest boy, on whom his mother's eyes are fixed, advances nonchalantly, blowing a trumpet. A cockatoo screeches on its perch. There are two pictures: Harvest Home and Happy Return, a woman at her cottage door greeting a youth."--British Museum online catalogue
Alternative Title:
Commencment of the holidays and Commencement of the holidays
Description:
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15188 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., Temporary local subject terms: Holidays -- Black servants -- Parlors -- Families -- Pictures amplify subjects -- Parrots -- Joy -- Horns., and Watermark: 1834.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26 Haymarket
Subject (Topic):
Blacks, Children, Cockatoos, Dogs, and Sewing equipment & supplies
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
Title from caption below image., Publication date from local card catalog record., and Caption continues: ... but next time you shoots a bird vot I've brought to my call I'll shoot you into a clay pit, that's all!!
Depiction of a man suffering from indigestion, suggested by little characters and demons tormenting him. Remnants of food surround him; dinner invitations are scattered on the floor
Description:
Title etched below image., 'A. Crowquill' was a psuedonym used jointly by Alfred Henry Forrester and Charles Robert Forrester., Reissue, with new imprint statement. For an earlier state published 12 February 1825 by S. Knight, see no. 14904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Indigestion, Devil, House furnishings, Demons, and Pain
Depiction of a man suffering from indigestion, suggested by little characters and demons tormenting him. Remnants of food surround him; dinner invitations are scattered on the floor
Description:
Title etched below image., 'A. Crowquill' was a psuedonym used jointly by Alfred Henry Forrester and Charles Robert Forrester., Reissue, with new imprint statement. For an earlier state published 12 February 1825 by S. Knight, see no. 14904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Indigestion, Devil, House furnishings, Demons, and Pain
"Children on the sea-shore, with a background of cliffs and bathing-machines suggesting Brighton. In dress and manners they are tiny adults. Three couples walk arm-in-arm, a little boy sits on the ground. Two girls and two boys wear vast broad-brimmed hats as in BM Satires 15183. 24th January 1826"--British Museum online catalogue
Description:
Title from caption below image. and Publication year erased partially and modified with ms. to present as '1826'
Title from text above image., Print signed with artist's device following artist's initials: A spur., Text below image in German and English: "Tabac zu rauchen, oder grosse Hunde in der Diligence mit zu nehmen, ist untersagt" & & ..., Reissue of no. 14315 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
French title from text above image; English title from caption below image., Print signed with artist's device following artist's initials: A spur., Reissue of no. 14313 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
Title from caption below image., Publication date from local card catalog record., Caption continues: Has he? by goles! nobody wants him., and Temporary local subject terms: Couples -- Reading.
"Two couples in evening dress dance in a carpeted room with curtained windows, the promenade being a figure in a dance, apparently a waltz."--British Museum online catalogue
Description:
Title from caption below image., Reissue. Publication year from British Museum catalogue., Monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication year erased from sheet.
Title from caption below image., Publication date from local card catalog record., and Temporary local subject terms: Tea tables -- Cats -- Servants -- Couples.
Neice presented to her relatives by her French governess and Niece presented to her relatives by her French governess
Description:
Title from caption below image., Numerous lines of dialogue in English and French on either side of title: Well-a-day Aunt! What monstrosities are these? ..., Sheet trimmed within plate mark., Reissue of no. 12922 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Jan. 3, 1817, by H. Humphrey., Temporary local subject terms: Hatboxes -- Education., and Numbered in ms. at top of sheet: 121.
An elderly couple (right), plainly dressed in a very old-fashioned manner, watch with shocked dismay an over-dressed Frenchwoman who takes by the wrist an equally over-dressed girl, making her curtsey, as she does herself. Their dresses are high-waisted, flounced, and vandyked, with neck-ruffles and short puffed sleeves. Both wear huge bonnets with erect cylindrical crowns, grotesquely trimmed, long gloves, each with a reticule dangling from the arm. A French servant in livery (left) stands chapeau-bras, a band-box slung from his arm, shrugging his shoulders to express horrified surprise. A plainly dressed young girl standing behind her aunt grins in astonishment at the visitors. The room is panelled and carpeted, with one side-table, and is probably a hall or ante-room in a country house
Alternative Title:
Neice presented to her relatives by her French governess and Niece presented to her relatives by her French governess
Description:
Title from caption below image., Another version with additions to the design (cat and dog) and reversed, with dialogue was published 3 January 1817., Temporary local subject terms: Families -- Fashion -- Interiors., and Inscribed publication date erased from sheet and replaced with ms. '1819'.
Title from caption below image., Text above image: A little music à la françoise., Sheet trimmed within plate mark., Reissue of no. 13047 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Sept. 18, 1818, by G. Humphrey., Temporary local subject terms: Gypsies -- Dustmen -- Dustman's bells., and Numbered in ms. at top of sheet: 30.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Butchers, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Organ grinders, Street entertainers, and Violins
A daugher stands with her arm around her father, very fat and red-faced, stroking his chin as he sits in a chair looking up to her with a loving eye. In her other hand is a plate of gifts of jewelry. A framed portrait of a man is hung over the mantel
Description:
Title from text above image., Printmaker inferred from the presence of Henry Heath's "HH" monogram on prints of similar subject and composition. Cf. Lewis Walpole Library call nos.: 835.00.00.227-835.00.00.234., Text below image: Oh my dear, dear, Papa, how very kind of you! I will really be a good girl, for a whole week, if I can!, and Watermark, mostly trimmed: Smith & [...?] 18[...?].
Publisher:
Pub. by T. McLean, Haymarke[t] and Ducôté & Steven's lithogy., 70 St. Martins Lane, London
"Numerous studies of men carrying different sorts of walking stick."--British Museum online catalogue
Alternative Title:
As regards, walking sticks
Description:
Title from text below image., Date of publication from description of a variant state in the British Museum that has series numbering following the text "Matters of taste". Cf. British Museum online catalogue, registration no.: 1952,0517.43., and Sheet trimmed within plate mark.
Publisher:
Published at Hodgson's Wholesale Print Warehouse, 111 Fleet Street and Lithographed by W. Clerk, 202 High Holborn
Title from heading above image., Printmaker extrapolated from other similar prints published by T. McLean in 1835. Cf. Admiration., Caption below image: Why my dear Mrs. Dumps whatever can be the matter with you? Oh nothing only a little fit of the blue devils., and Temporary local subject terms: Older woman -- Young woman -- Parlor -- Melancholy.
Title from caption below image., Print signed with artist's device below artist's initials: A spur., Two lines of text above image: "Nec te tua plurima xxxx. Labentem pietas, nec Apollinis infula texit.", Reissue of no. 14316 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour -- Mountains -- Hiking -- Hikers -- Asses.
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Reissue, with new imprint statement, of a print first published as the heading to a broadside entitled "Recipe for corns". For an earlier state published 4 December 1822 by G. Humphrey, see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
"Three separate scenes blend into a single design. The dialogue is etched in the lower margin. On the left a young girl sits on the knee of her father, a stout drink-blotched man wearing a plain old-fashioned wig, breeches, and top-boots. She takes his chin, saying insinuatingly: Lord, Papa! you must let us go to the Continent ; Mrs Thingamary says we shall never be accomplished till we have seen the Paris manners and customs. A round mirror is topped by a coronet. In the centre two dandies stand on a London pavement, against a background of tall houses. One, dressed in French fashion, with a moustache, a small hat perched on curls, and trousers pinched at the knee, stands with folded arms and a theatrical scowl. The other, wearing strapped trousers, tail-coat, and bell-shaped top-hat, smokes a cigar and holds a riding-whip; he asks: Well, Charles, where are you off to? Answer: O! moy dear feller, to Paris--to Paris, moy dear feller; nothing like Paris --there you have the--the--the--Je ne sçais quoi, moy dear feller, the--the every thing the every-thing!!-- On the right two ladies sit facing each other across a small round table. One wears a huge hat with broad flat brim trimmed with ribbon loops and streamers, the other a hat with wide brim bent bonnet-wise; both have big gigot sleeves, and full skirts. Below: Lord, ma'am! you are not serious,--you can never think of going to Margate--it is so common every tailor, shoemaker, and linendraper goes to Margate--No, no ma'am; Paris is the great resort of pure gentility, I assure you.--I always goes to Paris."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image. and Reissue of a plate originally published 25 September 1827 by G. Humphrey. Cf. No. 15464 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Title from heading above image., Part of imprint statement inscribed upside down and reversed on print., and Caption below image: "Lovely Miss Higgins shall I have the pleasure of hearing you play? La Sir I could not indeed unless Par and Mar where [sic] present.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Ducôté & Steven's lithogy., 70 St. Martins Lane
Title from caption below image., Publication date from local card catalog record., Three lines of verse below title: She never told her love, but let concealment like a worm i' the bud feed on her damask cheek. Shakespeare., and Sheet trimmed within plate mark.
Title from caption below image., Publication date from local card catalog record., and Caption continues: ... Plough boy, noa, mother, I hopes I never shall.
Title from caption below image., Four lines of verse below title: If e-'er you see a parson tall, some six feet two at least ..., and Watermark: J. Whatman 1834.
Title from caption below image. and Temporary local subject terms: City life -- Window cleaning -- Horseback riding -- City streets -- Children -- Lamp lighting.
Title from caption below image., Publication date from local card catalog record., and Caption continues: ... here's the pie & sandwiches I want to go to Hurn Bay.
"A disorderly mass of pedestrians fills the pavement outside the White Horse in Piccadilly, the street slanting in perspective from left to right. The pillared porch of the hotel is flanked by large curved windows, above which is the inscription 'Coffee House & Hotel'. The porch is inscribed 'Hatchetts', above it, against the wall, is the (pictorial) sign of a white horse, inscribed: 'Coaches & waggons to all parts of the kingdom'. Above the area railings, which are hidden by the crowd, is a placard (over the entrance to the basement): 'White Horse cellar coaches to all part[s]'. In the foreground (right) a coach and pair with outside passengers is driven recklessly (right to left) by a driver in a many-caped coat; an angry man sprawls by the horses' hoofs, another escapes to the right. A box-like coach or wagon facing in the opposite direction is on the off-side of the first; a man pushes a fat woman in at the back, while two outside passengers are about to fall from the roof, which is open. It is inscribed 'T[O] . . . MERS . . . TURNHAM' [? To Amersham by Turnham Green]. At the edge of the pavement stands a tough-looking coach-tout pointing out the Amersham wagon to an oafish-looking and would-be fashionable countryman whose pocket is being picked by a little Jewish boy; a Jewish woman with a basket of fruit slung from her neck deftly screens him. A raffish tout dressed as a coachman assails alarmed pedestrians with violent gestures. A stout John Bull pushes violently past a Jewish fruit-seller, spilling the fruit, while the Jew takes a watch from his fob. A boy diving for the falling fruit upsets a man carrying on his head and porter's knot a large corded chest. A little chimney-sweep with twisted shin-bones quizzes an amused negro servant, who holds a band-box, and is smartly dressed, but wears an apron. Facing the coaches stands a newsboy, holding up his papers to the passengers. He holds his horn; in his hat is a placard: 'Great News from St Hel[ena]'. Below, where the crowd is thickest in front of the hotel porch, men fight with fists. Two dandies stand under the porch, above the mêlée."--British Museum online catalogue
Description:
Title from caption below image. and Reprint. Originally published by George Humphrey, 29 December 1818.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Piccadilly (London, England), England, and London
Subject (Topic):
Accidents, Carriages & coaches, Chimney sweeps, City & town life, Crowds, Dandies, Dogs, Street vendors, and Taverns (Inns)
Title from caption below image., Publisher and publication date from the National Portrait Gallery, number: NPG D41764., and Place of publication from publisher's known place of activity.
Title from caption below image. and Text below title: O Doctor I am very bad, you see all my beautiful statues, curious figures, and numberless curiosities, now my only comfort, you may believe me they every now and then turn blue, wait awhile and you will see, they almost frighten me to death.
Publisher:
Published as the act directs, November 11th, 1835 for the propietor by Messers. Ackermann, Strand; C. Tilt, Fleet Street;Reeves & Sons, Cheapside, Riddle & Co., P.N. Row, and Thos. McLean, 26 Haymarket and T. Bird, 134 Oxford Street
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., Temporary local Medical Library subject terms: Depression -- Devils & Demons., 1 print : etching, hand-colored ; sheet 22.0 x 26.5 cm., and Sheet trimmed within plate mark.
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., and Temporary local Medical Library subject terms: Depression -- Devils & Demons.
"An elderly woman, lean, old-fashioned, and spinsterish, sits on a settee, shrieking and contorted with pain. A rope is wound tightly round her waist, the ends held by vicious little demons (left and right), who tug with all their might. Four others attack her with spear, trident, needle, and knife. On the wall (right) is a picture of a fat, disreputable-looking woman drinking, bottle in hand, by a bedroom fire."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement etched above the old one that has been mostly burnished out. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13438 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Year "1835" in imprint has been scored through but is still legible., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Cholic.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title from caption below image., Printmaker from unverified data in local card catalog record., Date of publication based on that of the volume in which the plate was published., Sheet trimmed within plate mark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London, 1836?], p. 73., A reduced copy of no. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Academic costume., and Numbered in ms. at top of sheet: 116.
"A dancing-master in profile to the left, playing his kit, faces a little girl, who stands firmly, her feet in the first position, heels back to back, toes pointing almost at r. angles with her profile. His feet are also in the first position, as are those of a little boy in the doorway (right), one hand on the handle, bowing, or stooping, low. The room is boarded and bare."--British Museum online catalogue
Alternative Title:
1st Position and First position
Description:
Title from caption below image., Publication date from British Museum catalogue., A symbol or monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication date erased from sheet.
"The dancing-master plays his kit and dances, while a very small boy in hat and wide trousers dances a hornpipe, right arm above his head, a cane under his left arm. A tiny girl stands (right) distressed at her position: she holds a backboard against her shoulders, her heels are together, feet in a straight line, the first position, as in No. 14436."---British Museum online catalogue
Alternative Title:
Sailors hornpipe
Description:
Title from caption below image., Publication date erase from sheet. Date from British Museum catalogue., and Publication date erased from sheet.
Title from caption below image., Text below title: In His Majesty's collection., and Temporary local subject terms: Literature: Virgil, 70-19 B.C., Aeneid, Dido.
Publisher:
Published 1835 by Hodgson, Boys & Graves, 6, Pall Mall
Title from caption below image., Text below title: It's devotees destroy themselves, it's progress is marked with desolation, misery and crime., and Sheet trimmed within plate mark.
"A bare foot, inflamed and hideously swollen, rests on a cushion. The demon of gout, snorting fire, spreads himself over the affected part, digging in barbed fangs and sharp teeth. His barbed and serrated tail waves above him."--British Museum online catalogue
Description:
Title from item. and A copy of Gillray's print that was published in May 1799 by H. Humphrey. See no. 9448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
