"Scene in a ramshackle attic, with a curtained bed on the right. A family sit at a table covered with a tattered cloth, on which are part of a loaf and four small potatoes. The ragged, lean, and elderly man (left) faces his still more haggard wife. A small boy stands by his mother, a youth and little girl sit opposite. All scowl with dismay at the meagre fare. A starving cat miaows. The man recites: "O! thou that blest the loaves and fishes, Look down upon these two poor dishes, And though the 'tatoes are but small, Oh make them large enough for all. For if they should our bellies fill 'Twill be a kind of Miricle!!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 9., Printseller's announcement following imprint statement: Folios of caracatures [sic] lent., and Cf. No. 11469, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with modified imprint statement.
Publisher:
Pubd. Janry., 1807 by T. Tegg, 111 Cheapside, London
Subject (Geographic):
Great Britain and Ireland.
Subject (Topic):
Irish, Social conditions, Cats, Ethnic stereotypes, Families, Potatoes, Poverty, and Starvation
"A small ugly man trots (walking left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum catalogue
Alternative Title:
Hen peckd husband and Hen pecked husband
Description:
Title etched below image., Sheet trimmed within plate mark., Variant state without plate number. Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and The last 'p' in 'Nincompoop' was erased, but remnants are visible.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., and Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grocer's snug parlour, with 'Mr. Fig', an ugly 'cit', holding on his knee an ugly child who is playing havoc with the tea-things. With a mug inscribed 'EF' the infant has smashed the tea-pot, while an overturned milk-jug makes a pool on the floor at which a cat laps. The man's back is to the fireplace (left), where a kettle is boiling over, and a red-hot poker is burning the floor. He says, with a fatuous smile: "Pretty Dear Heart! what a Gulley [an unrecorded word, evidently from Gully the pugilist]. it has given the Tea Pot, she delights in a little mischief, I should not be surprised Mrs Fig if she was to make as much Noise in the World as her Namesake, and as the Poet says "like another Ellen fire another Troy". Mrs. Fig (right), with arms angrily extended, exclaims: "Troy indeed Mr Fig, I think your more likely to Fire the House, look where the red hot poker lays and see how the tea Kettle is boiling over!!" On the wall is a framed print of 'The Worlds End', a flaming globe (the sign of more than one public house in the outskirts of London). On the mantelpiece are a large china mandarin (sign of the grocer's connexion with the tea-trade) and a medicine-bottle labelled 'Composing Draught for Miss Fig'. In a letter-rack are letters 'To Mr Fig Grocer'."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Two lines of quoted text below title: The parents partial fondness for a child," an only child, can surley [sic] be no crime." Shirleys Parricide., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "284" in upper right corner., and Temporary local Medical Library subject terms: Childcare -- Families and Family Life.
Publisher:
Thomas Tegg
Subject (Topic):
Families, Child care, Children, Tea services, Kettles, Fireplaces, and Cats
A dinner party given by the rich and vulgar 'cit'. Liston, seated full-face, is beset by three children, one of whom shows him a print of Paul Pry. The hostess, laughing, points out the impassive Liston to a little boy who stands beside her. A fat nurse holds up an infant in long clothes to see the celebrity, at whom all the company are staring. A laughing footman drops a glass from a salver. Over the laden table hangs an elaborate cut-glass chandelier with many gas-globes. Liston, incensed at being expected to amuse his host's 'uncultivated cubs', retires, ostensibily to arrange his dress for a performance, actually to depart. See British Museum catalogue
Alternative Title:
Citizen's dinner party
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15202 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 66, Vol. 2.
Publisher:
Sherwood, Jones & Co.
Subject (Topic):
Dinner parties, Chandeliers, Couples, Families, and Servants
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Sotheby 48 Box 100
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., and Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother."
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and Sheet trimmed within plate mark.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
A fashionable family looks at a roll of wallpaper that the shop clerk is displaying to them. The shop owner jestures to the elaborately decorated pattern on the roll. Another clerk behind the counter looks on as he rolls another bolt
A city scene with a line of poor men, women, and children lined up from a money lender's shop to the "Temple of Juniper: Best gin". In the background crowds stand at the doorways of the workhouse (right) and the county gaol (left).
Description:
Title from text below image., The prints for Every body's album & caricature magazine were made by C.J. Grant. See British Museum online catalogue., Publisher from dealer's description., Text following date: To be continued once on every fortnight., Text below series title: An original pictorial comical satirical political sentimental caustical whimsical philosophical topographical theatrical theological poetical pastoral rumbostical moral periodical., "Excuse us pray if we do our best, to make as much waste paper as the rest!"--Above image., and "Price 6d plain and 1s colour'd."--Above image, right edge.
Publisher:
J. Kendrick
Subject (Topic):
Almshouses, City & town life, Families, Gin, Jails, Intoxication, Poor persons, Poverty, and Pawnshops
