Title etched below image center., Place of publication derived from publisher's place of business., From: Johann Caspar Lavater, Essays on Physiognomy, edited by Thomas Holloway, London: John Stockdale, 1810., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Insanity; Hospitals, Interior; Emotions; Medicine & religion; Patients, psychiatric; Terror
Title from item., Date from upper margin text., Place of publication derived from street address., In upper margin: Salon Caricatural de 1843.; 3., Below caption: (La Bible salon M. Steuben.), Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pedicure.
Publisher:
Chez Pannier & Cie. R. du Croissant, 16 and Imp. d'Aubert & Compie
Subject (Topic):
Podiatry, Foot, Care and hygiene, Diseases, Angels, Scissors & shears, Slippers, Fear, and Sick persons
"Ministers, much burlesqued, registering terror or anxiety, are grouped on either side of a large bottle of 'Evidence against the Queen' from which rise clouds of smoke, inscribed 'Lies' (four times) and 'Non mi Ricordo' [five times]. On the left sits Liverpool, saying: "We shall be all sent to the Devil." Next him Eldon scowls: "D--n that Non mi Ricordo." Wellington, fiercely anxious, stands behind Liverpool's chair holding a scimitar. Facing Liverpool sits Sidmouth, holding his clyster-pipe to his nostril, and exclaiming: "O! how reviving." Castlereagh exclaims: "Oh! L--d we shall be cast." Gifford says: "Oh! the secrets will come out." A seventh, (?) Harrowby, stands with a hand on the heads of Sidmouth and Castlereagh."--British Museum online catalogue
Alternative Title:
Song of sixpence
Description:
Title etched below image., Sheet trimmed within plate mark., Six lines of verse in two columns below title: Sing a song of sixpence a bag full of lies, Four and twenty witnesses all prov'd to be Spies, Before the bag was open'd the ministers 'gan to sing, Oh! here we have a dainty dish to set before the King. But when the bag was open'd the Lords began to stare, To see their precious evidence all vanish into air., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Eldon," "Castlereagh," and "Sidmouth" identified in ink at bottom of image; date "8 Sep. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 8, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Gifford, Robert Gifford, Baron, 1779-1826, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Subject (Topic):
Politicians, Anxiety, Fear, Bottles, Smoke, Evidence (Law), Chairs, Daggers & swords, and Medical equipment & supplies
Leaf 78. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Restrike, with artist's signature mostly worn from plate. For original issue, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 131-2, 134., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 78 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London and Field & Tuer
Subject (Topic):
Eating & drinking facilities, Coffeehouses, Interiors, Crowds, Dogs, and Fear
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple, hand-colored ; 273 x 381 mm., and Sheet trimmed within plate mark on three sides (top, right and left).
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., and Mounted to 49 x 62 cm.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple on wove paper, hand-colored ; sheet 27.3 x 38 cm., Sheet trimmed within plate mark., and Mounted on leaf 8 of volume 10 of 14 volumes.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
1832.
Call Number:
832.00.00.54+
Image Count:
1
Resource Type:
still image
Abstract:
"The Duke of Cumberland, with large head, huge moustache and whiskers and savage teeth, rides a galloping horse, his hands crossed on his breast; he glares at two young women, terrified and spinsterish, who scream, brandishing parasols; a third is climbing over a paling. A signpost points 'To Barnes'. See British Museum Satires No. 17273, &c."--British Museum online catalogue
Alternative Title:
Ogreman Duke in Ernest
Description:
Title from text below image., Initials of printmaker Charles Jameson Grant in lower left corner of design., and Sheet trimmed to design.
Publisher:
Pub. by Tregear, Cheapside
Subject (Name):
Ernest Augustus, King of Hanover, 1771-1851
Subject (Topic):
Mustaches, Fear, Umbrellas, Fences, and Traffic signs & signals
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," "Sidmouth," and "Eldon" identified in black ink at bottom of sheet; identification of "Geo. IV" follows in red ink. Date "June 1820" written in lower right corner. Printmaker name "Robt. Crknk.[?]" added in pencil in lower left. Typed extract of four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Title and date from item., Place of publication derived from street address., Printmaker also known as Paul Pry., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Health boards; Skeleton as Death.
Publisher:
Published by S.W. Fores, 41 Piccadilly and W. Clerk. lith 41 Dean St. Soho
Subject (Topic):
Cholera, Hospitals, Finance, Physicians, Skeletons, Sick persons, and Fear
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., Mounted to 43 x 33 cm., and Slight alteration to the design in ink.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., and 1 print : etching, hand-colored ; plate mark 347 x 247 mm.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
On a country road, two countrymen encounter an ugly witch who sits crouching on a fence rail holding her broom, her hair sticking out straight from her head. The one countryman kneels on the ground with a horrified look on his face, clutching his hat in front of him. His companion, a thinner man, stand behind him adjusting his glasses. Their dog stands at the fence looking up at the witch. In the distance (right) a cottage can be seen behind a group of bushed. In the top center a bright moon shines in the night sky
Description:
Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1794 J Whatman [name partially trimmed].
Title from item., Date supplied by curator., Text describes risks to a baby's health, including hereditary illness, bad milk, contaminated food, excessive heat or cold, lack of air and sun, and contagions of all kinds., In lower center: Offert par Nestlé., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Comité National de l'Enfance and Imp. Darboy -- Paris
Subject (Topic):
Infants, Mortality, Infant formulas, Health and hygiene, Mothers, Fear, and Graphs
"Satire on servants; a scene in a pantry with a liveried servant retreating in horror from a stout woman, probably a cook; he holds his hand to his face which sports two black eyes and she, scowling in fury, extends her right fist."--British Museum online catalogue
Description:
Title etched below image., "Holland's caricatuee exhibition is now open. Admittance one shilling"--Text above image., Six lines of verse below title: By two black eyes my heart was won, sure never wretch was more undone! To Celia with my suit I came, But she regardless of her prize, Thought proper to reward my flame, By two balck eyes!!!., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to: 43 x 33 cm., and Stamped 'E' on verso, lower left. Mounted to: 43 x 33 cm.
Publisher:
Pubd. by Willm. Holland, Oxford St.
Subject (Topic):
Anger, Black eyes, Fear, Fists, Pantries, and Servants
Title from heading above image., Publication date from unverified data from local card catalog record., and Caption below image: "And quickly opening a vein in her left arm she proceeded to sprinkle a portion of her blood upon the hideous object muttering a powerful incantation, the corpse became entirely subservient to her will & c."
Publisher:
Published by William Charlton Wright, 7 York Stt., Covent Garden
Subject (Topic):
Cemeteries, Fear, Ghosts, Kettles, and Tombs & sepulchral monuments
"Fox, dressed as a Tudor monarch, starts from a low couch on which he has been lying, his eyes staring in horror. In his right hand he grasps a sword inscribed 'Injustice'. Round his neck, on a ribbon inscribed 'Order of Blacklegs', is a medallion bearing a dice-box and dice. At his feet is a helmet (right) with a closed visor inscribed 'Helmet of Unrighteousness', and various documents inscribed respectively 'Petn Kirkwa[ll]' ; 'Westminster Election'; 'Private list 2500 bad votes on my side of the Question'; 'Ways and means P-- W-- [Prince of Wales] Newmar[ket] Brooks's--Dutchess--North--D-- de Chart[res] &c. &c. &c. &c'; 'India Bill For the better security Of power to me and my Friends'. Fox wears a ruff, slashed doublet and trunk-hose, an ermine-bordered cloak, and slashed shoes. A curtain hangs on each side of the couch; it partly conceals (left) a framed portrait-head of the Duchess of Devonshire in profile to the right, wearing at her breast a 'Fox' favour. Above the design is etched: 'If we be conquerd, Let men conquer us, And not these Bastard Britons, whom my Father Has in their own Land, Cheaten, spurn d and trod 'on And left them on record an Heir of Shame. Are these men fit to be the Heirs of England?'"--British Museum online catalogue
Alternative Title:
Charles III, King of all the Orkneys and would be monarch of the East and Effects of a bad conscience
Description:
Title etched below image., Temporary local subject terms: Emotions -- Male costume: Tudor dress -- Allusion to gambling -- Tassels -- Curtains -- Allusion to William Shakespeare, Richard III, v. 3., Partial watermark bottom center of sheet: fleur-de-lis., and Mounted to 33 x 40 cm.
Publisher:
Pubd. June 16th, 1784, as the act directs, by S. Fores, 3 Piccadilly
Subject (Geographic):
England) and London.
Subject (Name):
Shakespeare, William, 1564-1616., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Great Britain. Parliament, and East India Company.
Subject (Topic):
Elections, 1784, Fear, Draperies, Picture frames, and Political elections
Title below image., Place of publication derived from printer's known location., Date supplied by curator., Above title: Chap. VIII., From: Adam, V. Un An de la Vie de Jeune Homme, 1824., and See Whittrock #12. Blind stamp.
Publisher:
Lith. de Langlumé
Subject (Topic):
Physician and patient, Diagnosis, Physicians, Sick persons, Fear, Medical offices, Desks, Top hats, and Skulls
A man and woman in their pajamas and slippers stand looking in fright at the closed door of their bedroom. He wears a night cap and stands with a weapon in each hand, pointed at the door; his figure casts a large shadow on the back wall and over the bureau on which sits his tricorne hat. His wife (right) clings to his nightshirt, as she holds up a candlestick to light their way. She has her hair tied up in a scarf. To the right, their infant cries in its basket under which sits a overflowing chamber pot. On the other side of the closed door is a small mouse
Description:
Title etched below image., Series title and number from caption above image., Printmaker's name etched in image, on left baseboard., Plate 14 in this series is dated 1817 in the British Museum online catalogue., Sheet dimensions from British Museum catalogue., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to plate mark: 21.2 x 29 cm.
Title and date from item., Certificate issued to Dr. G. S. Graham-Smith, New Medical Schools, The University of Cambridge., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Graham-Smith, G. S. 1875-1950. (George Stuart), and Atlas (Greek deity),
Subject (Topic):
Hygiene, Allegories, Gods, Dancers, Fear, and Water
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Pss. Charlotte," "Theodore Majocchi," and "Caroline" identified in black ink above title; note "21 - Aug. 1820" added in ink in lower right corner, beneath the pencil annotation "Aug. 1820." Typed extract of fifteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.07 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A grotesque demon-like figure looks toward the viewer with terror in his huge eyes; his left thumb in his mouth. In front of him is a raging fire in a pot and a snake with a barbed tongue and sharp teeth who raises its head towards the demon's right arm. Below the pot are two lines: Let thy eyes, little saucers be, Frigthen all the world but me!
Description:
Title etched above image., Numbered 'Plate 5' in upper left corner., Plate from: Woodward, G.M. Olio of good breeding. London : Printed for the author, [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
Title etched below image., Date from item., Place of publication derived from street address., In upper right margin: 45., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hydrophobia.
Publisher:
Pubd 1826 at the Artist Depy 21 Charlotte St Fitzroy Sq.
Subject (Topic):
Rabies, Dogs, Crowds, Fear, Shooting, and Umbrellas
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
As you are quietly walking along in the vicinity of Smithfield on market day ...
Description:
Title etched above image., Two lines of quoted text below design: "As you are quietly walking along in the vicinity of Smithfield on market day finding yourself suddenly obliged though your dancing days have "been long over, to lead outsides, cross over, foot it, and a variety of other steps and figures, with mad bulls for your partners., Date of publication from unverified data in local card catalog record., Plate numbered "301" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum., and Watermark: J Whatman 1822.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
As you are quietly walking along in the vicinity of Smithfield on market day ...
Description:
Title etched above image., Two lines of quoted text below design: "As you are quietly walking along in the vicinity of Smithfield on market day finding yourself suddenly obliged though your dancing days have "been long over, to lead outsides, cross over, foot it, and a variety of other steps and figures, with mad bulls for your partners., Date of publication from unverified data in local card catalog record., Plate numbered "301" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.7 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 1 in volume 5.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 9th 1833.
Call Number:
833.04.09.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the puritanical message of strictly observing the Sabbath. A puritan stands on a barrel marked 'St. Andrew', his arms held out making a cross. He cries: "Clear the streets of all evil doers - Remember ye keep severely strict the Sabbath day. 6 days and nights shall thou labour & do all that thou can get to do: but the 7th day is the Sabbarh of the Bishops according to law, and of the Ranters, and the Jumpers, and the Pantilers, and the Devildodgers and the Muggletonians and the Sawney Kirkmen and the Believers in the Unknown Tongues and the Irvins and the Spencer Percivals and the Agnews and the Mawworms and the Welllingtons and the Miguels and the Nickolas's and all the Whigs and Tories. In it thou shalt do no manner of work, thou & thy son & thy daughter & thy servant & thy dog & thy cat & thy horse & thy ass. Neither shall thou eat, drink, sleep, run, walk, nor talk under the penalties of fine confiscation, excommunication, carceration, starvation & D-nnation." Surrounding him are rotund puritans carrying clubs attack people going about their Sunday business. In the lower left one of the puritans raises a club over his head ready to strike a pig and saying, " Sacriligous monster to dare to eat on the blessed Sabbath." Above along the left edge, a thinner Puritan in a tall hat with an outstretched hand and a raised club stops a couple carrying a suitcase and bag and demands, "Hollo here! Where ar you going to on a Sunday." They reply, "Why for a bit of a jaunt in the Gravesend Steamer to be sure. It's the only day we can get out for a bit of hair. I'm afeard the wessel's off afore now, so don't stop us, man." In upper left, a Puritan points his stick up at a man sitting in a window, smoking a pipe and cries, "I say what smoke's that comming out of your chimney. You have been either blowing the fire or else you'r boiling summut. Put out the fire instantly or - - - - !!!" In the center of the sheet, a Puritan with club raised, pulls at the box of a young boy causing the tankards to spill out; he says, " Let go you wicked wrtech, to carry out beer on a Sunday." In the center foreground, a Purtain with a very large nose looks down a grate in the street and observes " There's some evil a brewing down here. Aye, as I'm a sinner if there isn't some new ale & yeast with it too. Now I should't be at all surprised if the yeast & the ale ain't a working togeather." In the center, a very fat Puritan with a bottle in his pocket grabs a very thin man by the neck and shakes his club as he asks, "Now young man what's the reason you a'n't at Chappel." To which the poor man replies, " Vy, sir, I'm going to the docters for some fizic for the bowel complaint." His accoster replies, "Well, you must to morrow because if you take it to day no doubt it'll work." On the right, a couple of puritans with guns shoot at a thin dog who runs from them, dropping his bone; the one says, " Shoot the infidel, he's got a bone." in the right foreground, another large Puritan with a Bible in his pocket grabs a thin man by the collar, "Sinner drop that toad in a hole." In the upper right, two puritans pull passengers from a carriage while another two stop the horses from the front. The coachman brandishing a whip, calls out "I say you cunting hypocrits, jist let go my horses or I'm bless'd if I don't luy this here vip on ye back."
Alternative Title:
Coersion for England
Description:
Title from item.
Publisher:
Pub. by G. Tregear, 123 Cheapside, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Agnew, Andrew, Sir, 1793-1849.
Subject (Topic):
Sabbath legislation, Puritans, Couples, Dogs, Fear, Hoodlums, Nightsticks, and Swine
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 1
Image Count:
1
Resource Type:
still image
Abstract:
A caricature satirising the prohibition of working on Sunday as proposed in Sir Andrew Agnew's Sabbath Observance Bill: thugs terrorize honest Englishmen into observing the sabbath
Alternative Title:
Coersion for England
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Lower right corner chewed., and No. 1 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Title from note in pencil at lower left: 10 Psychopathic Ward., Date supplied by catalogue raisonné., Artist's name on plate lower right., Place of publication derived from subject., Riggs researched subject at Philadelphia State Hospital for the Mentally Ill (Byberry)., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Patients, psychiatric., and Artist's signature in pencil lower right.
"George IV (left), covered with orders, flees in terror from a figure (right) composed of rectangular slabs of different size, all inscribed 'Address', except for the head, which is inscribed 'Queen', and the feet: 'Feeling' and 'Sense'. This figure extends an arm towards the King, from its feet rays of light slant towards him. P. 19: S, for the shaking he felt in his nerves, That told what a cowardly action deserves; ..."--British Museum online catalogue
Alternative Title:
S, for the shaking he felt in his nerves, that told what a cowardly action deserves ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Rosco.
In the foreground, two women help a third terrified down the steps of a cabana and into the water. Two other women watch from inside; all are naked except for one of the women who pulls the woman into the water. A similar scene takes place in the distance; the cabana in the distance is marked "Margate mach[ine]".
Description:
Title etched below image., For reissue of print published in 1802, see Grego, J. Rowlandson the caricaturist, v. 2, page 41., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 35 of volume 7 of 14 volumes.
Publisher:
Pubd. March 25, 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
Margate (England)
Subject (Topic):
Cabanas, Fear, Health resorts, Nudes, and Swimming
"Two timorous duellists face each other at close quarters in a saw-pit, trembling and dropping their weapons, namely pistol and blunderbuss; each has a heap of weapons at his feet: sabres, rapier, pistol, more blunderbusses. The hair of both rises on their heads. One (left) is in uniform, the other (right), who is smaller, wears fashionable civilian dress with tasselled Hessian boots. A scroll extends above their heads inscribed: 'Did you mean to Offend me? indeed Sir not I.--indeed Sir I'm very glad on't!!!' A spectator (right) looks over the edge of the pit, holding a bowl from which he blows soap bubbles, which float over the head of the civilian. The bubble in the pipe is inscribed 'Puff', suggesting a publicity campaign."--British Museum online catalogue
Alternative Title:
Direful courage of Dolla Lolla
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Portal & Bridges 1802.
Publisher:
Pub. Jan. 1810 by S.W. Fores, Picadilli [sic]
Subject (Topic):
Daggers & swords, Dueling, Fear, Guns, Military uniforms, British, and Pipes (Smoking)
Title etched above image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A young man, three-quarters length (left), screams in horror as he gazes on the apparition (right) with large teeth, wearing a night cap and spectacles (clouded so the eyes are hidden),and whose claw-like hand rests on the young man's shoulder
Alternative Title:
Fright
Description:
Title engraved above image., Plate numbered 'No. 17' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Three lines of text below image: This passion is frequently excited by dressing up frightful objects to represent sprites, apparitions, &c.: frequently practiced with success in country villages, as delineated in the above sketch of the countryman & the ghost., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
"A night scene, lit by a crescent moon. Men and women flee in abject terror from a menacing figure draped in a sheet, apparently on stilts, with glaring eyeballs, long beard, and talons on its outstretched hands. One of the fugitives is on a terrified horse, another is a watchman with lantern and rattle."--British Museum online catalogue
Description:
Title etched below image., Possibly by Henry Heath; see British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill.
Title etched below image., Date and place of publication supplied by curator., Original work created circa late 1740s., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Fate and fatalism, Death (Personification)., Gout, Skeletons, Fear, Alcoholic beverages, Crutches, and Arrows
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., Temporary local Medical Library subject terms: Demons & devils., and 1 print : etching and aquatint, hand-colored ; sheet 389 x 269 mm.
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., and Temporary local Medical Library subject terms: Demons & devils.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1799]
Call Number:
Drawings W87 no. 20 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
An elderly man in repose, nearly sleeping, on a slipcovered chair before his fireplace is approached by a swarm of winged blue devils emerging from the smoke drifting from the fire
Description:
Artist's signature and title from caption inscribed in black ink below image in the artist's hand., Date supplied by cataloger., and For further information, consult library staff.
Subject (Topic):
Demons, Fear, Fireplaces, Older people, and Sleeping
A scene in a coffee-house. Two men, one in a queue wig and with a pistol, another in club wig and with a sword, are fighting a duel while three frightened customers are trying to leave and another one cowers behind a settee next to a low table with coffee service on it. Behind another settee, a barmaid holds up her hands in horror. The gentleman with the pistol uses it to parry the sword thrusts of his opponent whose forehead is bleeding. A cat with an arched back and a dog barks look at the scene from the left. The room is decorated with a large mirro and shelves with wine glases, china bowls, and pitchers
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Heading to (printed) verses: 'Written by Mr. C. Dibdin Jun. composed by Mr. Reeve, and sung by Mr. Smith, with unbounded Applause, at the Aquatic Theatre, Sadler's Wells'. A young man in academic cap and gown spears on a fork a bony fragment with a head resembling Napoleon, and is about to plunge it into a pot on a huge fire (left). He turns with a triumphant smile to his fat landlord and two others who gape in terror (right). A wall-clock points to twelve."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Imprint statement from text in letterpress printed in lower right corner., Three columns of verse in letterpress below title: A scholar one time, tho' I can't tell you when, nor can I tell where too, just now..., and Plate numbered '505' in upper left corner.
Publisher:
Published 23rd January, 1809 by Laurie and Whittle, No. 53 Fleet Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Caricatures and cartoons, Clocks & watches, Fear, Fireplaces, and Landlord & tenant relations
"Heading to a printed broadside. The King, on a dais, sits at a table between Eldon and Castlereagh, with Liverpool (?) under the table (from fear). All are terrified at the Bill, a creature, surrounded by clouds, with stick-like limbs, supported on broken crutches and a body formed of a rolled document: 'Bill of Pains and Penalties'. The apparition interrupts a Cabinet meeting, only three Ministers are depicted, others being mentioned; the King departs to Windsor to escape the Ghost, which has addressed them. The thirteenth and sixteenth of nineteen verses: Two crutches supported its figure so drear, Two props almost broken in pieces; And as the wan spectre advanced to them near, They saw one inscribed "Ministerial fear," On the other was, "Royal Caprices." "Ah! see to my heart how fraud-hating Gr--y His vigorous weapon home thrust: Through here the bold sword of a L--nsd--n made way: Noble H--ll--nd struck here with impetuous sway, Uprous'd in a struggle so just."--British Museum online catalogue
Alternative Title:
C-rlt-n Palace haunted and Carlton Palace haunted
Description:
Title printed in letterpress below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on two sides., Nineteen stanzas of verse in two columns below title, printed in letterpress: 'Twas midnight! - an awful beginning, you'll say - That witching and ghost-breeding time! ..., With a key to seven symbols printed beneath nineteenth stanza, at foot of right column: * Vide Majocchi's re-cross-examination. ..., Mounted to 58 x 39 cm., Mounted on leaf 101 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon" and "Londondery [sic]" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Scott, printer, Great New Street, Fetter Lane, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politics and government, Political satire, English, Chairs, Tables, Chandeliers, Documents, Legislation, Supernatural beings, Crutches, and Fear
Title from heading above image., Date of publication from unverified data from local card catalog record., Twelve lines of text below image: I've seen a ghost! and heard it groan! my blood run cold, at ev'ry tone ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 27 cm.
"Heading to a printed broadside. An enormous leech with the head and wig of Sir John Leach (see British Museum Satires No. 13740) advances menacingly upon three little men (right) who flee. Three others (left) register disgust, holding their noses. They say: "Tom T--dman's cart is nothing to compare to it; It stinks worse than a Pole-cat; D--n it what a Stench." A woman staggers backwards, saying: "Bring me a Smelling Bottle or I shall Die." One man lies on the ground fainting or dead. The leech is backed by clouds of smoke. Below the title: "The common damn'd shun its society, and think themselves fiends less foul." The text describes 'the Great Black Leech lately discovered at Milan . . .' procured 'at a great expense, at the special instance of the State "Doctor" [Sidmouth], . . . for 'the performance of an operation to relieve the Great Man's complaint' (a troubled mind). It was abortive and he is 'worse than ever'. Attempts to check its 'vicious propensities' were vain 'until Dr. Hone skilfully applied some "printer's ink" to it'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., 1 print : etching with roulette ; plate mark 10.2 x 18 cm, on sheet 12.1 x 19 cm., Printed on wove paper; hand-colored., Imperfect; sheet has been cut in half, with bottom portion (12.6 x 18.5 cm) containing most of the letterpress text mounted separately beside upper portion containing the engraved plate. Imprint statement has also been trimmed away., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Printed and published by W. Benbow, 269 Strand
Subject (Name):
Leach, John, 1760-1834, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
"Heading to a printed broadside. An enormous leech with the head and wig of Sir John Leach (see British Museum Satires No. 13740) advances menacingly upon three little men (right) who flee. Three others (left) register disgust, holding their noses. They say: "Tom T--dman's cart is nothing to compare to it; It stinks worse than a Pole-cat; D--n it what a Stench." A woman staggers backwards, saying: "Bring me a Smelling Bottle or I shall Die." One man lies on the ground fainting or dead. The leech is backed by clouds of smoke. Below the title: "The common damn'd shun its society, and think themselves fiends less foul." The text describes 'the Great Black Leech lately discovered at Milan . . .' procured 'at a great expense, at the special instance of the State "Doctor" [Sidmouth], . . . for 'the performance of an operation to relieve the Great Man's complaint' (a troubled mind). It was abortive and he is 'worse than ever'. Attempts to check its 'vicious propensities' were vain 'until Dr. Hone skilfully applied some "printer's ink" to it'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 42 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Leech [sic]" identified in black ink below image; date "1820" written in lower right corner of sheet. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by W. Benbow, 269 Strand
Subject (Name):
Leach, John, 1760-1834, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
"Wellington takes a flying stride from a braying ass (right) with tail erect and its feet firmly planted. His hair rises, his top-hat falls off, and he looks behind him to say: 'Oh save me, save, Bob, run tell the King!' The donkey (Key) brays 'fe . fa . fum'. It wears a heavy chain and is draped by a furred livery gown marked with the City Arms."--British Museum online catalogue
Alternative Title:
Great general frightened by donkey
Description:
Title etched below image., Month of publication from British Museum catalogue., and Offsetting from another impression on verso.
Publisher:
Pubd. 1830 by S.W. Fores, 41 Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Key, John, 1794-1858., Peel, Robert, 1788-1850., and William IV, King of Great Britain, 1765-1837.
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Kinnaird 48K(a) Box 100
Collection Title:
Leaf 43. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title engraved above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Leviticus Chap:XXVI. Ve: 36. The sound of the shaken leaf shall chace him., and Imperfect impression; sheet trimmed within plate mark to 265 x 347 mm. Lower right corner missing.
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Sotheby 50 Box 100
Collection Title:
Plate 50. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title etched above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: "Industry and idleness.", Caption in decoration in lower edge of frame: "Leviticus Chap: XXVI. Ve: 36. The sound of the shaken leaf shall chace him.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Attics, Cats, Fear, Poverty, Prostitutes, Rats, and Robberies
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 43. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title engraved above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Leviticus Chap:XXVI. Ve: 36. The sound of the shaken leaf shall chace him., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.2 cm, on sheet 26.8 x 40.2 cm., and Mounted on leaf 43 in: Album of William Hogarth prints.
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 50. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title etched above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: "Industry and idleness.", Caption in decoration in lower edge of frame: "Leviticus Chap: XXVI. Ve: 36. The sound of the shaken leaf shall chace him.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Attics, Cats, Fear, Poverty, Prostitutes, Rats, and Robberies
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 50. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title etched above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: "Industry and idleness.", Caption in decoration in lower edge of frame: "Leviticus Chap: XXVI. Ve: 36. The sound of the shaken leaf shall chace him.", 1 print : etching with engraving on laid paper ; plate mark 26.4 x 34.7 cm, on sheet 28.9 x 44.5 cm., Mounted on leaf 59 x 46 cm., and Plate 50 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Attics, Cats, Fear, Poverty, Prostitutes, Rats, and Robberies
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 50. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title etched above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: "Industry and idleness.", Caption in decoration in lower edge of frame: "Leviticus Chap: XXVI. Ve: 36. The sound of the shaken leaf shall chace him.", and On page 137 in volume 2. Sheet trimmed within plate mark to: 26.3 x 34.6 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Attics, Cats, Fear, Poverty, Prostitutes, Rats, and Robberies
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 43. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle sits up in a bed as if in a fright, his hair on end and his hands raised in alarm. He looks bugged-eyed at the door that has been secured by two planks wedging it shut. At his side is a prostitute, her back turned towards him as she calmly examines her booty, an earring dangling in her fingers; its pair, two watches and other objects are spread out on a cloth at her side. The two pistols on the floor show that Tom and his companion have been involved in robbery. The rat that runs over the pistols is pursued by a cat leaping from the chimney. The bed has collapsed at the foot, a broken jug and a pipe on the floor along with the remains of a meal. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice returned from sea and in a garret with a common prostitute
Description:
Title engraved above image., State and publisher from Paulson., "Plate 7"--Below frame., Seventh plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Leviticus Chap:XXVI. Ve: 36. The sound of the shaken leaf shall chace him., and On page 137 in volume 2. Sheet trimmed within plate mark to: 26.4 x 34.6 cm.
The infant Shakespeare is seated on the train of Nature's gown. He is surround by the passions. On either side are Joy and Sorrow. Behind them are, on the right, Love, Hatred, and Jealousy; on the left, are Anger, Envy, and Fear
Description:
Title etched below image., Sheet trimmed slightly within plate mark at lower right., Two lines of text on either side of title: Nature is represented with her face unveiled to her favourite child, who is placed between Joy and Sorrow. On the right hand of Nature, are Love, Hatred, & Jealousy, on her left, Anger, Envy, & Fear., Plate from: Boydell's Shakspeare gallery, vol. I, no. II, large format., and Original painting is in the Folger Shakespeare Library collection.
Publisher:
Pubd. Septr. 29, 1799 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90, Cheapside, London
The infant Shakespeare is seated on the train of Nature's gown. He is surround by the passions. On either side are Joy and Sorrow. Behind them are, on the right, Love, Hatred, and Jealousy; on the left, are Anger, Envy, and Fear
Description:
Title etched below image., The word 'Shakspeare' between the figures at the top of image, mostly burnished from plate., Two lines of text on either side of title: Nature is represented with her face unveiled to her favourite child, who is placed between Joy and Sorrow. On the right hand of Nature, are Love, Hatred, & Jealousy, on her left, Anger, Envy, & Fear., Plate to Boydell's Shakespeare Gallery, vol. I, no. 2, large format., and Original painting is in the Folger Shakespeare Library collection.
Publisher:
Pubd. Septr. 29, 1799 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90, Cheapside, London
"An ogre (left) holds a large knife and fork in each hand; in the left hand he clutches also the petticoats of a young woman, who hangs horizontally, face downwards but raised in profile to the right, screaming with terror. Her legs and posteriors are exposed ... The Monster has a large head with raised eyebrows and starting eyeballs, his mouth is wide open as if about to bite his captive. His body diminishes in size and terminates in small feet, planted wide apart. Two young women (right) flee from the Monster, looking back and screaming. The petticoats and foot of a third fugitive appear on the extreme right."--British Museum online catalogue, description of an earlier state of similar composition
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with altered title and removal of the pot shielding the woman's posterior, of a print originally issued with the title: The monster disappointed of his afternoons luncheon, or, Porridge-potts preferable to cork-rumps. Cf. No. 7727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Watermark: L. Munn., and Mounted on leaf 64 of volume 7 of 12.
Publisher:
Pubd. May 10th, 1790, by H. Humphrey, N. 18 Old Bond Strt
Subject (Name):
Williams, Renwick.
Subject (Topic):
Monsters, Forks, Knives, Women, Fear, and Screaming
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., and Watermark: J. Whatman 1818.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.6 x 34.2 cm, on sheet 25 x 34.7 cm., Printed on laid paper with watermark "J. Whatman 1818"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 45 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in black ink below image; date "13 July 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Boswell (left) rises in terror from his bed, at the sight of a headless man in Highland dress, the head replaced by a headsman's axe surmounted by a Scots cap. This spectre, irradiated, advances from the right and draws aside the curtain of the bed. Boswell's nightcap flies upwards from his head ..."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See: Catalogue of prints and drawings in the British Museum, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Sheet trimmed within plate mark, Three lines of verse below title: "I had the most elegant room, by there was a fire in it that blazed, And the sea to which my windows looked roared, & the pillows were made of sea fowls feathers ..." Vide Journal p. 110., Temporary local subject terms: Highland dress -- Scots cap -- Bed curtains -- Headless spectre., 1 print : etching with stipple on wove paper ; plate mark 25 x 26.4 cm, on sheet 27.6 x 29.9 cm., and Mounted on leaf 63 of volume 2 of 14 volumes.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
"Boswell (left) rises in terror from his bed, at the sight of a headless man in Highland dress, the head replaced by a headsman's axe surmounted by a Scots cap. This spectre, irradiated, advances from the right and draws aside the curtain of the bed. Boswell's nightcap flies upwards from his head ..."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See: Catalogue of prints and drawings in the British Museum, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Sheet trimmed within plate mark, Three lines of verse below title: "I had the most elegant room, by there was a fire in it that blazed, And the sea to which my windows looked roared, & the pillows were made of sea fowls feathers ..." Vide Journal p. 110., Temporary local subject terms: Highland dress -- Scots cap -- Bed curtains -- Headless spectre., 1 print : etching with stipple on wove paper ; sheet 23.2 x 25.7 cm., Sheet trimmed within plate mark resulting in loss of imprint statement., and Mounted on leaf 63 of volume 2 of 14 volumes.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
"Boswell (left) rises in terror from his bed, at the sight of a headless man in Highland dress, the head replaced by a headsman's axe surmounted by a Scots cap. This spectre, irradiated, advances from the right and draws aside the curtain of the bed. Boswell's nightcap flies upwards from his head ..."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See: Catalogue of prints and drawings in the British Museum, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Sheet trimmed within plate mark, Three lines of verse below title: "I had the most elegant room, by there was a fire in it that blazed, And the sea to which my windows looked roared, & the pillows were made of sea fowls feathers ..." Vide Journal p. 110., and Temporary local subject terms: Highland dress -- Scots cap -- Bed curtains -- Headless spectre.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Title from item., Date derived from series dates., Place of publication derived from street address., Below image: Par Gavarni., Above image: Les Etudians de Paris. 22., Originally published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Bauger R du Croissant 16 and Imp. d'Aubert & Cie
Subject (Topic):
Anatomy, Medical students, Spouses, Skeletons, Fear, and Students
A social satire: a "curtain lecture" with a standing woman in night-clothes, one breast expose, berating a man in bed, who draws the bed-covers up to his chin. The bedroom has a large casement window through which is seen moonlight; on the sill are three bottles. Beside the bed is a chair on which his coat hangs; on the floor his unbuckled shoes and a candle
Alternative Title:
William and Margaret
Description:
Letterpress fragments from a ballad, pasted to the bottom edge of the print: William and Margaret. A Burlesque. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs, by S. Watts, No. 50 Strand
In the courtyard of the castle, the enormous ghost of Alfonso appears as Theodore, Manfred, and Friar Jerome look up in fear. Under the figure of the ghost two other figures lay prostrate on the ground, as the castle tumbles in ruins
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
A portion of a plate with a street scene: a run-away horse terrorizes four pedestrians one who tries to stop the horse with the point of his umbrella. A dog between his feet barks at the frightened horse. Only the rider's hands and out-stretched leg are visible from the right
At the door of the gallery (left) Diego falls back on Jaquez (left), both with frightened expressions at the sight of the giant's foot in the adjoining chamber (right). Behind them on the wall in the gallery hangs a portrait painting (Alfonso).
Description:
Title devised by cataloger., Formerly identified as "Manfred and Jaquez with foot of 'ghost'.", and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Frederic in search of Hippolita enters her oratory only to recoil in horror at the sight of a specter wrapped in a hermit's cowl. The specter rests its hand on a book laid open on the altar above which hangs a crucifix. Behind them, two shelves built into the wall are filled with books and an ink well with two feather pens
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Isabella and Manfred depicted full-length at center, both facing left. Isabella, who is being chased by Manfred, looks back over her shoulder at him with a worried expression, her arms out in front of her. Manfred, who has just seen the portrait of his grandfather move off the wall behind him, is arched backwards and shielding himself with his right arm, a startled expression on his face as he looks up at the painting that is partially off the wall. A window at left and two chairs behind the characters complete the furnishing of the room
Description:
Title devised by cataloger., Signed by the artist in ink in lower left corner of sheet., Date of production from local catalog card., Page reference written in ink in upper right corner: Page 19., For another version of this scene, drawn by Anthony Highmore, see Lewis Walpole Library call no.: LWL Mss Vol. 170., and Mounted opposite title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
Title from manuscript caption added to mount., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 31 cm.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Manfred and Isabella shown full-length, standing on either side of the painting that is coming to life on the wall behind them. Both characters have startled looks on their faces and are drawing back in fear; the figure of Manfred's grandfather between them is stepping out of the frame, his right arm extended towards Manfred and his head also turned in that direction. Arched windows are seen in the background on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 23., and Bound in opposite page 23 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Wash drawing showing "The Little Gray Man" on his gibbet-wheel as a monkey seated on the chest of a corpse with the dying lovers, Leopold and Mary-Ann, below. Written on the verso, in ink, three verses from Matthew Gregory Lewis's "Tales of wonder, The little gray man" published in 1801
Description:
Title devised by cataloger., Inscribed by the artist with the date and his initials in lower left corner., In an unidentified hand on verso: "Drawn by Bertie Greatheed w[hen] twenty years old for E[arl] N[...]"., and Trimmed on left and lower edges with loss of text on verso. Remnants of old album mounts on verso.
A scene in the Abbey Cloisters. Westminster schoolboys in cap and gown terrify a poor woman and a watchman by turnip-headed ghosts, and by one of their number on stilts who is masked and smoking a flaming pipe. Another, seated on a lamp-bracket, discharges a squirt at the frightened woman who falls, clutching at the fleeing watchman. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15204 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 76, Vol. 2. Watermark 1825., and Watermarked: J. Whatman Turkey Mill 1825.
Publisher:
Sherwood, Jones & Co.
Subject (Topic):
Boys, Fear, Couples, School children, and Watchmen
