Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
"George IV, on a galloping horse, aims an arrow at the crowned head of the Queen (left), which emerges above the clouds of dust raised by his horse. He wears military uniform, with peacock's feathers (see British Museum Satires No. 13299) in his cocked hat. In the distance (right) are the domes of the Pavilion. The plate faces lines beginning: A, for an Archer, who wounded a Queen, The stoutest Apollo that ever was seen, ..."--British Museum online catalogue
Alternative Title:
A, for an archer, who wounded a queen, the stoutest Apollo that ever was seen ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Royal Pavilion (Brighton, England),
Subject (Topic):
Horseback riding, Feathers, Bows (Weapons), and Archery
"The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face ... behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée ..., with monstrous ostrich feathers in her hair."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Early state of a print published 21 July 1821 by G. Humphrey with the expanded title "A coronation stool, of repentance"; in addition to having a shorter title, this early state lacks the grimace on the Queen's face, the jewelry around her neck and on her hands, and the patterns on her dress and on the carpet beneath her. For the published state, see no. 14197 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Mounted on page 51 of: George Humphrey shop album.
Publisher:
G. Humphrey
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
"The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face and an ambiguous grimace behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée, and bejewelled, with monstrous ostrich feathers in her hair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed leaving thread margins., 1 print : etching with stipple ; sheet 26.5 x 19.3 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 99 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in pencil below image; date "19 July 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
"The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face and an ambiguous grimace behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée, and bejewelled, with monstrous ostrich feathers in her hair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 103.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint with stipple on wove paper ; plate mark 29.5 x 37.2 cm, on sheet 30.8 x 39.9 cm., Mounted on leaf 86 of James Sayers's Folio album of 144 caricatures., and Watermark, trimmed: J. Whatman 1811[?].
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
Volume 2, page 41. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman wearing a plumed hat, carrying a feather fan, walking in a garden, past an urn set on a plinth, with two other women standing behind her to right, one fastening a corsage, wearing a striped scarf over her hair; after Bunbury."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed to plate mark., One line of text below title: Je l'aimais dès ce premier moment, & ce moment à decidè de toute me vie. "Le Comte de Commenge.", and Mounted on page 41 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 26th, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.1 x 32.8 cm., Printed on wove paper with watermark "Fellows"; hand-colored., Window mounted to 24.6 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George Canning" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
Title from item., Creator and date supplied by Paris Musées website. https://apicollections.parismusees.paris.fr/iiif/200004190/manifest., Place of publication derived from publisher's street address., In image top: La Caricature (Journal); Pl. 102., Published in La Caricature., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Attached clipping describes print.
Publisher:
Chez Aubert editeur Galerie Véro Dodat and Lith de Delaporte rue de l'Abbaye no 4.
Subject (Geographic):
France
Subject (Topic):
Kings and rulers, Succession, Nobility, History, Skeletons, Death, Capes (Clothing)., Feathers, and Staffs (Sticks).
"A lady stands at her dressing-table (right), her hair in an enormous pyramid decorated with feathers torn from a peacock, an ostrich and a cock. A young girl wearing a hat holds the peacock by a wing; another wearing a cap tugs hard at one of its tail feathers (which are very unlike peacock's feathers). An ostrich (left), which has lost most of its tail feathers, is about to pluck out those which ornament the lady's hair. A cock stands in the foreground (right), having lost almost all its tail feathers, many of which lie on the floor. A black servant wearing a turban stands on his mistress's right, handing feathers from a number which he holds in his left hand. The lady, who faces three-quarter to the right, is elaborately dressed in the fashion of the day. Her pyramid of hair is decorated with lappets of lace and festoons of jewels as well as with feathers. She wears large earrings, a necklace with a cross, her bodice is cut very low, and her elbow sleeves have lace ruffles. A pannelled wall forms the background."--British Museum online catalog
Description:
Title from caption below image. and Printmaker identified as Philip Dawe by Dorothy George. See British Museum catalogue.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 37.9 x 29.1 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," "Brougham," and "Denman" identified in ink at bottom of sheet; date "16 Ap. 1821" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"The Queen stands full face, at the base of a pillar (right), holding up a scroll: 'Firm in my Innocence and secure of my Peoples Love, I smile at my Enemies impotent attempts to injure me, And Ride Secure Amid The Storm.' In her left hand is a rolled document: 'Defence'. She wears a feathered hat and an ermine-bordered robe over her dress. The pillar, part only being within the design, is wreathed with olive alternately with bands on each curve of which is inscribed one of the places making addresses to her: 'City of Londo[n]', 'City of West[minster]', 'Southwar[k]', 'County of Midd[lesex]'. On the base is an irradiated sun in a laurel wreath. Beside the Queen (left) is a pile of cylindrical documents, each inscribed 'Address'. The Royal Standard hangs behind her head, its staff projecting from behind the pillar."--British Museum online catalogue
Description:
Title from text below image., Initial letters of printmaker's name in signature form a monogram., Mounted to 58 x 39 cm., Mounted on leaf 13 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "6 Nov. 1820" written in ink in lower right corner. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Novr. 6, 1820, by Hodgson, 43, King Stt., Snow Hill, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
The King sits on a couch with Lady Conyngham on his left knee, the large feathers of her headdress extending over their heads. The couple gaze at each other amourously as a woman holding a candle (a maid?) enters through a doorway on the left. On the wall behind the woman hangs a picture of an estate with the name "[C]unningh[am]" written on the frame. Another picture on the wall to the right shows a man, probably Lord Conyngham, full-length and facing away from the viewer, antlers on his head and the speech bubble "I dont see it" in the upper left. A document on the floor to the right of the couch reads "Hertford," with a speech bubble to the immediate left reading "The right owner is." A canopy bed is seen through the open door on the left side of the design
Alternative Title:
Cunningham outwitted, Conygnham outwitted, and Fair play at Brighton
Description:
Title etched below image., Description based on an imperfect impression; sheet trimmed within plate mark and also mutilated in lower right corner, with portions of the imprint statement lost. Missing text supplied from ink annotations on the repaired corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.1 x 34.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Lady Conyngham" and "Ld. Conyngham" are identified in ink at bottom of sheet; date "24 July 1820" written in lower right corner.
Publisher:
Pubd. July 24, 1820, by Be[nbow], corner of St. Clements Church [Yard]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Couches, Candles, Headdresses, Feathers, Antlers, and Canopy beds
Bound presentation album by Anna Atkins and Anne Dixon containing 74 original cyanotypes of botanical, feather, and textile specimens. Images depict algae, ferns, flowers, seaweed, and other plants; feathers from birds such as the peacock, emu, partridge, and duck; and needlework. The majority of the photographs include handwritten captions reproduced by cyanotype that identify plants by their Latin name or location, feathers by the English name of the bird, groups of specimens by the type of material depicted, and other descriptors. Locations outside of Britain mentioned in captions include Ceylon, South America, and Jamaica. The album is bound in brown cloth with yellow endpapers, gilt edges, and a gilt spine title
Description:
Anna Atkins (1799-1871) was an English botanist and photographer. In 1825 she married John Pelly Atkins. Between 1843 and 1853 she privately published three volumes of Photographs of British Algae, considered to be the first book illustrated with photographs. She and Anne Dixon were close friends and collaborators., Anne Dixon (1799-1864) was an English botanist and photographer. She was raised by John George Children, father of Anna Atkins, and in 1837 married Henry Dixon, who became vicar of St. Andrew's church in Ferring. She and Anna Atkins were close friends and collaborators. She was the aunt of Captain Henry Dixon., Captain Henry Dixon (1824-1883) was the nephew of Henry and Anne Dixon. In addition to serving in the Madras Infantry in John Company's Army (East India Company), Dixon was an accomplished amateur photographer., Captions in Latin and English., Inscription on front free endpaper: "Captain Henry Dixon with his Aunt Henry's kind love -- Ferring Vicarage, June 21, 1861.", Title from spine of album., and Date estimated from pages watermarked "J. Whatman Turkey Mill" and dated 1845, 1851, and 1856, as well as the date of the inscription to Captain Dixon.
Subject (Topic):
Algae, Blueprinting, Feathers, Needlework, Plants, and Marine algae
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24 x 34.2 cm., and Formerly mounted on leaf 72 of volume 1 of 14 volumes.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson. See British Museum catalogue and Grego., Sheet trimmed within plate mark., Partial watermark top center of sheet., and Mounted to 28 x 38 cm.
Publisher:
Pubd. May 1st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Eating & drinking facilities, Doors & doorways, Alcoholic beverages, Staffs (Sticks), Purses, Feathers, Dogs, Casement windows, Crowds, and Liberty cap
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., 1 print : etching with stipple ; sheet 23.9 x 34.3 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of "Turn over-" text from lower right margin., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"An imitation of British Museum Satires No. 13851, the lady being 'Mrs. Q.' The King hides from 'the Queenites'."--British Museum catalogue
Alternative Title:
King Cupid in the corner playing bopeep
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 85 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Identification of "George IV" and incorrect identification of "Lady Conyngham" added in pencil at bottom of sheet. Typed extract of one line from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Sepr. 16, 1820, by Benbow, corner of St. Clements Church Yd.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Quentin, Georgina
Subject (Topic):
Adultery, Mistresses, Couches, Fans (Accessories), and Feathers
A satire on women's fashion. Three women stand outside and strike poses that show off their attire: dresses that expose their breasts and/or legs, and extravagant headdresses adorned with pearls or large feathers
Alternative Title:
Lunatics out of Bedlam!
Description:
Title etched below image., Publisher's street address and date of publication have been mostly removed from end of imprint statement; month and day of publication from Alexander., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by W. Holland
Subject (Geographic):
England
Subject (Topic):
Fashion, Clothing & dress, Women, Fans (Accessories), and Feathers
published as the act directs [...?] [ca. May 1781]
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 113. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man in profile to the right (left), elegantly dressed, lounges beside a lady on a settee. He holds a coffee-cup. She sits before a round table on which is a coffee-pot, &c, on a tray. Her dress is of quasi-military cut and she wears a large feathered hat; they look towards each other. On the wall (left) is a framed picture of a camp scene. Through the large sash-window (right) are trees and (?) tents."--British Museum online catalogue
Description:
Title etched below image., Year of publication from British Museum catalogue; dated to ca. May of 1781 by curator, based on series number., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., Plate numbered "439" in lower left corner., Temporary local subject terms: Militia camps: ?Coxheath -- Furniture -- Female costume: Feathered hats -- Military dress (quasi) -- Male costume, 1781 -- Tea services., Folded to 30.5 x 26 cm., Numbered "48" in brown ink on verso., and Bound in opposite page 113 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for & sold by Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Interiors, Sofas, Coffeepots, Tea tables (Tables), Hats, Feathers, Windows, People associated with military activities, and Military camps
"Queen Caroline, much burlesqued, stands (left) in the grounds of Brandenburgh House, looking up in angry distress at an irradiated sun in the upper right corner of the design containing a bust portrait of George IV and surmounted by a crown. She flinches to the left, holding up an ermine-bordered cloak to screen herself from the rays. In her right hand is a decanter of Brandy [cf. British Museum Satires No. 14175]. She has loose black ringlets, and wears a heavily-feathered black cap; frilled drawers are attached to a very high-waisted and décolletée bodice and display absurd ankle boots with the turned-up toes common in these prints. The rays from the King are inscribed: Westmorland, Camden, Eldon, Liverpool, Harrowby, Clarence, Gifford, Copley. In the background (right) is Alderman Wood, wearing his gown, running towards her, his arms extended, and followed by two braying asses. In the foreground are thistles, like the asses an emblem of Wood, see British Museum Satires No. 14146."--British Museum online catalogue
Alternative Title:
Address to the Sun
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text beneath title: To thee I call but with no friendly voice, and add thy name O K--g. To tell thee how I hate thy beams, that bring to my remembrance from what state I fell., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," and "George IV" identified in pencil below image; date "8 [sic] June 1821" written in ink in lower right corner of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Westmorland, John Fane, Earl of, 1784-1859., Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Eldon, John Scott, Earl of, 1751-1838., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Harrowby, Dudley Ryder, Earl of, 1762-1847., William IV, King of Great Britain, 1765-1837., Gifford, Robert Gifford, Baron, 1779-1826., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Sun, Crowns, Miniatures (Paintings), Alcoholic beverages, Donkeys, and Feathers
The King sits on a sofa with Lady Conyngham on his right knee, the large feathers of her headdress extending over his head. The couple kiss passionately as an older woman (Lady Warwick?) in the background shields her view with a fan, saying "I shall go to Warwick, and leave this Cunning-m." A stool sits on the floor by the King's feet; each arm of the sofa has a crown insignia on its end
Description:
Title etched below image., Possibly by William Heath, to which the British Museum catalogue attributes many prints from this time period with S.W. Fores's address spelled "Picadilli" in imprint., Four lines of text below title: Oh powerful love, that in some respects makes a beast a man; in some other a man a beast ... - vide Merry wives of Windsor., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 11 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With various pencil annotations at bottom of sheet, including identification of the figures of "Lady Cunningham" and "Lady Warwick". Annotations in black ink consist of "Ly. Conynhgham" written above title, and date "25 May 1820" written in lower right.
Publisher:
Pub. May 25th, 1820, by S.W. Fores, 41 Pccadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Kissing, Sofas, Stools, Headdresses, Feathers, Crowns, and Fans (Accessories)
"Sir Watkin Williams Wynn (Taffy), Lord and Lady Conyngham, and the King all approach the door of Wynnstay, part of the façade of which is accurately depicted on the left Lady Conyngham rides a stag with the head of her husband; she wears a coronet in which are the feathers of the Prince (or Princess) of Wales. Sir Watkin, in the foreground, gallops up on a goat with a collar inscribed Wynn St[ay]; he wears a leek in his hat and is further identified by a letter in his pocket: To Sir Wat ... He shouts to the porter: Porter! Shut all the W .... s out!! The man obeys by closing the door, saying, You shan't come in I tell you!! She answers: What do you mean fellow I belong to the Family. Just behind are the four horses of the King's travelling chaise. He looks from the window to ask: What's the matter?--but on hearing Sir Watkin's words, adds: I say Coachee! turn about and drive me to Plymouth! There is a background of trees and mountains."--British Museum online catalogue
Alternative Title:
Hint to well regulated families
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 24.1 x 34.2 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sir W.W. Wynn" and "Geo. IV" identified in ink below image; date "Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Septr. 1821 by S.W. Fores, Picadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Williams-Wynn, Watkin, 1772-1840, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wynnstay Theatre,
Leaf 85. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress walking or running in profile to the right. His right hand holds a cane, his left the hilt of a sabre. His queue, twisted like a rope, is looped up with narrow ribbon. He wears a hat with a feather, a coat with facings and epaulettes, a ruffled shirt, and half-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "v. 4" in upper left corner and "19" in upper right corner.
Publisher:
Publish'd as the act directs, Septr. 21, 1772, by M. Darly, 39 Strand
Subject (Topic):
Military uniforms, British, Dandies, Daggers & swords, Staffs (Sticks), Hats, and Feathers
Leaf 85. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress walking or running in profile to the right. His right hand holds a cane, his left the hilt of a sabre. His queue, twisted like a rope, is looped up with narrow ribbon. He wears a hat with a feather, a coat with facings and epaulettes, a ruffled shirt, and half-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "19" in upper right corner., First of three plates on leaf 85., and 1 print : etching on laid paper ; plate mark 17.2 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd as the act directs, Septr. 21, 1772, by M. Darly, 39 Strand
Subject (Topic):
Military uniforms, British, Dandies, Daggers & swords, Staffs (Sticks), Hats, and Feathers
A social gathering, in which two elaborately dressed and coiffed old ladies stand conversing in the center foreground, as a short footman of unprepossessing appearance carries in a tray loaded with a tankard and a triple stand of jelly glasses. In the background groups of men converse. Behind them hangs a painting inscribed S.P.Q.L., depicting a man in a shirt between two lions who have seized him by the arms
Description:
Title from item., Later state, with plate number added., Publisher's initials "MD" form a monogram., and Numbered in top left of plate: 32.
Publisher:
Pubd. accog. to act by MDarly, 39 Strand
Subject (Geographic):
London (England), England, and London
Subject (Topic):
Parties, Social life and customs, Hairstyles, Wigs, Servants, Clothing & dress, and Feathers
Leaf 28. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Persons standing in conversation at a party. The principal figures are two elaborately dressed ladies of plebeian, elderly, and unattractive appearance who face each other; one holds a card, the other a fan. Their hair is awkwardly dressed in the enormous mounds then fashionable, see British Museum Satires No. 5370, &c. On the left a short, fat, and awkward footman brings in a tray on which is a triple stand of jelly-glasses, a foaming tankard of beer, &c. The other guests are men; one wears a furred alderman's gown. In the centre of the back wall is a picture of a man with a distraught expression dressed as a seaman or working man, who is being devoured by two lions, one on each side. Above his head are the letters 'S.P.Q.L.' On the back of the print a note in a contemporary hand explains this as "Senatus populusque Londoniensis the Aldermen and Commoners of London". On the right wall is visible the lower part of a whole length portrait of a man in a furred livery gown."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5372 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Aldermen: Part of livery gown -- Pictures amplifying subject -- Lions devouring working man -- 'Senatus populusque Londoniensis' see S.P.Q.L. -- City rout -- Food: Jelly-glasses served on triple stand -- Dessert -- Footmen in livery -- Cards -- Beverages: Beer -- Tankards -- Tray: Dessert tray -- Glasses: Jelly glasses -- Headdresses., and On leaf 28.
Publisher:
Pubd. accog. to act by MDarly, 39 Strand
Subject (Geographic):
London (England), England, and London
Subject (Topic):
Parties, Social life and customs, Clothing & dress, Hairstyles, Wigs, Fans, Servants, and Feathers
Leaf 66. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length figure in profile of a lady in a riding-habit holding a riding-whip in her right hand. Her hair, without powder, is tied up in a club. She wears a cravat and a cap with an erect plume of feathers."--British Museum online catalogue and "Probably the Duchess of Grafton, the Duke being the Turf Macaroni in this series, see British Museum Satires No. 4634; see also British Museum Satires No. 5324."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "v. 2" in upper left corner and "4" in upper right corner.
Publisher:
Pubd. by MDarly Decmr. 24th, 1771, accorg. to act
Subject (Geographic):
England
Subject (Name):
Grafton, Elizabeth, Duchess of, 1745-1822
Subject (Topic):
Clothing & dress, Dandies, British, Riding habits, Whips, and Feathers
Leaf 66. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length figure in profile of a lady in a riding-habit holding a riding-whip in her right hand. Her hair, without powder, is tied up in a club. She wears a cravat and a cap with an erect plume of feathers."--British Museum online catalogue and "Probably the Duchess of Grafton, the Duke being the Turf Macaroni in this series, see British Museum Satires No. 4634; see also British Museum Satires No. 5324."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "4" in upper right corner., First of three plates on leaf 66., and 1 print : etching on laid paper ; plate mark 15.7 x 10.4 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly Decmr. 24th, 1771, accorg. to act
Subject (Geographic):
England
Subject (Name):
Grafton, Elizabeth, Duchess of, 1745-1822
Subject (Topic):
Clothing & dress, Dandies, British, Riding habits, Whips, and Feathers
"Burdett in armour stands with legs astride, sword raised, left fist clenched, making an onslaught on a book which is on the ground, its pages slashed and tattered. On these are fragments of inscriptions: 'Red Book for the . . .'; 'Treasury'; 'Pensions' [twice]; 'Pensions 4000, 3000, 2.400'; 'Teller o the Ex[chequer] . . . 6000 4.000'; 'Sinecu[res]'. He declaims: "I will not stop, - till I have cut out the accursed leaves of the Red Book!!!" His sword-blade is 'Took's Improved Steel'. On the right Tooke peers at him, holding aside a curtain; he says: "Come Come my pupil goes on better than I expected - very indeed for a beginning yes - yes - he'll do after a little practice" [see British Museum Satires No. 10731, &c.]. He holds a book: 'Diversions of Purley' [see (e.g.) British Museum Satires No. 9020]. On the left John Bull, dressed as Sancho Panza with a short tunic and ruff, gapes at his master, his hands on his knees. He says: "What the deuce is he at now! he will certainly get himself into some scrape or other." Mambrino's helmet (the barber's basin) lies at Burdett's feet; it has a tricolour cockade and three feathers."--British Museum online catalogue
Alternative Title:
John Bull turned Sancho Panza
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 1807 by Walker, No. 7 Cornhill
Subject (Name):
Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character), and Panza, Sancho (Fictitious character)
Subject (Topic):
John Bull (Symbolic character), Armor, Daggers & swords, Books, Draperies, Helmets, and Feathers
Leaf 77. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Joseph Banks, shown as a well-dressed man with elaborately curled hair, ass's ears and a large feather in his hat, balances on two globes - one lettered "Antartick Circle", the other "Artick Circle" - while he reaches towards a butterfly with a bat-shaped fly-catcher in each hand."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text below title: I rove from pole to pole, you ask me why, I tell you truth, to catch a fly., Plate numbered "17" in upper left corner and "v. 3" in upper right corner., For an earlier state, see no. 4695 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Macaronies -- Male costume: Macaroni hats with ostrich feather., and Second of three plates on leaf 77.
Publisher:
Pub. by MDarly accor. to act, July 12th, 1772, (39) Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Banks, Joseph, 1743-1820
Subject (Topic):
Naturalists, Butterflies, Butterfly nets, Dandies, British, Globes, Hats, and Feathers
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
"A lady, young and beautiful, sits in an arm-chair, her head in profile to the left, gazing at her reflection in a standing pier-glass. She wears a dress cut very low, with short puffed sleeves, a small hat supporting two tall feathers and showing curls surrounding her face. A miniature on a long double chain is attached to her corsage. She holds a small round box of some cosmetic. Behind her a parasol lies on a table, with a ring in place of ferrule. Behind this stands an ornate harp, with three pedals, decorated with a winged female figure and roses, a suitable instrument for the display of rounded arms. Fringed curtains frame a tall window, which throws a strong light on lady and mirror."--British Museum online catalogue
Alternative Title:
Looking glass in favor
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: The looking glass in disgrace.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Young adults, Mirrors, Feathers, Draperies, Umbrellas, and Harps
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 27.6 x 22.5 cm, on sheet 27.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet; date "20 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait, whole length, of a man in profile walking to the right, grotesquely dressed, probably for a masquerade. In his right hand he holds a rod to each end of which is slung a fox's tail. A large fox's tail hangs from the back of his neck. A bell hangs outwards from the back of his waist. A ribbon flutters from his right arm. He wears a small cap with a tuft of feathers at the top. Rows of feathers (quills) or ribbons hang from his cap, his waist, and from the tops of his stockings which leave his knees bare."--British Museum online catalogue and "At the masquerades (c. 1772) groups of young men from the universities, some dressed as "Tom fools with cap and bells", were conspicuous. ... Evidently intended for C. J. Fox, a leader of fashion and already a favourite subject of caricature."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text above image: Tom Fool the First., Plate numbered "v. 3" in upper left corner and "8" in upper right corner., Temporary local subject terms: Macaronies -- Male costume., and Second of three plates on leaf 74.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Dandies, British, Costumes, Masquerades, and Feathers
Leaf 27. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady seated at dressing table is attended by a hairdresser standing behind her on a stool, and arranging ostrich feathers in her towering coiffure. Her maid (?) also with her hair in an inverted pyramid, approaches carrying a basket of fruit and vegetables, several of which already adorn the first woman's hair
Alternative Title:
Preposterous headdress, or, The featherd lady, Featherd lady, and Feathered lady
Description:
Title etched below image., State without plate number. Cf. No. 5370 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Initial letters of publisher's name in imprint form a monogram.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Wigs, Clothing & dress, Dressing tables, Feathers, and Hairdressing
Leaf 27. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady seated at dressing table is attended by a hairdresser standing behind her on a stool, and arranging ostrich feathers in her towering coiffure. Her maid (?) also with her hair in an inverted pyramid, approaches carrying a basket of fruit and vegetables, several of which already adorn the first woman's hair
Alternative Title:
Preposterous headdress, or, The featherd lady, Featherd lady, and Feathered lady
Description:
Title etched below image., State without plate number. Cf. No. 5370 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., On leaf 27., 1 print : etching with engraving on laid paper ; plate mark 35.3 x 25 cm, on sheet 44.4 x 27.5 cm., and Imperfect; sheet mutilated in lower right corner with loss of year from end of imprint statement.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Wigs, Clothing & dress, Dressing tables, Feathers, and Hairdressing
"A whole length portrait of Mrs. Fitzherbert, walking left to right, her hands in a muff, her head turned to the spectator. Her hat has three ostrich feathers and the motto 'Ich dien' to indicate her marriage, see British Museum Satires No. 6924, &c. Her hair hangs loosely on her shoulders and her dress has the fashionable protuberances at the bust and below the waist, cf. British Museum Satires No. 7099, &c."--British Museum online catalogue
Alternative Title:
Fat, fair and forty
Description:
Title from item., Price in lower right corner: 1s. 6d., Temporary local subject terms: Earlier state of the print owned by Horace Walpole (NYPL, no. 83), with his identification., In pencil on verso: (George T. Stubbs)., and 1 print : etching & engraving with stipple on laid paper : plate mark 30.2 x 19.7 cm, on sheet 31.9 x 21.2 cm.
Publisher:
Published by W.S. [sic] Fores Mar 20th, 1786 at his Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Relations with women, Obesity, Muffs, Hats, and Feathers
"A whole length portrait of Mrs. Fitzherbert, walking left to right, her hands in a muff, her head turned to the spectator. Her hat has three ostrich feathers and the motto 'Ich dien' to indicate her marriage, see British Museum Satires No. 6924, &c. Her hair hangs loosely on her shoulders and her dress has the fashionable protuberances at the bust and below the waist, cf. British Museum Satires No. 7099, &c."--British Museum online catalogue
Alternative Title:
Fat, fair and forty
Description:
Title from item., Price in lower right corner: 1s. 6d., Temporary local subject terms: Earlier state of the print owned by Horace Walpole (NYPL, no. 83), with his identification., Upper right corner torn. On verso: George T. Stubbs., and Mounted to 41.7 x 27.6 cm.
Publisher:
Published by W.S. [sic] Fores Mar 20th, 1786 at his Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Relations with women, Obesity, Muffs, Hats, and Feathers
"Lady Conyngham sits on a chair under which crouches the King; his head, larger than life, draped by her skirts, and hands project (left). She holds a fan, on which is depicted the 'Regent's Bomb', see British Museum Satires No. 12799, with (?) the King seated astride it. In her left hand is a tulip. She wears evening dress, jewels, and feathers. On the back of her chair is a (baron's) coronet. She says: "You're Old Quarters how do you like now, My Angel." He says: "O! what a mess I am in, this part of the Country is hotter, than in Hertford!""--British Museum online catalogue
Alternative Title:
Shelter for the destitute, removed to Cunningham Lodge
Description:
Title from text below image., Questionable printmaker attribution to Vowles from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "13 Sep. 1820" written in lower right corner.
Publisher:
Pubd. 13 Septr. 1820 by S. Vowles, 31 St. Johns Square
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Adultery, Mistresses, Chairs, Fans (Accessories), Tulips, Jewelry, Feathers, and Crowns
Opposite half-title page. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"Margery in stays and petticoat seated before her dressing-table holds the monstrous erection on her head. Her father, Inkle, seated on a chair (right), watches in astonishment. A maid stands by an open door (left) holding the cock which has been robbed of its tail-feathers, some of which lie on the ground, others adorn Margery's head-dress. A cat miaows at the cock."--British Museum online catalogue
Description:
Title from British Museum catalogue., Printmaker identified as William Hibbart in the British Museum online catalogue, registration no.: 1855,1208.65. Formerly attributed to William Hassel by Mary Dorothy George., Later state, with etched shading lines added in the background. Earlier state is a plate from: Anstey, C. An election ball. Bath : S. Hazard, 1777. Cf. No. 5386 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed within plate mark., Mounted on leaf 23 x 14 cm., and Mounted opposite half-title page in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Pub. by C. Anstey
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Corsets, Dressing tables, Roosters, Feathers, and Cats
Title supplied by catalogue raisonné., Translated title supplied by curator., Date and place of publication supplied by catalogue raisonné., In pencil lower right margin: A Besnard., State supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Morphine abuse, Drug addiction, Women, and Feathers
