Subject Heading: Francis I, Emperor of Austria, 1768-1835 > Caricatures and cartoons

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19. The rogues march [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [15 April 1814]
Call Number:: Folio 75 W87 807 v.5
Collection Title:: V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:: 1
Resource Type:: still image
Abstract:: "Napoleon is being drummed out of France. His right wrist is tied to the left wrist of Joseph Bonaparte; they are led forward, abjectly crouching, by Blücher, who holds the rope attached to the noose round Napoleon's neck. Napoleon has long ass's ears and wears a fool's cap inscribed 'Transported for Life'; his brother's cocked hat is inscribed 'Coward and Thief'. Both are assailed by serpentine monsters, barbed and scaly, which bite their legs, one inscribed 'Execration', the other 'Detestation'. Both wear uniform with the coats without epaulets and cut off at the waist. Blücher carries against his shoulder a long pole on which is a placard: 'Napolean, Late Emperor of the French, King of Italy Protecter of the Confederation of the Rhine, Grand Arbiter of the fate of Nations &c &c &c but now by the permission of the Allied Sovereigns, Exile in the Isle of Elba an Outcast from Society a fugitive a Vagabond. Yet this is the conceited Mortal who said, I have never been seduced by prosperity Adversity will not be able to overcome me--' Behind (left) the sovereigns of Europe gleefully dance in a ring, holding hands, round two flag-staffs from which float two large flags, the Bourbon flag dotted with fleur-de-lis and inscribed 'Rejoice O ye Kings Vive le Roi'; on the other is a flag with the double-headed eagle of Austria or Russia. The monarchs wear crowns; with them is the Pope, wearing his tiara. Next him is the corpulent Louis XVIII, one arm round the Pope's shoulder. Of the others only William of Holland can be identified with certainty; he wears bulky Dutch breeches with an ermine cloak. There are five others, three must be the Tsar, Emperor of Austria, King of Prussia. The others are probably Ferdinand of Spain and Ferdinand of Sicily. They sing: 'Now we are met a Jolly set in spite of Wind or Weather'. The three foreground figures are faced by a row of soldiers beating drums, with an officer raising his sword."--British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, two on either side of title: From fickle fortune's gamesome lap, what various titles flow, the Emperor of Conj rors, Nap, the King of Beggars Joe!, Plate numbered "321" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 19 in volume 5.
Publisher:: Pubd. April 15, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Blücher, Gebhard Leberecht von, 1742-1819, Pius VII, Pope, 1742-1823, Louis XVIII, King of France, 1755-1824, William I, King of the Netherlands, 1772-1843, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Ferdinand VII, King of Spain, 1784-1833, and Ferdinand I, King of the Two Sicilies, 1751-1825
Found in:: Lewis Walpole Library > The rogues march [graphic].

20. Madrid - a false alarm Dieting in Germany ; Dutchmen blocking up the navigation of the Scheldt ; Portugal ; Perfects and imperfects, or, Dreadful times. [graphic]

Creator:: Seymour, Robert, 1798-1836, printmaker
Published / Created:: [1 October 1832]
Call Number:: 832.10.01.01+
Image Count:: 1
Resource Type:: still image
Abstract:: Fourth page of a monthly magazine that consisted of four pages; included on this page are five individually-titled images, "MADRID, - A FALSE ALARM (British Museum Satires No. 17269): Ferdinand VII lies on his back in bed, his crown and a huge pot of 'Holy Water' beside him. He calls 'Quick! fetch the Holy Petticoat I once embroidered. St. Peter will sure admit me in that disguise'. Behind his bed-curtains a procession hurries forward, headed by a friar holding two huge candles. An acolyte swinging a censer walks before a bishop in his robes who holds up an embroidered petticoat hanging from a cross. Behind is another bishop. (Ferdinand VII's death was expected and had been reported. He recovered and died on 29 Sept. 1833. For the petticoat, reputedly embroidered for the Virgin during his internment at Valençay, see British Museum satires no. 12508, &c.)."--British Museum online catalogue, "DIETING IN GERMANY. (British Museum satires no. 17270) 'Liberty' is represented by the flames coming from big candle-ends placed on the ground; Francis I and Nicholas (out of place in the German Diet) are putting huge extinguishers over them. Five of the candles are 'Franckfort, Hesse-Cassel, Brandenburg, Hanover, Baden'. The Tsar: 'Extinguish it in one place it blazes in another'. He is back to back with the senile Francis who puts his extinguisher over 'Brandenburg', saying, 'Why the extinguisher itself appears to be igniting'. (See British Museum satires no. 17212, &c. Revolutionary movements in Europe, cf. No. 16535, had in fact been suppressed or had subsided. For the extinguisher cf. Nos. 12588, 14145.)."--British Museum online catalogue, "DUTCHMEN BLOCKING UP THE NAVIGATION OF THE SCHELDT. (British Museum satires no. 17271) A row of fat Dutchmen sit on the water, buoyed up by bulky and inflated breeches. All are smoking long pipes; one says 'Yau Mynheer'. Behind them are small ships. Two frogs watch from a bank in the foreground. (The obstinacy of the King of Holland in claiming control over the navigation of the Scheldt, including the right of preventing ships from passing to or from the high seas, was a main obstacle in the settlement of the Dutch-Belgian question. Camb. Hist, of Br. Foreign Policy, ii. 146 ff. See British Museum satires no. 17295, &c. Van Stolk, no. 7170. )."--British Museum online catalogue, "PORTUGAL (British Museum satires no. 17272) An ugly infant, Queen Maria (left), and a crowned ape, Miguel, face each other across a chasm. On the plain below and between them scattered forces are fighting. The child, who has dropped her coral and bells, holds out her arms, screaming 'Ah you've got my crown! I will have my crown'. The ape, who presses a foot on human bones, grimaces savagely. Below each protagonist is a supporter. A man waving a cocked hat shouts 'Fight for your illustrious Queen'. A monk holds up both arms, shouting 'Fight for your August King!!' Below the title: '"Oh its a mighty pretty Quarrel" (Sir Lucius O'Trigger)' [Sheridan, The Rivals]. (For the civil war in Portugal see British Museum satires no. 17179, &c.)."--British Museum online catalogue, and "PERFECTS AND IMPERFECTS, OR DREADFUL TIMES. (British Museum satires no. 17273) 'The Times' newspaper is represented by a man whose body from neck to hips is covered by a sheet of 'The Times'; across the columns of the paper are the words: 'Horrible! \ Dreadful!! \ Frightful!! \ Mare's Nest \ discovered near \ Hammersmith'. The square head, with fierce angular features and a pen stuck in it, is seemingly an ink-pot. The limbs are those of a vigorous man, who lunges fiercely with outstretched arms, holding a huge ink-ball in each hand. With one he knocks backward and blackens the face of an elderly man dressed like the Duke of Cumberland who watches from the left. 'The Times': 'I should not have known how to make any thing of the Duke's apology; because a short-sighted man might ride nearer than he intended, and seeing people so much more frightened than hurt, might possibly smile:--But you I have at my mercy. Where's the mustachoes Sir? Where's the mustachoes?--There, Sir-- there, have you any mind for another dose'. Cumberland, stooping aggressively, exclaims: 'Oh! you officious blockhead, you will get freely belaboured for your pains'. A young lady, who watches mincingly from the right, cries, 'Oh! I am quite positive as to the mustachoes!!'."--British Museum online catalogue
Description:: Titles from text below images., Printmaker from British Museum online catalogue., and Publisher from publisher's statement "London, Published by Thos. McLean, 26 Haymarket" on first page of magazine; date of publication from series numbering "Vol. 3rd, Octr. 1, 1832" on first page of magazine. See British Museum online catalogue, registration no.: 1868,0808.12322.
Publisher:: T. Mclean
Subject (Geographic):: Antwerp (Belgium) and Great Britain
Subject (Name):: Maria II, Queen of Portugal, 1819-1853, Ferdinand VII, King of Spain, 1784-1833, William I, King of the Netherlands, 1772-1843, Anglesey, Henry William Paget, Marquis of, 1768-1854, Francis I, Emperor of Austria, 1768-1835, Wellington, Arthur Wellesley, Duke of, 1769-1852, Spencer, John Charles Spencer, Earl, 1782-1845, Russell, John Russell, Earl, 1792-1878, Nicholas I, Emperor of Russia, 1796-1855, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Ellenborough, Edward Law, Baron, 1750-1818, Maltby, Edward, 1770-1859, Derby, Edward George Geoffrey Smith Stanley, Earl of, 1799-1869, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Karl II, Duke of Brunswick-Lüneburg-Wolfenbüttel, 1804-1873, Knight, Charles, 1791-1873, Quentin, George Augustus, 1760-1851., and Georg V, King of Hannover, 1819-1878
Subject (Topic):: Siege, 1832, Catholics, Public opinion, Monkeys, and Arcimboldesque figures
Found in:: Lewis Walpole Library > Madrid - a false alarm Dieting in Germany ; Dutchmen blocking up the navigation of the Scheldt ; Portugal ; Perfects and imperfects, or, Dreadful times. [graphic]

21. Bonaparte's bridge to the tune of This is the house that Jack built / [graphic]

Creator:: Williams, Charles, active 1797-1830, printmaker
Published / Created:: [1 December 1813]
Call Number:: Folio 75 W87 807 v.4
Collection Title:: V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:: 1
Resource Type:: still image
Abstract:: "Eight designs in two rows, each with lines parodying 'the House that Jack built' etched above each. Some section of the bridge appears in Nos. 1-5. [1] Tiny French soldiers gallop across the bridge; a man punts in the rapidly flowing river. Behind is Leipzig, a walled town backed by hills. Above: "This is the Bridge that was blown into air." [2] Three men, wearing helmets and aprons, excavate a pit beside the bridge, from which a man looks down: "These are the Miners that had the care / Of mining the Bridge . . . [&c.]." [3] A Grenadier corporal holds a long match towards the covered pit; three tiny Grenadiers run across the bridge: "This is the Corporal, stout and strong, / Who fired the Mine with his match so long, / Which was made by the Miners . . . [&c.]." [4] A swaggering officer points at the ground, looking over his shoulder at the corporal, who runs forward with his match, saluting obsequiously: "This is the Colonel of Infantry, Who ordered the Corporal . . . [&c.]." [5] The colonel listens deferentially to an officer who whispers in his ear, pointing downwards: "This is the Marshal of high degree / Who whispered the Colonel.. .[&c.]." [6] Napoleon gallops from the battlefield, indicated by a drum in the foreground and bodies in the background: "This is the Emperor who scampered away, / And left the Marshal . . . [&c.]." [7] Refugees, including women with infants and an old farmer, make gestures of despair. Behind is the blazing town which more fugitives are leaving: "These are the Thousands who cursed the day, / Which made him Emperor ... [&c.]." [8] Four allied sovereigns in a tent consult over a map held between them. Alexander (left) sits on a camp-stool, the others stoop over the map: the King of Prussia is in back view, facing the Emperor of Austria. Bernadotte faces the Tsar: "These are the Monarchs so gen'rous and brave, / Who conquered the Tyrant, and Liberty gave, / To Thousands on Thousands . . . [&c.]"."--British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. coloured.", Watermark, partially trimmed: Basted Mill [...?]., and Leaf 33 in volume 4.
Publisher:: Pubd. Decemr. 1, 1813, by Tho. Tegg, 111 Cheapside
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, and Charles XIV John, King of Sweden and Norway, 1763-1844
Found in:: Lewis Walpole Library > Bonaparte's bridge to the tune of This is the house that Jack built / [graphic]

22. Political checkmate [graphic].

Published / Created:: 1829.
Call Number:: 829.09.00.01+
Image Count:: 1
Resource Type:: still image
Abstract:: "A game of chess between the Tsar and the Sultan. The latter sits cross-legged on a chest, to which the chess-board, supported on legs, is attached. Nicholas, a military dandy with a hideous profile, moves a piece, saying 'Check Mate'; he has taken two castles and other pieces. With his left hand he slips a large bag of 'Roubles' into the hat of Wellington who stands behind his chair. The Duke raises two fingers, saying, 'I say's Nothing'. The Sultan clutches his turban, registering consternation; to the box on which he sits is chained a Greek (? Capodistrias) in national costume. The Emperor of Austria and King of Prussia stand behind the chess-board; the former says: 'We must look on for the present Brother.' Beside them stands a Quakerish-looking man, hands clasped and thumbs together, probably President Jackson; he says 'Um . .m.. .m.' Behind Wellington (right) are Eldon, with his hands raised in horror, saying 'Here's treatment of Old friends and Allies.' Behind him is Lyndhurst in wig and gown. Behind the Greek (left) the King of France says to his fellow-Bourbon of the Two Sicilies (identified from BM Satires No. 15865), 'Ve must take care ours turn is not de next.'"--British Museum online catalogue
Description:: Title etched below image., British Museum catalogue suggests September or October as the month of publication in 1829., Sheet trimmed within plate mark., Temporary local subject terms: Military dandies -- Games -- Chess -- Russo-Turkish wars -- Reference to Greece -- Turkey -- Russia -- Austria -- Prussia -- France., and Numbered in ms. at top of sheet: 222.
Publisher:: Publish'd by J. Field, 65 Quadrant
Subject (Name):: Nicholas I, Emperor of Russia, 1796-1855, Wellington, Arthur Wellesley, Duke of, 1769-1852, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Jackson, Andrew, 1767-1845, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Charles X, King of France, 1757-1836, and Francesco I, King of the Two Sicilies, 1777-1830
Found in:: Lewis Walpole Library > Political checkmate [graphic].

23. The dialogue between K-g Naughty & his Brothers Consors [sic], or, The caracature of all caracatures presenting the joke of the day, or, To every one his due [graphic].

Published / Created:: [1820]
Call Number:: Folio 724 835G v.1 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:: Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:: Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:: Pubd. by John Milleville, Hampstead
Subject (Geographic):: Great Britain.
Subject (Name):: George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):: Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
Found in:: Lewis Walpole Library > The dialogue between K-g Naughty & his Brothers Consors [sic], or, The caracature of all caracatures presenting the joke of the day, or, To every one his due [graphic].