"George III sits on the throne (right) partly concealed (as in British Museum Satires No. 10709) by a pillar which supports the heavy draperies of a canopy. The Duke of York, wearing shirt, breeches, and boots, kneels before him, with bowed back, a handkerchief held to his face. Beside him and at the King's feet, are his military coat, hat, sword, and a paper: 'Resignation'. He says: "And he arose and went unto his Father, and said Father I have sinned before thee, and I am no longer worthy to be called thy Son". The King covers his face with his hand, saying, "Very Naughty Boy!-Very naughty Boy indeed!! however I forgive you but dont do so any more"."--British Museum online catalogue
Alternative Title:
Prodigal son's resignation
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on three sides., and Mounted to 28 x 42 cm.
Publisher:
Pubd. March 24th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
George III, King of Great Britain, 1738-1820 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"The Duke of York (left), in uniform, wearing cocked hat, gorget, and sword, runs towards John Bull (right), a stolid yokel in a smock. He says: "Good-Bye Johny-I am going to resign-but dont take it so much to heart, perhaps I may soon come back again". John, who stands hat in hand, holds a handkerchief to his eye, to conceal a smile. He looks down, saying, "O Dunna-dunna go-it will break my heart to part with you-you be such a despirate Moral Character!!""--British Museum online catalogue
Alternative Title:
Resignation, or, John Bull overwhelmed with grief, John Bull over-whelmd. with grief, and John Bull overwhelmed with grief
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on top and bottom edges., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24.3 x 34 cm., Sheet trimmed within plate mark., and Mounted on leaf 42 of volume 10 of 14 volumes.
Publisher:
Pubd. March 24th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"The Duke of York (left), in uniform, wearing cocked hat, gorget, and sword, runs towards John Bull (right), a stolid yokel in a smock. He says: "Good-Bye Johny-I am going to resign-but dont take it so much to heart, perhaps I may soon come back again". John, who stands hat in hand, holds a handkerchief to his eye, to conceal a smile. He looks down, saying, "O Dunna-dunna go-it will break my heart to part with you-you be such a despirate Moral Character!!""--British Museum online catalogue
Alternative Title:
Resignation, or, John Bull overwhelmed with grief, John Bull over-whelmd. with grief, and John Bull overwhelmed with grief
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on top and bottom edges., and Mounted to 29 x 43 cm.
Publisher:
Pubd. March 24th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Cibber, Colley, 1671-1757.
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching ; sheet 23.4 x 33.3 cm., Printed on laid paper with watermark "T. Edmonds 1817.", Sheet trimmed within plate mark., and Bound in between pages 18 and 19.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Cibber, Colley, 1671-1757.
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"A representation (not caricatured) of the duel between the Duke of York and Lennox on Wimbledon Common on 26 May. Lennox (left) fires at the Duke, who fires in the air. Above the Duke's head is written (in ink) 'Fire again Sir'. The two seconds stand beside their principals: Lord Winchilsea (left) and Lord Rawdon (right). In the distance is a man on horseback. Trees and grass form a background."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Pub. May 27, 1789 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Richmond and Lennox, Charles Lennox, Duke of, 1764-1819., Winchilsea, George Finch, Earl of, 1752-1826., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., and Wimbledon Common (Wimbledon, London, England),
"The King and Ministers, as domestic servants in déshabille, surround a rush-light, trying, with fierce intentness, to blow it out. The flame of the light encloses the head of Queen Caroline wearing her feathered hat; the rush is supported on a saveall formed of the head of Wood [Brougham, according to Reid, who is incorrect in some of the other identifications], and placed in a kitchen candlestick standing on a rectangular table. The centre figure is Eldon, his Chancellor's wig formed of a pair of breeches. He leans sideways and the King, wearing a night-cap, looks over his shoulder, blowing downwards. Next them is Wellington, whose blast is better directed than that of the others, but all miss the flame by blowing too low. On the left are two old women, Sidmouth, using his (green) clyster-pipe as a squirt, and Liverpool, whose night-cap is a green bag (see British Museum Satires No. 13735). Facing these are the Duke of York, next Eldon, and the Duke of Clarence on the extreme left, as a hideous black man, whose strong but ill-directed blast is inscribed 'Slander' [see British Museum Satires No. 14031, &c.]. Three other heads are in shadow, like the King; they watch with anxiety, but are not blowing; they are Castlereagh (left) and two women (right). Below the design: "Cook, Coachee, men & maids, very near all in buff, Came & swore in their lives they never met with such a light; And each of the family by turns had a puff, At the little farthing rush light, The curst farthing rush light, But none of the family Could blow out the rush light.!""--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politicians, Servants, Candles, Bags, and Medical equipment & supplies
"An oddly drawn lion (right) with the head of the Duke of York, wearing cocked hat, stock, and gorget, crouches away from the heels of two kicking asses (left) with human heads, asses' ears, and collars engraved What a Cur it is.-and Every Man has his Price. A third ass (right), without a collar, looks benevolently down at the lion, saying -P'shaw- P'Shaw- dont be afraid I shall not kick you may depend upon it-you may be of service to me hereafter. Below the title: "When the Royal Beast, was sick to death-and unable to defend himself, the minor beasts he had injured came to revile him with their / "Wrongs-but when the dull Asses came to fling their heels at him, the Royal Animal exclaimed-" Injuries from / "others I can bear with resignation but to bear insult from such vile animals as Asses is to die and [sic] hundred / "Deaths. Vide-Mr Waithmans Speech at the common Hall."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted on leaf 45 of volume 10 of 14 volumes.
Publisher:
Pubd. April 18, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Waithman, Robert, 1764-1833.
"A lion with the profile of the Duke of York rests his forepaws on the bank of a pool in which his hindquarters are submerged. He looks towards three asses (left) who flourish their heels at him, kicking viciously. They say (left to right) Now brothers we can kick away. he has no strength left to hurt us, & we have nothing to hope from him so we will work him to an oil.; Aye Aye I'll be at him Speedily and soon; Hoot mon I'se left off Booing to him now, for he'll never be able to pull me by the lugs after this [cf. No. 11309]. The lion says: To be insulted in my distress by all the Other Beasts of the Forrest I could bear; but to be kicked by Jack Asses- who when I was in Health & Vigor were the most servile of the Creatures-wounds me to the Soul. A signpost (right), Slough of Despond, points downwards to the lion's pool. On a hill behind are the tents of a fair, the largest flying a flag inscribed Vanity Fair. Beside them tiny figures dance, officers and women; Mrs. Clarke, with a beckoning gesture, flourishes a flag inscribed Places."--British Museum online catalogue
Alternative Title:
Ungratefull jack asses
Description:
Title from caption below item., Printmaker identified in British Museum catalogue., Sheet trimmed within plate mark on two sides., and Mounted to 29 x 43 cm.
Publisher:
Pubd. by S.W. Fores No. 50 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Great Britain. Parliament.
"Wardle, in back view in civilian dress, walks off with Mrs. Clarke seated on his right shoulder; a paper, 'C. Wardle', projects from his pocket. She looks back to point derisively down at the Duke of York who is falling into a watery swamp. She says: "There goes his ------ Honor!!" He shakes his fist at the couple. Beside him are his cocked hat and a broken sword inscribed 'from Holland'. Wardle walks uphill towards the temple of 'Truth'; a (naked) figure holds out draperies. In the swamp is a board: 'A Caution'."--British Museum online catalogue
Description:
Title etched below image., M. Dorothy George identifies "I Spy" as Charles Williams in the British Museum catalogue., and Date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Wetlands, Falling, Signs (Notices), Lifting & carrying, Temples, and Truth
