"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two adjacent designs. [1] The Regent tipsily bestrides a fat and ugly cook, who is on her hands and knees; he flourishes a bottle of 'Royal Max' [gin] and a glass and shouts: "Ha! ha! D--me! this is glorious! this is Princely!!--better fun than the Hertford Hobby [see British Museum Satires No. 13213]--Kitchen stuff & Dishclouts for ever I say D--me!!--If the rascals caricature me, I'll buy em All up d--me." The cook, still holding the broken dish from which a huge cod's head has fallen, exclaims: "Oh! Master do let me alone & see! you've thrown the Cods head & Shoulders all in the dirt!" In the background, Lady Hertford, wearing a coronet, looks angrily from a doorway. On the floor in the foreground are a 'Royal Greas Pot', rolling-pin, and a ladle, with a playbill: 'Brighton--under the Pub [Patr]onage of [the Princ]e Regent--High Life below Stairs Principle Character--G P R'. See British Museum Satires No. 13208, &c. [2] The Duke of York, very erect, rides a velocipede (see British Museum Satires No. 13399) in profile to the right, with Mrs. Carey behind him in a little seat over the back wheel, her hands on his shoulders. He wears Windsor uniform of military cut, with breeches, spurred top-boots, and a top-hat, which he raises. Across the pole hangs a fat purse inscribed '10,000 pr annm Custos [Personae Regis]' which serves as saddle. He says: "I say Carey: this Windsor job, is a devilish snug concern & this saddle bag makes it very pleasant riding!--I wish our army had been mounted on these Hobby's in Flanders;--I don't mean Waterloo--" She answers: "I know what you mean;--but it is a good joke, to think while the Establishment of the Father is redud at Windsor: the sons Establist is increas'd at Fulham--tis properly coming York over John Bull." In the background John Bull, a sturdy fellow, stands with folded arms outside a miserable thatched hut where women and children are crouching. He says fiercely: "£10,000 a year for a son to do his duty to his Father!!!!!! whilst my Children are starving!!!--"Fie out! O Fie 'tis an unweeded garden that grows to seed things rank & gross in nature posess it merely." ['Hamlet', I. ii.]."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "De gustibus non est disputandum; that is, there is no disputing against hobby-horses." Tristram Shandy., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 52 in volume 5.
Publisher:
Pubd. Apl. 9th, 1819, by T. Tegg, No. 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Heading to a broadside printed in two columns. Prince Frederick, Duke of York and Albany, is dressed in an officer's uniform and seated at a writing desk next to a window. He turns to gaze at a portrait of his mistress, Mary Anne Clark, on the wall behind him, which hangs next to another painting of Cupid with his bow and arrow. Printed below the illustration are a love poem and a quoted extract from a love letter, taken from the work 'The Authentic and Impartial Life of Mrs. Mary Anne Clarke' that was published after the Duke severed ties with her in 1809
Description:
Title printed in letterpress below image., Date of publication inferred from the inclusion of extracts from The authentic and impartial life of Mrs. Mary Anne Clarke, published in 1809., Letterpress text beneath title begins: Pretty! Pretty! Mistress Clarke, None than I can love thee better; ... ., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Published by M.C. Springsguth
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Writing materials, Mistresses, Love letters, and Portraits
Print showing George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for the Bill of Pains and Penalties and his divorce from Caroline; he smashes a bottle of wine over the head of Frederick and prepares to throw another bottle at William. A woman, possibly Lady Conyngham, offers words of encouragement from behind a drape, while a man leaning through a window says, "Hollo Georgy, mind what y'our after if you offend Fred: he has got a Red Rod in Pickle for you."
Alternative Title:
Family quarrels
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Duke of York," "Prince Leopold," "George IV," and "Lady Conyngham" are identified in pencil at bottom of sheet.
Publisher:
Pubd. July 23, 1820, by King, Chancery Lane
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Family, Families, Divorce, Adultery, Anger, Brothers, Mistresses, Throwing, Bottles, Draperies, Pineapples, Military uniforms, and British
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the right, a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Alternative Title:
Samson asleep on the lap of Delilah
Description:
Title etched below item., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark on one side., Plate number "71" lightly etched in upper right., 1 print : etching ; irregular sheet 17 x 22 cm, mounted to 20 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed closely around the figures of Mary Anne Clarke and the Duke of York, with the rest of the design and all text trimmed away., and Mounted on verso of fourth front flyleaf.
Publisher:
Pubd. March 19, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Samson (Biblical judge), and Delilah (Biblical figure)
Subject (Topic):
Mistresses, Sofas, Scissors & shears, Military officers, and British
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the right, a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Alternative Title:
Samson asleep on the lap of Delilah
Description:
Title etched below item., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark on one side., Plate number "71" lightly etched in upper right., 1 print : etching ; sheet 23.5 x 33.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., and Bound in after title page.
Publisher:
Pubd. March 19, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Samson (Biblical judge), and Delilah (Biblical figure)
Subject (Topic):
Mistresses, Sofas, Scissors & shears, Military officers, and British
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the r., a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Alternative Title:
Samson asleep on the lap of Delilah
Description:
Title from caption below item., Printmaker identified in the British Museum catalogue., Sheet trimmed within plate mark on one side., Variant state missing series number of no. 11262 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 19 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Wardle, Gwyllym Lloyd, 1762?-1833
Three brave lads against one poor Roscius and Scrub and Bonniface
Description:
Title etched below image., Publication year from British Museum catalogue., Sheet trimmed within plate mark on right., and Matted to 47 x 63 cm.
Publisher:
Pubd. Augt. 9 by Steine Briton
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
"A sequel to British Museum Satires No. 11292, illustration to a similar broadside. The Duke of York rises from his chair, greatly distressed at the paper which he holds: Charges against the Duke. He wears uniform, his hat and sword on the ground, the sword broken at the word Ho/nor inscribed on the blade. Two women (right) watch him furtively; one is intended for Mrs. Clarke, the other for Miss Taylor, who holds a purse. On a table by the Duke are papers: Paid to Mrs Clarke 1500, 6400, 1100, 1600, and Sir Dd Dundas Commander in Chief.'"--British Museum online catalogue
Description:
Title from letterpress text above image., Date of publication from the British Museum catalogue., Companion print to: First book of the Chronicle of the Isles., and "Price one shilling. -- Entered at Stationers' Hall."--Following imprint.
Publisher:
Printed by and for J. Herbert, at his Newspaper Office, No. 4, Merlin's Place, Spa Fields
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, and Dundas, David, Sir, 1735?-1820.
