Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a color "Covent Gar[den]" barks at Tom
Alternative Title:
Gold, thou bright son of Phoebus, sourse of universal intercourse ...
Description:
Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 6"--Lower right corner., After the painting at Sir John Soane's Museum., and Imperfect impression sheet trimmed to image: 325 x 400 mm. Engraved text mounted separately below: sheet 25 x 400 mm.
Publisher:
Sold at [the] Golden Head in Leichester Fields London
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.2 x 40.6 cm, on sheet 45 x 56 cm., and Leaf 14 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.1 x 40.7 cm, on sheet 46 x 59 cm., and Plate 14 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., and On page 75 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.5 x 40.8 cm, on sheet 45 x 56 cm., and Leaf 8 in: Album of William Hogarth prints.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, Ms. note in Steevens's hand in pencil on page above the print: 2d impression., and On page 66 in volume 1.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, and Imperfect, sheet trimmed to image with loss of caption and imprint: 325 x 400 mm.
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 1 print : etching and engraving on laid paper ; plate mark 35.6 x 40.9 cm, on sheet 45 x 56 cm., and Leaf 9 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 46 x 59 cm., and Plate 9 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 68 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 45 x 56 cm., and Leaf 15 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and On page 77 in volume 1. Trimmed within plate mark: 35.2 x 39.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and On page 77 in volume 1. Trimmed within plate mark: 34.6 x 39.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and Sheet trimmed within plate mark: sheet 355 x 408 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., and After the painting at Sir John Soane's Museum.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., "Pursuant to an act of parliament. Price two shillings & 6 pence.", Companion print to Hogarth's Before, published on the same date., Sheet trimmed within plate mark., The man is said to have been modeled on Sir John Willes. See Paulson., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; plate mark 41 x 32.8 cm, on sheet 56 x 45 cm., and Leaf 27 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., "Pursuant to an act of parliament. Price two shillings & 6 pence.", Companion print to Hogarth's Before, published on the same date., Sheet trimmed within plate mark., The man is said to have been modeled on Sir John Willes. See Paulson., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 80 in volume 1. Sheet trimmed to: 394 x 315 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., "Pursuant to an act of parliament. Price two shillings & 6 pence.", Companion print to Hogarth's Before, published on the same date., Sheet trimmed within plate mark., The man is said to have been modeled on Sir John Willes. See Paulson., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; plate mark 42.4 x 32.7 cm, on sheet 56 x 45 cm., and Leaf 26 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 80 in volume 1. Sheet trimmed to: 395 x 309 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.8 x 29.9 cm, on sheet 56 x 40 cm., and Leaf 39 in: Album of William Hogarth prints.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.6 x 29.7 cm, on sheet 57 x 41 cm., and Plate 43 in the album: Queen Charlotte's collection of Hogarth works.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and On page 106 in volume 2.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and On page 106 in volume 2. Sheet trimmed to: 41.1 x 27.8 cm.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and Imperfect impression; sheet trimmed within plate mark: sheet 42.5 x 29.8 cm.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., and Date from Paulson.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and 1 print : etching and engraving on wove paper ; plate mark 426 x 295 mm, on sheet 510 x 360 mm.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Second state, with receipt at bottom of plate masked. See Paulson., Date from Paulson., Sheet trimmed to plate mark on bottom edge., and Mounted on leaf 49 in: Album of William Hogarth prints.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.2 x 19.2 cm, on sheet 21.2 x 24.4 cm., and Mounted on leaf 49 in: Album of William Hogarth prints.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.4 x 19.4 cm, on sheet 21.1 x 25.8 cm., Mounted on leaf 59 x 46 cm., and Plate 69 in the album: Queen Charlotte's collection of Hogarth works.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.4 x 19.4 cm, on sheet 21.1 x 25.8 cm., Mounted on leaf 59 x 46 cm., and Plate 69 in the album: Queen Charlotte's collection of Hogarth works.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson. and On page 163 in volume 2. Sheet trimmed to: 16.2 x 18.8 cm.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson. and 1 print; etching ; plate mark 164 x 192 mm, on sheet 213 x 244 mm.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On a shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, publisher, date, and state from Paulson., State before black Latin cross added in the middle, below design. See Paulson., "Plate 4"--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.3 x 38.7 cm, on sheet 45 x 56 cm., and Leaf 5 in: Album of William Hogarth prints.
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On a shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, publisher, date, and state from Paulson., State before black Latin cross added in the middle, below design. See Paulson., "Plate 4"--Lower left corner., Sheet trimmed within plate mark., and On page 61 in volume 1. Plate trimmed to: 30.6 x 38.5 cm.
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On a shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, publisher, date, and state from Paulson., State before black Latin cross added in the middle, below design. See Paulson., "Plate 4"--Lower left corner., and Sheet trimmed within plate mark.
In a squalid room Moll Hackabout, wrapped in a sheet, is attended by her two physicians (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title devised by cataloger., Publisher, date, and state from Paulson., State before addition of black Latin cross added to center below design. See Paulson., "Plate 5"--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 32.1 x 39 cm, on sheet 45 x 56 cm., and Leaf 6 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
In a squalid room Moll Hackabout, wrapped in a sheet, is attended by her two physicians (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title devised by cataloger., Publisher, date, and state from Paulson., State before addition of black Latin cross added to center below design. See Paulson., "Plate 5"--Lower left corner., Sheet trimmed within plate mark., and On page 62 in volume 1. Plate trimmed to: 31.2 x 38 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
In a squalid room Moll Hackabout, wrapped in a sheet, is attended by her two physicians (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title devised by cataloger., Publisher, date, and state from Paulson., State before addition of black Latin cross added to center below design. See Paulson., "Plate 5"--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
"Paul before Felix, showing St Paul on trial before Felix, governor of Caesarea; Paul to left with arms raised, Felix sitting with his wife Drusilla and two priests on a dais at centre, one sitting uncomfortably with his chin in his hand, two clerks in front of the bench at which St Paul stands; to right, the orator Tertullus holding a scroll and leaning on a lectern; a soldier to left and two figures carrying fascae either side of the dais."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title and state from Paulson., Added title from caption below image, which is a quotation from Acts 24-25., and Leaf 35 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Israel and Caesarea.
Subject (Name):
Paul, the Apostle, Saint
Subject (Topic):
Biblical events, Courtrooms, Judicial proceedings, Soldiers, Roman, and Parables
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with publication line in lower left and printmaker's statement in lower right., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., 1 print : etching and engraving on laid paper ; plate mark 41.9 x 52.3 cm, on sheet 45 x 56 cm., and Leaf 34 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with publication line in lower left and printmaker's statement in lower right., and Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., 1 print : etching and engraving on laid paper ; plate mark 21.8 x 18.4 cm, on sheet 25.9 x 20.6 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., 1 print : etching and engraving on laid paper ; plate mark 21.7 x 18.5 cm, on sheet 27.2 x 22.3 cm., Mounted on leaf 59 x 46 cm., and Plate 63 in the album: Queen Charlotte's collection of Hogarth works.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., On page 85 in volume 1., Ms pencil note in Steevens hand above the print and one next to it: Lecture See Nichols's Book, 3d edit p. 246., Ms pencil note in Steevens hand above this print: Second Impression., 1 print : etching and engraving on laid paper ; sheet 218 x 183 mm., and Sheet trimmed within plate mark.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", and Lower right, below image: Price six pence.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", and Lower right, below image: Price six pence.
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 31 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36.1 x 47.1 cm, on sheet 46 x 59 cm., and Plate 31 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36.1 x 47.1 cm, on sheet 46 x 59 cm., and Plate 31 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., Ms. pencil note in Steevens hand above print: Southwark Fair /1st Impression., and On page 56 in volume 1. Trimmed to: 359 x 464 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., Ms. note in pencil in Steevens hand at top of print: [illegible loss] d. Impression (“56 b” added to loss area)., Ms.note in pencil in Steevens hand below print: See Mr Nichol's Book, 3d edit. p. 180., and On page 56 in volume 1. Trimmed to: 360 x 465 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson. and Paulson cites an alternative title from Hogarth: Humours of a fair.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., and Found loose in Kinnaird
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., and Lighter impression.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Sheet trimmed within plate mark., and Leaf 38 in: Album of William Hogarth prints.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.6 x 17 cm, on sheet 25.1 x 19.4 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., With ms pencil note in Steevens's hand above: Retouched., and On page 57 in volume 1. Plate trimmed to: 214 x 177 mm with loss of receipt text.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., and On laid paper: sheet 186 x 169 mm.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson. and Sheet trimmed within plate mark.
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title and state from Paulson., Third state with motto added, under royal arms: [Dieu] et mon droit. Also the pipe has been removed from the angel's mouth and cracks added in the wall on which the angel is painted. The clerk's hair has been redrawn and lightened again. The triangle has been given a second outline., "Price one shilling.", Sheet trimmed within plate mark with loss of price., 1 print : etching and engraving on laid paper ; plate mark 26.5 x 20.9 cm, on sheet 35.5 x 25.8 cm., and Mounted on leaf 46 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title and state from Paulson., Third state with motto added, under royal arms: [Dieu] et mon droit. Also the pipe has been removed from the angel's mouth and cracks added in the wall on which the angel is painted. The clerk's hair has been redrawn and lightened again. The triangle has been given a second outline., "Price one shilling.", Sheet trimmed within plate mark with loss of price., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 81 in volume 1. Plate trimmed to:
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., 1 print : etching with engraving on laid paper ; plate mark 21.6 x 30.7 cm, on sheet 24.9 x 37 cm., and Mounted on leaf 47 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., Ms. note in pencil in Steevens's hand above print: Stage Coach. See Mr. Nichols's book, 3d edit. p. 284., and On page 130 in volume 2. Sheet trimmed wtihin plate mark: 21.6 x 30.5 cm.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., and Imperfect impresssion: Price erased and sheet trimmed to 213 x 305 mm.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
