Title supplied by curator, and printed in Latin, French, and German below image., Printmaker supplied by curator., Date derived from printmaker's date of death, Place of publication derived from printmaker's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber shops, interior; Barber surgeons and surgery.
Publisher:
publisher not identified
Subject (Topic):
Monkeys, Barbers, Surgeons, Teeth, Extraction, Phlebotomy, Wounds & injuries, Crutches, Hairdressing, and Medical offices
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
"Satire on barbers showing a figure composed from implements connected with the trade, the body being a mirror, the arms razors, the legs tongs, etc. In the background, three heads on blocks with names of "Three Notorious Spoil Trades": "N - cre", "Warehouse/Gr-ng - r" and "Ch-p-m-n"; woods, a house and hills beyond. Surrounded by a rococo frame from which hang combs, curls,etc.; title in a cartouche above and key below with publication line."--British Museum online catalogue
Description:
Title etched within item., F. Hammond's imprint partially erased from plate and replaced with that of G. Bickham. F. Hammond's publication date erased from plate., Key to numbers in the image in a vignette below it and surrounding imprint., and Price erased from this impression.
Publisher:
Sold by G. Bickham in May's Buildings, Covent Garden, and of all print sellers of London and Westminster
Subject (Topic):
Barbers, Hairdressing, Shaving equipment, and Arcimboldesque figures
Title engraved below image., Below title: Engraved after an original picture of Mr. John Collett, in the possession of Mr. Smith., Attribution to Rennoldson based on companion print: Grown ladies &c. taught to dance., and Temporary local subject terms: Dancing lessons -- Musicians: violinist -- Ear-trumpets -- Pictures amplifying subject: opera dancer -- Opera dancers: Madame Elastique -- Theatrical costume: opera dancer's costume -- Musical instruments: violin with case -- Music books -- Curl papers -- Placards: dancing lessons advertisement -- Literature: allusion to Works of Isaac Newton, 1642-1727 -- Allusion to Essay concerning human understanding by John Locke, 1632-1704 -- Furnishings: pulley stiles.
Publisher:
Printed for Jno. Smith, No. 35 in Cheapside, & Robt. Sayer, No. 53 in Fleet Street, London
A satirical depiction of a machine which shaves six people in a line using a brush and razor which slide along a bar worked by a cogwheel turned by a man. In the lower left, a barber tends to a wig with curling tongs; a pile of hats along the lower design. A blunderbuss is used as powdering horn. With an address to the public below and key to numbered references below. Pictures on the walls amplifying the subject
Description:
Title from caption above image., Sheet trimmed within plate mark., Publication date from British Museum catalogue., Caption below image begins: To the public. Whereas the wonderful powers of this useful machine are yet but little known ..., and Possibly the original of no. 15654 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11.
Publisher:
publisher not identified
Subject (Topic):
Gearing, Hair preparations, Hairdressing, Inventions, Shaving equipment, and Wigs
Title from item., Plate from: The court and city magazine. London: Printed for Joseph Smith, at No. 15, Pater-noster Row, 1770-1771, v.1 (1770)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: French headdresses -- Hairdressing implements: puffer -- Pictures amplifying subject., and Attribution above image mostly erased from this impression; mounted to 18 x 13 cm.
"Satire on the pretentions of the English to French elegance. A portly middle-aged Englishman sits on chair, his feet not reaching the ground, draped in a protective gown, while a tall French hairdresser puffs powder on his wig; behind is a portrait of a dancing bear being dressed by two monkeys; on the floor is a book lettered, "A Six Weeks Tour to Paris" and from the Englishman's pocket protrudes "Rules for the Alemande [a German dance]"."--British Museum online catalogue
Alternative Title:
Anglois a Paris
Description:
Titled in English and French below image; above the larger English title is the smaller French title: L'Anglois a Paris., Temporary local subject terms: Trades: French hairdresser -- Hairdressing implements: powder puff -- Pictures amplifying subject -- Furnishings: ornate picture frame -- Furnishings: chair -- Dancing: allusion to allemande -- Books: tour guides., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Jno. Smith, at No. 35 Cheapside, & Robt. Sayer, No. 53 in Fleet Street
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.
Leaf 58. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A French hairdresser with fine coat and small-sword."--British Museum online catalogue, description of an earlier state
Alternative Title:
Monsieur le Frizuer
Description:
Title etched below image., Questionable attribution to Bunbury from the British Museum catalogue., Reissue, with additional numbering; see page 38 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "5" in upper right corner., and For an earlier state, see no. 4673 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pubd. accordg. to act of Parllt. May 21th [sic], 1771, by MDarly 39 Strand
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairdressing, and Daggers & swords
"Satire on fashion: a French hairdresser mounts a ladder to arrange with tongs the curls of a lady with an enormous coiffure, while another man with a long queue, evidently her husband, holds a sextant to measure the height."--British Museum online catalogue
Alternative Title:
Ladies absurdity
Description:
Title engraved below image., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Headdresses -- Naval officers -- Military uniforms -- Naval officer's uniform -- Trades: hairdressers -- Furnishings -- Carpet -- Pictures amplifying subject -- Hairdressing implements: curling tongs -- Step ladders -- Naval instruments: quadrant., and Watermark: countermark W.
Publisher:
Pubd. accordg. to act of Parllt., July 15th 1771, by MDarly, No. 39 Strand, & R. Sayer at the Golden Buck, Fleet Street
Subject (Topic):
Dandies, French, Hairstyles, Hairdressing, Mirrors, Floor coverings, Ladders, and Sextants
Leaf 58. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A French hairdresser with fine coat and small-sword."--British Museum online catalogue, description of an earlier state
Alternative Title:
Monsieur le Frizuer
Description:
Title etched below image., Questionable attribution to Bunbury from the British Museum catalogue., Reissue, with additional numbering; see page 38 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "5" in upper right corner., For an earlier state, see no. 4673 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Second of three plates on leaf 58., and 1 print : etching and engraving on laid paper ; plate mark 15.4 x 10.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parllt. May 21th [sic], 1771, by MDarly 39 Strand
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairdressing, and Daggers & swords
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., and For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '22' in upper left and '12' in upper right corner., Another state, with two plate numbers and by a different publisher. Cf. No. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark IV.
Publisher:
Pub. according to act June 26th 1772, by MDarly, (39) Strand
Subject (Topic):
Black people, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Leaf 80. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two whole length figures. A woman (left) walks away from the man but looks round over her left shoulder. She wears a high conical cap trimmed with lace and ribbons, a hooded cloak over a voluminous skirt ornately embroidered at the hem. The man in profile to the left walks after her. His left hand holds a tasselled cane which rests on his shoulder, his right is thrust under his waistcoat. He is fashionably dressed with a laced hat, and his coat appears to have epaulettes."--British Museum online catalogue
Alternative Title:
Courtezan and frizeur, Courtesan and friseur, and Courtesan & friseur
Description:
Title etched below image; the letters "z" in the words "courtezan" and "frizeur" are etched backwards., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "5" in upper right corner., Temporary local subject terms: Macaronies -- Bag wig -- Canes., 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 19 x 14 cm., Imperfect; volume and plate numbers mostly erased from sheet., and Watermark: Strasburg bend with initials LVG below.
Publisher:
Pubd. accordg. to act August 9th by MDarly, 39 Strand
