Title supplied by curator, and printed in Latin, French, and German below image., Printmaker supplied by curator., Date derived from printmaker's date of death, Place of publication derived from printmaker's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber shops, interior; Barber surgeons and surgery.
Publisher:
publisher not identified
Subject (Topic):
Monkeys, Barbers, Surgeons, Teeth, Extraction, Phlebotomy, Wounds & injuries, Crutches, Hairdressing, and Medical offices
A view of a barber's shop with images of customers receiving various stages of services: shaving, hair cuts, care of wigs. Two dogs fight over a wig in the foreground
Description:
Title etched below image., Publication date from no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., No. 1 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
"Satire on the pretentions of the English to French elegance. A portly middle-aged Englishman sits on chair, his feet not reaching the ground, draped in a protective gown, while a tall French hairdresser puffs powder on his wig; behind is a portrait of a dancing bear being dressed by two monkeys; on the floor is a book lettered, "A Six Weeks Tour to Paris" and from the Englishman's pocket protrudes "Rules for the Alemande [a German dance]"."--British Museum online catalogue
Alternative Title:
Anglois a Paris
Description:
Titled in English and French below image; above the larger English title is the smaller French title: L'Anglois a Paris., Temporary local subject terms: Trades: French hairdresser -- Hairdressing implements: powder puff -- Pictures amplifying subject -- Furnishings: ornate picture frame -- Furnishings: chair -- Dancing: allusion to allemande -- Books: tour guides., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Jno. Smith, at No. 35 Cheapside, & Robt. Sayer, No. 53 in Fleet Street
Title from item., Place of publication from item., In image: h.D. 51., Date supplied by curator., Published in Le Charivari, 16 April 1857., "Mr. Hume" possibly refers to Daniel Dunglas Home, 1833-1886, a famous spiritualist in Europe at the time., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Mon. Martinet, 172, r. Rivoli et 41, r. Vivienne and Lith. Destouches, 28, r. Paradis Pre. Paris
Subject (Topic):
Spiritualism, Hypnotism, Parties, Shaving, Seances, Hairdressing, Hairstyles, and Spectators
A richly dressed but grotesque and balding old lady sits before her dressing table holding a lap dog and attended by a leering hairdresser and his assistant. The former places on her head a huge wig with side curls, flowers on the front and a profusion of ostrich plumes on top. Draperies adorn the dressing table and window, and patterned wall paper and carpet are visible
Alternative Title:
New fashioned head dress for young misses of three score and ten
Description:
Title from item.
Publisher:
Printed for John Bowles, No. 13 in Cornhill
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Hairdressing, Clothing & dress, and Interiors
"A lady stands at her dressing-table (right), her hair in an enormous pyramid decorated with feathers torn from a peacock, an ostrich and a cock. A young girl wearing a hat holds the peacock by a wing; another wearing a cap tugs hard at one of its tail feathers (which are very unlike peacock's feathers). An ostrich (left), which has lost most of its tail feathers, is about to pluck out those which ornament the lady's hair. A cock stands in the foreground (right), having lost almost all its tail feathers, many of which lie on the floor. A black servant wearing a turban stands on his mistress's right, handing feathers from a number which he holds in his left hand. The lady, who faces three-quarter to the right, is elaborately dressed in the fashion of the day. Her pyramid of hair is decorated with lappets of lace and festoons of jewels as well as with feathers. She wears large earrings, a necklace with a cross, her bodice is cut very low, and her elbow sleeves have lace ruffles. A pannelled wall forms the background."--British Museum online catalog
Description:
Title from caption below image. and Printmaker identified as Philip Dawe by Dorothy George. See British Museum catalogue.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
"A grand bedroom with the countess holding a morning levée attended by her hairdresser while the lawyer, Silvertongue, arranges to meet her at a masquerade; others in the room include a female friend and effeminate men who pay rapt attention to a castrato singer accompanied by a flautist, a young black man who serves chocolate to the party, and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid; playing cards and invitations lie on the floor."--British Museum online catalogue
Alternative Title:
Toilette
Description:
Title etched below image., After Hogarth's painting "The Toilette" in the National Gallery, London., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., No. 4 in a series of 6 images, known as "The toilette.", Series title engraved below image., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2375., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 161., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 231.
Publisher:
Pub. Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
"A lady sits at a small dressing-table (left) doing her hair. She turns to answer an elderly servant in livery who proffers a large bone, saying (words under the title): My Lord has sent your Ladyship a Bone to Pick! She answers: Tell him my Eldest Son is none of his, and there's a Bone for his Lordship to Pick!"--British Museum online catalogue
Description:
Title from caption below image., Two lines of dialogue below title: My lord has sent your Ladyship a bone to pick! ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. May 27 by G. Humphrey, 24 St. James's St. & 74 New Bond Street
Signed: Don Quixote de la Mancha, Knight of the Lions., At the foot: Given at our sty, No.47, Hay-Market, St. James's; the address of Richard Lee., First published as 'Licence for the guinea pigs to wear powder'., At head of title: (One penny)., In this edition the last line ends: "sty as above"., and For further information, consult library staff.
Publisher:
Sold by R. Lee
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Hair preparations, Taxation, Hairdressing, Equipment and supplies, Toilet preparations, Anglo-French War, 1793-1802, and Finance
The interior of barber shop: On the left a man stands before a mirror, face contorted as he wipes his jaw, unaware of the boy behind him pointing and laughing at him as he holds the man's pigtail in his hand. Another customer is shown in the center seated on a chair, the barber behind him about to cut off his pigtail as well. The third man sits in a chair on the right, reading a newspaper; his lower head is also shorn of its pigtail. The room show other customers as well as stands for wigs. Above the door on the right hangs a sign "R. Crop'em, hair dresser", a second sign beneath reads "Shave for a penny. Crop for two penny." Through the window on the left in the back, is a display of ladies' hats
Description:
Title etched below image., Sheet trimmed within plate mark on bottom edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Octr. 8, 1791, by W. Holland, No. 50 Oxford St.
Caption title., An advertisement in verse, with two columns of letterpress text beginning "With humblest deference we greet ..."; wood-engraved illustration at top depicting two ladies trying on wigs both facing a bust with "Princes' Royal" on plinth; an "Explanation" printed below in five lines; all within a typographic ornament border., Date of publication from English short title catalogue., Printer prossibly W. Bailey located at 28 Great Tower Street, London. Cf. Heal, 99.22 & 23 advertise "At Bailey's Printing-Office... Shop-Bills, Hand-Bills, &c. of this Size and Paper, are printed for six Shillings a Thousand; and on an inferior Paper of this Size, for five Shillings a Thousand ...", Sheet trimmed with loss of most of the imprint., and For further information, consult library staff.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
Title engraved below image., Below title: Engraved after an original picture of Mr. John Collett, in the possession of Mr. Smith., Attribution to Rennoldson based on companion print: Grown ladies &c. taught to dance., and Temporary local subject terms: Dancing lessons -- Musicians: violinist -- Ear-trumpets -- Pictures amplifying subject: opera dancer -- Opera dancers: Madame Elastique -- Theatrical costume: opera dancer's costume -- Musical instruments: violin with case -- Music books -- Curl papers -- Placards: dancing lessons advertisement -- Literature: allusion to Works of Isaac Newton, 1642-1727 -- Allusion to Essay concerning human understanding by John Locke, 1632-1704 -- Furnishings: pulley stiles.
Publisher:
Printed for Jno. Smith, No. 35 in Cheapside, & Robt. Sayer, No. 53 in Fleet Street, London
Plate lettered in the top center 'D': Reverse copies of the upper bodies of eight figures in the fourth plate of Hogarth's Marriage a la Mode. Each of the figures is numbered: 1. the countess; 2. Silvertongue; 3. the hairdresser; 4. the black servant; 5. and 6. the two men immediately to the right of the countess; 7. the man with his hair in paper; 8. the singer
Description:
Title from British Museum catalogue., "It is one of a series of illustrative fragments from Hogarth's works ... prepared for "Manuel contenatn diverses Connoissances curieuses et utile pour l'année 1786." See British Museum catalogue., Illustrations to: Lichtenberg's Göttinger Taschen Kalender., and Numbered '4' in upper right corner above border.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Adultery, Couples, Eating & drinking, Hairdressing, Singers, and Marriage
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.
Leaf 41. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 223., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 41 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 28 x 39 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
"A bedroom scene. A plump lady sits in a chair, making gestures of pain with hands and legs, while a hairdresser combs her back hair, and a negress combs a tress pulled forward over the face. Behind (left) another hairdresser combs the tousled hair of a lean man, who registers anguish. Below the design: 'Struggling through the curse of trying to disentangle your hair when by poking curiously about on board of Ship, it has become clammed and matted with pitch or tar far beyond all the powers of the comb.'"--British Museum online catalogue
Description:
Title etched below image. and Printmaker and publisher from British Museum online catalogue.
Publisher:
R. Ackermann
Subject (Topic):
Blacks, Bedrooms, Hairdressing, Servants, and Women domestics
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A bedroom scene. A plump lady sits in a chair, making gestures of pain with hands and legs, while a hairdresser combs her back hair, and a negress combs a tress pulled forward over the face. Behind (left) another hairdresser combs the tousled hair of a lean man, who registers anguish."--British Museum online catalogue
Alternative Title:
Struggling through the curse of trying to disentangle your hair ...
Description:
Title etched below image., Text below title: Struggling through the curse of trying to disentangle your hair when by poking curiously about on board of ship, it has become clammed and matted with pitch or tar far beyond all the powers of the comb., Restrike. For original issue of the plate, see no. 10820 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 120., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Blacks, Bedrooms, Hairdressing, Servants, and Women domestics