In an oval frame, a young woman facing left, wears a wide-brimmed hat trimmed with flowers, a necklace of several strands of beads, and a scarf loosely draped around her shoulder
Description:
Title from item. and Scratch-letter state before inscription.
Publisher:
Published 30 of July 1776, by J. Boydell, engraver in Cheapside, London
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Full-face portrait of a man walking to right and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "11" in upper right corner., Temporary local subject terms: Macaronies -- The Temple -- ?Greyhound -- Queue wig bound with ribbon -- Little cocked hat., and Second of three plates on leaf 68.
"A man walks on tiptoe away from the spectator. He is ungainly, the left shoulder lower than the right, with ill-dressed hair in a small tail. He wears a grotesque cocked hat poised on his head, an old-fashioned coat, and striped stockings. The stone wall of a house, showing part of a street-door and one window, forms a background."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Temporary local subject terms: Doctors -- John Burges, 1745-1807., 1 print : etching, hand-colored ; plate mark 25.0 x 17.5 cm., and Figure identified as "Dr. Burgess" in pencil in lower margin.
Publisher:
Pubd. July 3d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Burgess, John, 1745-1807 and Royal College of Physicians of London.
"A man walks on tiptoe away from the spectator. He is ungainly, the left shoulder lower than the right, with ill-dressed hair in a small tail. He wears a grotesque cocked hat poised on his head, an old-fashioned coat, and striped stockings. The stone wall of a house, showing part of a street-door and one window, forms a background."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Doctors -- John Burges, 1745-1807.
Publisher:
Pubd. July 3d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Burgess, John, 1745-1807 and Royal College of Physicians of London.
"A man walks on tiptoe away from the spectator. He is ungainly, the left shoulder lower than the right, with ill-dressed hair in a small tail. He wears a grotesque cocked hat poised on his head, an old-fashioned coat, and striped stockings. The stone wall of a house, showing part of a street-door and one window, forms a background."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Temporary local subject terms: Doctors -- John Burges, 1745-1807., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 17.5 cm, on sheet 34.1 x 24.0 cm., and Mounted on leaf 75 of volume 8 of 12.
Publisher:
Pubd. July 3d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Burgess, John, 1745-1807 and Royal College of Physicians of London.
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
May 19th, 1772.
Call Number:
Folio 724 776D
Collection Title:
Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to right, apparently caricatured for his old-fashioned dress and straight lank figure. His left hand is outstretched, his right holds a sword of which only the hilt is visible. He wears a wide flat hat and bag-wig. His long narrow coat hangs well below his knees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from the British Museum catalogue., Initial letters of publisher's name in imprint form a monogram., Ten lines of verse in two columns below title: An ugly face & staring hat, a carcase which has lost its fat ..., Plate numbered "v. 3" in upper left corner and "7" in upper right corner., For an earlier state, see no. 5009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Male costume: Macaroni hats., and First of three plates on leaf 74.
"A lady stands in profile to the left removing her gloves; her head is turned to the spectator. Against the wall of the room, which appears from the carpet and an oval mirror in a carved frame to be a drawing-room, stands a commode, which if the lid were closed would resemble an ordinary chair. She wears the projections at bust and waist which were the subjects of caricature c. 1786-7 (cf. BMSats 6874, 7099, &c). Her hat, poised sideways, has a steeple crown."--British Museum online catalogue
Description:
Title etched below image. and Suggested attribution to Kingsbury in the British Museum catalogue.
Publisher:
Pub'd March 6 1788, by S.W. Fores, No. 3 Piccadilly
"Bonaparte (left) and Cornwallis play chess. Bonaparte, not caricatured, alert and military, wearing his large plumed cocked hat, leans forward, pointing to his move; his left arm lies on the table and in his left hand is his sheathed sabre. He says: "Check to your King, remember it is not the first time, and I think a very few Manoeuvres more will completely convince you that I am better acquainted with the Game I am playing than you are aware of." Cornwallis, plump and civilian despite his regimentals and profession, sits without a hat, scratching his head apprehensively. He says: "Curse it I shall lose this Game; You are too much for me." He wears his ribbon and star, 'Honi soit' on his garter. The chairs are symbolical: that of Bonaparte has ormolu laurel wreaths, the legs are formed of fasces and axes; that of Cornwallis, with plain oval back, suggests an English drawing-room."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement below imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Budgen 1799., and Early gilt paper strips pasted to margins as a mount.
Publisher:
Pubd. Jany. 9th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, and Cornwallis, Charles Cornwallis, Marquis, 1738-1805
Subject (Topic):
Generals, French, English, Chess, Daggers & swords, and Hats
In an outdoor setting before arches and columns, an elegantly coiffed and dressed lady faces to the right holding a fan, while in the foreground stands another woman wearing a bergère hat and shawl
Description:
Title from item., Sheet trimmed within plate mark., and Date from ms. notation in margin.
publish'd as the Act directs [ca. 2 September 1780]
Call Number:
780.09.02.01+
Image Count:
1
Resource Type:
still image
Abstract:
Fashionably dressed young woman, in a large hat and elbow-length gloves, is seated on a grassy bank under trees with a distant view of London to the right
Description:
Title from item., Printmaker from British Museum catalogue., Publication date erased from print., and Publication date extrapolated from that of a smaller version of this print published by C. Bowles on 2 September 1780.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Fashionably dressed young woman, in a large hat and elbow-length gloves, is seated on a grassy bank under trees with a distant view of London to the right
Description:
Title from item. and Reduced version of no. 5823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
July 16, 1777.
Call Number:
777.07.16.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
An etching of a young lady in an elegant dress, wearing a gigantic hat with by two large plumes. She holds a lapdog under her right arm and in her left hand, a book
Description:
Title etched below image., Signed in plate at lower left "MD", i.e. Matthias Darly., Second state, numbered in plate at top: 2, V.2. Cf. LC copy, unnumbered first state., and The initials 'MD' of publisher's name form a monogram.
Publisher:
Pub. by MDarly 39 Strand
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Social life and customs, Hats, Dogs, and Clothing & dress
Leaf 72. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall man wearing a long coat and holding a bunch of flowers and a long stick with tassels is shown in profile, full-length facing right
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of verse above image: Some are bewilder'd in the maze of schools, and some made coxcombs, nature meant for fools. Pope., Plate numbered "v. 3" in upper left corner and "3" in upper right corner., For an earlier state, see no. 4690 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Macaronies -- Little cocked hat, laced., and Third of three plates on leaf 72.
Publisher:
Pub. by MDarly April 23d, 1772, accor. to act, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hats, Flowers, and Staffs (Sticks)
Volume 2, page 90. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A friar standing in a landscape, a walking stick in his left hand and his hat down by his side in his right, a sack slung over his shoulder; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "Second published state, after publication line altered"--British Museum online catalogue, registration no.: 1878,0511.823., Sheet trimmed to plate mark., Text below title: It was one of those heads which Guido has often painted mild, pale, penetrating, free from all common place ideas of fat contented ignorance looking downwards upon the Earth, it look'd forwards, but look'd as if it look'd at something beyond this world. Vide Sterne., Illustration to Laurence Sterne's A sentimental journey through France and Italy., and Mounted on page 90 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 8th, 1794, by S.W. Fores, No. 3 Piccadilly
Published as the Act directs [not before 20 May 1782]
Call Number:
782.05.20.05+
Image Count:
1
Resource Type:
still image
Abstract:
Shop interior with three milliners in frilled caps behind the counter, one seated and two sewing. Behind them the window to the left displays their work, while to the right shelves hold boxes labelled Feathers, Love, Coxcomb and Mode. Two fashionable men and a Pomeranian dog are before the counter, one man seated upon it and the other handing the ladies a "Masquerade Ticket".
Alternative Title:
Milliners shop
Description:
Title from item., Date erased from print., Numbered 478 in lower left margin., and Date estimated from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles."
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Millinery, Interiors, Counters, Clothing & dress, and Hats
A man in fashionable clothes stands awkwardly on a city street outside the shop of McSight Hatter; he has a distressed look on his face as he holds his hat on. A dog at his feet has an umbrella on its back and turns and looks at the man with alarm
Description:
Title from caption below image., Text below title: Zounds! it pinches me like the very devil!!, Portion of imprint statement illegible due to paper damage; sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. [March], 1826 by T. Gillard, 40 Strand
Subject (Geographic):
England
Subject (Topic):
City & town life, Clothing & dress, Dogs, Hats, Hat industry, Umbrellas, and Men's clothing
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 30.4 x 24 cm, on sheet 33.2 x 25.9 cm., and Mounted on leaf 62 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
Two fashionably dressed women with large feathers in their hats. One lady carries a parasol; the other's arm is held by an equally fashionable gentleman. A dog jumps excitedly at their feet. They stand in the lane in a park (presumably St. James's) before a bench; an allée in the background on the right
Alternative Title:
Fashions of the day
Description:
Title etched below image., Plate numbered '329' on left below image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 1st Augt. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
Saint James's Park (London, England), and England
Subject (Topic):
Clothing & dress, Benches, Dogs, Hats, Parks, Umbrellas, and Walking
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
"A number of persons take shelter under the enormous hat-brim of a lady who screams, clasping her hands in alarm. An infant chimney-sweep or 'climbing boy' has climbed up her petticoats and sits astride on their lateral projection. A larger chimney-sweep is about to climb up, putting one foot on his sack of soot. A cloaked market-woman, smoking a pipe, stands under the shelter, as does a man in the dress of a naval officer. A sailor, wearing trousers, his arms folded, appears to be dancing a hornpipe under the shelter of the hat. In the background (right) a lady walks (right to left) holding up a small umbrella which shelters only a minute part of her enormous hat which extends far beyond her projecting breast and petticoats. In the foreground chickens run towards a hen for shelter. A house (left) and a high wall behind which is a tree (right) complete the design."--British Museum online catalogue
Alternative Title:
Any port in a storm
Description:
Title from item., On verso, in pencil: questionable attribution to Kingsbury., and Watermark in center of sheet.
Publisher:
Pub'd by S.W. Fores, at the Caricature Warehouse, No. 3 Piccadilly
Subject (Topic):
Chickens, Chimney sweeps, Clothing & dress, Hats, Sailors, British, Street vendors, Umbrellas, and Uniforms
A young woman and young man stand full-length in the latest fashion, enormous hats, high hairstyles, exaggerated cravats, etc
Description:
Title etched below image., Sheet trimmed partially within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark (partial) on right edge center: fleur-de-lis on shield.
"Satire on village life. A country fair in which three young women are running for the prize of a smock; the third in line has tripped over a dog and is being helped up by a man. In the foreground, left to right: a young couple embrace beneath two trees hung with drapery; a small girl fills a mug of beer from a cask on which leans the village constable, asleep, with an empty mug in his lap; a small girl beside him holds a book lettered, "Compleat Peace Off[ice]r."; a dog steals food from a plate discarded on the ground; an old man stands on tip-toe holding his eye-glass to read a notice lettered, "To be Run for by Men in Sacks, A Flitch of Bacon on Tuesday next" which is pinned to one of the trees; a sailor sits on a branch of the tree holding up the hem of the prize smock which hangs on a pole at either end of which is a three-cornered hat; another sailor lounges on the ground looking at the runing women, a large jug near his foot; a chimney boy grabs a gingerbread crown from a boy who is holding a donkey by a chain; a small girl holds a younger child who waves another gingerbread crown while a dog jumps up to reach it. Behind the area roped off for the race is a crowd of spectators and a farm cart which a woman climbs into with the help of two men and another woman already in the cart; a man with a cockade in his hat waves a small flag on a pole, perhaps indicating the start of the race; a larger flag with a cross flies behind; other villagers are gathered in and around a makeshift tent; a one-horse carriage driven by a woman and carrying a gentleman comes into the scene from the right; behind the carriage two men are fencing. Women watch from upper windows of a large house in the background; on its walls are two bird-bottles and a dove-cote which a cat is eyeing with interest from a window sill; beyond is a windmill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Country fairs -- Buildings -- Prizes: Holland smock -- Tricorne hats -- Constables -- Barrels with spiggots -- Beer -- Food: gingerbread -- Vehicles -- Chaise -- Animals -- Trades -- Donkey-driver -- Dishes: tankards -- Dove-cot -- Placards: race notice -- Customs: allusion to the "Flitch of bacon" -- Quizzing glasses -- Naval uniforms: sailor's uniform., and Mounted to 28 x 38 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
A lady, wearing over her dress a military coat with epaulets, stands plying her whip as she drives the two small white ponies who pull her carriage past the Cox Heath signpost. Her clothes mirror those of the fat and elderly militia officer who sleeps in the seat at her side, his hands clasped around his sword. A large dog sits in front of her. Observing the spectacle from a side road are three country travellers in a covered wagon which bears a sign "The Maidstone Common Stage Waggon".
Description:
Title from item., Publication date erased from print., Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate 391.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Military officers, Sleeping, Clothing & dress, Carriages & coaches, Covered wagons, Horses, and Hats
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols'sbook, 3d edit, p. 325., and On page 164 in volume 2. Sheet trimmed to: 39.1 x 50.8 cm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and 1 print : etching and engraving, on laid paper ; sheet 385 x 504 mm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State and date from Paulson., Ms. note in pencil in Steevens's hand above print: 3rd Impression., and Formerly on page 166 in volume 2. Removed in 2012 by LWL conservator.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 165 in volume 2.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image. and State from Paulson.
Title etched on ribbon at top of image., Sheet trimmed within plate mark, cropping last digit from the date of publication., Last digit of date from British Museum catalogue., Temporary local subject terms: Ladies' costumes., and Mounted to 31 x 40 cm.
Title from item., Sheet trimmed to plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: French term for pregnancy.
Publisher:
Pubd. Feby. 20th 1786 by J. Wicksteed, No. 30 Henrietta Strt. Covent Garden
Two elderly women in hats sit, the one on the left is facing forward with arns across her chest; the woman on the right turns to the right and holds a sheet in her hands
Description:
Title below image., Trimmed within design; lines in pencil drawn on left and top., Date and place of publication based on John Nixons known years of activity and location., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. annotation in lower left of image: John Nixon.
Three views of women's dress and hat styles in England circa 1800. One model wears a poke bonnet and carries a parasol
Alternative Title:
Fashions a little before 1800
Description:
Title from item., Caption title above image: Fashions a little before 1800, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Russell & Co.
Three views of men's fashionable attire in England circa 1800. They wear Jean de Bry coats, hats, and high, tasseled boots and carry walking sticks
Alternative Title:
Fashions a little before 1800
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Caption title above image: Fashions a little before 1800, and Possibly some additional lettering preceding caption title erased from this impression.
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap on which is inscribed the words "War for ever".
Description:
Title from item., Place of publication suggested by engraver's name, possibly identifiable with Graham Stewart the wood-engraver who died in 1786 (cf. Strickland, A Dictionary of Irish artists)., Date based on that suggested for no. 5796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Title in the British Museum catalogue: Beating up for recruits, originally designed by Robert Dighton.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, and Drums
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap. In the far distance is a horse-drawn covered wagon
Description:
Title from item. and Date from British Museum online catalogue.
Publisher:
Printed for Robert Sayer, No. 53, Fleet Street
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, Drums, and Taverns (Inns)
Two well-dressed young women sit in chairs opposite each other over a table on which are placed scissors, fabric, and ribbon and other sewing notions. They each are sewing , the woman facing the views attaches a large feather to a hat. The room is well-furnished with wallpaper, a patterned rug and a mirror on the wall behind them
Description:
Title engraved below image., Plate numbered '383' in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 24th Jany 1797, by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Hats, Interiors, Parlors, Rugs, Sewing, and Wallpapers
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
The sudden entrance, through the window, of Napoleon Bonaparte startles tailors assembled in their shop, i.e., the European rulers at the Congress of Vienna, busy "cutting out" portions of Europe for themselves. With a blood-dripping sabre in his hand, Bonaparte declares his readiness to join them in this activity. To his left, a startled King of Holland moves toward the Austrian Emperor, shown with a pair of small scissors and an iron in his hands, who is Napoleon's father-in-law and whom the deposed French Emperor asks, "Where is my wife and son, father Francis?" Beside Francis I, the Russian Emperor stands on a large piece of cloth lined with "Polish fur," raising in his left hand a knot made out of the measuring tape. On the opposite side of the workbench, a fierce-looking Prussian general Blücher threatens Napoleon with huge shears. Behind him, the King of Prussia, sitting cross-legged, continues sewing a piece of cloth signed, "Pattern of an Emperors Robe." To his right stands Napoleon's former marshal, Bernadotte, now allied against him as the Crown Prince of Sweden. In the middle of the room, a frightened and helpless-looking King of France lies flat on the floor, consoled by John Bull, with a large club, who promises to sew up "that rascal Boney." Behind John Bull, a terrified Pope scrambles away for the safety, his tiara and cross fallen to the ground. On the other side of Louis XVIII, the French negotiator at the Congress, Talleyrand, attempts to hide under the tailors' bench
Alternative Title:
Devil among the tailors
Description:
Title from caption below image., Artist from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 44 cm.
Publisher:
Pubd April 21st, 1815 by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Louis XVIII, King of France, 1755-1824., Francis I, Emperor of Austria, 1768-1835., Alexander I, Emperor of Russia, 1777-1825., William I, King of the Netherlands, 1772-1843., Frederick William III, King of Prussia, 1770-1840., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., Blücher, Gebhard Leberecht von, 1742-1819., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
John Bull (Symbolic character), Congress of Vienna, Tailor shops, Clothing and dress, Scissors & shears, Hats, and Crowns
Title from caption below center image., Seven designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 73.
"The Queen (right) and Mrs. Wood, a stout virago and a lean one, fight, clutching each other's hair. The Queen's large feathered hat is on the floor. A curtain is draped on a pillar (right), and from behind a curtain on the left, Alderman Wood, wearing his furred gown, watches the fray, drooping apprehensively; he says: "He Jests at Scars who never felt a wound!" Mrs. Wood: "I'll teach you to play at Bergami with my Husband indeed--no--no I've read Jane Shore, & knows how things goes on in Courts, & Palace's, in Como's [cf. British Museum Satires No. 13857], Virgin's Waters, Cottages, Pavilions, Yachts, & such like. An Honest Citizen has no business in such bad place's & I'll Tear your Eyes out before you shall make a Bergami of him." The Queen shrieks: "Avaunt ye Termagant I'll stop the Tongue of Slander & Level to the Dust, the proudest Foe that dares suspect my Chastity I'd tear you limb from [sic] tho you be made of Wood." Behind, on a small chimney-piece, is a bust, perhaps that of Lady Craven."--British Museum online catalogue
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. Sep. 20, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Maria, approximately 1770-1848, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fighting, Hats, Columns, Draperies, Robes, Chimneypieces, and Adultery
"The Queen (right) and Mrs. Wood, a stout virago and a lean one, fight, clutching each other's hair. The Queen's large feathered hat is on the floor. A curtain is draped on a pillar (right), and from behind a curtain on the left, Alderman Wood, wearing his furred gown, watches the fray, drooping apprehensively; he says: "He Jests at Scars who never felt a wound!" Mrs. Wood: "I'll teach you to play at Bergami with my Husband indeed--no--no I've read Jane Shore, & knows how things goes on in Courts, & Palace's, in Como's [cf. British Museum Satires No. 13857], Virgin's Waters, Cottages, Pavilions, Yachts, & such like. An Honest Citizen has no business in such bad place's & I'll Tear your Eyes out before you shall make a Bergami of him." The Queen shrieks: "Avaunt ye Termagant I'll stop the Tongue of Slander & Level to the Dust, the proudest Foe that dares suspect my Chastity I'd tear you limb from [sic] tho you be made of Wood." Behind, on a small chimney-piece, is a bust, perhaps that of Lady Craven."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.7 x 35.1 cm, on sheet 25 x 35.4 cm., Printed on laid paper with watermark "G. Pike 1820"; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 87 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ald. Wood," "Mrs. Wood," and "Q. Caroline" identified in ink below image; date "20 Sep. 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 20, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Maria, approximately 1770-1848, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fighting, Hats, Columns, Draperies, Robes, Chimneypieces, and Adultery
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue, description of an earlier state
Alternative Title:
Buck and doe macaronies
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "13" in upper right corner., For an earlier state, see no. 5029 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., First of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 12.5 x 17.4 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Publish'd according to act Septr. 7, 1772, by M. Darly, 39 Strand
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (right) and woman (left) are shown full length and appear to be quarrelling. The young woman runs left holding up in her right hand a glass whose contents are being spilled. In her left hand she holds a sword hilt downwards. She wears a flat ribbon-trimmed hat, low ribbon-trimmed bodice. The man (right) dressed as a macaroni holds a cane above his head in his right hand; his left hand is on the hilt of his sword. The mouths of both are open as if shouting."--British Museum online catalogue, description of an earlier state
Alternative Title:
Buck and doe macaronies
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "13" in upper right corner., and For an earlier state, see no. 5029 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd according to act Septr. 7, 1772, by M. Darly, 39 Strand
A young man with a large nosegay in his lapel, holding a tasselled walking stick in his left hand and facing right wears the oversized shoe buckles and enormous buttons of the day, as well as a round hat with the brim held up on the sides by bands looped around a large button on the top
Description:
Title from item., Publisher's initials "MD" form a monogram., Title varies slightly from that given in British Museum catalogue: "I'm the thing..."., and Numbered in plate at top: 23, V.2.
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
Octr. 28, 1777.
Call Number:
777.10.28.01+
Image Count:
1
Abstract:
A very corpulent couple facing left, promenade arm in arm. The gentleman, behind the woman, wears a military coat, ruffled shirt and a tricorne hat with a bow on the front. He carries a walking stick, and the pommel of his sword is just visible behind the voluminous dress of his wife, whose face is nearly hidden in an enormous calash hat of the period
Alternative Title:
Captain Calipash and Mrs. Calipee
Description:
Title from item., Trimmed within plate mark., Signed in lower left image M.D. i.e. Matthias Darly?, MD of publisher's name form a monogram., and Numbered '35' in ink on upper mount.
